Bridget Riley - Karsten Schubert

Karsten Schubert Bridget Riley Born 1931 in London, United Kingdom Lives and works in London, Cornwall and France

Education 1952–55 Royal College of Art, London 1949–52 Goldsmiths College, University of London, London

46 Lexington Street 0lp, uk London w1f 0lp tel +44 (0)20 7734 9002 fax +44 (0)20 7734 9021 [email protected] www.karstenschubert.com

Karsten Schubert Selected solo exhibitions 2014 Bridget Riley, David Zwirner, London, UK 2013 Die Streifenbilder / The Stripe Paintings 1961–2012, Galerie Max Hetzler, Berlin, Germany 2012 12th Rubens Prize Awarded by the City of Siegen, Museum für Gegenwartskunst, Siegen, Germany Bridget Riley: Works 1960–1966, Karsten Schubert, London and Hazlitt Holland-Hibbert, London, UK 2011 Bridget Riley: Paintings And Studies 1979–1981 & 2011, Karsten Schubert, London, UK Bridget Riley: Paintings and Related Work 1983–2010, Galerie Max Hetzler, Berlin, Germany Bridget Riley: Colour, Stripes, Planes and Curves, Kettle's Yard, Cambridge, UK Bridget Riley: Grafische Werke, Galerie Nicole Schlégl, Zurich, Switzerland 2010 Bridget Riley: Paintings and Related Work, National Gallery, London, UK Flashback: Bridget Riley, Birmingham Museum and Art Gallery, Birmingham; Norwich Castle Museum and Art Gallery, Norwich; Walker Art Gallery, Liverpool; Southampton Art Gallery, Southampton, UK 2009 Bridget Riley: New Paintings, Wall Painting and Gouaches, Timothy Taylor Gallery, London and Karsten Schubert, London, UK Bridget Riley, Mönchehaus Museum, Goslar, Germany 2008 Bridget Riley: Circles Colour Structure, Studies 1970/71, Galerie Max Hetzler, Berlin, Germany; and Karsten Schubert, London, UK Bridget Riley: Two Paintings, 1986 & 1988, Karsten Schubert, London, UK Bridget Riley: Rétrospective, Musée d’Art Moderne de la Ville de Paris, Paris, France 2007 Bridget Riley: Recent Paintings and Gouaches, PaceWildenstein, New York, NY, US Bridget Riley, Galerie Max Hetzler, Berlin, Germany Bridget Riley: Paintings and Works on Paper, Robert Sandelson, London, UK Bridget Riley, Green on Red Gallery, Dublin, Ireland 2006 Bridget Riley: New Paintings and Gouaches, Timothy Taylor, London and Karsten Schubert, London, UK Bridget Riley: Prints 1962–2005, University of Exeter, Exeter, UK Bridget Riley, Narborough Hall, Norfolk, UK Bridget Riley, Marlborough Fine Arts, London, UK


Karsten Schubert 2005 Bridget Riley: Print Retrospective 1981–2005, Galerie Schlégl, Zurich, Switzerland Bridget Riley: Paintings and Studies, 1963–2005, Cranbrook Art Museum, Bloomfield Hills, MI, US Bridget Riley: Bilder und Zeichnungen 1959–2005, Aargauer Kunsthaus, Aarau, Switzerland 2004 Bridget Riley: A Print Retrospective 1962–2003, Museum Sztuki, Lodz, Poland; Museum of Modern and Contemporary Art, Rijeka, Croatia; Rotermann Salt Storage, Tallinn, Estonia; Contemporary Art Centre, Vilnius, Lithuania; East-Slovakian Gallery, Kosice, Slovakia; Moravian Gallery, Brno, Czech Republic Bridget Riley: Bilder und Gouachen 1981–2004, Galerie Aurel Scheibler, Cologne, Germany Bridget Riley: Recent Paintings, PaceWildenstein, New York, NY, US Bridget Riley: Gouaches and Prints, Nishimura Gallery, Tokyo, Germany Bridget Riley: Paintings and Drawings 1961–2004, Museum of Contemporary Art, Sydney, Australia; City Gallery Wellington, Wellington, New Zeland 2003 Bridget Riley: Retrospective, Tate Britain, London, UK Bridget Riley, Green on Red Gallery, Dublin, Ireland Bridget Riley, Galerie Beyeler, Basel, Switzerland Bridget Riley, Marlborough Fine Art, London, UK 2002 Bridget Riley: Recent Paintings and Gouaches, Galerie Michael Sturm, Stuttgart, Germany Bridget Riley: New Work, Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany 2001 Bridget Riley: Complete Prints 1962–2001, Hayward Gallery, London; Hunterian Art Gallery, Glasgow; Abbot Hall Art Gallery, Kendal; Rugby Art Gallery and Museum, Rugby; Glynn Vivian Art Gallery, Swansea; Firstsite, Colchester; Ferens Gallery, Kingston upon Hill, UK 2000 Bridget Riley: Reconnaissance, Dia Center for the Arts, New York, NY, US Bridget Riley: Paintings 1982–2000 and Early Works on Paper, PaceWildenstein, New York, NY, US Bridget Riley: New Paintings and Gouaches, Waddington Galleries, London, UK 1999 Bridget Riley: Ausgewählte Bilder/Selected Paintings 1961–1999, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany Bridget Riley: Paintings from the 1960s and 1970s, Serpentine Gallery, London, UK 1998 Bridget Riley: Works 1961–1998, Abbott Hall Art Gallery, Kendal, UK Bridget Riley, Galerie Aurel Scheibler, Cologne, Germany Bridget Riley, Galerie Michael Sturm, Stuttgart, Germany


Karsten Schubert 1997 Bridget Riley: Paintings, Gouaches and Prints 1981–1986, Green on Red Gallery, Dublin, Ireland 1996 Bridget Riley, Museum für moderne Kunst des Landkreises Cuxhaven, Otterndorf, Germany Bridget Riley: Paintings and Gouaches 1980–1995, Leeds City Art Gallery, Leeds, UK Bridget Riley: Gouaches 1980–1995, The British School at Rome, Rome, Italy Bridget Riley: Recent Paintings and Gouaches, Waddington Galleries, London; and Karsten Schubert, London 1995 Bridget Riley: Gouaches 1980–1995, Aberdeen Art Gallery, Aberdeen, UK Bridget Riley: Recent Paintings and Gouaches, Kettle’s Yard, Cambridge, UK Colour and Nature (with Patrick Heron), Castle Museum, Norwich, UK 1994 Six Paintings 1963–1993 from the Collection, Tate Gallery, London, UK 1993 Bridget Riley: Colour Studies, Karsten Schubert, London, UK 1992 Bridget Riley: Paintings 1982–1992, Kunsthalle Nürnberg, Nurnberg, Germany; Josef Albers Museum, Bottrop, Germany; Hayward Gallery, London, UK; Ikon Gallery, Birmingham, UK Bridget Riley: Paintings, Galerie Ascan Crone, Hamburg, Germany Bridget Riley: Works on Paper 1982–92, Karsten Schubert, London, UK 1990 Bridget Riley, Nishimura Gallery, Tokyo, Japan Bridget Riley, Sidney Janis Gallery, New York, NY, US 1989 Bridget Riley: Works on Paper, Mayor Rowan Gallery, London, UK Bridget Riley, Galerie Schlégl, Zurich, Switzerland 1988 Bridget Riley, Galerie Teufel, Cologne, Germany 1987 Bridget Riley: New Work, Mayor Rowan Gallery, London, UK Bridget Riley, Galerie Schlégl, Zurich, Switzerland Bridget Riley, Galerie Konstructiv Tendens, Stockholm, Sweden 1986 Bridget Riley, Jeffrey Hoffeld Gallery, New York, NY, US 1985 Bridget Riley: An Australian Context, Queensland Art Gallery, Brisbane, Australia


