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CHARLIEPARKEROMNIBOOK ..... 10. Anthropology. By Charlie Parker and John 'Dizzy' Gillespie. J = 300. Bb c-. COLUMBIA 34831. F7. 1. I. P. I. D-. G7 c-. F7.
CHARLIE PARKER OMNIBOOK For C Instruments(TrebleClef) • TranscribedFrom His RecordedSolos • TransposedTo Concert Key

CONTENTS Title Page AH-LEU·CHA (AH LEV CHA) 86 ANOTHER HAIRDO 104 ANTHROPOWGY 10 AU PRIVAVE (No.1) 24 AU PRIVAVE (No.2) 26 BACK HOME BLUES 106 BALLADE 142 BARBADOS 70 BILLIE'S BOUNCE (BILL'S BOUNCE) 80 THE BIRD . . . . . . . . . . . . .. . .. 110 94 BIRD GETS THE WORM '" : . .. . BWOMDIDO 108 BLUE BIRD :......................... 84 BLUES (FAST) 124 BLUES FOR ALICE 18 BUZZy 78 CARD BOARD 92 CELERITY 22 CHASING THE BIRD 82 CHERYL 58 CHI CHI 28 CONFIRMATION 1 CONSTELLATION 45 COSMIC RAYS " 30 DEWEY SQUARE 14 DIVERSE 114 DONNA LEE . . .. . . .. . . . . . .. . . . . . .. . . 48 K. C. BLUES 20 KIM (No.1) 51 KIM (No.2) 54 KLAUN STANCE 89 KOKO 62 LAIRD BAIRD 32 LEAP FROG 130 MARMADUKE 68 MERRY·GO·ROUND 117 MOHAWK (No.1) 38 MOHAWK (No.2) 40 MOOSE THE MOOCHE 4 MY LITTLE SUEDE SHOES 120 NOW'S THE TIME (No.1) 74 NOW'S THE TIME (No.2) 76 ORNITHOWGY 6 AN OSCAR FOR TREADWELL . . . . . . . .. 42 PARKER'S MOOD 134 PASSPORT 102 PERHAPS 72 RED CROSS 66 RELAXING WITH LEE 122 SCRAPPLE FROM THE APPLE. . . . . . . . . . . . 16 SEGMENT 97 SHA WNUFF. . . . . . . . . . . .. . . . . . . . .. .. . . 128 SHE ROTE (No.1) 34 SHE ROTE (No.2) 36

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STEEPLECHASE . . . . . . . . . . . . . . . . . .. .. . . THRIVING FROM A RIFF VISA WARMING UP A RIFF . .. .. .. .. . . . . .. . . . .. YARDBIRD SUITE........................ Charlie Parker (Biography) Introduction Scale Syllabus

'i'J 1978 ATLANTlC MUSIC International Copyright Secured

All Rights

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112 60 100 136 8 ii

iv 143

CORP.

Made in U.S.A.

INTRODUCTION The solos in this book represent a cross section of the music of Charlie Parker. In presenting these solos, we hope to bring musicians closer to the true genius of "Bird". These solos are in C concert key, treble clef. The book was originally published in Eb key and this new concert version should allow many more people to explore the wonderfu.1world of music that Charlie Parker gave us. Most Jazz musicians have learned to play by listening to records and imitating the notes, articulations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. listen to the record first, then play through the solo slowly, gradually increasing the speed until you are at the recorded tempo Bird played it. I don't feel the idea is to try to play the solos exactly as Bird did, but rather to find phrases, articulations, scoops, turns, etc. that you feel you would like to incorporate into your own playing. By being able to see and play the actual notes, it should help speed up the learning process. Many players play like Bird but retain their own personality. Practice with a metronome. Each day try to increase the tempo a little, all the while retaining the inflections, articulations, etc. that you would use at the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Take a slow blues solo in F and play it with one of the records in the series that has a slow F blues, then move to a record that has a faster F blues. It is fun to work towards playing the solos with Bird along with the actual Parker recorded version. Blues make up the largest portion df this book. Rhythm changes come next. Some compositions have the two versions recorded by Parker in separate solos. When a measure occurs without a chord symbol above it, the chord is the same as the measure preceeding it. Most players like to analyze solos in order to find out what the musician is doing. Our ears cannot always HEARwhat is happening so we slow the music down. transcribe it, analyze it, practice the licks, patterns and phrases we like best, and end up playing them in our own way on our instruments. We have put chord symbols over most all bars to enable you to analyze the notes in relation to the chord. Remember, each chord symbol represents a series of tones called a scale. Older musicians used to improvise mainly on chord tones; Charlie Parker was one of the first to broaden that to include scales and substitute scales. For information on scale substitution refer to the Scale Syllabus chart. '" Bird loved to use the b9 over the Dom. 7th chord/scale. The Blues scale and its accompanying licks was an important part of his music, even when playing songs other than bluesl When you find licks or patterns that you enjoy, practice them in several keys so the melodic phrase becomes a part of you. It should become automatic in order to really be useable in a playing situation. Only a minimum of articulations have been put in this book. We feel that jazz, being an aural art form, is often times best imitated by listening over and over, and then playing the notes the way you hear it on the record. This might seem like the long way ta do it, but experience has proven reliable. After all, who would object to listening anyway? listening is what music is all about. The records from which these solos are taken are listed at the top of each solo page. They are contained in approximately eight records (some are two record sets) and most all are still available. The two record sets are a barg,ain) We hope you have as much enjoyment with this book as we have had putting it together.

