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Woodwind Syllabus Flute, Clarinet, Oboe, Bassoon, Saxophone & Recorder 2012

Trinity College London Registered office: 4th floor, 89 Albert Embankment London SE1 7TP UK T + 44 (0)20 7820 6100 F + 44 (0)20 7820 6161 E [email protected] www.trinitycollege.co.uk Registered in the UK Company no. 02683033 Charity no. 1014792 Patron HRH The Duke of Kent KG Chief Examiner in Music Nicholas Keyworth DipHE BA(Hons) FRSA Head of Operations Abigail McElheron BA(Hons) HonTCL Copyright © 2011 Trinity College London First impression, October 2011

Contents Introduction................................................................................................................................... 3 Range of qualifications.......................................................................................................... 4 Grade examinations — Flute, Clarinet, Oboe, Bassoon, Saxophone, Recorder Structure.............................................................................................................................................. 5 Duration, Marking.............................................................................................................................. 6 Pieces.................................................................................................................................................... 7 Own Composition............................................................................................................................... 8 Instruments......................................................................................................................................... 9 Technical Work . ...............................................................................................................................10 Supporting Tests: Sight Reading ............................................................................................................................. 12 Aural . ............................................................................................................................................15 Improvisation .............................................................................................................................19 Musical Knowledge ................................................................................................................... 21 Requirements: Flute (subject code FL)............................................................................................................24 Clarinet (subject code CL) .....................................................................................................42 Oboe (subject code OB) ........................................................................................................ 58 Bassoon (subject code BSN) . ...............................................................................................74 Saxophone (subject code SAX) ............................................................................................91 Recorder (subject code REC) ...............................................................................................116

Certificate examinations — Flute, Clarinet, Oboe, Bassoon, Saxophone, Recorder & Ensembles Solo Certificate examinations Structure, Marking.................................................................................................................. 148 Repertoire.................................................................................................................................. 149 Presentation Skills.................................................................................................................. 150 Certificate examinations for Ensembles..................................................................................151

Music publishers .................................................................................................................... 152 Trinity publications ............................................................................................................. 158

2

Woodwind Syllabus 2012 Introduction This syllabus contains full details of Grade and Certificate examinations for Woodwind instruments. It is valid from 1 January 2012 to 31 December 2012. A new syllabus will be published in 2012 valid from 2013. Please check the website regularly for the latest impressions of this syllabus and updates at www.trinitycollege.co.uk/music Also available from the website are details of mark schemes and assessment criteria for all examinations. These are also contained in the supplementary booklet Information & Regulations, available direct from Trinity’s London office, Local Area Representatives or from www.trinitycollege.co.uk/essentialinformation Trinity College London syllabuses have gained international acclaim for their innovative mark schemes, breadth of repertoire and flexibility of choice. Performing is at the heart of Trinity Grade examinations, which is key to their continued success around the world. Certificate examinations offer an alternative to Grade assessments; designed as mini-recitals, they place increased emphasis on performance and presentation. We hope you enjoy exploring the music on offer in this syllabus, and wish you every success in your examinations and wider music making. Nicholas Keyworth Chief Examiner in Music

Trinity College London is an awarding body recognised in the United Kingdom by the Office of Qualifications and Examinations Regulation (Ofqual) in England, the Welsh Assembly Government (WAG) and the Northern Ireland Council for Curriculum, Examinations and Assessment (CCEA). Trinity’s qualifications are accredited by these authorities within the Qualifications and Credit Framework (QCF). Various arrangements are in place with governmental education authorities worldwide. 3

Range of qualifications The range of qualifications allows for a variety of routes through musical performance for candidates to demonstrate their ability as musicians. There are no prerequisites for any of these examinations. Candidates may enter Grades, Certificates or any combination of the two. Each level is also supported by Theory examinations. Beyond Grade 8, candidates should consider Trinity’s suite of Diploma examinations at ATCL, LTCL and FTCL levels, covering performance, teaching, theory and composition qualifications.

Grade examinations

Certificate examinations

Theory examinations

Initial* Grade 1

Grade 1

Grade 2

Grade 2

Grade 3

Foundation

Grade 4 Grade 5

Grade 3 Grade 4

Intermediate

Grade 5

Grade 6

Grade 6

Grade 7

Grade 7

Grade 8 * Descant Recorder only

4

Advanced

Grade 8

Grade examinations — Flute, Clarinet, Oboe, Bassoon, Saxophone, Recorder Structure Initial–Grade 5

Grades 6–8

Three pieces

Three pieces

Technical Work

Technical Work

Scales & Arpeggios or Exercise & Study Supporting Tests

Scales & Arpeggios or Orchestral Extracts/Study* Supporting Test 1

Any TWO of the following:

Sight Reading

Sight Reading or Aural or Improvisation or Musical Knowledge

Supporting Test 2 One of the following: Improvisation or Aural

* Recorder and Saxophone.

Order of examination Candidates may present their examination in any order and should write their preferred sequence on the appointment slip, indicating this to the examiner on entering the examination room.

5

Grade examinations

Duration Examination

Duration (minutes)

Initial

13

Grade 1

13

Grade 2

13

Grade 3

13

Grade 4

18

Grade 5

18

Grade 6

23

Grade 7

23

Grade 8

28

Marking The marks available for all Grade Woodwind examinations are as follows: Component

Pass mark

Maximum mark

Piece 1

13

22

Piece 2

13

22

Piece 3

13

22

Technical Work

9

14

Test 1

6

10

Test 2

6

10

Total

60

100

Pass is awarded at 60 marks, Merit at 75 and Distinction at 87. The mark out of 22 for each piece is made up of three components, awarded for: · Notational Accuracy & Fluency (7 marks): How well the notes are prepared and realised: ‘Me and the Music’. · Technical Facility (7 marks): Instrumental control and the ability to draw the most from the instrument (e.g. tone colour, articulation): ‘Me and the Instrument’. · Communication & Interpretation (8 marks): How well the candidate interprets the music, engages the audience and conveys a sense of the context of the music they are playing: ‘Me and the Audience’. 6

Grade examinations

Pieces Repeats, ornaments & tempi All pieces should be prepared in full unless otherwise stated, but repeats of more than a few bars should be omitted unless instructed otherwise in the syllabus or examination publications. All da capo and dal segno instructions should be observed, as should 1st and 2nd time bars (of moderate length) where the 1st time bar contains significant musical material. Trills and other appropriate ornamentation are encouraged, particularly in the higher grades. Metronome marks are given as a guide, and candidates should observe terms showing the tempo and/or character of the music (e.g. Lento, Allegro).

Page-turners and accompaniments Trinity does not provide accompanists nor can the examiner act as an accompanist or page-turner. Difficult page turns should be overcome by photocopying the relevant pages. A page-turner may assist the accompanist in Grades 6–8 examinations if absolutely necessary, but may remain in the examination room only while needed. Candidates may use a recording of the piano accompaniment in examinations up to and including Grade 3. Recordings of accompaniments need not be commercial products but must be of good CD quality and must not include the solo part; cassette recordings are not acceptable. It is the responsibility of the person signing the entry form to ensure that suitable playback equipment for CDs is provided. Some centres may provide this equipment and the applicant should contact the centre well in advance to confirm the arrangements (about power supply, equipment insurance, etc.). In all cases, arrangements must be agreed with the Local Area Representative.

Playing from memory Candidates are free to play any or all of their pieces from memory, which may improve note security and confidence in their ability to communicate. It is not obligatory, however, and no separate marks are given for memorisation. Candidates who play from memory must ensure that an original copy of the music performed is brought into the examination room.

Music and copies It is essential that candidates bring an original copy of the music being performed into the exam room. If an unauthorised copy (including an unauthorised photocopy) is used, candidates should be aware that Trinity may not award marks in relation to the performance of that piece. Original copies of sheet music can be purchased or downloaded from music shops and publishers, for whom contact details are given at the end of this syllabus. Details regarding the legitimacy of all forms of sheet music can be obtained from the UK Music Publishers Association’s Code of Fair Practice, available at www.mpaonline.org.uk. Allowances cannot be made for delays in obtaining music. Examiners of Grade examinations welcome the provision of reference copies of pieces not published by Trinity. Photocopies can legitimately be used for this purpose, providing an original copy of the music is also in the room; any photocopies provided will be retained by the examiner and destroyed after the examination.

7

Grade examinations

Own Composition Candidates may offer their own composition in place of a listed piece where indicated in the syllabus.

Content The composition should follow the specification given, and must be of a similar technical and artistic level to the other pieces performed. The piece may be unaccompanied or accompanied, though the use of pre-recorded material is not allowed. The piece should be substantially the candidate’s unaided work, although the teacher may offer guidance as necessary. Candidates and teachers are advised to take note of the Levels of Achievement statements in the current Information & Regulations booklet when preparing own compositions. The timings given at each level should be observed carefully; credit will be lost if compositions fall significantly short of or exceed the indicated timespan.

Notation The complete composition must be handwritten by the candidate, or produced and printed by the candidate using a score-writing program. At Initial–Grade 5, the composition may be presented in any coherent form of notation. For compositions at Grades 6–8 staff notation is essential. Marks will be deducted if the notation is incomplete or technically inaccurate or if the performance varies significantly from what is written. Candidates must present a (photo)copy of the piece, which the examiner will keep; the candidate’s name and number should be clearly shown on this copy.

Assessment After the performance, the examiner will ask the candidate to explain how the piece was composed and will ask further questions about the notation and structure. Sixteen marks are awarded for the performance and six for clarity of explanation, structure and presentation. The specific composition requirements are listed below:

Grade

Duration (minutes)

Requirements

Initial

1–2

A piece containing sudden changes

Grade 1

1.5–2.5

A piece containing sudden dynamic contrast

Grade 2

1.5–2.5

A piece contrasting legato and staccato passages

Grade 3

1.5–2.5

A piece which starts quietly and simply, and builds to a loud, grand climax

Grade 4

2.5–3.5

A piece with long melodic phrases

Grade 5

2.5–3.5

A piece containing many wide leaps

Grade 6

3.5–4.5

A piece contrasting material in the high and low registers

Grade 7

3.5–4.5

A piece featuring several different tuplets within the same pulse (e.g. duplets, triplets, etc.)

Grade 8

4.5–5.5

A piece featuring a variety of effects (e.g. breath effects, multiphonics, flutter tonguing, singing, rapid tonguing)

8

Grade examinations

Instruments Flute Candidates may offer their examination on C flute only. Piccolo and alto flute may be used only where stated in the syllabus.

Clarinet C clarinets may be used up to and including Grade 3, provided accompanists can provide their own transpositions (which may be in manuscript form) where appropriate. Eb and bass clarinets may be used only where stated in the syllabus.

Oboe & Bassoon Cor anglais and contrabassoon may be used only where stated in the syllabus. Mini bassoons may be used up to and including Grade 3, provided accompanists can provide their own transpositions (which may be in manuscript form) where appropriate.

Saxophone Candidates may use one or any combination of saxophones, but must offer Bb repertoire on Bb instruments and Eb repertoire on Eb instruments. Technical Work and Supporting Tests (where applicable) can be offered on the instrument of the candidate’s choice.

Recorder Recorder examinations should be taken on recorders with baroque fingering; instruments using German fingering must not be used. Instruments pitched at a=415 may be used where suitable accompanying instruments are available. At Grades 1–5 candidates may play either descant or treble recorder or a combination of the two. At Grades 6–8 both descant and treble must be played. At all grades, one piece only may be played on tenor or sopranino or bass. At Initial, the piano part may be transposed down a 5th and the exam taken on treble. In all other grades transposition of set repertoire is not permitted. At Initial to Grade 5, Technical Work and Supporting Tests should be taken on the instrument on which the candidate plays the majority of their pieces. At Grade 6 to Grade 8 Technical Work must be taken on treble and Sight Reading/Improvisation will be on descant or treble at the examiner’s choice.

Tuning Examiners should not be expected to tune or adjust instruments for candidates. Up to and including Grade 5 the teacher or accompanist may assist with tuning. From Grade 6 onwards, candidates are expected to tune or adjust their instrument without assistance.

9

Grade examinations

Technical Work The purpose of this section of the examination is to encourage the development of the necessary technical skills for the performance of pieces. Candidates should aim for accuracy at an appropriate tempo with even control of rhythm and tone. Higher marks are given for attention to musical shaping, and the promptness and confidence of delivery. Candidates can choose between the following two options: i) Scales and Arpeggios ii) Exercise & Study (Exercise & Orchestral Extracts for Flute, Clarient, Oboe & Bassoon at Grades 6–8) All scales and arpeggios must be performed ascending then descending. A breath may be taken at the top of the scale/arpeggio at the candidate’s discretion. All scales, arpeggios and the exercises in part ii) of the Technical Work section for each grade must be performed from memory. For practice purposes, the exercises may be photocopied from the syllabus or downloaded from Trinity’s website. The study/studies and orchestral extracts may be played either from memory or using the printed music. Candidates should note, however, that no extra marks will be awarded for performing from memory in the examination. Flute, Clarinet and Saxophone candidates may choose the scales and arpeggios set for the equivalent Jazz Grade examination instead of those listed in this syllabus, but may not offer the exercises and study (Grades1–5) or study (Grades 6–8) set for Jazz examinations. Full details of Jazz requirements are published in a separate syllabus available from music retailers, from Trinity’s London office or on the website www.trinitycollege.co.uk/music

Minor scales Up to and including Grade 2, candidates may choose to play either harmonic or melodic or natural minor scales. In Grades 3, 4 and 5 candidates have a choice of harmonic or melodic and in Grades 6, 7 and 8 both harmonic and melodic minors must be prepared.