Karsten Schubert 1984 Working with Colour: Recent Paintings and Studies by Bridget Riley, DLI Museum and Arts Centre, Durham, UK Bridget Riley, Galerie Reckermann, Cologne, Germany Bridget Riley, Royal Institute of British Architects, London, UK 1983 Bridget Riley: Paintings and Drawings 1981–83, Nishimura Gallery, Tokyo, Japan 1982 Bridget Riley: Gouaches, Juda Rowan Gallery, London, UK 1981 Bridget Riley: Recent Paintings and Gouaches, Rowan Gallery, London; and Warwick Arts Trust, London, UK 1980 Bridget Riley: Silksceen Prints 1965–78, Preston Hall Museum, Stockton-on-Tees, UK Bridget Riley, Artline, The Hague, The Netherlands Bridget Riley, Fruitmarket Gallery, Edinburgh, UK Bridget Riley: Works 1959–78, National Museum of Modern Art, Tokyo, Japan 1979 Bridget Riley: Drawings, Australian Galleries, Melbourne; and Bonython Gallery, Adelaide, Australia 1978 Bridget Riley: Works 1959–78, Art Gallery of Western Australia, Perth, Australia; Centrepoint Gallery Space, Sydney, Australia; Neuberger Museum, Purchase, NY, US; Museum of Fine Arts, Dallas, TX, US; Albright Knox Art Gallery, Buffalo, NY, US Bridget Riley, Sidney Janis Gallery, New York, NY, US 1977 Bridget Riley, Minami Gallery, Tokyo, Japan 1976 Bridget Riley, Coventry Gallery, Sydney, Australia Bridget Riley, Rowan Gallery, London, UK 1975 Bridget Riley, Sidney Janis Gallery, New York, NY, US Bridget Riley, Galerie Beyeler, Basel, Germany 1973 Bridget Riley: Paintings and Drawings 1961–1973, Whitworth Art Gallery, Manchester; Mappin Art Gallery, Sheffield; DLI Museum and Arts Centre, Durham; Scottish National Gallery of Modern Art, Edinburgh; City Museum and Art Gallery, Birmingham; Museum and Art Gallery, Letchworth; City Art Gallery/Arnolfini Gallery, Bristol, UK 1972 Bridget Riley: Drawings, Rowan Gallery, London, UK Bridget Riley, Kunstverein Göttingen, Gottingen, Germany


Karsten Schubert 1971 Bridget Riley: Drawings, Rowan Gallery, London, UK Bridget Riley: Paintings and Drawings 1951–71, Kunsthalle Bern, Bern, Germany; Kunsthalle Düsseldorf, Dusseldorf, Germany; Kunstverein Hannover, Hanover, Germany; Galleria Civica d’Arte Moderna, Turin, Italy; Hayward Gallery, London, UK; National Gallery, Prague, Czech Republic 1969 Bridget Riley: Drawings, Bear Lane Gallery, Oxford; Arnolfini Gallery, Bristol; Midland Group Gallery, Nottingham, UK Bridget Riley, Rowan Gallery, London, UK Schilderijen en tekeningen (with Phillip King), Museum Boijmans Van Beuningen, Rotterdam, The Netherlands 1968 British Pavilion (with Philip King), 34th Biennale, Venice, Italy; Städtische Kunstgalerie, Bochum, Germany; Museum Boijmans Van Beuninigen, Rotterdam, The Netherlands Bridget Riley, Richard Feigen Gallery, New York, NY, US 1967 Bridget Riley, Robert Fraser Gallery, London, UK Bridget Riley, Richard Feigen Gallery, New York, NY, US 1966 Bridget Riley: Drawings, Museum of Modern Art, New York, NY, US Bridget Riley: Preparatory Drawings and Studies, Robert Fraser Gallery, London, UK Bridget Riley: Drawings, Richard Feigen Gallery, New York, NY, US 1965 Bridget Riley, Feigen-Palmer Gallery, Los Angeles, CA, US Bridget Riley, Richard Feigen Gallery, New York, NY, US 1963 Bridget Riley, Gallery One, London, UK 1962 Bridget Riley, Gallery One, London, UK


Karsten Schubert Selected group exhibitions 2013 REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany Michael Craig-Martin, Langlands & Bell, Julian Opie, Bridget Riley, Galería Pilar Serra, Madrid, Spain Here We Go: A Changing Group Show, Karsten Schubert, London, UK Auf Zeit: Wandbilder – Bildwände, Kunsthalle Bielefeld, Cologne, Germany Moving Norman Foster on Art, Carré d'Art, Nîmes, France Dynamo: A century of light and movement in art from 1913 to 2013, Grand Palais, Paris, France Artistic Relationships: Partners, Mentors, Lovers, Bechtler Museum of Modern Art, Charlotte, NC, US Into the Void, Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman, OK, US Mixed Exhibition, Austin/Desmond Fine Art, London, UK Vibrations, Des Moines Art Center, Des Moines, IA, US 2012 Aspects of Modern British Art 2012, Austin/Desmond Fine Art, London, UK Print Masters, Quest Gallery, Bath, UK Modern British Art: A Gallery Selection, Austin/Desmond Fine Arts, London, UK circa 1963, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, US Ghosts in the Machine, New Museum of Contemporary Art, New York, NY, US Der Raum der Linie, Museum Wiesbaden, Wiesbaden, Germany Punkt.Systeme – Vom Pointillismus zum Pixel, Wilhelm-Hack-Museum, Ludwigshafen, Germany Outside In, Timothy Taylor Gallery, London, UK New Departures: Painting and Real Space, Akademie der Künste, Berlin, Germany The Space Between, Karsten Schubert, London, UK My Generation: Art of the 60s and Early 70s, Ulster Museum, Belfast, UK Gebaute Bilder: Werke aus der Sammlung Hupertz, Ernst Barlach Haus, Hamburg, Germany Roesler Hotel #21 – Buzz, Galerie Nara Roesler, Sao Paulo, Brazil 2011 Moderne: Selbstmord der Kunst?, Neue Galerie, Graz, Austria Die Kunst der Entschleunigung, Kunstmuseum Wolfsburg, Wolfsburg, Germany Divided Heaven: 1945 - 1968. The Collection. Neue Nationalgalerie, Neue Nationalgalerie, Berlin, Germany Musée national d'art moderne. Collections contemporaines (des années 1960 à nos jours), Centre Pompidou, Paris, France The Indiscipline of Painting: International abstraction from the 1960s to now, Tate St Ives, Cornwall; and Warwick Arts Centre, Coventry, UK 20/21 at Ceri Hand Gallery, Ceri Hand Gallery, Liverpool, UK Der Raum der Linie, Pinakothek der Moderne, Munich, Germany Compass: Drawings from the Museum of Modern Art New York, Martin-Gropius-Bau, Berlin, Germany Drawn from Life, Abbot Hall Art Gallery, Kendal, UK 2010 Let Us Face the Future: British Art 1945–1968, Fundación Joan Miró, Barcelona, Spain


