biblio 32

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Presenting the Past: Essays on History and the Public. Philadelphia: ... 1992. FERRO, Marc. Cinema and History. Trans. Naomi Greene. Detroit: Wayne State ...
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BIBLIOGRAPHY ALLEN, Robert C., ed. Channels of Discourse. Chapel Hill: University of North Carolina Press, 1987. ANDERSON, Benedict. Imagined Communities. London:Verso, 1991. AVISAR, Ilan. Screening the Holocaust: Cinema’s Images of the Unimaginable. Bloomington: Indiana University Press, 1988. BAL, Mieke. Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press, 1985. BALIO, Tino, ed. The American Film Industry, rev. ed. Madison: University of Wisconsin Press, 1985. BARTH, Jonh. The Friday Book. New York: Perigue, 1967. BARTHES, Roland. Image-Music-Text. Translated by Stephen Heath. New York: Hill and Wang, 1977. BAUDRILLARD, Jean-Louis. “The Implosion of Meaning in the Media and the Information of the Social in the Masses.” Myths of Information: Technology and Postindustrial Culture. Ed. Kathleen Woodward. Madison: Coda Press, 1980, pp. 137-148. BAZIN, André. What Is Cinema? Vols. I and II. Trans. Hugh Gray. Berkeley: University of California Press, 1971. BELL, Steven M., Albert H. LeMay, Leonard Orr, eds. Critical Theory, Cultural Politics and Latin American Narrative. Indiana: Notre Dame University Press, 1991. BENJAMIN, Walter. Illuminations Ed. Hannah Arendt. Trans. Harry Zohn. New York: Harcourt Brace Jovanovich, 1968.

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BENSON, Susan Porter, Stephen Brier and Roy Rosenweig, eds. Presenting the Past: Essays on History and the Public. Philadelphia: Temple University Press, 1986. BERRYMAN, Charles. Decade of Novels—Fiction of the 1970’s: Forms and Challange. Troy, N.Y.: Whitston Publishing Company, 1990. BLUESTONE, George. Novels into Film. Berkeley and Los Angeles: University of California Press, 1966. BORDWELL, David. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985. BORDWELL, David, Janet Staiger and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York: Columbia University Press, 1985. BRANIGAN, Edward. Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. New York and Berlin: Mouton, 1984. BRENNAN, Timothy, ed. Nation and Narration. London: Routledge, 1990. BURGOYNE, Robert. “Enunciation and Generic Address.” Quarterly Review of Film Studies 10, nº2 (Spring 1985):135-142. BURGOYNE, Robert. Bertolucci’s 1900: A Narrative and Historical Analysis. Detroit: Wayne State Press, 1991. CARROLL, Noel. “The Future of Allusion: Hollywood in the Seventies (and Beyond),“October 20 (Spring 1982): 51 -81. CAUGHIE, John, ed. Theories of Authorship. (BFI Series) London: Routledge and Kegan Paul, 1981.

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CAUGHIE, John. “Adorno’s Reproach: Repetition, Difference, and Television Genre.” Screen 32, nº. 2 ( Summer 1991): 127-153. CHATMAN, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca: Cornell University Press, 1990. COHEN, Keith. Film and Fiction: The Dynamics of Exchange. New Haven: Yale University Press, 1979. COLLINS, Jim. Uncommon Cultures: Popular Culture and PostModernism. New York: Routledge, 1989. DEBORD, Guy. Society of the Spectacle. Detroit: Black and Red, 1983. DITTMAR, Linda, and Gene Michaud, eds. From Hanoi to Hollywood: The Vietnam Documentary,” New Brunswick: Rutgers University Press, 1990. EAGLETON, Terry. The Ideology of the Aesthetic. Cambridge: Basil Blackwell, ELLIS, John. Visible Fictions. London: Routledge and Kegan Paul, 1982. ELSAESSER, Thomas. “Film History and Social History: The Dieterle/ Warner Brothers Bio-Pic.” Wide Angle 8, nº.2 (1986): 15-31. ERMARTH, Elizabeth Deeds. Sequel to History: Postmodernism and the Crisis of Representational Time. Princeton:Princeton University, 1992. FERRO, Marc. Cinema and History. Trans. Naomi Greene. Detroit: Wayne State University Press, 1988. FRIEDLANDER, Saul, ed. Probing the Limits of Representation. Cambridge, Mass: Harvard University Press, 1992.

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FRISCH, Michael. A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. New York: State University of New York Press, 1990. GARBER, Marjorie, Jann Matlock and Rebecca Walkowitz, eds. Media Spectacles. New York:Routledge, 1993. GATTI, José. Barra Vento: A Estréia de Glauber. Florianópolis: Editora da Universidade Federal de Santa Catarina, 1988. GRINDON, Leger. Shadows on the Past (Studies in the Historical Fiction Film). Philadelphia: Temple University Press, 1994. GUNNING, Tom. D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biography. Urbana:University of Illinois Press, 1991. HABERMAS, Jürgen. The New Conservatism: Cultural Criticism and The Historians’s Debate. Ed. and trans. Shierry Weber Nicholson, intro. Richard Wolin. Cambridge, Mass: MIT Press, 1989. HINDESS, Barry, and Paul Hirst. Precapitalist Modes of Production. London: Routledge and Kegan Paul, 1975. HUTCHEON, Linda. A Poetics of Postmodernism; History, Theory, Fiction. New York and London: Routledge, 1988. _____. The Politics of Postmodernism. London: Routledge, 1989. HUYSSEN, Andreas. After The Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986. _____. Making Time in a Culture of Amnesia. New York and London: Routledge, 1995.

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