Tempi for scales and arpeggios A minimum pace is required, increasing gradually grade by grade.

Grade

Scales

Arpeggios

Sevenths

Initial

q = 60

Grade 1

q = 72

e = 120

q = 60

Grade 2

q = 72

e = 120

q = 60

Grade 3

q = 84

e = 132

q = 66

Grade 4

q = 96

e = 138

q = 69

Grade 5

q = 116

e = 152

q = 76

Grade 6

q = 120

Grade 7

q = 132

Grade 8

q = 132

10

q. = 63

q. = 69 q. = 69

q = 96 q = 104 q = 104

Grade examinations

Articulation for scales and arpeggios The various articulation patterns for scales and arpeggios in this syllabus are given below. Trinity publishes scales and arpeggio books for all woodwind instruments (see page 151). D natural minor scale (one octave, slurred)

            ( )                                 

F major scale (a 12th, with mixed articulation)

F major arpeggio (a 12th, slurred)

             



Dominant 7th in the key of G (2 octaves, with mixed articulation) [Candidates may choose to finish dominant 7th arpeggios on the tonic]

                   

Whole tone scale on C (2 octaves, slurred)

            

    

(

 )

        

Orchestral extracts Orchestral extracts should be performed unaccompanied and rests of more than one bar should be suitably curtailed.

11

Grade examinations

Supporting Tests Sight Reading Sight Reading tests are set at the level of a piece prescribed approximately two grades lower than the grade undertaken; for instance, Grade 5 candidates will be given a piece of around Grade 3 level. Tests meet the following parameters. Candidates will be allowed 30 seconds to study the test before they attempt it. During this time they may practise the music. The examiner will then invite the candidate to perform the test for assessment. Examples of Sight Reading tests can be found in Trinity Sound at Sight series (see page 151).

Flute, Clarinet, Oboe, Saxophone Grade

Time signatures

Note values

Dynamics & tempi

Articulation & other

(cumulative*)

(cumulative*)

(cumulative*)

(cumulative*)

Grade 1

2 and 4

q, h, w and _î

moderato, mf, p and f

tongued

Grade 2

3

h. and ties

allegretto

slurs; accidentals

e, Î and

mp and andante

Grade 3

_·

q. and ä

Grade 4

dim. and cresc.

Grade 5

6

x and Å

Grade 6

8

dotted notes

rit.

Grade 7

9

triplets

accel.

duplets

and any standard performance direction

Grade 8

22

& changing time signatures

accents, tenuto

ff , pp

* Tests may also include requirements from the preceding grade(s).

12

staccato

U

Grade examinations

Bassoon, Recorder Grade

Time signatures

Note values

Dynamics & tempi

Articulation & other

(cumulative*)

(cumulative*)

(cumulative*)

(cumulative*)

Initial (recorder only)

2

q and h

moderato and mf

tongued

Grade 1

4

w and _î

p and f

Grade 2

3

h. and ties

allegretto

slurs; accidentals (bassoon only)

Grade 3

e, Î and

mp and andante

accidentals

Grade 4

q. and ä

dim. and cresc.

staccato, accents, tenuto

_·

Grade 5

6

x and Å

Grade 6

8

dotted notes

rit.

Grade 7

9

triplets

accel.

Grade 8

22

& changing time signatures

simple tenor clef (bassoon only) acciaccaturas, turns, trills

ff , pp duplets

and any standard performance direction


13

Grade examinations

Initial

Grade 1

Grade 2

Grade 3

Grade 4

Grade 5

Grade 6 Grade 7 Grade 8

major

(cumulative*)

Treble Recorder

(cumulative*)

G

major

F, G

F, G

F

F

F, G

G

C

A

A

A

C

E

E

A

G

C

D

G

D

E

A

D

G

G, Bb

C, D

C, F

F, Bb

Bb

Eb

minor major minor major minor

E

major

Bb

C

C, D

minor

G

G

B

major

A, C

Bb

A

D

D

E

G

B, D

A

D

minor

Range of test

5th

minor

major

D

D

Bb

A, Eb

A, Eb

A

D

minor

D, F#

E

F#

B

G

F#

B

major

E, Ab

E, Ab

E, Eb

Ab, E

E, Ab

E, Eb

A, Ab

minor

B

F

F

C#

C#

F#

major

B

B, Db

Ab, B

Db

B, Db

F#

B

minor

C#, G# Bb

F

Bb

Eb

Ab


14

Descant Recorder

(cumulative*)

Saxophone

(cumulative*)

Bassoon

(cumulative*)

Oboe

(cumulative*)

Clarinet

Flute

Grade

(cumulative*)

Keys (all instruments)

octave

octave

12th

12th

two octaves

two octaves

full range

full range

Grade examinations

Aural Aural tests are designed to develop the candidate’s abilities in the fields of musical perception, discrimination, memory, understanding, analysis and response. The tests, which are all based on the same example to encourage a deepening of knowledge, are carefully graded from basic skills to more advanced understanding. In Grades 2–4 candidates should indicate the sense of pulse either by conducting, tapping or clapping with the strong beats clearly indicated.

Grade

Initial

Grade 1

Grade 2

Parameters

Task

Question

Response

1

Listen to the melody with a missing final note

Sing, hum or whistle the final tonic note

major key 4 bars

2

Listen to the melody twice

Clap the rhythm

2

3

Listen to the melody once

Identify the melody as mainly legato or staccato

4

Listen to three notes from the melody

Identify the highest or lowest note

1


i) Clap back the rhythm ii) Identify the melody as in 2 or 3 time

major key 4 bars

2


Identify the last note as higher, lower or the same as the first note

2 or 3

3


Identify the melody as mainly legato or staccato

4

Listen to the melody twice with a change of pitch in the second playing

Identify where the change occurs

1


Indicate a sense of the pulse and time signature during the second playing. The examiner will indicate when to start

2


Identify the last note as higher, lower or the same as the first note

3


i) Identify the melody as major or minor ii) Explain the dynamics during the piece which may also include crescendo and diminuendo

4

Listen to the melody twice with a change of rhythm or pitch in the second playing

Identify the change as pitch or rhythm

major or minor key

2 or 3

15

Grade examinations

Grade

Grade 3

Grade 4

Grade 5

16

Parameters

major or minor key

3 or 4

Task

Question

Response

1


Indicate a sense of the pulse and time signature during the second playing

2

Listen to the first two notes played from low to high

Identify the interval formed as a major second, minor third, major third, perfect fourth or perfect fifth

3

Listen to a triad played with three notes sounding together

Identify the triad as major or minor

4

Study a copy of the melody and listen to it three times with a change of rhythm or pitch in the second and third playing

Identify in which bar the change occurred

1

Listen to the accompanied melody twice

Indicate a sense of the pulse and time signature during the second playing

2

Listen to the first two notes played consecutively

Identify the interval as a unison, minor or major second, minor or major third, perfect fourth or fifth, minor or major sixth

3


Identify the cadence as perfect or imperfect

4

Study a copy of the melody and listen to it three times with a change of rhythm and pitch in the second and third playing

Identify in which bars the changes to pitch and rhythm occurred

1

i) Listen to the piece twice iv) Listen to the final part of the piece

i) Identify the time signature ii) Identify the opening as major or minor iii) Identify any changes in tonality Identify the cadence as perfect, imperfect or interrupted

2

Listen to two notes from the melody line played consecutively

Identify the interval as a unison, minor or major second, minor or major third, perfect fourth or fifth, minor or major sixth, minor or major seventh or an octave

3

Listen to the piece once

Explain the articulation and the dynamics

4

Study a copy of the piece and listen to it three times with a change of rhythm and of pitch in the melody line in the second and third playing

Identify and explain the changes of pitch and of rhythm

major or minor key

4 or 6

major or minor key

2, 3, 4 or 6

Grade examinations

Grade

Grade 6

Grade 7

Grade 8

Parameters

Task

Question

Response

1

Listen to a piece twice

State the time signature and comment after either or both playings on the main features of the piece, e.g. phrasing, style and dynamics

2

Listen to the final part of the piece

Identify the cadence as perfect, imperfect, plagal or interrupted

3

Listen to part of the piece which modulates. The opening key will first be stated and the tonic chord played

Identify the key into which the music modulates as dominant, subdominant and relative minor. Answers may alternatively be given as key names

4

Study a copy of the piece and listen to it twice with two changes to the melody line

Identify and explain changes as rhythm, pitch or articulation

1


Comment, after either or both playings, on the main features of the piece, e.g. style, phrasing, articulation and dynamics

2

Listen to a passage from the piece once

Identify the cadence as perfect, imperfect, plagal or interrupted

3

Study a copy of the first section of the piece and listen to it twice with three changes

Identify and explain three changes of pitch (of the melody line) or rhythm

4

Listen to part of the piece once with a modified ending. The opening key will first be stated and the tonic chord played

Identify the key to which the music has modulated as sub-dominant minor, relative major or dominant of the relative major. Answers may alternatively be given as key names

1


Describe the significant features of the piece, e.g. style, rhythm, texture, dynamics, phrasing and articulation in the form of a short discussion with the examiner

2

Study a copy of the music and listen to it three times with three areas of changes in the second and third playing

Identify and explain after either the second and/or the third playing the three changes as of rhythm, melody, harmony, articulation, dynamics or tempo

major key

2, 3, 4 or 6

minor key

major or minor key

17

Grade examinations

Improvisation The improvisation test explores the candidate’s ability to respond creatively to a musical stimulus. Candidates must select any one of the following types of stimuli and identify their choice on the appointment slip: either or or

melodic: based on a series of pitches rhythmic: based on a rhythmic idea chordal: based on a set of chord symbols.

The parameters are given in the chart on page 20.

Melodic Stimulus The examiner will give the candidate a copy of a series of written pitches and will play it through twice at a steady tempo. Candidates should repeat the pitches on their instrument, and then prepare and perform an improvisation using these pitches as the basis for the performance.

Rhythmic Stimulus The examiner will give the candidate a copy of an opening rhythm and then play it twice. Candidates should repeat it on their instrument, and then prepare and perform a short improvisation based on this rhythm, adding melodic material as appropriate.

Chordal Stimulus The examiner will give the candidate a copy of a 2-stave piano score containing notated chords with chord symbols printed above. The examiner will play this through twice at a steady tempo. The candidate should then prepare and perform a short improvisation based on given chords. Candidates will be expected to perform the improvisation as a solo while the examiner plays the chord sequence. The sequence may be repeated several times, depending on length and speed until the improvisation reaches a natural conclusion.

Written Keys for Chordal Stimuli Initial–Grade 3

Grades 4–5

Grades 6–8

Flute

C, F, G major

A, D, E, G, B minor

C, F, G, Bb, D, Eb, A major plus relative minors

Clarinet

C, F, Bb major

A, D, G, C, E minor

C, F, Bb, Eb, G, Ab, D major plus relative minors

Oboe

C, F, G major

A, D, E, G, B minor


Bassoon

C, F, G major

A, D, E, G, B minor


Saxophone

C, F, G major

A, D, E, G, B minor


Descant Recorder C, F, G major

A, D, E, G, B minor


Treble Recorder

A, D, G, C, E minor

C, F, Bb, Eb, G, Ab, D major plus relative minors

18

C, F, Bb major

Grade examinations Up to Grade 5, candidates will be given 30 seconds preparation time to develop their response. The examiner will then request that they begin their improvisation. At Grades 6–8 this preparation time is extended to 60 seconds. Marks are awarded for planning, structure, form, melodic, harmonic & rhythmic creativity, inventiveness and logical progression, appropriate length and use of instrumental resources. Candidates should regard the note values and ranges given as the minimum that will be expected, but may extend these if they wish. A document giving example responses and guidance on expectations is available to download from the website www.trinitycollege.co.uk

19

Grade examinations

Parameters for Improvisation tests Grade

Melodic stimuli: max. range of given motif

Rhythmic stimuli

Chordal stimuli

(cumulative*)

(cumulative*)

in 4 2 bars crotchets, minims

4-bar phrase major key I/V 2 bars per chord

Initial

3 stepwise notes

Grade 1

3 notes — one step one leap — up to a 4th

quavers

4-bar phrase major key I/V 1 chord per bar

Grade 2

4 notes — range up to a 5th

as above with dots

4-bar phrase major key I/IV/V 1 chord per bar

Grade 3

5 notes — range up to a 6th

as above with ties

4-bar phrase major key I/IV/V/ii 1 chord per bar

Grade 4

octave (diatonic)

2, 3

semiquavers Grade 5

octave (simple chromaticism)

Grade 6

Grade 7

4-bar phrase minor key I/IV/V/vi 1 chord per bar

6

8-bar phrase major key I/ii/IV/V & 7ths 1 chord per bar

triplets

8–12 bar phrase major or minor key I/ii/III/iv/V/VI & 6ths/7ths 1 or 2 chords per bar

7

12–16 bar phrase major or minor key all chords 6ths/7ths/9ths & dim/aug simple suspensions 1 or 2 chords per bar

twelfth (chromatic)

Grade 8

4-bar phrase minor key I/IV/V 1 chord per bar


20

Grade examinations

Musical Knowledge (Initial–Grade 5 only) These questions test the candidate’s understanding of the pieces played, the context of their performance and knowledge of the instrument and its technical demands, including best practice for rehearsal and performance. Questions will include discussions on most of the areas listed as relevant. Candidates should demonstrate their knowledge by reference to the printed score, which must be free from annotation.