Karsten Schubert ganz konkret II, Haus Konstruktiv, Zurich, Switzerland 8th Gwangju Biennale: 10,000 Lives, Gwangju Biennale, Gwangju, South Korea Summer Show, Andipa Gallery, London, UK Visions: Spectacular Art from the Ulster Museum, Ulster Museum, Belfast, UK Summer Special, Galerie Schlégl, Zurich, Switzerland Group Exhibition, Green On Red Gallery, Dublin, Ireland Colorscope: Abstract Painting 1960–1979, Santa Barbara Museum of Art, Santa Barbara, CA, US 2009 konkret: Die Sammlunf Heinz + Anette Teufel, Kunstmuseum Stuttgart, Stuttgart, Germany Numbers, Color and Text: Works from the Collection, The Rose Art Museum, Waltham, MA, US Pattern Recognition, The City Gallery, Leicester, UK Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York, NY, US Shaping Reality: Geometric Abstraction Aer 1960, The Minneapolis Institute of Arts, Minneapolis, MN, US Here/Now, Mossgreen Gallery, Melbourne, Australia Alles, Wilhelm Hack Museum, Ludwigshafen, Germany Notation: Form und Kalkül in den Künste, Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany Enacting Abstraction, Vancouver Art Gallery, Vancouver, Canada 2008 rep'e.t'tion, Sorcha Dallas Gallery, Glasgow, UK Geo/Metric: Prints and Drawings from the Collection, Museum of Modern Art, New York, NY, US 2007 Collecting the Past, Present and Future, Abbott Hall Art Gallery, Kendal, UK If Everybody Had an Ocean: Brian Wilson, Tate Gallery, St Ives, UK Die Neuen Tendenzen, Leopold Hoesch Museum, Düren, Germany Raum: Orte der Kunst, Akademie der Künste, Berlin, Germany Op Art, Schirn Kunsthalle, Frankfurt, Germany Optic Nerve: Perceptual Art of the 1960s, Columbus Museum of Art, Columbus, OH, US Cutting Edge: Geometry in Art 1910–1965, Scottish National Gallery of Modern Art, Edinburgh, UK Ausgerechnet... Mathematik und Konkrete Kunst, Museum im Kulturspeicher, Würzburg, Germany Op Art Revisited, San Jose Museum of Art, San Jose, CA, US 2006 A noir, e blanc, i rouge, u vert, o bleu, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany Super Vision, Institute of Contemporary Art, Boston, MA, US Bewegung im Quadrat. Das Quadrat in Malerei, Kinetischer Kunst und Animation, Museum Ritter, Waldenbuch, Germany Eye on Europe, Museum of Modern Art, New York, NY, US Die Neuen Tendenzen, Museum für Konkrete Kunst, Ingolstadt, Germany FASTER! BIGGER! BETTER!, Zentrum für Kunst und Medientechnologie, Karlsruhe,


Karsten Schubert Germany How to Improve the World, Hayward Gallery, London, UK The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland Transforming Chronologies: An Atlas of Drawings, Part 2, Museum of Modern Art, New York, NY, US 2005 STROLL ON!, Musée d’art moderne et contemporain, Geneva, Switzerland Art Now, Museum of Contemporary Art, Skopje, Republic of Macedonia Prague Biennale 2, Prague, Czech Republic L’ŒIL MOTEUR, Musée d’Art Moderne et Contemporain, Strasbourg, France Prolog, Akademie der Künste, Berlin, Germany 2004 Seeing is Believing, Tate Liverpool, Liverpool, UK Die Algorithmische Revolution, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany Art and the 60s: This Was Tomorrow, Tate Britain, London; Birmingham Museums and Art Gallery, Birmingham, UK Matisse to Freud: A Critic’s Choice, The British Museum, London, UK 2003 Einbildung: Steirischer Herbst, Kunsthaus Graz, Graz, Austria Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan Pittura/Painting: From Rauschenberg to Murakami 1964–2003, 50th Biennale, Museo Correr, Venice, Italy 2002 Blast to Freeze, Kunstmuseum Wolfsburg, Wolfsburg, Germany 2001 Beau Monde: Toward a Redeemed Cosmopolitanism, 4th International Biennial, SITE Santa Fe, Santa Fe, NM, US 2000 Hypermental: Wahnhae Wirklichkeit 1955–2000, Kunsthaus Zürich, Zurich, Switzerland Blue, The New Art Gallery, Walsall, UK Collection 2000, Tate Modern, London, UK 1999 Sublime: The Darkness and the Light, Works from the Arts Council Collection, John Hansard Gallery, Southampton, UK ’45 – ’99, Kettle’s Yard, Cambridge, UK 1998 White Noise, Kunsthalle Bern, Bern, Switzerland 1997 A Quality of Light, Tate Gallery, St Ives, UK Treasure Island, Centro de Arte Moderna José de Azeredo Perdigao, Lisbon, Portugal


Karsten Schubert 1995 Artist’s Choice: Elizabeth Murray, Modern Women, Museum of Modern Art, New York, NY, US Karo Dame, Aargauer Kunsthaus, Aarau, Switzerland Drawing the Line, Southbank Centre, London, UK 1992 New Realities 1945–1968, Tate Gallery, Liverpool, UK 1990 Künstlerinnen des 20. Jahrhunderts, Museum Wiesbaden, Wiesbaden, Germany 1989 The Experience of Painting: Eight Modern Artists, Southbank Centre, London; Laing Art Gallery, Newcastle upon Tyne; Mappin Art Gallery, Sheffield; City Art Gallery, Stoke-onTrent, UK 1988 The Presence of Painting: Aspects of British Abstraction 1957–1988, Southbank Centre, London; Mappin Art Gallery, Sheffield; Hatton Gallery, Newcastle; Ikon Gallery, Birmingham, UK Viewpoints, Solomon R. Guggenheim Museum, New York, NY, US Exhibition Road, Royal College of Art, London, UK 1987 British Art in the 20th Century, Royal Academy of Arts, London, UK; and Staatsgalerie Stuttgart, Stuttgart, Germany 1986 42nd Biennale, Venice, Italy 1984 Artists Design for Dance 1909–1984, Arnolfini Gallery, Bristol, UK A Different Climate, Kunsthalle Düsseldorf, Dusseldorf, Germany 1982 Aspects of British Art Today, Metropolitan Museum, Tokyo; Prefectual Museum, Tochigi; National Museum of Modern Art, Osaka; Fukuoka Art Museum, Fukuoka; Hokkaido Museum of Modern Art, Sapporo, Japan 1979 Peter Moores Liverpool Project 5: The Cra of Art, Walker Art Gallery, Liverpool, UK British Drawings since 1945, Whitworth Art Gallery, Manchester, UK 1978 Recent British Art, Nordjyllands Kunstmuseum, Aalborg, Denmark The Mechanised Image, City Museum and Art Gallery, Portsmouth, UK 1977 Documenta VI, Kassel, Germany Biennale de Paris, une anthologie: 1959–1967, Paris, France British Artists of the ’60s, Tate Gallery, London, UK


Karsten Schubert Contemporary Drawing, Art Gallery of Western Australia, Perth, Australia 1976 Arte inglese oggi, Palazzo Reale, Milan, Italy Art as a Thought Process, 11th Biennale International d’Art, Palais de l’Europe, Menton, France 1975 From Britain ’75, Taidehalli, Helsinki, Finalnd Contemporary British Drawings, 12th Biennale, Sao Paulo, Brazil 1974 Graveurs Anglais Contemporains, Musée d’Art et d’Histoire, Geneva, Switzerland British Painting ’74, Hayward Gallery, London, UK 1973 Henry Moore to Gilbert and George: Modern British Art from the Tate Gallery, Palais des Beaux-Arts, Brussels, Belgium La peinture anglaise aujourd’hui, Musée d’Art Moderne de la Ville de Paris, Paris, France 1972 8th International Print Biennial, National Museum of Modern Art, Tokyo; National Museum of Modern Art, Kyoto, Japan 1969 Black White, Smithsonian Institution, Washington, DC, US Marks on Canvas, Museum am Ostwall, Dortmund; and Kunstverein Hannover, Hanover, Germany Contemporary Art: Dialogue between East and West, National Museum of Modern Art, Tokyo, Japan 1968 British Artists: 6 Painters, 6 Sculptors, Museum of Modern Art, New York, NY, US Documenta IV, Kassel, Germany Graphics Exhibition, Museum of Modern Art, Oxford, UK Junge Generation Großbritannien, Akademie der Künste, Berlin, Germany Britische Kunst heute, Hamburger Kunstverein, Hamburg, Germany The New Generation, Whitechapel Gallery, London, UK 1967 Jeunes peintres anglais, Palais des Beaux-Arts, Brussels, Belgium Recent British Painting from the Collection of Peter Stuyvesant Foundation, New York, Tate Gallery, London, UK Acquisitions of the Sixties, Museum of Modern Art, New York, NY, US Drawings Towards Painting 2, Arts Council of Great Britain, London, UK 1966 Multiplicity, Institute of Contemporary Art, Boston, MA, US 1965 4th Biennale des Jeunes Artistes, Paris, France A New York Collector Selects, San Francisco Museum of Modern Art, San Francisco, CA,