* For SCALE SYLLABUS see page 143 iv

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ALSO AVAILABLE

CHARLIEPARKER OMNIBOOK For E Flat Instruments.

Transcribed Exactly From His Recorded Solos

CHARtJEPARKER OMNIBOOK Transposed for B Flat Instruments. Transcribed Exactly From His Recorded Solos (Tenor and Soprano Sax, Trumpet and Clarinet)

20

K.C. Blues

By Charlie Parker

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THE PROFESSIONALARRANGER COMPOSER (BOOK ONE) By Russell Garcia

THE PROFESSIONAL ARRANGER COMPOSER BOOK ONE

• Best selling text book used by leading universities. • Basis for course in Practical Arranging and Composing in the professional field. For the advanced arranger. • Endorsed by leading music educators and composers and arrangers.

RUSSELL GARCIA

AND

NOW!

THE PROFESSIONALARRANGER COMPOSER (BOOK TWO) By Russell Garcia

THE

PROFESSIONAL ARRANGER COMPOSER BOOK TWO

RUSSELL GARCIA

• Discusses contemporary trends in Jazz, PoP and "Modern Classical" Techniques. New scales, chords, progressions, free improvisation, vocal effects, using tone rows in practical music, etc'.-

• Contains a record of many of the 169 examples and the recording of a complete score of an exciting contemporary composition by Garcia. (Musicians used are the top instrumentalists on the West Coast).

The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.

-------------22

Celerity By Charlie Parker

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NATKINGCOLE'SPIANOSOLOS

HAWAIIAN SONGBOOK, ' 26 HawaIIanhit songs includingPEARLY SHELLS. fOREVERMORE, etc'

SONGS FORSINGERS-Boak:::2 36 great songs,IncludmgQUIETVILLAGE, WHEN THEWORLD WASYOUNG, MARIKA.etc..

'I

ERROLL GARNER PIANO SOLOS, I ERROttGARNER prANOSOLOS, II H. REVn'SMUSiCOUTOFTHEMOON

ACCORDION. TOPTV RADIO' RECORD HIlS Fille '

ACCO.OIO"

S0105

,

TINY 8U88LES--lUIOVILLACiE-IIIUSIC TO WATCH CiIiLSIY_ QUENTIN'S TMEIIIE _ ONE AIIIORE _ EVf:lIYBOorsTALIIN',

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Al! Rights Reserved.

, 59

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GmTAR GUITAR FOLIOS

"lOOTS"FORGUITAR Guitararrangements with completeparts for

Soloand RhythmGuitar

FROM THERDlIAHTIC ERA Concertguitarsolostranscribedfrom laurindo Almeida'sCapitolalbum,music of

:~:T:':OS

~

::ACIOUS.. AHliITIEIIWTlDII IUUElIAS1 CAICIUN

TEllIACAI

0

~

Beethoven, Greig,etc.

BOSSA CUITURA Six solos by LaurindoAlmeidawith lead line andchordsymbols

SURfIH'GUITAR Surfingsongsarrangedby JimmieHaskell 'or pianosoloandguitarsolo

coumty 1U1T .. Hib from ItIe CountryField

fDLlSYSOIIISfaR

GUITAR BOOkS CUITAR 1UTOIIby Laurindo Almeida A complete ConcertGuitarMethod.

THEcurrARby BarnerKessell A uniqueguide for Buitarists

em•• (Simpleto Advanced!

"MfA". "Philldelphi. llWYtf". etc

2t UUT HIES FGICUlT •• (Pick Style) 39 GreatArrangements by Danfox, featuring "MoonlightIn Vlnnonr

OSCUMOOIE CUlT.'SOlOS

VENTUREFOLIOS Book#1- Hits 1111WAllIlOll'Tnil ... #2 _ Hitslib JOUIlll1EY TOTHESTARS .... #3-HIts Iae JOSE, INSTANT GUITARS 8Iak #4-Hits I•• DIAIIIIIIDHEAD, ClIllSO

B

60

Thriving From A Riff By Charlie Parker

SAVOY 2201

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c-

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Ko Ko By Charlie Parker

J

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= 308

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MUSIC CORP. All Bights Reserved.

~lUSIC

CORP.