Initial 1. The pitch names, and durations of any notes (excluding those with leger lines except middle C). 2. Identify clefs, stave, bar lines and key/time signatures. 3. Very simple musical terms and signs in the pieces, such as U , ‘repeat’, f and p. 4. Questions about the titles of the pieces played (e.g. what is a Minuet? Why is this piece called ‘Squabble’?)

Grade 1 1. Pitch names, note types (e.g. minim) and durations of any notes in the pieces played, including dotted notes and any leger lines. 2. Clefs, time/key signatures and any common musical term/sign encountered. 3. Identify and explain p/f, accidentals, phrase marks, 1st & 2nd time bars and staccato/legato. 4. Comment on any significant, interesting or unusual features. Show a basic understanding of the instrument/voice, including the names of its main parts (e.g. pedals, tone holes, reed, bridge, valves, heads, etc.) and maintenance.

Grade 2 As for Grade 1, and additionally: 1. Show an understanding of any term, sign or mark of expression. 2. Identify and explain any metronome marks, grace notes, ornaments, etc. 3. The numerical value (only) of any interval (within an octave) between any two successive notes (e.g. ‘a second’ not ‘a minor second’). Intervals may be asked from a lower to a higher note or vice versa. 4. Be aware of appropriate basic posture when playing/singing.

Grade 3 As for previous grades, and additionally: 1. Identify and demonstrate an understanding of the keys (together with their relative major/minor), in which the pieces played are written. 2. Identify any common musical devices such as scale or arpeggio patterns.

21

Grade examinations 3. Show an understanding of the reasons for, and methods employed in, the instrumental or vocal warm up (of both instrument and performer). 4. The difference between sounding pitch of their instrument (transposing instruments only, including descant recorder, double bass and other octave transposing instruments).

Grade 4 As for previous grades, and additionally: 1. Identify/explain any main key encountered throughout the pieces played, though no detailed knowledge of modulatory processes will be expected. 2. Name the tonic and the dominant (and the three notes of their triads) of any of the keys in which the pieces are written. 3. The full name of any interval (within an octave) between any two successive notes (e.g. ‘major second’ not ‘second’). Intervals may be asked from a lower to a higher note or vice versa. 4. Comment on any particular technical or musical challenges encountered in the preparation of the pieces played.

Grade 5 As for previous grades, and additionally: 1. Comment upon any significant features of the musical style and period (e.g. Baroque, Romantic). 2. Point out any interesting or noteworthy structural/formal aspects. 3. Show an understanding of the keys used in the pieces played, including an understanding of modulations and a knowledge of tonic, dominant and subdominant of the keys in which the pieces are written.

Grades 6–8 Musical Knowledge questions are not available at these grades.

22

[Turn over for Grade requirements]

23

Flute — Grade 1

Subject code: FL

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8).

Group A

Bart Handel Haughton Lyons Praetorius Purcell Rae Susato Trad. Zgraja

Piece

Oom Pah Pah, no. 66 March Hot Potato Natasha’s Hedgehog Mohrentanz Rigaudon Curtain Up! Ronde VI Polly-Wolly-Doodle Walking Waltz

Book

Selected repertoire from the new Trinity Performer’s Series may also be chosen: from Musical Moments in place of Group A or B pieces, or from Mosaics instead of a Group C piece. The approved alternative pieces are listed on the Trinity website at www.trinitycollege.co.uk/woodwind

Publisher

Abracadabra Flute [sep. piano accomp.] A & C Black Music Through Time Flute book 1 OUP Fun Club Flute Grade 0–1 Mayhew Compositions for Flute vol. 1 Useful U 120 Woodwind World Flute book 1 Trinity Flute Fancies Boston BM 10041 Play it Cool — Flute Universal UE 21101 Renaissance Music for Flute Boosey Flautist’s Choice: Grade 1 Fentone F721 Modern Flutist 1 Schott ED 8422

Group B Anon. Sad Waltz, p. 30 [top line] Haughton Minor Mission Lyons Spring Carol Pleyel Minuet Rae Chill! Rosseter Elizabethan Dance Flute Saint-Saëns The Elephant Szelényi Lullaby, p. 40 Trad. Speed Bonny Boat

Flute Class Fun Club Flute Grade 0–1 Compositions for Flute vol. 1 Flute Fancies Flute All Sorts (Grades 1–3) The Really Easy Flute Book Flute All Sorts (Grades 1–3) Learn as You Play Flute Going Solo Flute

Novello NOV 120738 Mayhew Useful U 120 Boston BM10041 Trinity Faber Faber Trinity Faber Boosey Faber

Group C (unaccompanied) Ben-Tovim, ed. No. 4 or no. 5 or no. 18 The Young Orchestral Flautist book 1 Pan PEM110 Gariboldi Study no. 2 125 Easy Classical Studies for Flute Universal UE 16042 Harris Study no. 4 or no. 5 or no. 7 76 Graded Studies for Flute book 1 Faber Ibberson Study no. 2 Let’s Play... Ibberson Nicholson Study no. 2 63 Easy Melodic Studies for Flute Pan PEM 34 Popp Study no. 10 125 Easy Classical Studies for Flute Universal UE 16042 Rae Little Prelude, no. 3 Style Workout for Flute Universal UE 21319 Sparke Carol, no. 59 Starter Studies for Flute Anglo Music AMP 078 Stokes No. 2 More Easy Jazz Singles Hunt HE67 Trad. The Ash Grove Woodwind World: Flute book 1 Trinity Walton Study in E minor, p. 26 Off to a Great Start for Flute book 2 AWMP FL 002

24

Flute — Grade 1

Technical Work (14 marks) (see page 10) Candidate to prepare either Section i) or Section ii) in full

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) E minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) E minor (one octave)

or ii) Exercise and Study Exercise (from memory): for slurring C–D and D# :

q = 72

   





  



 





 



mf

Study: Candidate to prepare one of the following: Harris

Festive Fanfare or Eastern Elegy (from Improve your Scales: Flute Grades 1–3)

Faber

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 12) Aural (see page 15) Improvisation (see page 18) Musical Knowledge (see page 21)

25

Flute — Grade 2

Subject code: FL


Group A

Chamberlain Fleming, arr. Hart Mower Mozart Praetorius Rameau Somis Trad. Trad. Vivaldi Wye

Piece

Jig Along The Spinning Wheel Bertie’s Blues March Wind Minuetto Bransle de la Torche La Villageoise Tambourin Peruvian Dance Tune What Shall we do with the Drunken Sailor? Autumn (from The Four Seasons) Tambourin, p. 42

Book


Step it Up! The Irish Fluter All Jazzed Up for Flute Landscapes Flute Fancies Renaissance Music for Flute Woodwind World: Flute book 2 Flute All Sorts (Grades 1–3) Amazing Solos for Flute What Else Can I Play? Flute Grade 2 Music Through Time: Flute book 2 Flute Class

Publisher Alfred/Faber Mayhew Brass Wind 1301 Itchy Fingers Boston BM10041 Boosey Trinity Trinity Faber Boosey Faber 3304A OUP Novello NOV 120738

Group B Bullard Grieg Harris Haughton Lichtenthal Locatelli Lyons Pollock Sculthorpe Tchaikovsky Watts Weidmann

Sad Clown Cattle Call op. 17 no. 20 Strawberry Sarabande Aria Theme Aria, no. 6 Serpentine Amazing Grace, no. 97 Sea Chant Barcarolle Goings On or Café du Festival Largo

Circus Skills Spartan SP724 Flute Time Pieces 1 OUP Chocolate Box Novello NOV 016203 Fun Club Flute Grade 1–2 Mayhew Flute Solos vol. 1 Chester CH55088 A Very Easy Flute Treasury Novello NOV120852 Compositions for Flute vol. 1 Useful U 120 Abracadabra Flute [sep. piano accomp.] A & C Black Two Easy Pieces Faber Flute All Sorts (Grades 1–3) Trinity Faber Razzamajazz Repertoire Music Through Time Flute book 2

Mayhew OUP

Group C (unaccompanied) Anon. Song Tune Woodwind World: Flute book 2 Trinity Anon. Study no. 20, The Sun from the East 76 Graded Studies for Flute book 1 Faber Baermann Study no. 14 76 Graded Studies for Flute book 1 Faber Ben-Tovim, ed. No. 1 or no. 2 or no. 15 The Young Orchestral Flautist book 1 Pan PEM110 Köhler Study no. 22 or Study no. 24 125 Easy Classical Studies for Flute Universal UE 16042 Ibberson Study no. 7 Let’s Play... Ibberson Ledbury Itchy Feet Flute Salad Brass Wind 1311 Leplus Study no. 23, Quasi presto The Flute Player’s Companion vol. 1 Chester CH55840 Popp Study no. 10 63 Easy Melodic Studies for Flute Pan PEM 34 Sparke Music Box Waltz, no. 62 Starter Studies for Flute Anglo Music AMP 078 26

Flute — Grade 2

Trad. Walton Wedgwood

Old Japanese Folk Song Study in D minor, p. 30 Hallelujah!

Flute All Sorts (Grades 1–3) Off to a Great Start for Flute book 2 Flute All Sorts (Grades 1–3)

Trinity Faber AWMP FL 002 Trinity Faber


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: D major (two octaves) Bb major (one octave) A and G minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: D major (two octaves) Bb major (one octave) A and G minor (one octave)

or ii) Exercise and Study Exercise (from memory): for slurring up to the middle register:

Slow

  

mf

 



q = 72







 

 

 



 



Study: Candidate to prepare one of the following: Harris Galoping Galoshes or Arabian Apricot (from Improve your Scales: Flute, Grades 1–3)

Faber


Sight Reading (see page 12) Aural (see page 15) Improvisation (see page 18) Musical Knowledge (see page 21) 27

Flute — Grade 3

subject code: FL



Group A Bernstein Blavet Bullard Delibes Gershwin Gossec Harper Hart Kershaw Lyons McDowall Praetorius Watts Zgraja

Piece America Gavotte– Le Dédale Trick Cyclist Mazurka Fascinating Rhythm Gavotte Atarah’s Fancy No Dice Simple Samba June in Paris Waltz La bourrée, no. 11 The Boccy Chiccy! Pop Menuett

Group B Arrieu Beethoven Concone Dvoˇrák Fleming, arr. Granados Harris Mower Popp Scott Vivaldi

Pièce Romance Flute Fancies Contemplation Flute All Sorts (Grades 1–3) Allegretto (from Symphony no. 8) Music Through Time: Flute book 3 The Harp that Once Through Tara’s Halls The Irish Fluter Vals Poetico no. 3 Woodwind World: Flute book 3 Caramel Carousel Chocolate Box Still Waters Landscapes Piece no. 2 (Andantino) First Repertoire Pieces for Flute Annie Laurie Scottish Folk Songs for Flute Concerto in D, RV 428 (The Goldfinch, 2nd movt) Flute Time Pieces 1

Group C (unaccompanied) Demersseman Study no. 26 (from Chanson Serbe) Ben-Tovim, ed. No. 11 or no. 14 Gariboldi Study no. 5 Ibberson Study no. 13 Ledbury Waltzer Popp Study no. 25 Rae Chandelier Waltz, no. 7 or Epilogue, no. 10 Soussmann Study no. 37 or no. 38 Sparke Hungarian Dance, no. 38 Stokes No. 8 28

Book Amazing Solos for Flute Flute Solos vol. 1 Circus Skills Going Solo Flute Easy Gershwin for Flute 36 Solos for Flute [ed. Peck] Atarah’s Fancy & Gospel Train All Jazzed Up for Flute Let’s Dance Compositions for Flute vol. 1 Six Pastiches Renaissance Music for Flute Razzamajazz Repertoire Modern Flutist 1

The Flute Player’s Companion vol. 1 The Young Orchestral Flautist book 1 100 Classical Studies for Flute Let’s Play... Flute Salad 63 Easy Melodic Studies for Flute

Publisher Boosey Chester CH55088 Spartan SP724 Faber OUP Fischer Hunt HE25 Brass Wind 1301 Pan PEM44 Useful U120 Pan PEM40 Boosey Mayhew Schott ED 8422 Amphion Boston BM10041 Trinity Faber OUP Mayhew 3611288 Trinity Novello NOV016203 Itchy Fingers Boosey Mayhew 3611771 OUP

Chester CH55840 Pan PEM110 Universal UE 12992 Ibberson Brass Wind 1311 Pan PEM34

Style Workout for Flute Universal UE 21319 125 Easy Classical Studies for Flute Universal UE 16042 Skilful Studies for Flute Anglo Music AMP094 More Easy Jazz Singles Hunt HE67

Flute — Grade 3


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F and G major (two octaves) A major (to 12th) G minor (two octaves): candidate’s choice of either harmonic or melodic minor A minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on G (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F and G major (two octaves) A major (to 12th) G minor (two octaves) A minor (to 12th)

or ii) Exercise and Study Exercise (from memory): for using long Bb: q. = 60

         f

       

       

p

        

    

       

Study: Candidate to prepare one of the following: Harris Ants or Boiled Beef (from Improve your Scales: Flute Grades 1–3)

Faber



Flute — Grade 4

Subject code: FL

Pieces (3 x 22 marks)


Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8).