Karsten Schubert US The Responsive Eye, The Museum of Modern Art, New York; City Art Museum, St Louis; Seattle Art Museum, Seattle; Pasadena Art Museum, Pasadena; Baltimore Museum of Art, Baltimore, US 1964 Carnegie International, Carnegie Institute, Pittsburgh, PA, US Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London, UK Nouvelle Tendance, Musée des Arts Décoratifs, Paris, France The New Generation, Whitechapel Gallery, London, UK 1963 John Moores Exhibition, Walker Art Gallery, Liverpool, UK 1962 Towards Art?, Royal College of Art, London, UK 1958 Diversion, South London Gallery, London, UK Some Contemporary British Painters, Wildenstein, London, UK 1955 Young Contemporaries, RBA Galleries, London, UK


Karsten Schubert Selected public collections The Albright-Knox Art Gallery, Buffalo, NY, US Allen Memorial Art Museum, Oberlin College, OH, NY Art Gallery of New South Wales, Sydney, Australia Arts Council Collection, London, UK The Bechtler Museum of Modern Art, Charlotte, NC, US British Council Collection, London, UK Centre Georges Pompidou, Paris, France Cranbrook Art Museum, Bloomfield Hills, MI, US Dallas Museum of Fine Arts, Dallas, TX, US Dia Art Foundation, New York, NY, US Fogg Art Museum, Harvard University Art Museums, Cambridge, MA, US Government Art Collection, London, UK Hokkaido Museum of Modern Art, Sapporo, Japan Israel Museum, Jerusalem, Israel Iwaki City Museum, Iwaki, Japan Kunsthalle zu Kiel, Kiel, Germany Kunstmuseum, Bern, Switzerland Leeds City Art Gallery, Leeds, UK Los Angeles County Museum of Art, Los Angeles, CA, US Manchester City Art Gallery, Manchester, UK Moderne Museet, Stockholm, Sweden Museu Colecção Berardo, Lisbon, Portugal Museum of Art, Rhode Island School of Design, Providence, RI, US Museum Boijmans Van Beuningen, Rotterdam, The Netherlands Museum im Kulturspeicher, Würzburg, Germany Museum of Contemporary Art, Los Angeles, CA, US Museum of Fine Arts, Boston, MA, US Museum of Modern Art, New York, NY, US Nationalgalerie, Berlin, Germany National Gallery of Australia, Canberra, Australia National Gallery of Modern Art, Tokyo, Japan Nelson-Atkins Museum of Art, Kansas City, MO, US Neues Museum, Nuremberg, Germany Norton Simon Museum, Pasadena, CA, US Ohara Museum of Art, Okayama, Japan Queensland Art Gallery, Brisbane, Australia Scottish National Gallery of Modern Art, Edinburgh, UK Sezon Museum of Modern Art, Kitasaku, Japan Staatsgalerie Stuttgart, Stuttgart, Germany Stedelijk Museum, Amsterdam, The Netherlands Museum Sztuki, Lodz, Poland Tate Collection, London, UK Tochigi Prefectural Museum of Fine Arts, Utsunomiya, Japan Thyssen-Bornemisza Collection, Lugano, Switzerland Ulster Museum, Belfast, UK Wadsworth Atheneum Museum of Art, Hartford, CT, US Walker Art Center, Minneapolis, MN, US Whitworth Art Gallery, Manchester, UK Wilhelm Hack Museum, Ludwigshafen, Germany Yale Center for British Art, New Haven, CT, US


Karsten Schubert Selected awards and commissions Mural for St Mary’s Hospital, London, 2012–13 Awarded the Rubens Prize of the City of Siegen, 2012 Awarded the Goslar Award for Modern Art, 2009 Awarded the Praemium Imperiale, Tokyo, 2005 Received the Kaiser Ring of the City of Goslar, 2003 Appointed the Companion of Honor, 1999 Commission for Foster & Partners’ Citibank Building, London, 1998–2000 Awarded Honorary Doctor of Letters, Cambridge University, Cambridge, 1995 Awarded Honorary Doctor of Letters, Oxford University, Oxford, 1993 Commission for ICI, London, 1988 St Mary’s Hospital project, London, 1986–87 Design for the backcloth for Colour Moves, performed by the Ballet Rambert at the Edinburgh Festival, Edinburgh, 1983 Royal Liverpool University Hospital project, Liverpool, 1980–83 Appointed a Commander of the Most Excellent Order of the British Empire, 1974 Mural for Morley College, London, 1974 Awarded the International Prize for Painting, Venice Biennale, Venice, 1968 Design of the background projection for T.S. Eliot’s Sweeney Agonistes at the Eliot Memorial Performance, 1965 Awarded the AICA Critics Prize, 1963

Curatorial work Paul Klee: The Nature of Creation, Hayward Gallery, London, co-curated with Robert Kudielka, 2002 Mondrian: Nature to Abstraction, Tate Gallery, London, co-curated with Sean Rainbird, 1996 The Artist’s Eye: Bridget Riley, National Gallery, London, 1989


Karsten Schubert Selected monographs and solo exhibition catalogues 2014 Bridget Riley: Eight Studies 1969–1972, Ridinghouse, London and Karsten Schubert, London 2012 Bridget Riley: The Stripe Paintings, 1961–2012, Ridinghouse, London; Holzworth Publications, Berlin;and Galerie Max Hetzler, Berlin Bridget Riley: Malerei/Painting 1980–2012, Hirmer, Munich and Gemeentemuseum, Den Haag Bridget Riley: Works 1960–1966, Ridinghouse, London; Karsten Schubert, London; and Hazlitt Holland-Hibbert, London Karsten Schubert (ed), Bridget Riley: Complete Prints 1961–2012 (fourth edition), Ridinghouse, London 2011 Bridget Riley: Paintings and Gouaches 1979–80 & 2011, Ridinghouse, London Bridget Riley: Colour, Stripes, Planes and Curves, Ridinghouse, London and Kettle’s Yard, Cambridge Bridget Riley: Paintings and Related Work 1983–2010, Ridinghouse, London; Holzworth Publications, Berlin; and Galerie Max Hetzler, Berlin 2010 Bridget Riley: Paintings and Related Work, National Gallery, London, 2010 2009 Bridget Riley: Flashback, Hayward Publishing, London 2008 Bridget Riley: Circles Colour Structure, Studies 1970/71, Ridinghouse, London Bridget Riley: Retrospective, Ridinghouse, London and Arc/Musée d’Art Moderne de la Ville de Paris, Paris 2005 Bridget Riley: New Paintings and Gouaches, Ridinghouse, London and Timothy Taylor Gallery, London Bridget Riley: Paintings and Drawings 1961–2004, Ridinghouse, London 2004 Bridget Riley: Recent Paintings, PaceWildenstein, New York, 2004 Francis Follin, Embodied Visions: Bridget Riley, Op Art and the Sixties, Ridinghouse, London and Thames & Hudson, London 2003 Bridget Riley, Tate Publishing, London Bridget Riley, Galerie Beyeler, Basel 2002 Bridget Riley: New Work, Hatje Cantz, Ostfildern


Karsten Schubert 2000 Bridget Riley: Paintings 1982–2000 and Early Works on Paper, PaceWildenstein, New York Bridget Riley: Reconnaissance, Dia Center for the Arts, New York Bridget Riley: New Paintings and Gouaches, Waddington Galleries, London and Karsten Schubert, London 1999 Bridget Riley: Paintings from the 1960s and 70s, Serpentine Gallery, London, 1999 Bridget Riley: Selected Paintings 1961–1999, Hatje Cantz, Ostfildern and Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 1999 1998 Bridget Riley: Works 1961–1998, Abbot Hall Art Gallery, Kendal 1996 Bridget Riley: Recent Paintings and Gouaches 1981–1995, Waddington Galleries, London and Karsten Schubert, London 1992 Bridget Riley: Works on Paper 1980–1992, Karsten Schubert, London Bridget Riley: Paintings 1982–1992, Hayward Gallery, London and Verlag für Moderne Kunst, Nürnberg 1990 Bridget Riley, Sidney Janis Gallery, New York 1985 Bridget Riley: An Australian Context, Queensland Art Gallery, Brisbane 1984 Bridget Riley: Ölbilder und Gouachen, Galerie Reckermann, Cologne Working with Colour: Recent Paintings and Studies by Bridget Riley, Arts Council of Great Britain, London 1980 Bridget Riley: Silkscreen Prints 1965–1978, Arts Council of Great Britain, London 1978 Bridget Riley: Works 1959–1978, The British Council, London 1975 Bridget Riley, Galerie Beyeler, Basel Bridget Riley, Sidney Janis Gallery, New York 1971 Bridget Riley: Paintings and Drawings 1951–71, Hayward Gallery, London 1970 Bridget Riley, Kunstverein Hannover, Hannover Maurice De Sausmarez, Bridget Riley, New York Graphic Society, New York