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68

Marmaduke By Charlie Parker

J=

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C7

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e Renewed

and assigned 1976 ATLANTlC MUSIC CORP. '01978 ATLANTlC MUSIC CORP. All Rights Reserved.

, A-

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69

Solo G-~

07

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Marmaduke

70

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Barbados By Charlie Parker

J=

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168

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e 1978

ATLANTIC MUSIC CORP. All Rights Reserved.

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MUSIC CORP

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·_~T-~ SHAPING FORCES IN MUSIC By Ernst Toch An inquiry into harmony, melody,counterpoint and form. A complete advancedmusiccourse nowbeingusedby many leadingcollegesas their text book.

72

Perhaps By Charlie Parker

SAVOY 2201

J = 200 Blues (Head)

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e Renewed

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© 1978 ATLANTIC MUSIC CORP.

All Rights Reserved.

73 D-

G7

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D-

~-" --~~ C7

C7

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~,-~ D-

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~'l_'tl CRITERION'S BOOKS" JAZZ PUBLICATIONS

FIRST CHART by Van Alexander (Edited and Contributed to by Jimmy Haskell) An important elementary arranging book. Features step-by-step instruction to help musicians through that "first chart." Includes all the modern styles, Jazz·Rock, Blues-Rock, Contemporary Latin, etc. Includes a record of two of the charts including John C. Fogerty hit lor Credence Clearwater Revival, "Lookin' Out My Back Door", 112pp. Price $1••95

THE PROFESSIONAL ARRANGER COMPOSER (BoOkOne) by Russ Garcia Text book used by leading schools. Basis for course lor practical arranging and composing in the commercial field. For the advanced and professional arranger. 172pp., 1951 Price $14.95

THE PROFESSIONAL ARRANGER COMPOSER (Book Two) by Russ Garcia Discusses contemporary trends in Jazz, Pop and "Modern Classical" Techniques. New scales, chords etc. using tone rows in practical music. Contains a record of many of the 169 examples and the recording of a complete,score of a composition by Garcia. 91 pp., 1978 Price $14.95

NEW HOT DISCOGRAPHYby Charles Delaunay The standard directory of recorded jazz. Titles, personnel, dates and numbers of 20,000 records. 608 pp. Price $24.95

THE STECHESON CLASSIFIED SONG DIRECTORYby Anne & Anthony Stecheson A classified directory of over 100,000song uues, 395 dillerent categories. Used by every major record company. 503 pp. incl. 68 pg. supplement Price $40.00

------------------CHARLIE PARKEROMNIBOOK 60 Recorded Solos - 4 Books Eb... C ... Bb ... Bass Clef (New!) Price $11.95 Newl CHARLIE PARKERFOR PIANO 15 Plano Solos Based on His Re~ G7

G-

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Blue Bird By Charlie Parker

J=

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125

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Klaun Stance By Charlie Parker

J

SAVOY 2201

= 300

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1948 ATLANTIC MUSIC CORP. and assigned 1976 ATLA.NTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP. Al! Rights Reserved.

e Renewed ~

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104

Another Hairdo By Charlie Parker

J= Blues

SAVOY 2201

184 I

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8~!ft-~ ©

1948 ATLANTlC MUSIC CORP.

© Renewed and assigned 1976 ATLANTIC MUSIC CORP. © 1978 ATLANTlC MUSIC CORP.

All Rights Reserved .

105

F7

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106

Back Home Blues By Charlie Parker

J

VERVE 8840/VERVE 8000/VERVE BOlO/VERVE 2515

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© 1956 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP.

All Rights Reserved.

W.W.

G7

c

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j

108

Bloomdido By Charlie Parker

veRVE 8840/MGM

4949/VERVE 8006/VERVE 2501

J = 240

1. Blues

Bb

Bb7

Bb7

Eb7

Eb-

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~7

F7

'~ C-§F~7~~~ F-

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8

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1953 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP. All Rights Reserved.

W.W.

109 Bb7

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110

The Bird By Charlie Parker

J=

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1978 ATLANTIC MUSIC CORP. All Rights Reserved.

W.W.

't¥

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112

Steeplechase By Charlie Parker

J = 176

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1948 ATLANnC

MUSIC CORP.

© Renewed and assigned 1976 ATLANnC © 1978 ATLANnC MUSIC CORP.

All Rights Reserved.

MUSIC CORP.

-~

113

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114

Diverse By Charlie Parker

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J = 260

h 1

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© 1957 ATLANTIC MUSIC CORP.

c 1978 ATLANTIC MUSIC CORP. Al! Rights Reserved.

W.W.

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116

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117

Merry-Go-Round By Charlie Parker

SAVOY 2201

J = 300

Bb

Bb

c-

(C-)

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F-

(F7)

Bb7

Bb

G7

Eb

Bb

2~ c-

Bb

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---

~

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c-

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