Group A Arnold J S Bach Gershwin Gunning Handel McDowall Sands Seiber Sullivan Telemann Warlock Watts Zgraja

Piece

Book

Publisher

Solitaire Queen’s Temple QT68 Rondeau from Suite in B minor, BWV 1067 Any reliable edition I Got Plenty Of Nothin’ Easy Gershwin for Flute OUP Waltz for Aggie Unbeaten Tracks for Flute Faber Giga First Repertoire Pieces for Flute Boosey Comic Song Six Pastiches Pan PEM40 Recuerdos de La Bahía Latin Originals Hunt HE86 Mazurka Dance Suite Schott ED 12426 Dance a Cachucha (from The Gondoliers) Music Through Time Flute book 3 OUP Minuet First Repertoire Pieces for Flute Boosey Basse Danse from the Capriol Suite Amazing Solos for Flute Boosey When Paddy met Bella Razzamajazz Repertoire Mayhew 3611814 Step by Step Modern Flutist 1 Schott ED 8422

Group B C P E Bach Sonata in G, 3rd movt: Tempo di minuetto & variations Sonatas book 1 Bärenreiter HM71 J S Bach Siciliano First Repertoire Pieces for Flute Boosey Couperin Les Roseaux Music Through Time Flute book 3 OUP Elgar Minuet Elgar Album Novello NOV120553 Harmston Andante Flute Solos vol. 2 Chester CH55136 Harris Viennese Vanilla Valse Chocolate Box Novello NOV016203 Heath Gentle Dreams Gentle Dreams & Shiraz Camden CM113 Holcombe Lazy Afternoon Contemporary Flute Solos in Pop/Jazz Styles Musicians Publications Köhler Future Dream op. 79 Flute Time Pieces 1 OUP Lyons A Blackbird Sang in Albert Square Compositions for Flute vol. 1 Useful U120 Moore Siciliano Emerson E468 Nelson The Rose of Allandale Scottish Folk Songs for Flute Mayhew Vivaldi Andante from Sonata no. 3 Flute Solos vol. 1 Chester CH55088

Group C (unaccompanied) Andersen Study no. 31 J S Bach Gigue (BWV 845), no. 18 Ben-Tovim, ed. No. 32 and no. 48 or no. 32 and no. 40 Demersseman La Tyrolienne, no. 27 Drouet Study no. 8, Adagio Gariboldi Study no. 21 or no. 40 Gariboldi Study no. 11 Harris Study no. 32 30

63 Easy Melodic Studies for Flute Amazing Studies for Flute

Pan PEM34 Boosey

The Young Orchestral Flautist book 2 Pan PEM111 The Flute Player’s Companion vol. 1 Chester CH55840 25 Studies for Flute Broekmans 100 Classical Studies for Flute Universal UE 12992 Amazing Studies for Flute Boosey 76 Graded Studies for Flute book 1 Faber

Flute — Grade 4

Nielsen Popp Sparke Telemann Trad. Tulou Vizzutti

The Children are Playing Hansen WH27818 Study no. 94 or no. 95 125 Easy Classical Studies for Flute Universal UE 16042 Party Piece, no. 40 Skilful Studies for Flute Anglo Music AMP094 Fantasia no. 12 TWV 40:13: Presto 12 Fantasias for Flute Bärenreiter BA 2971 Doctor O’Neill (Irish Jig) Woodwind World: Flute book 4 Trinity Study no. 15 100 Classical Studies for Flute Universal UE 12992 Waltz Dynamic Dances de Haske


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C, G and Eb major (two octaves) D and E minor (two octaves): candidate’s choice of either harmonic or melodic minor B minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on D (two octaves) Pentatonic (major) scale starting on D (one octave): candidate’s choice of starting D

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C, G and Eb major (two octaves) D and E minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (two octaves)

or ii) Exercise and Study Exercise (from memory):

                      

for slurring into the upper register: q = 96

mp

f

mp

f





Study: Candidate to prepare one of the following pairs: a) Harris Eskimo (from Improve your Scales: Flute, Grades 4–5) and Elegant Éclair (from Improve your Scales: Flute, Grades 1–3) b) Harris Elf (from Improve your Scales: Flute, Grades 4–5) and Elizabethan Elegy (from Improve your Scales: Flute, Grades 1–3)

Faber Faber Faber Faber


Sight Reading (see page 12); Aural (see page 15) Improvisation (see page 18); Musical Knowledge (see page 21) 31

Flute — Grade 5

Subject code: FL




Group A

Andersen Arriagada Delibes Handel Hasse Lewis McDowall Quantz Satie Seiber Shostakovich Telemann Vivaldi Zgraja

Piece

Book

Scherzino op. 55 no. 6 Flute Time Pieces 2 Yaravi et Huayno Ten Latin American Studies Morceau de Concours Flute Time Pieces 1 Sonata in F, HWV 369, 2nd movt: Allegro Eleven Sonatas for Flute Allegro from Concerto in F Woodwind World: Flute book 5 Langport March A Somerset Garland Music Hall Six Pastiches Sonata in E minor, op. 1 no. 5, 4th movt: Vivace 6 Sonatas vol. 2 (Sonatas 4–6) Fanfaronnade and Le Picadilly A Satie Flute Album Novelty Foxtrot and Waltzer Dance Suite Waltz Woodwind World: Flute book 5 Sonata in F, TWV 41:F2, 1st movt: Vivace Four Sonatas Allegro from Sonata no. 2 Flute Solos vol. 2 Weather Report Modern Flutist 1

Publisher OUP Lemoine 28115 OUP Bärenreiter BA 4225 Trinity Broadbent 13206 Pan PEM40 Schott ED 8007 Novello NOV120554 Schott ED 12426 Trinity Bärenreiter HM6 Chester CH55099 Schott ED 8422

Group B J S Bach Sonata no. 4 in C, BWV 1033, 3rd movt: Adagio Sonatas vol. 2 Bennett Siesta, no. 2 Summer Music Bock & Harnick Sunrise, Sunset Roll Over Bach Cooke Sonatina for Flute, 2nd movt: Andantino Fauré Sicilienne Honegger Romance Kershaw Haunting Habanera Let’s Dance McDowall Spaces, no. 3 Three Concert Studies Mozart Adagio from Quartet in D 36 Solos for Flute [ed. Peck] Rutter Chanson, no. 5 Suite Antique A Stamitz Concerto in D, 2nd movt: Romance

Peters EP4461b Novello NOV120560 Brass Wind OUP Chester CH55156 Billaudot GB6416 Pan PEM44 Hunt HE15 Fischer ATF 104 OUP Breitkopf EB 6545

Group C (unaccompanied) Andersen Bullard Drouet Harris Köhler Ledbury 32

Study no. 18 Furious Flute Study no. 1, Allegro Study no. 44, Rumba Study no. 3 or no. 7 or no. 12 Rock Blues

100 Classical Studies for Flute Universal UE 12992 Woodwind World: Flute book 5 Trinity 25 Studies for Flute Broekmans 76 Graded Studies for Flute book 1 Faber Progress in Flute Playing op. 33 book 1 Zimmermann ZM10900 Flute Salad Brass Wind 1311

Flute — Grade 5

Quantz Rae Taggart Vizzutti

No. 8 Ringing the Changes Blossom or Ocean Tide Flamenco

16 Pieces for Solo Flute 40 Modern Studies for Solo Flute In the Sun Dynamic Dances

Pan PEM 32 Universal UE 16589 Hunt HE79 de Haske


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: A, E, Ab and Eb major (two octaves) C, F C# and F# minor (two octaves): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on E (two octaves) Pentatonic (major) scale starting on C (two octaves, starting on lowest C)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: A, E, Ab and Eb major (two octaves) C, F C# and F# minor (two octaves) Dominant 7th in the key of C (two octaves) Diminished 7th starting on E (two octaves)

or ii) Exercise and Study Exercise (from memory): for E major slurs:

   

q = 96

 

 

p

  f





 

 

  p



Study: Candidate to prepare one of the following: a) Harris Athletic Adventure and Fabulous Fable (from Improve your Scales: Flute Grades 4–5) b) Harris Frisky Fingers and Amorous Arpeggio (from Improve your Scales: Flute Grades 4–5)

Faber Faber



33

Flute — Grade 6 Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8).

Group A

Abel C P E Bach J S Bach Gluck Handel Hoffmeister Hummel Mozart Rabboni Telemann

Piece

Subject code: FL Selected repertoire from the new Trinity Performer’s Series may also be chosen: from Musical Moments in place of Group A or B pieces, or from Mosaics instead of a Group C piece. The approved alternative pieces are listed on the Trinity website at www.trinitycollege.co.uk/woodwind

Publisher

Flute Concerto in C, op. 6 no. 1, 1st movt: Allegro moderato (from Concertos 1 & 2) Hunt HE73 Sonata in E minor, 2nd movt: Allegro (from Sonatas book 1) Bärenreiter HM71 Sonata no. 4 in C, BWV 1033, 1st movt: Andante and 2nd movt: Allegro (from Sonatas vol. 2) Peters EP4461b Minuet & Dance of the Blessed Spirits (from 36 Solos for Flute [ed. Peck]) Fischer Sonata in A minor, HWV 362, 1st movt: Larghetto and 2nd movt: Allegro (from Eleven Sonatas for Flute) Bärenreiter BA 4225 Sonata in G, op. 21/3, 1st movt: Allegro assai Schott FTR 171 Sonata in A, op. 64, 3rd movt: Rondo–Vivace Kalmus Flute Quartet no. 1 in D, K. 285, 1st movt: Allegro Universal UE 18094 Sonata no. 1 in G or Sonata no. 3 in E (from Sonatas for Flute & Piano book 1) Mayhew Suite in A minor, Air à l’Italien Peters EP 7787

Group B Arrieu Donjon Elgar Godard Hart McGuire Pütz Revell Roussel Rutter Schocker Woodall

Sonatine, 1st movt Pan! Pastorale for Flute (from 36 Solos for Flute (ed. Peck)) Chanson de matin (from An Elgar Flute Album) Allegretto, no. 1 (from Suite de trois morceaux) City Life 2 or City Life 3 (from City Life) Caprice (from Unbeaten Tracks for Flute) Blue Waltz Trois Pensées, no. 1: Je me demande Aria Suite Antique, no. 1: Prelude Soliloquy Serenade (from Flute Time Pieces 2)

Amphion DA00012600 Fischer ATF 104 Novello NOV120553 Chester CH55136 Brass Wind 2301 Faber Schott ED 8515 Emerson E453 Leduc AL17876 OUP Presser 114–40943 OUP

Candidates may replace one Group A or Group B piece with one piccolo or alto flute item.

Piccolo McDowall Ridout Ridout

Tongue in Cheek (from Concert Studies for Flute) Hunt HE15 No. 4 and no. 6 or no. 5 and no. 6 (from Six Melodies for Flute & Piano) Emerson E366 Down the Dale (from Farndale Dances) Emerson E225

Alto Flute Parfrey

Lyric Moment

Emerson E1

Group C (unaccompanied) Alwyn Bourgeois Donjon Drouet 34

Divertimento, 3rd movt: Gavotte & Musette No. 1 (from Fantasy Pieces) Study no. 69, The Song of the Wind (from 76 Graded Studies for Flute book 2) Study no. 2, Allegro (from 25 Studies for Flute or Study no. 70 in 100 Classical Studies for Flute)

Boosey Brass Wind 3301 Faber Broekmans or Universal UE 12992

Drouet Köhler Mower Piazzolla Quantz Reade Soussmann Taggart Telemann Trad. Vizzutti

Flute — Grade 6 Study no. 16, Adagio cantabile (from 25 Studies for Flute Broekmans or Study no. 56 in 76 Graded Studies for Flute book 2) or Faber Study no. 2 (from Progress in Flute Playing op. 33 book 1) Zimmermann ZM10900 Go with the Flow, no. 8 (from 20 Commandments) Itchy Fingers IFP 003 No. 4 (from Tango Etudes for Solo Flute) Lemoine 24897 No. 2 or no. 16 (from 16 Pieces for Solo Flute) Pan PEM32 Aspects of A Landscape, 2nd movt: Birdsong and 3rd movt: Bird-Movements Hunt HE31 Study no. 38, Alla Polacca (from 42 Flute Studies of Medium Standard) Pan PEM4 Palm Sway, no. 13 or The Alphorn, no. 10 (from In the Sun) Hunt HE79 Fantasia no. 2 in A minor, TWV 40:3, Adagio and Allegro (from 12 Fantasias for Flute) Bärenreiter BA 2971 Purple Bamboo Melody no. 3 [complete] (from Chinese Flute Solos) Schott ED 12436 Tango (from Dynamic Dances) de Haske

Technical Work (14 marks) (see page 10 Candidate to prepare either Section i) or Section ii) in full

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p; tongued, slurred or staccato-tongued as requested by the examiner: A, B, Bb, Db, and Eb major (two octaves) B, C, G, F#, and G# harmonic and melodic minor (two octaves) Chromatic scale starting on Bb (two octaves) Whole-tone scale starting on G (two octaves)