Karsten Schubert 1969 Bridget Riley: Working Drawings, Bear Lane Gallery, Oxford Philip King: Beelden. Bridget Riley: Schilderijen en Tekeningen, Museum Boymans Van Beuningen, Rotterdam 1968 Bridget Riley: The 34th Venice Biennale, The British Council, London 1966 Bridget Riley: Drawings, Museum of Modern Art, New York Bridget Riley: Preparatory Drawing and Studies: June 8 to July 9, 1966, Robert Fraser Gallery, London 1963 Bridget Riley, Gallery One, London 1962 Bridget Riley, Gallery One, London


Karsten Schubert Selected group exhibition catalogues 2014 REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin 2013 Auf Zeit: Wandbilder – Bildwände, Kunsthalle Bielefeld, Cologne Moving Norman Foster on Art, Ivorypress, Madrid and Carré d'Art, Nîmes Prima Materia, Electa, Milan 2012 Punkt-systeme: Vom Pointillismus zum Pixel, Wilhelm Hack Museum, Heidelberg Treasure Island: British Art from Holbein to Hockney, Fundación Juan March, Madrid New Departures: Painting and Real Space, Akademie der Künste, Berlin 2011 Moderne: Selbstmord der Kunst, Neue Galerie, Graz 2008 This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles 2007 Collecting the Past, Present and Future, Abbott Hall Art Gallery, Kendal If Everybody Had an Ocean: Brian Wilson, Tate Publishing, London Die Neuen Tendenzen, Leopold Hoesch Museum, Düren Raum: Orte der Kunst, Akademie der Künste, Nuremberg Op Art, Schirn Kunsthalle, Cologne Claude Mondet: L'art de Monet et sa postérité, National Art Centre, Tokyo Optic Nerve: Perceptual Art of the 1960s, Columbus Museum of Art, Columbus 2006 Super Vision, Institute of Contemporary Art, Boston The Expanded Eye: Stalking the Unseen, Kunsthaus Zürich, Zurich Transforming Chronologies: An Atlas of Drawings, Part Two, Museum of Modern Art, New York 2005 Extreme Abstraction, Albright-Knox Art Gallery, Buffalo 2004 Beyond Geometry: Experiment in Form 1940–70s, Los Angeles County Museum of Art, Los Angeles and The MIT Press, Cambridge 2003 Imagination: Perception in Art, Walther König, Cologne 2002 Blast to Freeze: British Art in the 20th Century, Kunstmuseum Wolfsburg and Hatje Cantz, Osfildern Beau Monde: Toward a Redeemed Cosmopolitanism, SITE Santa Fe, Santa Fe


Karsten Schubert 2001 Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990, Museum Press, Tallahassee 2000 From Here, Waddington Galleries, London and Karsten Schubert, London 1995 Colour and Nature: Patrick Heron and Bridget Riley, Norwich Castle Museum, Norwich 1986 British Art in the 20th Century: The Modern Movement, Royal Academy of Arts, London and Prestel, Munich 1977 Recent British Art, The British Council, London 1976 Arte inglese oggi 1960–76, Electa Editrice, Milan 1969 Marks on Canvas, Museum am Ostwall, Dortmund 1968 Op Art und Kinetik, Documenta IV, Kassel A Dialogue: New British Painting and Sculpture, UCLA Galleries, Los Angeles British Artists: 6 Painters, 6 Sculptors: An Exhibition / Circulated by the Museum of Modern Art, New York, Museum of Modern Art, New York 1967 Optical and Kinetic Art, Tate Publishing, London 1965 The Responsive Eye, Museum of Modern Art, New York London: The New Scene, Walker Art Center, Minneapolis; the Calouste Gulbenkian Foundation, Lisbon and The British Council, London 1965 Private View, Thomas Nelson and Sons, London The English Eye, Marlborough-Gerson Gallery, New York Highlights of the 1964–1965 Art Season, The Larry Aldrich Museum, Ridgefield 1964 The New Generation, Whitechapel Gallery, London


Karsten Schubert Selected anthologies 2013 Céline Delavaux, The Museum of Illusions Optical Tricks in Art, DelMonico/Prestel, Munich 2012 Brad Finger, Modern Art: The Groundbreaking Moments, Prestel, Munich 2009 Art of Our Time: Vol. 2, 1999–2008, The Japan Art Association, Tokyo Edward Shanken, Art and Electronic Media, Phaidon, London Sophie Richard, Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections, Ridinghouse, London 2008 Anna Tellgren (ed), The History Book: On Moderna Museet 1958–2008, Steidl, Göttingen, 2007 Whitney Chadwick, Women, Art and Society, Thames & Hudson, London 2006 Sheila McGregor, New Art on View, Scala Publishing, London 2004 John Elderfield, Modern Painting and Sculpture – 1880 to the Present – at the Museum of Modern Art, Museum of Modern Art, New York Alicia Foster, Tate Women Artists, Tate Publishing, London Pamela M. Lee, Chronophobia: on time in the art of the 1960s, The MIT Press, Cambridge 1995 Trevor Lamb and Janine Bourriau (eds), Colour, Art and Science, Cambridge University Press, Cambridge 1993 David Mellor, The Sixties Art Scene in London, Phaidon, London 1986 Katrina Turr, Op Art: Stil, Ornament oder Experiment?, Gebr. Mann, Berlin 1975 Lawrence Alloway, Topics in American Art Since 1945, W.W. Norton & Co., New York


Karsten Schubert Selected writings by and interviews with the artist 2012 Robert Kudielka (ed), Malen um zu sehen: Bridget Riley, Gesammelte Schrien 1965– 2009, Hatje Cantz, Ostfildern 2010 Bridget Riley, Bridget Riley: From Life, National Portrait Gallery, London 2009 Robert Kudielka (ed), The Eye’s Mind: Bridget Riley, Collected Writings 1965–2009, Ridinghouse, London and Thames & Hudson, London (first edition: The Eye’s Mind: Bridget Riley, Collected Writings 1965–1999, Thames and Hudson, London; Serpentine Gallery, London, and De Montford University, Leicester, 1999) 2008 Bridget Riley interviewed by Jonathan Jones, ‘The Art of Riley’, The Guardian, 5 July 2007 Bridget Riley, ‘Production Notes: Bridget Riley’, Artforum, October, p.343 2006 Bridget Riley, ‘Cézanne in Provence’, The Burlington Magazine, September, pp.621–29 2005 Robert Kudielka (ed), Robert Kudielka on Bridget Riley: Essays and Interviews 1972– 2003, Ridinghouse, London 2003 Robert Kudielka (ed), Bridget Riley: Dialogues on Art, Thames & Hudson, London (first edition: Zwemmer, London, 1995) Bridget Riley interviewed by Martin Gayford, ‘Pitching opposites’, Modern Painters, vol.16, no.2, summer, pp.32–35 2002 Bridget Riley, ‘Making Visible’, Paul Klee: The Nature of Creation, Hayward Publishing, London, pp.15–19 Bridget Riley with Bernard Dod, Christopher Frayling and Michael Podro, ‘Sir Ernst Gombrich’, Tate, no.28, spring, p.80 2001 ‘Supposed to be abstract – Bridget Riley in conversation with Robert Kudielka’, Parkett, no.61, May, pp.20–51 1998 Bridget Riley interviewed by David Thomson, ‘She’s a dedicated follower of abstraction’, The Independent on Sunday, 15 November 1997 Bridget Riley, ‘Mondrian’s quest’, Modern Painters, vol.10, no.2, summer, pp.32–36 Bridget Riley, ‘Bridget Riley on The Snail’, The Daily Telegraph Magazine, 20 December