Arpeggios: The following arpeggios to be performed f or p; tongued, slurred or staccato-tongued as requested by the examiner: A, B, Bb, Db, and Eb major (two octaves) B, C, G, F#, and G# minor (two octaves) Dominant 7th in the key of Ab (two octaves) Diminished 7th starting on G (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) Bizet: L’Arlésienne (Suite no. 2) and Mozart: The Magic Flute [Allegro extract] (from Woodwind World: Flute Orchestral Extracts) Trinity b) Bizet: Carmen (3 Akt, 1 Bild) and Rossini: Die diebische Elste (The Thieving Magpie) (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659 Piccolo c) Shostakovich: Symphony no. 8, 4th movt, p. 12 (from Orchestral Studies for Piccolo vol. 2) Peters EP 8404b and Mozart: The Magic Flute (die Zauberflöte) (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii):

i) Sight Reading (see page 12) ii) either Aural (see page 15 or Improvisation (see page 18)

35


Group A

J S Bach Gluck Handel Mozart Quantz Rabboni Schumann Vivaldi

Piece


Publisher

Sonata no. 5 in E minor, BWV 1034, 1st movt: Adagio ma non tanto (from Sonatas vol. 2) Peters EP 4461b Concerto in G, 1st movt: Allegro non molto Kalmus Sonata in C, HWV 365, 1st movt: Larghetto and 2nd movt: Allegro (from Eleven Sonatas for Flute) Bärenreiter BA 4225 Concerto no. 2 in D, K. 314, 2nd movt: Andante ma non troppo [with cadenza] any reliable edition Concerto in G, 1st movt: Allegro assai Breitkopf EB 8564 Sonata no. 7 in F (from Sonatas for Flute & Piano book 1) Mayhew 3611772 Romance (from 36 Solos for Flute (ed. Peck)) Fischer ATF 104 Concerto no. 3 in D, ‘Il Cardellino’ RV 428, 1st movt: Allegro Schott FTR 81

Group B Arnold Bozza Clarke Mathias Milhaud Poulenc Roussel Saint-Saëns Schocker Taffanel Wilson

Sonatina, 1st movt Aria Sunstreams Sonatina op. 98, 2nd and 3rd movts Sonatine op. 76, 1st movt: Tendre Sonata, 2nd movt: Cantilena Joueurs de Flûte op. 27: Krishna Romance op. 37 Three Minute Sonata Allegro (from Allegretto (1890) & Allegro (1885)) Romance

Lengnick AL0020 Leduc AL20208 Just Flutes CLA070 OUP Durand 1027900 Chester CH01605 Broekmans 1573 UMP Presser 114–40945 Hunt HE13 Camden


Piccolo Proust Janáˇcek Shostakovich Smith

L’eau (from Les quatre éléments) Combre C06129 March for Piccolo & Piano Peters Polka from The Golden Age op. 22 Editions Musicus/ MUST M 829 Sonata for Piccolo & Piano, 1st movt: Allegretto con moto Matt Smith Music

Alto Flute Le Delezir

Tiki for alto flute [with repeats]

Exaton

Group C (unaccompanied) R R Bennett Sonatina for Solo Flute, 1st movt: Poco lento and Allegro con grazia Universal UE 12350 Bourgeois No. 8 (from Fantasy Pieces) Brass Wind 3301 Ferroud Study no. 71, Jade (from 76 Graded Studies for Flute book 2) Faber Hindemith No. 4 and no. 5 (from Acht Stücke) Schott ED 4760 Köhler Study no. 7 or Study no. 8 (from Progress in Flute Playing op. 33 book 2) Zimmermann ZM10910 Mower Boiling Point, no. 10 (from 20 Commandments) Itchy Fingers IFP 003 Stamitz Capriccio-Sonata in A major: Allegro moderato and Andante amoroso (from Masterworks for Solo Flute) Cramer 90244 36

Telemann Vizzutti

Flute — Grade 7 Fantasia no. 8 in E minor, TWV 40:9 [complete] (from 12 Fantasias for Flute) Japanese Fan Dance (from Dynamic Dances)

Bärenreiter BA 2971 de Haske


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: C major (three octaves) B, E, Ab, Db and F# major (two octaves) C harmonic and melodic minor (three octaves) G, A, Bb, Eb, and G# harmonic and melodic minor (two octaves) Chromatic scale starting on C (three octaves) Pentatonic (major) scale starting on G (two octaves) Whole-tone scale starting on E (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: C major (three octaves) B, E, Ab, Db and F# major (two octaves) C minor (three octaves) G, A, Bb, Eb, and G# minor (two octaves) Dominant 7th in the keys of A and Eb (two octaves) Diminished 7th starting on F# (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) Rossini: Overture: Semiramide [play flute & piccolo solos on flute] and Beethoven: Overture: Leonora no. 3 (from Woodwind World: Flute Orchestral Extracts) Trinity b) Beethoven: Symphony no. 3 in Eb (Eroica) and Debussy: Prélude à l’Après-Midi d’un Faune (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659 Piccolo c) Beethoven: Symphony no. 9, 4th movt, p. 42 (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659 and Ravel: Mother Goose, 3rd movt (Ma mère l’oye), p. 49 (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659


i) Sight Reading (see page 12) ii) either Aural (see page 15) or Improvisation (see page 18):

37


Group A J S Bach J S Bach Danzi Handel Mozart Mozart Quantz Schubert Vivaldi Weber

Piece


Publisher

Suite in B minor, BWV 1067: Polonaise and Double and Minuet and Badinerie any reliable edition Sonata no. 6 in E, BWV 1035, 1st movt: Adagio ma non tanto and 2nd movt: Allegro (from Sonatas vol. 2) Peters EP 4461b Concerto in D minor: Alla polacca Peters Sonata in E minor, HWV 359b [complete] (from Eleven Sonatas for Flute) Bärenreiter BA 4225 Concerto no. 2 in D, K. 314, 1st movt: Allegro aperto [with cadenza] any reliable edition Concerto no. 1 in G, K. 313, 1st movt any reliable edition Concerto in G minor, 3rd movt: Vivace Peters Sonata in A minor, D. 821 (Arpeggione), 1st movt: Allegro moderato Bärenreiter BA 5681 Concerto no. 2 in G minor, op. 10/2, RV439 ‘La Notte’ [complete] Schott FTR 80 Romanza Siciliana J. 47 IMC 3326

Group B Bowen Burton Clarke Fauré Hindemith Kennan Martinu Poulenc Roussel Rutter Schocker

Sonata op. 120, 2nd movt: Andante piacevole Sonatina, 1st movt: Allegretto grazioso Hypnosis Fantaisie op. 79 Sonata (1936), 1st movt: Heiter bewegt Night Soliloquy First Sonata, 1st movt: Allegro moderato Sonata, 1st movt: Allegretto malincolico Joueurs de Flûte op. 27: Pan and Tityre Suite Antique: Waltz Sonatina, 1st movt

Emerson E164 Fischer 03643 Just Flutes CLA045 any reliable edition Schott ED 2522 Eastman ET7 Hal Leonard GS23647 Chester CH01605 Broekmans 1573 OUP Presser 114-411200


Piccolo Smith Loeb Green

Sonata for Piccolo & Piano, 2nd movt: Improvisation and 3rd movt: Finale-Allegro vivace Movts 1 and 2 or 6 and 7 (from Preludes vol. 4) Piccaroon Polka (from Album for Piccolo & Piano vol. 2)

Matt Smith Music Alry Broekmans 1521

Alto Flute Le Delezir Mower

38

Argali pour alto flute [with repeat] Sonnets, no. 2

Exaton Itchy Fingers

Flute — Grade 8

Group C (unaccompanied) J S Bach R R Bennett Boehm Boehm Clarke Debussy Fürstenau Jacob Köhler Mower Piazzolla Taggart Telemann Uebayashi

Partita in A minor for Solo Flute, 2nd movt: Corrente and 3rd movt: Sarabande For the Starling (from Six Tunes for the Instruction of Singing Birds) Study no. 9 in Ab or Study no. 24 in E minor (from 24 Caprices op. 26) Study no. 29, Andante cantabile or Study no. 31, Tempo di valse (from 50 Classical Studies for Flute) Great Train Race Syrinx Study no. 15, Allegro (from 50 Classical Studies for Flute) The Pied Piper [complete]* Study no. 10 (from Progress in Flute Playing op. 33 book 2) Final Demand, no. 20 (from 20 Commandments) No. 3 (from Tango Etudes for Solo Flute) Tambourin, no. 7 (from Pictures) Fantasia no. 7 in D, TWV 40:8 [complete] (from 12 Fantasias for Flute) Le vent à travers les ruines

Bärenreiter BA 5187 Novello NOV120633 any reliable edition Universal UE14672 Just Flutes CLA035 any reliable edition Universal UE14672 OUP Zimmermann ZM 10910 Itchy Fingers IFP 003 Lemoine 24897 Hunt HE 46 Bärenreiter BA 2971 Lemoine 26987HL

* The March to the River Weser must be played on piccolo.

39

Flute — Grade 8


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: C major (three octaves) All other major scales (two octaves) C harmonic and melodic minor (three octaves) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on C (three octaves) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on C (three octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: C major (three octaves) All other major arpeggios (two octaves) C minor (three octaves) All other minor arpeggios (two octaves) Dominant 7th in the key of F (three octaves) Dominant 7th in the keys of D, E and Eb (two octaves) Diminished 7th starting on C (three octaves) Diminished 7th starting on E and F (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) Tchaikovsky: Bluebird Variation (Sleeping Beauty) and Mendelssohn: Scherzo: (Midsummer Night’s Dream) (from Woodwind World: Flute Orchestral Extracts) Trinity b) Rossini: William Tell and Ravel: Daphnis et Chloé [très lent only] (from Test Pieces for Orchestral Auditions — Flute/Piccolo) Peters EP 8659 Piccolo c) Kodály: Dances of Marosszek, pp. 40–41 (from Orchestral Studies for Piccolo vol. 1) Peters EP 8404a and Verdi: Aida, Finale II: Ballabile, p. 43 (from Orchestral Studies for Piccolo vol. 2) Peters EP 8404b


i) Sight Reading (see page 12) ii) either Aural (see page 15) or Improvisation (see page 18)

40

[Turn over for Clarinet Grade requirements]

41

Clarinet — Grade 1

Subject code: CL


Group A

Anon. Arnold Handel Lefèvre Mozart Norton Playford Purcell Reade Trad.

Piece

Minuet for the Mock Trumpet Cornish Dance Gavotte, no. 9 March Minuet Crumbs! Granny’s Delight Rigaudon Prelude Pierrot or Riding on a Donkey

Book


Music Through Time Clarinet book 1 Clarinet All Sorts (Grades 1–3) Clarinettist’s Choice Grade 1 Music Through Time Clarinet book 1 Clarinet All Sorts (Grades 1–3) The Microjazz Clarinet Collection 1 Clarinet All Sorts (Grades 1–3) Ten Easy Tunes First Book of Clarinet Solos First Book of Clarinet Solos

Publisher OUP Trinity Faber Fentone OUP Trinity Faber Boosey Trinity Faber Fentone F456 Faber Faber

Group B Brahms Drayton Lyons Mahler Norton Pilling Rae Sullivan Trad. Hebrew

The Sandman Waltz in Dark Blue Spring Carol Funeral March How Graceful Chanson or Chalumeau Time To Go Poor Wand’ring One! Hatikvah

Ten Easy Tunes Woodwind World: Clarinet book 1 Compositions for Clarinet vol. 1 Music Through Time Clarinet book 1 The Microjazz Clarinet Collection 1

Fentone 456 Trinity Useful U 128 OUP Boosey

Seven Simple Pieces Clarinet All Sorts (Grades 1–3) Music Through Time Clarinet book 1 First Book of Clarinet Solos

Forsyth Trinity Faber OUP Faber

Group C (unaccompanied) Demnitz Study no. 5 or Study no. 9 Harris Study no. 6 Harris Hornpipe Study, p. 28 Harris Circles and Triangles Lyons Study no. 6 or Study no. 7 Rae Proclamation, no. 1 or The First Waltz, no. 2 Stark Rustic Dance Trad. Andulko the Goose Girl Wastall Unit 8 ex. 1 and ex. 2 Rae Jumpin’, no. 4 or Backtrack, no. 5 42

80 Graded Studies for Clarinet book 1 80 Graded Studies for Clarinet book 1 Clarinet Basics Woodwind World: Clarinet book 1 Clarinet Studies

Faber Faber Faber Trinity Useful U30

Style Workout for Solo Clarinet Woodwind World: Clarinet book 1 Clarinet All Sorts (Grades 1–3) Learn as You Play Clarinet

Universal UE 21301 Trinity Trinity Faber Boosey

40 Modern Studies for Solo Clarinet

Universal UE 19735



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) A minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) A minor (one octave)

or ii) Exercise and Study Exercise (from memory): for throat notes:

q = 66

    mf

 

 

 

 

 

 



Study: Candidate to prepare one of the following: Harris Armadillo or First and Fruity (from Improve your Scales: Clarinet Grades 1–3)

Faber



43


Subject code: CL




Group A

Piece

Bartók Scherzando from For Children Bullard Circus Rock Dvorák Humoresque Flanders & Swann The Hippopotamus Gervaise Danse française Harris Dancing Bears, no. 3 Pilling Tyrolean Dance Reinecke Ländler Rossini William Tell Rock Schumann The Merry Peasant (Der fröhliche Landmann) Waldteufel The Skaters’ Waltz

Book

Amazing Solos — Clarinet Circus Skills Jazzical Clarinet [arr. Widger & Goddard]