Karsten Schubert 1995 Bridget Riley, ‘Bridget Riley – Musing on Poussin’, The Independent, 20 January 1993 Bridget Riley interviewed by Andrew Renton, ‘Bridget Riley: some things near and some far’, Flash Art, vol.26, no.168, January–February, pp.59–61 1992 Bridget Riley interviewed by James Roberts, ‘Bridget Riley: Visual Fabric’, Frieze, no.6, September–October, pp.20–23 1990 Bridget Riley, ‘Henri Matisse, The Dance’, The Daily Telegraph Magazine, 27 October 1984 Bridget Riley interviewed by Douglas Stephen, ‘Hospital Treatment’, Building Design, 7 September 1981 Bridget Riley interviewed by Andrew Smith, Arts Review, vol.33, no.11, 6 June, p.228 1980 Bridget Riley, ‘On Travelling Paintings’, Art Monthly, vol.5, no.11, 5 June, p.228 1978 Bridget Riley interviewed by John Gruen, ‘Bridget Riley’ (1978), reprinted in John Gruen, The Artist Observe: 28 Interviews with Contemporary Artists, Capella Books and Chicago Review Press, Chicago, 1991, pp.150–59 1968 Bridget Riley interviewed by Robert Kudielka, ‘Jenseits von Op-ArtL Bridget Riley im Gespräch’, Das Kunstwerk, vol.22, nos.3–4, December 1968–January 1969, pp.15–25


Karsten Schubert Selected articles and reviews 2014 Georgina Adam, ‘The Art Market: safe bets vs rising stars, The Financial Times, 14 February Georgina Adam, ‘The Art Market: Esmerian bankruptcy sale’, The Financial Times, 31 January Julia Michalska, ‘Agreement reached in plagiarism row between artists’, The Art Newspaper, 15 January 2013 Jonathan Jones, ‘Do critics paint women artists out the picture?’ The Guardian, 21 August 2012 Charlotte Higgins, ‘Bridget Riley presented with Sikkens Prize for her work in colour’, The Guardian, 29 October Christopher Keats, ‘Painting Doesn’t Get More Naturalistic Than In An Abstract Bridget Riley Canvas’, Forbes, 24 September 2011 Laura Cumming, ‘The 10 Best Summer Paintings’, The Observer, 12 June Jurriaan Benschop, ‘Bridget Riley, Galerie Max Hetzler’, Artforum, vol.49, no.9, May, p.300 Jörg Heiser, ‘Bridget Riley, Galerie Max Heltzler, Berlin’, Frieze, no. 139, May, p.124 Richard Shiff, ‘Every Shiny Object Wants an Infant Who Will Love It’, Art Journal, vol.70, no.1, spring, pp.6–33 2010 Jackie Wullschlager, ‘In praise of older women’, The Financial Times, 18–19 December Martin Gayford, ‘Colors Shimmer as Bridget Riley Confronts Old Masters: Review’, Bloomberg Businessweek, 9 December Andrew McKie, ‘The Beauty of Geometry’, The Wall Street Journal, 26 November Ben Luke, ‘Bridget Riley is Learning by Looking’, The Evening Standard, 24 November Richard Dorment, ‘Bridget Riley, National Gallery, review’, The Telegraph, 23 November Adrian Searle, ‘Bridget Riley: Paintings and Related Works’, The Guardian, 22 November Laura Cumming, ‘Movement in the eye of the beholder’, The Observer, 21 November, pp.24–25 Jonathan Miles, ‘Reviews: UK: Bridget Riley, New Paintings, Wall Paintings and Gouaches’, Art Review, January–February, pp.100–01 2009 Tom Lubbock, ‘Bridget Riley: New Paintings, Wall Paintings, Gouaches’, The Independent, 1 December Christopher Thomond, ‘Bridget Riley: Last of the Modernists’, The Guardian, 25 September 2008 Will Self, ‘The Ineffable Bridget Riley’, Art World, December 2008–January 2009, pp.28– 33 Bob Nicklas, ‘Best of 2008—#4: Bridget Riley at the Musée d’Art Moderne de la Ville de Paris’, Artforum, vol.47, no. 4, December, pp.292–93 Michael Bracewell, ‘Seeing is Being’, Frieze, no. 118, October, pp.260–67 Vivian Rehberg, ‘Bridget Riley’, Modern Painters, October, p.118


Karsten Schubert Nicholas Spike, ‘Op and Away: The Pyrotechnic Painters of the 1960s Optical Movement Are Now Old Masters’, Art & Antiques, September, pp.62–71 Marion Maneker, ‘Riley on the Rise At Sotheby’s’, The New York Sun, 21 April Catherine Spaeth, ‘Bridget Riley at PaceWildenstein’, Art in America, no.4, April, p.158 James Lawrence, ‘Riley, de Kooning, Olitiski and Other Exhibitions, New York’, The Burlington Magazine, vol.150, no.1258, January, pp.61–62 2007 Karen Rosenberg, ‘Art in Review: Bridget Riley, PaceWildenstein’, The New York Times, 21 December Mario Naves, ‘But Is It Kitsch?’, The New York Observer, 10 December David Rimanelli and Sarah K. Rich, ‘The Return of Op’, Artforum, May 2006 Holland Cotter, ‘Ambitious Theme in New Home for Modern Art’, The New York Times, 8 December Sarah Jane Checkland, ‘Collecting: “I Couldn’t Live Without It”’, The Financial Times, 2–3 December, p.11 AL Gordon, ‘Bigger and Better at Basel Miami’, The New York Sun, 1–3 December Paul Moorehouse, ‘Arts Council Collection: London and Birmingham’, The Burlington Magazine, vol.78, no.1245, December, pp.864–65 David Cohen, ‘Making Art Out of Mess’, The New York Sun, 9 November Benjamin Genocchio, ‘An Op, Pop, Trippy Democracy of Prints by the Artists, For the People’, The New York Times, 18 October Paul Arendt, ‘Frieze Special’, The Guardian, 12 October Lyle Rexer, ‘Paper Cut: Is History Bunk?’, Art on Paper, no.11, September–October, pp.40–41 2005 Faye Hirsch, ‘Abstract Generations’, Art in America, pp.123–29 Peter Hill, ‘An artist of a different stripe: the life of Riley and the nature of her abstraction’, The Age, 1 March Peter Hill, ‘The eyes have it’, The Sydney Morning Herald, 1–2 January Sebastian Smee, ‘Bridget Riley melds the retinal with the conceptual’, The Weekend Australian, 1–2 January 2004 Ken Johnson, ‘Art in Review: Bridget Riley’, The New York Times, 15 October 2003 Patrick Bahners, ‘Hier stehe ich, ich darf jetzt anders’, Frankfurter Allgemeine Zeitung, 5 September Lynne Cooke, ‘Bridget Riley’, The Burlington Magazine, September, pp.659–60 Michael Carlson, ‘Moved by a circular argument, The Times Literary Supplement, 15 August Marion Löhndorf, ‘Methode und Effekt’, Die Tageszeitung, 29 July William Packer, ‘Artist has earned her stripes’, The Financial Times, 2 July, p.12 Richard Cork, ‘Moving with the Times’, Arts Review, July, pp.58–61 Richard Dorment, ‘The dizzy heights’, The Daily Telegraph, 2 July Laura Cumming, ‘Enigmatic variations’, The Observer, 29 June, p.10 Waldemar Januszcak, ‘Behind Bridget Riley’s rigid geometry...’, The Sunday Times, 29 June, pp.14–15