Publisher Boosey Spartan SP725 Spartan SP572

What Else Can I Play? Clarinet Grade 2 Faber 3307A Music Through Time Clarinet book 2 OUP Summer Sketches Boosey Seven Simple Pieces Forsyth First Book of Clarinet Solos Faber Jazzical Clarinet [arr. Widger & Goddard] Spartan SP572 First Book of Clarinet Solos What Else Can I Play? Clarinet Grade 2

Faber Faber 3307A

Music Through Time Clarinet book 2 Woodwind World: Clarinet book 2 Clarinet All Sorts (Grades 1–3) Woodwind World: Clarinet book 2 Compositions for Clarinet vol. 1 First Book of Clarinet Solos

OUP Trinity Trinity Faber Trinity Useful U 128 Faber

The Microjazz Clarinet Collection 1 Music Through Time Clarinet book 2 Amazing Solos — Clarinet What Else Can I Play? Clarinet Grade 2

Boosey OUP Boosey Faber 3307A

Group B Bishop Brahms Briccialdi Janáˇcek Lyons Mozart Norton Purcell Schubert Weill

Home, Sweet Home Andante con moto Carnival of Venice Song from my Homeland After Hours Lullaby Serious-minded or Solitary Lilliburlero Bliss September Song

Group C (unaccompanied) Baermann Benger Demnitz Demnitz Lazarus Lyons Rae Wastall Wedgwood

44

Romance Playing to Win or Reed Rhythm Study no. 1 or Study no. 3 Study no. 13 Study no. 15 Study no. 15 Passing Time, no. 9 The Post, p. 33 Big-Brother Blues

Woodwind World: Clarinet book 2 Thirty Tuneful Studies

Trinity Spartan SP317

50 Classical Studies Fentone F111 80 Graded Studies for Clarinet book 1 Faber 80 Graded Studies for Clarinet book 1 Faber Clarinet Studies Useful U30 40 Modern Studies for Solo Clarinet Universal UE 19735 Learn as You Play Clarinet Boosey Clarinet All Sorts (Grades 1–3) Trinity Faber



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) C major (to 12th) G minor (two octaves): candidate’s choice of either harmonic or melodic or natural minor E minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) C major (to 12th) G minor (two octaves) E minor (one octave)

or ii) Exercise and Study Exercise (from memory): for changing octaves:

Slow q = 72

   mf











 



 

 

 

 

Study: Candidate to prepare one of the following: Harris Fiendish Feet or Gladiator (from Improve your Scales: Clarinet Grades 1–3)

Faber



45


Subject code: CL


Group A Arne J S Bach J S Bach Bullard Harris Hook Joplin Lyons Mozart Rodgers

Piece

Book


First Book of Clarinet Solos

Publisher

When Daisies Pied Minuet for Anna Magdalena Minuet in G Trick Cyclist Computer Game Divertimentino Polka-dot Rag Bee Line Rondo alla Turca My Favourite Things

Faber

Amazing Solos — Clarinet Boosey Take Ten for Clarinet & Piano Universal UE 19736 Circus Skills Spartan SP725 Clarinet All Sorts (Grades 1–3) Trinity Faber Clarinet All Sorts (Grades 1–3) Trinity Faber Clarinet Basics Repertoire Faber Compositions for Clarinet vol. 1 Useful U 128 Amazing Solos — Clarinet Boosey What Else Can I Play? Clarinet Grade 3 Faber 3308A

Andante The Little Lost Tender Carol Romance

First Book of Clarinet Solos Locomotive Suite Five Bagatelles, op. 23 First Repertoire Pieces for Clarinet

Adagio When you Wish Upon a Star Ave Verum Corpus Shoehorn Blues Picnic Gymnopedie no. 1 Winter from The Four Seasons

Music Through Time Clarinet book 3

Group B Brahms Cowles Finzi German GiazottoAlbinoni Harline Mozart Norton Pogson Satie Vivaldi

Faber Fentone F493 Boosey Boosey OUP

What Else Can I Play? Clarinet Grade 3 Faber 3308A Take Another Ten for Clarinet Universal UE 21169 The Microjazz Clarinet Collection 2 Boosey The Way To Rock Boosey Gymnopedies Dr Downing Music 113 1016 Amazing Solos — Clarinet

Boosey

Group C (unaccompanied) Benger Demnitz Lefèvre Lyons Rae Trad. Wastall Wilson

46

Go Tango or Wistful Song Study no. 22 or Study no. 27 Study no. 5 Study no. 22 In the Beginning, no. 12 Four Hand Reel Study no. 1, Unit 17 Green Constancy, no. 3

Thirty Tuneful Studies

Spartan SP 317

80 Graded Studies for Clarinet book 1 Faber 50 Classical Studies Fentone F111 Clarinet Studies Useful U30 40 Modern Studies for Solo Clarinet Universal UE 19735 Woodwind World: Clarinet book 3 Trinity Learn as You Play Clarinet Boosey Colour Studies Camden CM180



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C and Bb major (two octaves) A major (one octave) A minor (two octaves): candidate’s choice of either harmonic or melodic minor D minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on G (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C and Bb major (two octaves) A major (one octave) A minor (two octaves) D minor (to 12th)

or ii) Exercise and Study Exercise (from memory): for A major slurs:

Moderato q = 76

    

mp

  











f











 









Study: Candidate to prepare one of the following: Harris Crisp and Crazy or Animal Antics (from Improve your Scales: Clarinet Grades 1–3)

Faber




Subject code: CL


Group A

J S Bach Bullard Cowles Debussy Firth Harris Kelly Lefèvre Norton Pogson Purcell

Piece

Book


Publisher

Minuet in G minor Russian Galop Branch Line Le petit nègre Topsy Turvy Allegro con fuoco, no. 5 Cowboy Rag Allegro from Sonata no. 2 Stick Together Jumping Jack Rondeau

Take Another Ten for Clarinet Circus Skills Locomotive Suite Claude Debussy Clarinet Album Play Clarinet with Andy Firth book 2 Suite in Five Funfair Pieces First Repertoire Pieces for Clarinet The Microjazz Clarinet Collection 2 The Way To Rock First Book of Clarinet Solos

Universal UE 21169 Spartan SP725 Fentone F493 Universal UE 21264 Boosey Ricordi LD735 Emerson E419 Boosey Boosey Boosey Faber

Adagio Schlummerfield Pastoral Fantasy-Piece, op. 43 no. 1 Peer Gynt Voi che sapete Romance The Swan Petite Fantaisie (Oberon) Helen, no. 2

Jazzical Clarinet [arr. Widger & Goddard] Spartan SP572 Second Book of Clarinet Solos Faber Four Short Pieces Boosey First Repertoire Pieces for Clarinet Boosey Jazzical Clarinet [arr. Widger & Goddard] Spartan SP572 Two Arias by Mozart OUP First Repertoire Pieces for Clarinet Boosey Take Ten for Clarinet and Piano Universal UE 19736 Second Book of Clarinet Solos Faber Girl Names Camden CM063

Group B Albinoni Baermann Ferguson Gade Grieg Mozart Reger Saint-Saëns Weber Wilson

Group C (unaccompanied) Baermann Demnitz Demnitz Lazarus Lyons Rae Rae Wastall Wilson

48

Study no. 39 80 Graded Studies for Clarinet book 1 Faber Study no. 17 50 Classical Studies Fentone F111 Study no. 35 80 Graded Studies for Clarinet book 1 Faber Study no. 7 50 Classical Studies Fentone F111 Ragtime, no. 21 or Calypso, no. 23 Clarinet Studies Useful U30 Strange, but True, no. 8 Style Workout for Solo Clarinet Universal UE 21301 Tumbledown Blues, no. 11 40 Modern Studies for Solo Clarinet Universal UE 19735 Study no. 4 Unit 23 Learn as You Play Clarinet Boosey Violet Enchantment, no. 4 Colour Studies Camden CM180



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: G, D and A major (two octaves) E*, B and G minor (two octaves): candidate’s choice of either harmonic or melodic minor * starting on low E Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on G (one octave): candidate’s choice of starting G

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: G, D and A major (two octaves) E*, B and G minor (two octaves) * starting on low E Dominant 7th in the key of C (two octaves)

or ii) Exercise and Study Exercise (from memory): for flexibility in the middle register: q = 96                                

mp

f

mp

f

Study: Candidate to prepare one of the following: a) Harris b) Harris

Amusement Arcade and Elizabethan Elegy (from Improve your Scales: Clarinet Grades 4–5) Elegant Éclair and Alien Allegro (from Improve your Scales: Clarinet Grades 4–5)

Faber Faber




Subject code: CL


Group A

Grieg Harris Harvey Lefèvre Mendelssohn Mozart Mozart Norton Parker Pogson

Piece

Book


Publisher

Anitra’s Dance (from Peer Gynt) Take Another Ten for Clarinet Universal UE 21169 Clarinetwise Camden CM153 Minuet and Trio, no. 3 Suite in Baroque Form Reedimensions RD 004 Sonata no. 1, 1st movt: Allegro moderato Five Sonatas OUP Sonata in Eb, 2nd movt: Andante Bärenreiter BA 8151 Minuet from Haffner Serenade K. 250 Clarinet Basics Repertoire Faber Sonata no. 3 Four Church Sonatas Boosey Carthorse Rag or Puppet Theatre The Microjazz Clarinet Collection 2 Boosey Ground Force or The House of Eliott The Music of Jim Parker for Clarinet Brass Wind 1317 South Sea Bubble The Way To Rock Boosey

Group B Arnold Debussy Fauré Finzi Goldschmidt Hurlstone Lutosławski Molter Rae Reade Schumann

Sonatina, 2nd movt: Andantino Lengnick AL1000 La fille aux cheveux de lin Claude Debussy Clarinet Album Universal UE 21264 Pavane Take Ten for Clarinet and Piano Universal UE 19736 Forlana Five Bagatelles op. 23 Boosey Evening Two Pieces op. 26 Lazarus Croon Song, no. 2 Four Characteristic Pieces Emerson E97 Dance Preludes, no. 4: Andante Chester CH55171 Concerto no. 3, 2nd movt Schott Southwold Sonatina, 2nd movt: Harbour Reflections Reedimensions RD 001 Summer, no. 5 Suite from The Victorian Kitchen Garden Weinberger No. 1 Fantasiestücke op. 73 [A or Bb clarinet] Henle HN416

Group C (unaccompanied) Baermann Benger Demnitz Lazarus Müller Rae Rae Stark 50

Study no. 26 Bolero Study no. 52 Study no. 56 Study no. 21 Exclusive, no. 24 or Ambiguity, no. 25 Scale Model, no. 9 Study no. 50

50 Classical Studies Thirty Tuneful Studies 80 Graded Studies for Clarinet book 2 80 Graded Studies for Clarinet book 2 50 Classical Studies

Fentone F111 Spartan SP 317 Faber Faber Fentone F111

40 Modern Studies for Solo Clarinet Universal UE 19735 Style Workout for Solo Clarinet Universal UE 21301 80 Graded Studies for Clarinet book 1 Faber



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: A, E, Ab and Eb major (two octaves) C, F, C# and F# minor (two octaves): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on E (two octaves, starting on low E) Pentatonic (major) scale starting on C (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner A, E, Ab and Eb major (two octaves) C, F, C# and F# minor (two octaves) Dominant 7th in the key of G (two octaves) Diminished 7th starting on G (two octaves)

or ii) Exercise and Study Exercise (from memory): for left and right hand co-ordination:

                                q = 96

4



3

3

3

3

3

3

3

                     p

f

3

3

f

3

p

3

3

p

3

3

3



f

Study: Candidate to prepare one of the following: a) Harris Athletic Adventure and Forgotten Fancy (from Improve your Scales: Clarinet Grades 4–5) b) Harris Amorous Arpeggio and Fantastic Finale (from Improve your Scales: Clarinet Grades 4–5)

Faber Faber



Clarinet — Grade 6 Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8).

Group A

Piece

Subject code: CL Selected repertoire from the new Trinity Performer’s Series may also be chosen: from Musical Moments in place of Group A or B pieces, or from Mosaics instead of a Group C piece. The approved alternative pieces are listed on the Trinity website at www.trinitycollege.co.uk/woodwind

Publisher

Baermann Adagio (from Second Book of Clarinet Solos) Faber or Breitkopf EB 4884 Brahms Sonata in F minor, op. 120 no. 1, 2nd movt: Andante un poco Adagio Wiener Urtext UT 50015 Hurlstone Four Characteristic Pieces, no. 4: Scherzo Emerson E97 Lefèvre Sonata no. 2, 1st movt: Allegro ma non troppo (from Five Sonatas) OUP Monti Csardas Cascade CM48 Saint-Saëns Sonata op. 167, 2nd movt: Allegro animato any reliable edition Schumann No. 1 (from Three Romances op. 94) [Bb or A clarinet] Henle HN 442 Tartini Concertino, 1st and 2nd movts Boosey Weber Grand Duo Concertant op. 48, 2nd movt: Andante con moto Peters EP 3317

Group B Bullard Debussy Delibes Fauré Ferguson Finzi Harris Harvey Lloyd Lutosławski Reade

Meditative Blues, no. 2 (from Three Blues) Spartan SP782 Petite pièce (from Second Book of Clarinet Solos) Faber Andante quasi allegretto (from French Clarinet Encores book 2) PEM92 Après un rêve (from Gabriel Fauré Clarinet Album) Universal UE 21103 Scherzo and Burlesque (from Four Short Pieces) Boosey Prelude (from Five Bagatelles op. 23) Boosey Sonatina, 3rd and 4th movts Fentone F421 Suite in Baroque Form, 1st movt: Prelude Reedimensions RD 004 ‘Bon Voyage!’ Lazarus Dance Preludes, no. 2: Andantino Chester CH55171 Suite from The Victorian Kitchen Garden, no. 1: Prelude Weinberger

Candidates may replace one Group A or Group B piece with one Eb Clarinet or Bass Clarinet item.