Karsten Schubert Richard Cork, ‘The talented Ms Riley’, The Times, 25 June, p.15 Brian Sewell, ‘Grand dame of jabberwocky’, The Evening Standard, 27 June, pp.32–33 Tom Lubbock, ‘In the eye of the storm’, The Independent, 25 June, pp.14–15 Adrian Searle, ‘Do not adjust you eyes’, The Guardian, 24 June, pp.12–14 Lynne MacRitchie, ‘Artist still living the life of Riley’, The Financial Times, 23 June, p.15 Martin Gayford, ‘Ripple effect’, The Telegraph Magazine, 31 May, pp.38–42 2002 Janneke Wesseling, ‘Gestuwd door de wind’, NRC Handelsblad, 26 April Michael Kohler, ‘Die Intuition der Farbe’, Frankfurter Rundschau, 11 April Christiane Fricke, ‘Das Auge tanzt quer und gerade’, Süddeutsche Zeitung, 8 April 2001 Carol Kino, ‘Bridget Riley: The Pleasure of Pure Seeing’, Art in America, vol.89, no.4, pp.112–19 Patrick Bahners, ‘Sie ist die wahre Erbin Elstirs’, Frankfurter Allgemeine Zeitung, 21 April 2000 Christopher Knight, ‘Seeing the Top of the Op Artists’, The Los Angeles Times, 25 November Peter Schjeldahl, ‘British Flash’, The New Yorker, 6 November Lynn MacRitchie, ‘Bridget Riley’, Elle Decor, October Alex Coles, ‘Bridget Riley at Waddington’, Art in America, vol.88, no.10, October, p.179 Roberta Smith, ‘Saluting a Pure Form of Abstraction, Long May It Wave’, The New York Times, 29 September Michael Kimmelman, ‘Not so square aer all’, The Guardian, 28 September William Feaver, ‘Dangerous Curves’, Artnews, vol.99, no.8, September, pp.116–18 Michael Kimmelman, ‘Modern Op’, The New York Times Magazine, 27 August 1999 Georg Imdahl, ‘Wille zur Welle’, Frankfurter Allgemeine Zeitung, 8 December John Spurling, ‘In My Own Way: The paintings and writings of Bridget Riley’, Modern Painters, vol.12, no.3, autumn, pp.34–8 Hans-Peter von Däniken, ‘Ein Erdbeben im Wahrnehmungskanal’, Tages-Anzeiger, 6 September Simon Morley, ‘London: Bridget Riley’, The Burlington Magazine, vol.141, no.1158, September, pp.561–63 Andrew Lambirth, ‘Optical dazzle’, The Spectator, 10 July Brian Sewell, ‘A persistent case of stripes before the eyes’, The Evening Standard, 1 July Waldemar Januszczak, ‘Is there more than meets the eye?’, The Sunday Times, 27 June Richard Cork, ‘Dazzled by the life of Riley’, The Times, 23 June Richard Dorment, ‘It all depends on how you look at it’, The Daily Telegraph, 23 June Adrian Searle, ‘Eyes wide open’, The Guardian, 22 June Richard Cork, ‘Her brilliant career’, The Times, 12 June Stuart Wavell, ‘An old master on the real artists (E.H. Gombrich at 90)’, The Sunday Times, 4 April 1998 Marin Gayford, ‘Puzzled by the life of Riley’, The Daily Telegraph, 23 December Lynn MacRitchie, ‘Intimate display of dazzling talent’, The Financial Times, 28 November Andrew Hickling, ‘The life of Riley’, The Guardian, 17 November Tom Lubbock, ‘Here’s one in your eye’, The Independent, 17 November


Karsten Schubert Laura Cumming, ‘Riley, ace of stripes’, The Observer, 15 November Hans-Peter von Däniken, ‘Das Geheimnis des weissen Flimmerns’, Tages-Anzeiger, 28 May 1997 Gwen McGarthy, ‘Reclaiming the final word on her work’, The Irish Times, 7 May Michael Bracewell, ‘A plea for painting’, The Guardian Weekend, 15 March 1996 Clare Henry, ‘Dizzy spells and good vibrations’, The Glasgow Herald, 17 June Richard Cork, ‘Regiments of colour in close combat’, The Times, 6 February 1994 Margaret Garlake, ‘Bridget Riley (Tate Gallery, August 20 to October 9)’, Art Monthly, vol.28, no.181, November, pp.28–29 Michael Bracewell, ‘Psychedelic symmetries’, The Observer, 11 September Ginny Dougary, ‘Between the lines’, The Times, 5 March 1993 Charles Harrison, ‘Gossip monumentalised’, The Times Literary Supplement, 30 April Tim Hilton, ‘That was the decade that wasn’t’, The Independent on Sunday, 14 March Richard Cork, ‘High hopes between the hard edges’, The Times, 12 March 1992 Tim Hilton, ‘New pattern to the ever-changing life of Riley’, The Independent on Sunday, 27 December Frances Spalding, ‘London, Hayward Gallery: Bridget Riley – Paintings 1982–1992’, The Burlington Magazine, vol. 134, no.1076, November, p.939 Judith Bumpus, ‘Bridget Riley’, Contemporary Art, vol.1, no.2, winter, pp.33–36 Larry Berryman, ‘Bridget Riley (According to Sensation)’, Arts Review, vol.44, October, pp.480–81 Brian Sewell, ‘A new slant on diagonal landscapes’, The Evening Standard, 8 October Richard Cork, ‘Colour lights up the life of Riley’, The Times, 29 September William Packer, ‘Op Art thirty years on’, The Financial Times, 29 September Louisa Buck, ‘Orderly passion along colour lines’, The Sunday Times, 20 September Tim Hilton, ‘Strokes of originality’, The Guardian, 17 September Andrew Graham-Dixon, ‘Earning her stripes’, The Independent, 8 September Bryan Robertson, ‘Bridget Riley: Work in Progress’, Modern Painters, vol.5, no.3, autumn, pp.32–33 John Whitley, ‘The Art of Riley’, The Sunday Telegraph Magazine, 22 August Thomas Kliemann, ‘Nürnberg: Bridget Riley mit Bildern von 1982–1992 in der Kunsthalle’, Das Kunst-Bulletin, nos.7–8, July–August, pp.53–54 Walter Fenn, ‘Die Tektonik farbiger Rauten’, Nürnberger Nachrichten, 8 April Hans Pietsch, ‘Meine Bilder sollen in sich selber ruhen’, ART, April Frank Whitford, ‘Still groovy aer all these years’, The Sunday Times, 26 January 1990 Terry R. Myers, ‘Bridget Riley at Sidney Janis’, Art in America, vol.78, no.9, September, pp.199–200 Peter Fuller, ‘Hysteria as a hole in the head’, The Sunday Telegraph, 6 May


Karsten Schubert 1989 John Cunningham, ‘A new optical nerve’, The Guardian, 28 July William Packer, ‘Form passive, colour active’, The Financial Times, 25 July Brian Sewell, ‘Eye for Figures’, The Evening Standard, 20 July Richard Dorment, ‘The colour of greatness’, The Daily Telegraph, 7 July Laurence Marks, ‘The Life of Riley’, The Observer Magazine, 2 July Larry Berryman, ‘Bridget Riley: Works on Paper 1978–1980 (Mayor Rowan Gallery) and The Artist’s Eye (National Gallery)’, Arts Review, vol.41, no.15, July, pp. 572–73 Andrew Graham-Dixon, ‘Between the lines’, The Independent, 13 May 1989 1988 ‘Op Art. Special Feature on Bridget Riley’, art & man, vol.18, no.5, March 1987 Larry Berryman, ‘Bridget Riley’, Arts Review, vol.39, no.13, 3 July, p.456 Ludmilla Vachtova, ‘Ruhe in feinster Bewegung’, Tages-Anzeiger, 30 January 1986 Calvin Tomkins, ‘Between Neo- and Post-’, The New Yorker, 24 November John Russell, ‘Bridget Riley’, The New York Times, 10 October Karina Türr, ‘Jenseits von Op Art? Überlegungen zu den Farbstreifen Bridget Riley’, Pantheon, International Annual Art Journal, vol.44, pp.157–63 1985 Carlo McCormick, ‘poptometry’, Artforum, vol.24, no.3, November, pp.87–91 1984 Hans Peter Riese, ‘Bridget Riley’, Die Zeit, 30 November William Packer, ‘Putting across the message’, The Financial Times, 6 March 1983 David Dougill, ‘Dancing down Riley’s rainbow’, The Sunday Times, 4 September Roger Berthoud, ‘Shining visions of an abstract future’, The Times, 31 August Stephen Gardiner, ‘An electric array of stripes’, The Observer, 17 July 1981 John Russell Taylor, ‘Consistent organic growth from optical illusion’, The Times, 16 June Edward Lucie Smith, ‘The World of Bridget Riley’, Illustrated London News, June 1980 Robert Hughes, ‘The Shock of the New VIII: The Age of the New has entered history’, The Listener, 13 November Barbara Thoren, ‘The Week in Art: Bridget Riley’, The Japan Times, 6 February 1979 Lois Hunter, ‘Imitation does not flatter’, POL, September John Russell, ‘The Cogency of Riley’, The New York Times, 28 January 1978 John Russell, ‘Bridget Riley’s show in Buffalo’, The Times, 15 November 1978