Eb Clarinet Corelli

Sarabande and Gigue

Rubank HL04476869

Romance The Buffoon

Metropolis EM6056 Rubank HL04476887

Bass Clarinet Diethe Koepke

Group C (unaccompanied) Harris Klosé Lyons Opie Rae Uhl Wiedemann Wilson 52

Study no. 60 (from 80 Graded Studies for Clarinet book 2) Faber Study no. 35 (from 50 Classical Studies) Fentone F111 Study no. 41 (from Clarinet Studies) Useful U30 Sonatina for Solo Clarinet, 2nd movt Useful U150 Entanglement, no. 34 or Meditation, no. 35 (from 40 Modern Studies for Solo Clarinet) Universal UE 19735 Study no. 13 (from 48 Studies book 1) Schott KLB 12 Study no. 64, Romance (from 80 Graded Studies for Clarinet book 2) Faber Yellow Radiance, no. 5 (from Colour Studies) Camden CM180



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: E major (three octaves) A major (two and a half octaves) B, Eb and Db major (two octaves) E harmonic and melodic minor (three octaves) F harmonic and melodic minor (two and a half octaves) C, C# and G# harmonic and melodic minor (two octaves) Chromatic scale starting on E (three octaves) Whole-tone scale starting on G (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: E major (three octaves) A major (two and a half octaves) B, Eb and Db major (two octaves) E minor (three octaves) F minor (two and a half octaves) C, C# and G# minor (two octaves) Dominant 7th in the key of A (two octaves) Diminished 7th starting on E (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs. Extracts written for clarinet in A may be performed on Bb clarinet and need not be transposed: a) Mendelssohn: Overture: Fingal’s Cave and Wagner: Overture: Tannhaüser (from Woodwind World: Clarinet Orchestral Extracts) Trinity b) Delibes: Coppelia and Respighi: Pina di Roma (from Woodwind World: Clarinet Orchestral Extracts) Trinity Bass Clarinet c) Gershwin: An American in Paris and Hindemith: no. 1 Allegro from Symphonic Metamorphosis (from Symphonic Repertoire for the Bass Clarinet vol. 1) Roncorp Eb Clarinet d) Berlioz: Allegro V from Symphonie Fantastique op. 14 and Ravel: Daphne and Chloe (Second Suite) (from Orchestral Studies for the E flat Clarinet) Roncorp


i) Sight Reading (see page 12) ii) either Aural (see page 15) or Improvisation (see page 18) 53


Group A

Brahms Cavallini Hurlstone Lefèvre Mozart Saint-Saëns Schumann Spohr Stanford Tartini Weber

Piece


Publisher

Sonata in F minor, 4th movt La Calma (Romanza senza parole) Ballade, no. 1 (from Four Characteristic Pieces) Sonata no. 9, 1st movt Sonata no. 4 (from Four Church Sonatas) Sonata op. 167, 1st movt: Allegretto No. 2 (from Fantasiestücke op. 73) [A or Bb clarinet] Recitativo ed Adagio [complete] Sonata op. 129, 2nd movt: Caoine Concertino, 3rd and 4th movts Concerto no. 2 in Eb, op. 74, 2nd movt: Romanza [with cadenza]

Wiener Urtext Lazarus EmersonE97 Ricordi LD794 Boosey any reliable edition Henle HN416 Emerson E402 Stainer H44 Boosey Boosey

Group B Chapple Debussy Dunhill Horovitz McCabe Oberthür Pierné Poulenc Rae Rodgers Szalowski

No. 1 and no. 5 (from A Bit of a Blow) Danse Bohémienne (from Claude Debussy Clarinet Album) Phantasy Suite, 1st and 2nd movts Sonatina, 1st movt Nocturne, no. 1 and Improvisation, no. 2 (from Three Pieces for Clarinet) ‘Le Désir’, Nocturne op. 65 Lazarus Canzonetta op. 19 Sonata, 2nd movt: Romanza Southwold Sonatina, 1st movt: Sole Bay Spanish Sonata, 1st movt Sonatina, 3rd movt

Bosworth BOE005035 Universal UE 21264 Boosey Novello NOV120541 Novello NOV120135 Leduc AL8206 Chester CH55735 Reedimensions RD 001 Stainer H386 Chester CH55735


Eb Clarinet Marcello

Sonata in G: Andante and allegro

Rubank HL004476862

Bass Clarinet Dubois Favoreel

Voltage Suite, 2nd movt: Tango Zebus

Billaudot GB3029 Metropolis EM6012

Group C (unaccompanied) Baermann R R Bennett Harris Lyons Opie Paubon Roxburgh Uhl Wilson 54

Study no. 73 (from 80 Graded Studies for Clarinet book 2) Sonatina for Solo Clarinet, 3rd movt Study no. 67 (from 80 Graded Studies for Clarinet book 2) Study no. 44, Fast and Furious (from Clarinet Studies) Sonatina for Solo Clarinet, 3rd movt Pensers (from Soliloques) Calm is the Fragrant Air, no. 1 (from Wordsworth Miniatures) Study no. 2 or Study no. 21 (from 48 Studies book 1) Kaleidoscope, no. 8 (from Colour Studies)

Faber Novello NOV120549 Faber Useful U30 Useful U150 Billaudot G 5205 B Chester Schott KLB 12 Camden CM180



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: E and F major (three octaves) A major (two and a half octaves) B, F# and Db major (two octaves) E and F harmonic and melodic minor (three octaves) B harmonic and melodic minor (two and a half octaves) Bb, Eb and G# harmonic and melodic minor (two octaves) Chromatic scale starting on F (three octaves) Pentatonic (major) scale starting on B (two octaves) Whole-tone scale starting on Bb (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner E and F major (three octaves) A major (two and a half octaves) B, F# and Db major (two octaves) E and F minor (three octaves) B minor (two and a half octaves) Bb, Eb and G# minor (two octaves) Dominant 7th in the key of Bb (three octaves) Diminished 7th starting on F (three octaves) or ii) Orchestral Extracts Candidate to prepare one of the following pairs. Extracts written for clarinet in A may be performed on Bb clarinet and need not be transposed: a) Borodin: Prince Igor and Tchaikovsky: Sleeping Beauty (no. 25, Blue Bird) (from Woodwind World: Clarinet Orchestral Extracts) Trinity b) Glazunov: Seasons and Tchaikovsky: Sleeping Beauty (Pas de Six) (from Woodwind World: Clarinet Orchestral Extracts) Trinity Bass Clarinet c) Prokofiev: Symphony no. 5, extracts no. 1, 2, 3 and 4 (from Symphonic Repertoire for the Bass Clarinet vol. 1) Eb Clarinet d) Shostakovich: Symphony no. 6, extracts from 2nd and 3rd movt (from Orchestral Studies for the E flat Clarinet)

Roncorp

Roncorp

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 12)

ii) either Aural (see page 15) or Improvisation (see page 18) 55


Group A

Brahms Burgmuller Gomez Mozart Pierné Schumann Spohr Weber

Piece


Publisher

Sonata in Eb, op. 120 no. 2, 3rd movt: Andante con moto Wiener Urtext UT 50016 Duo Simrock Lorito (Caprice) Lazarus Concerto K. 622, 1st movt: Allegro or 3rd movt: Rondo-Allegro [A or Bb edition] Any reliable edition Andante Scherzo Billaudot CC2421 No. 3 (from Fantasiestucke, op. 73) [A or Bb clarinet] Henle HN416 Concerto no. 1 in C minor, op. 26, 3rd movt: Rondo Peters EP 2098a Grand Duo Concertant, op. 48, 1st movt Peters

Group B Arnold Bernstein Debussy Dunhill Fauré Finzi Grovlez Horovitz McCabe Poulenc Rae Weiner

Sonatina, 1st movt: Allegro con brio Sonata, 2nd movt: Andantino La plus que lente (from Claude Debussy Clarinet Album) Phantasy Suite, 3rd and 6th movts Elégie (from Gabriel Fauré Clarinet Album) Fughetta (from Five Bagatelles op. 23) Sarabande & Allegro [complete] Sonatina, 3rd movt Fantasy, no. 3 (from Three Pieces for Clarinet) Sonata, 3rd movt Southwold Sonatina, 3rd movt: Off to the Nelson! Peregi Verbunk [complete]

Lengnick AL1000 Warner Bros or Boosey Universal UE 21264 Boosey Universal UE 21103 Boosey Leduc AL21268 Novello NOV120541 Novello NOV120135 Chester CH61763 Reedimensions RD 001 EMB


Eb Clarinet Lecail

Fantasia Concertante

Rubank HL004476866

Bass Clarinet Craens Krol

Experience Scherzo (from Fantasiestucke)

Crescendo Bote & Bock

Group C (unaccompanied) Arnold R R Bennett Berkeley Harris Harvey Jettel Paubon Roxburgh Stravinsky Uhl

56

Fantasy Faber Sonatina for Solo Clarinet, 1st movt Novello NOV120549 No. 3 (from Three Pieces for Clarinet) Chester CH55492 Sonata da Camera, 1st and 2nd movts or 3rd and 4th movts Queen’s Temple QT2 It Ain’t Necessarily So (from Three Etudes on Themes of Gershwin) Emerson E177 Study no. 6 (from The Accomplished Clarinettist book 1) Weinberger Lifar (from Soliloques) Billaudot G 5205 B Waters on a Starry Night, no. 2 (from Wordsworth Miniatures) Chester No. 3 (from Three Pieces for Clarinet) Chester CH01551 Study no. 14 (from 48 Studies book 1) Schott KLB 12



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: F, G, E and F# major (three octaves) All other major scales (two octaves) F, G, E and F# harmonic and melodic minor (three octaves) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on F, G, E and F# (three octaves) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on F (three octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: F, G, E and F# major (three octaves) All other major arpeggios (two octaves) F, G, E and F# minor (three octaves) All other minor arpeggios (two octaves) Dominant 7th in the keys of C, A, B and Bb (three octaves) Diminished 7th starting on F, E and F# (three octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs. Extracts written for clarinet in A may be performed on Bb clarinet and need not be transposed: a) Rimsky Korsakov: Capriccio Espagnol and Bantock: Fifine at the Fair (from Woodwind World: Clarinet Orchestral Extracts) b) Debussy: Prélude à l’Après-midi d’un Faune and Nielsen: Symphony no. 5 (from Woodwind World: Clarinet Orchestral Extracts)

Trinity Trinity

Bass Clarinet c) Schoenberg: Pierrot Lunaire op. 21, extract no. 11, Rote Messe and no. 13 Enthauptung (from Symphonic Repertoire for the Bass Clarinet vol. 2) Roncorp Eb Clarinet d) Stravinsky: The Rite of Spring: Lento tempo rubato — Presto — Rondes Printanieres (Tranquillo) Presto — Largo. [all to be prepared] (from Orchestral Studies for the E flat Clarinet) Roncorp



Oboe — Grade 1

Subject code: OB


Group A Anon. Diabelli Gluck Gray Hinchcliffe Hook Lyons Purcell Wedgwood

Piece

Galliard Bagatelle Chorus from Paris and Helen, p. 23 Jackboots Holiday Trot Minuetto from Sonata no. 3 op. 99, p. 22 Natasha’s Hedgehog or Rock Steady or Storybook Waltz Rigadoon or Song Tune Hot Chilli

Book

Publisher

Let’s Make the Grade book 2 Let’s Make the Grade book 2

Sunshine SUN157 Sunshine SUN157

Learn As You Play Oboe Oboe Music to Enjoy The Really Easy Oboe Book

Boosey Boosey Faber

Learn As You Play Oboe

Boosey

Compositions for Oboe vol. 1 First Book of Oboe Solos Really Easy Jazzin’ About for Oboe

Useful U126 Faber Faber

Group B J S Bach Gray Hinchcliffe Lyons Morley Rae Richardson Wedgwood

Von Himmel hoch, da komm’ ich her First Book of Oboe Solos Faber Evening Song or Pendulum Oboe Music to Enjoy Boosey Spring Song or Elizabethan Lament The Really Easy Oboe Book Faber Spring Carol or Cradle Song Compositions for Oboe vol. 1 Useful U126 Go From my Window, Go First Book of Oboe Solos Faber Sundown In The Groove Reedimensions RD 034 A Melancholy Tale or March First Book of Oboe Solos Faber Crystal Spring Really Easy Jazzin’ About for Oboe Faber

Group C (unaccompanied) Anon. Goodwin & Bright Loane & Duckett Lyons Purcell Salter Sparke Trad. Trad. Trad.