Karsten Schubert 1977 Elwyn Lynn, ‘Henry Moore, Francis Bacon and Bridget Riley’, Art in Australia, vol.14, nos.3–4, January–April, pp.302–07 1976 Sandra McGrath, ‘Art’, The Australian, 23 November 1976 Itsuo Sakane, ‘Op Art’, Asahi Shimbun, 25 July John Spurling, ‘Mind’s Eye’, The New Statesman, 16 July 1975 Roberta Smith, ‘Reviews (Bridget Riley exhibition at Sidney Janis)’, Artforum, vol.14, no.1, September, p.71 Robert Hughes, ‘Making waves’, Time Magazine, 12 May, pp. 52–53 Tom Wolfe, ‘The Painted Word’, Harpers Magazine, April Bryan Robertson, ‘Colour as Image’, Art in America, vol.63, no. 2, March–April, pp.69–71 1973 Daniel Marchesseau, ‘La Révélation de Bridget Riley’, Les Gullivériens, March 1972 Pierre Rouve, ‘Bridget Riley Drawings’, Arts Review, vol.24, no.12, 17 June, p.356 1971 Richard Cork, ‘What has happened to this Woman’s Eye-Bullying Art’, The Evening Standard, 5 August Michael Shepherd, ‘Writing on Riley’, The Sunday Telegraph, 1 August David Thompson, ‘Bridget Riley’, Studio International, vol.182, no.935, July–August, pp.16–21 Peter Fuller, ‘Bridget Riley’, Arts Review, vol.23, no.15, 31 July, p.459 John Russell, ‘Riley’s Line’, The Sunday Times, 25 July Nigel Gosling, ‘Fearless on the Frontier’, The Observer, 25 July Robert Melville, ‘An Art Without Accidents’, New Statesman, 23 July, p.121 Hilary Spurling, ‘Bridget Riley’s Colour Explosion’, The Times, 21 July Luigi Carluccio, ‘Con Bridget Riley arriva la magia dell’arte “op”’, Gazetta del Popolo, 27 May Günter Pfeiffer, ‘Farbe vibriert wie gezupe Saiten. Die Op-Art stammt vom Impressionismus ab: Zur grossen Retrospektive der englischen Malerin Bridget Riley in Düsseldorf’, Kölner Stadtanzeiger, 6 April Yvonne Friedrichs, ‘Die visuelle Zeit. Bridget Riley in der Düsseldorfer Kunsthalle – Vitalität in geometrischen Rastern’, Rheinische Post, 15 March Helga Meister, ‘Ein Fest der Farben. Die englische Op-Künstlerin Bridget Riley in Düsseldorf’, Düsseldorfer Nachrichten, 13 March Andrew Forge, ‘On looking at paintings by Bridget Riley’, Art International, vol.15, no.3, March, pp.16–21 Robert Kudielka, ‘Bridget Riley’, Das Kunstwerk, vol.24, no.2, March, pp.114–15 1970 Peter Winter, ‘Der fluktuierende Raum. Bridget Rileys grosse Retrospektive in Hannover’, Frankfurter Allgemeine, 7 December Robert Hughes, ‘Perilous Equilibrium’, Time Magazine, 16 November, p.82


Karsten Schubert 1969 Norbert Lynton, ‘Bridget Riley Turns to Colour’, The Guardian, 29 July Guy Brett, ‘Optical Energy Subtly Used’, The Times, 25 July Ian Dunlop, ‘Colour and Size make Riley’s Art Different’, The Evening Standard, 21 July Edwin Mullins, ‘Riley in Colour’, The Sunday Telegraph, 20 July Pat Gilmour, ‘Bridget Riley’, Arts Review, vol.21, no.14, 19 July, p.465 Maurice de Sausmarez, ‘Bridget Riley: working drawings’, Art and Artists, vol.4, no.2, May, p.29 1968 David Thompson, ‘Bridget Riley and Her Safe Roller Coaster’, The New York Times, 29 December Gene Baro, ‘Bridget Riley’s Nineteen Greys’, Studio International, vol.176, no.906, December, pp.280–81 Edward Lucie-Smith, ‘Bridget Riley’s Venice Success’, The Times, 29 October John Russell, ‘Venice is a Battlefield: Art the Loser’, The Sunday Times, 23 June David Thompson, ‘British Artists at Venice I: The Paintings of Bridget Riley’, Studio International, vol.175, no.901, June, pp.295–99 Norbert Lynton, ‘The British Representation at the 34th Venice Biennale’, Art International, vol.12, no 6, summer, pp.74–75 Michel Claura, ‘La Jeune peinture en Grande-Bretagne’, Lettres Françaises, 17 January 1967 Anthony Tucker, ‘Something in Common’, Shell Magazine, June John Russell, ‘Double Portrait: Bridget Riley and Phillip King’, Art in America, vol.55, no.3, May–June, pp.98–102 1966 Jack W. Burnham, ‘The Art of Bridget Riley’, Triquarterly, 1966 Gene Baro, ‘Bridget Riley: Drawing for Painting’, Studio International, vol.172, no.879, July, pp.12–13 Rosalind Krauss, ‘Exhibition at Feigen Gallery, New York’, Artforum, vol.4, no.10, June 1966, pp.51–52 Prudence Fay, ‘Op-position’, Queen, 5 January 1965 Elwyn Lynn, ‘Op’, Vogue Australia, vol.9, no.6, 1965 Rosalind Krauss, ‘Aerthoughts on “Op”’, Art International, vol.9, no.5, June, pp.75–76 Anne Ryan, ‘Top Op Artist’, Women’s Wear Daily, 11 May Thomas B. Hess, ‘You can hang it in the hall’, Artnews, vol.64, no.2, April, pp.41–43 John Canaday, ‘That’s Right It’s Wrong’, The New York Times, 14 March John Canaday, ‘The Responsive Eye. Three Cheers and High Hopes’, The New York Times, 28 February Anton Ehrenzweig, ‘The Pictorial Space of Bridget Riley’, Art International, vol.9, no.1, February 1965, pp.20–24 1964 Ion Borgzinner, ‘Op Art. Pictures that attack the Eye’, Time Magazine, 23 October, pp.78– 86 Robert Melville, ‘The New Generation’, Architectural Review, vol.135, no.808, June, pp. 447–49 ‘Bridget Riley’, Time Magazine, 1 May, p.75


Karsten Schubert 1963 John Russell, ‘Art News from London, Riley’, Artnews, vol.62, no.7, November, p.47 Norbert Lynton, ‘London Letter, Riley’, Art International, vol.7, no.8, October , p.84 Jasia Reichardt, ‘Bridget Riley’, Architectural Design, vol.8, no.354, August Edward Lucie-Smith, ‘Round the Galleries, Assemblages’, The Listener, 7 February, p.254 1962 Norbert Lynton, ‘London Letter, Bridget Riley’, Art International, vol.6, no.7, September, p.47 David Sylvester, ‘Bridget Riley’, The New Statesman, 25 May Michael Shepherd, ‘Bridget Riley’, Arts Review, vol.14, no.8, 5–19 May, p.19