58

Castle on the Hill, no. 70

Abracadabra Oboe

A Country Walk, no. 1

Oboe Studies book 1

Sleigh Ride Study no. 2 Rigaudon Gossip, p. 4 Ticker Tape Parade, no. 5 Give Me Joy in My Heart Ffigysbren, p. 15 Portsmouth

Team Woodwind 24 Melodic Studies for Oboe Learn As You Play Oboe 35 Melodic Studies for Oboe Skilful Studies for Oboe Winners Galore Learn As You Play Oboe Winners Galore

A & C Black Sunshine SUN114 Faber Useful U56 Boosey Emerson E413 Anglo Music AMP 095 Brass Wind 0315 Boosey Brass Wind 0315

Oboe — Grade 1

Technical Work (14 marks) (see page 10) Candidate to prepare either Section i) or Section ii) in full.



or ii) Exercise and Study Exercise (from memory): for C–D and D# slurring: q = 72

  













  



  



mf

Study: Candidate to prepare one of the following: a) East Ex. 2, Over the break (p. 1) (from Technical Exercises for the Oboe) Schott ED 11233 b) Beekum Study no. 5 in C (from Più Mosso) Harmonia HU 3106



59

Oboe — Grade 2

Subject code: OB


Group A

Butterworth Byrd Couperin Gray Hanmer Hinchcliffe Kelly Lyons Rae Vivaldi Wedgwood Weill

Piece

Razzle Dazzle John, Come Kiss Me Now La Bourbonnaise Stick Dance Happiness Dance of the Scarecrows or Jovial Jig I Don’t Know Why! or Honky Tonk Calypso Facto As If! Autumn from The Seasons Cat Walk Mack The Knife

Book

Easy Going First Book of Oboe Solos Oboe Music to Enjoy Oboe Music to Enjoy Two Contrasts The Really Easy Oboe Book

Publisher Brass Wind 1309 Faber Boosey Boosey Emerson E15 Faber

Trasimeno Suite Phylloscopus PP388 Compositions for Oboe vol. 1 Useful U126 In The Groove Reedimensions RD 034 Let’s Make the Grade book 2 Sunshine SUN157 Really Easy Jazzin’ About for Oboe Faber All Jazzed Up for Oboe Brass Wind

Group B Barnby Brahms Grant Gray Gregson Lennon & McCartney Lewin Lyons Rousseau Schubert Schumann Wedgwood

Sweet & Low Sandman Song Of The Forest Green Fields Summer Evening Serenade

Let’s Make the Grade book 2 Airobics Going Solo Oboe Oboe Music to Enjoy Up Front Album for Oboe

Sunshine SUN157 Simrock Faber Boosey Brass Wind 0305

Yesterday Daydreams Bonjour Rêverie Waltz from 12 German Dances op. 9a, p. 41 Of Strange Countries and People Dragonfly or Easy Tiger

All Jazzed Up for Oboe Up Front Album for Oboe Compositions for Oboe vol. 1 Oboe Music to Enjoy

Brass Wind Brass Wind 0305 Useful U126 Boosey

Learn As You Play Oboe First Book of Oboe Solos Really Easy Jazzin’ About for Oboe

Boosey Faber Faber

Group C (unaccompanied) Anon. Clarke Garnier Goodwin & Bright Hinke Lyons 60

This Old Man, no. 88 and Michael Finnegan, no. 89 Emperor of Germany’s March, p. 27 Study no. 11 Answer the Question, no. 7 Study no. 18, p. 12 or Study no. 6, p. 8 Study no. 6

Abracadabra Oboe Learn As You Play Oboe 80 Graded Studies for Oboe book 1 Oboe Studies book 1 Elementary Method for Oboe 24 Melodic Studies for Oboe

A & C Black Boosey Faber Sunshine SUN114 Peters EP 2418 Useful U56

Oboe — Grade 2

Mozart Salter Sparke Trad.

Sing Goodbye Blown Away or A Rainy Day, p. 3 Slavonic Saga, no. 21 English Country Garden

Team Woodwind

Faber

35 Melodic Studies for Oboe Skilful Studies for Oboe Winners Galore

Emerson E413 Anglo Music AMP 095 Brass Wind 0315


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C and D major (to 12th) D minor (to 12th): candidate’s choice of either harmonic or melodic or natural minor A minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C and D major (to 12th) D minor (to 12th) A minor (one octave)

or ii) Exercise and Study Exercise (from memory): for embouchure flexibiity:

q = 72

  

mf

5









 

 

 



 



 

 

 

 

 



 



Study: Candidate to prepare one of the following: a) East Ex. 1, C major scale (p. 1) (from Technical Exercises for the Oboe) b) Beekum Study no. 62 in D (from Più Mosso)

Schott ED 11233 Harmonia HU 3106



61

Oboe — Grade 3

Subject code: OB


Group A

Anon. Bullard Butterworth Corelli Farnaby Gershwin Gluck Gray Kelly Lyons Purcell Rae

Piece

Corranto in G Circus Rock or Acrobats Time Was Prelude & Gavotta Tower Hill I Got Rhythm Minuet in F from Orfeo Steppe Dance South American Dance Dancing in the Rain Rondeau In the Loop

Book

Publisher

Three Elizabethan Pieces Emerson E169 Circus Skills Spartan SP730 Easy Going Brass Wind 1309 Nine Short Pieces from Three Centuries OUP Three Elizabethan Pieces Emerson E169 All Jazzed Up for Oboe Brass Wind Airobics Simrock Oboe Music to Enjoy Boosey Trasimeno Suite Phylloscopus PP388 Compositions for Oboe vol. 1 Useful U126 Second Book of Oboe Solos Faber In The Groove Reedimensions RD 034

Group B Arlen Beethoven De Fesch Gorb Gregson Hanmer Lawson Locke Lyons Parker Pleyel Sullivan

Over the Rainbow All Jazzed Up for Oboe Brass Wind Melody from the song Ich Liebe Dich, p. 60 Learn As You Play Oboe Boosey Largo or Gavotta Going Solo Oboe Faber Saturday Stroll Up Front Album for Oboe Brass Wind 0305 Folk Song Echoes Up Front Album for Oboe Brass Wind 0305 Sadness Two Contrasts Emerson E15 Arietta or Spiritual Four Short Pieces for Oboe & Piano Emerson E141 Sarabande Nine Short Pieces from Three Centuries OUP Soft Song Compositions for Oboe vol. 1 Useful U126 Sunday Morning All Jazzed Up for Oboe Brass Wind Andante & Rondo Oboe Music to Enjoy Boosey The Sun, whose Rays are all Ablaze Reedimensions RD 041

Group C (unaccompanied) Baermann Chedeville Hinke Lyons Pushechnikov Salter Sparke Sullivan

62

Study no. 12 Tambourin, p. 45 Study no. 1, p. 18 Study no. 8 or Study no. 10 Study no. 2 or Study no. 7 Spring in the Air, p. 5 Shalom!, no. 14 Never Mind the Why and Wherefore

80 Graded Studies for Oboe book 1 Learn As You Play Oboe Elementary Method for Oboe 24 Melodic Studies for Oboe Oboe Studies Book 4 35 Melodic Studies for Oboe Skilful Studies for Oboe Melodies for Pleasure

Faber Boosey Peters2418 Useful U56 Sunshine SUN165 Emerson E413 Anglo Music AMP 095 Pan PEM38

Oboe — Grade 3


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) Bb major* (one octave) E minor (to 12th): candidate’s choice of either harmonic or melodic minor G minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic starting on G (one octave) * starting an octave above the lowest tonic

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) Bb major* (one octave) E minor (to 12th) G minor (one octave) * starting an octave above the lowest tonic

or ii) Exercise and Study Exercise (from memory): for articulation:

q = 76

     mf

    

5

           

  

    

         



Study: Candidate to prepare one of the following: a) East Ex. 9, F major (p. 2) (from Technical Exercises for the Oboe) b) Beekum Study no. 45 in E minor (from Più Mosso)




63

Oboe — Grade 4

Subject code: OB


Group A

Bullard Handel Kershaw Lawson Lewin Lyons Norton Rae Rameau Swift & Smale

Piece

Tightrope Walker Bourrée Highland Fling Honeysuckle Rag Pussyfoot The Garden Tiger Cat Walk Mr Big Rigaudon Drum Kitten or Fred Friendly and Oriental Lady

Book

Publisher

Circus Skills Spartan SP730 Airobics Simrock Have Oboe, Will Travel Phylloscopus PP475 Four Short Pieces for Oboe & Piano Emerson E141 Up Front Album for Oboe Brass Wind 0305 Compositions for Oboe vol. 1 Useful U126 Microjazz for Oboe Boosey In the Groove Reedimensions RD 034 Nine Short Pieces from Three Centuries OUP

Neighbourhood Cats

Spartan SP196

Group B Bullard Butterworth Chandler Darke German Handel Jacob Kelly Lyons Nicholas Tchaikovsky Telemann Templeton

Dancing Dolls or Sentimental Serenade Circus Skills Spartan SP730 Easy Going Easy Going Brass Wind E14 Valse Sentimentale, no. 2 Three Dance Studies Nova A Song Without Words Six Miniatures Schott ED 11127 Pastorale First Repertoire Pieces Boosey Siciliano Nine Short Pieces from Three Centuries OUP An 80th Birthday Card for Leon Goossens Emerson E124 Carol Trasimeno Suite Phylloscopus PP388 June in Paris Compositions for Oboe vol. 1 Useful U126 Melody Two Pieces Chester Italian Song, no. 16 Oboe Music for Beginners EMB Siciliana First Repertoire Pieces Boosey Siciliana Emerson E329

Group C (unaccompanied) Borodin Harris Hinke Lyons Pushechnikov Salter Sparke 64

Theme from Polovtsian Dances Melodies for Pleasure Pan PEM38 Study no. 22 or Study no. 29 80 Graded Studies for Oboe book 1 Faber Study no. 13, p. 23 or Study no. 12, p. 10 Elementary Method for Oboe Peters 2418 Study no. 13 or Study no. 14 24 Melodic Studies for Oboe Useful U56 Study no. 9 Oboe Studies book 4 Sunshine SUN165 Ties, p. 7 or Alpine Pastures, p. 10 35 Melodic Studies for Oboe Emerson E413 One-part Invention, no. 36 Skilful Studies for Oboe Anglo Music AMP 095

Oboe — Grade 4


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: D and Eb major (two octaves) G major (to 12th) A major (one octave) C and D minor (two octaves): candidate’s choice of either harmonic or melodic minor Chromatic starting on C (two octaves) Pentatonic (major) scale starting on F (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: D and Eb major (two octaves) G major (to 12th) A major (one octave) C and D minor (two octaves) Dominant 7th in the key of F (two octaves)

or ii) Exercise and Study Exercise (from memory): for tone and intonation:

             q = 60

mf

Study: Candidate to prepare one of the following pairs: a) East Ex. 12, D major scale (p. 3) and Ex. 13, C minor scale (p. 12) (from Technical Exercises for the Oboe) b) Beekum Study no. 31 in D minor and Study no. 74 in Eb (from Più Mosso)




65

Oboe — Grade 5

Subject code: OB


Group A

Bizet Boni Bullard Butterworth Clews Corelli/ Barbirolli Graves Handel Kershaw Norton Parker Rae

Piece

Book

Spanish Serenade Sonata in G, 3rd movt and 4th movt Sentimental Serenade and Russian Galop Circus Skills Wagtail or Full Circle Easy Going Novellette or Paso Doble Kaleidoscope Concerto, 4th movt: Gavotta and 5th movt: Gigue The Pretty Girls of Ballyroan or Double-Reed Rag Threesome Rondo Air & Rondo Ragamuffin Rag Have Oboe, Will Travel American Train Microjazz for Oboe Fashion Parade Jazzed Up Too Movin’ and Groovin’ In The Groove

Publisher Reedimensions RD 042 Chester Spartan SP730 Brass Wind 1309 Paterson’s PAT 63210

Boosey Emerson E435 Chester Phylloscopus PP475 Boosey Brass Wind 1305 Reedimensions RD 034

Group B Arne Darke Grieg Macpherson Marais Rowley Warren Wilson

Pastorale Waltz Six Miniatures No. 1 or no. 4 Four Pieces Romance First Repertoire Pieces for Oboe L’agréable Three Old French Dances Pavan from Pavan and Dance First Repertoire Pieces for Oboe Quiet Hills Tango in D

Chester Schott ED 11127 Chester Boosey Chester CH 01614 Boosey Emerson E418 Camden CM065

Group C (unaccompanied) J S Bach Beekum Harris Hinke Lyons Reade Salter Wiedemann

66

Air from Suite no. 3 Springtime Dance or Tiroler Ländler Study no. 40 Study no. 20, p. 13 or Study no. 9, p. 29 Study no. 11 or Study no. 18 or Study no. 19 Lament The Blows of Fate Study no. 42, Csardas

Melodies for Pleasure

Pan PEM38

Ornamental Oboes Harmonia HU 3795 80 Graded Studies for Oboe book 1 Faber Elementary Method for Oboe 24 Melodic Studies for Oboe Aspects of a Landscape 35 Melodic Studies for Oboe 80 Graded Studies for Oboe book 1

Peters 2418 Useful U56 Nova NM 237 Emerson E413 Faber

Oboe — Grade 5


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: Bb and E major (two octaves) Ab and A major (to 12th) B and C# minor (two octaves): candidate’s choice of either harmonic or melodic minor F and F# minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic starting on Eb (two octaves) Pentatonic (major) scale starting on D (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: Bb and E major (two octaves) Ab and A major (to 12th) B and C# minor (two octaves) F and F# minor (to 12th) Dominant 7th in the key of G (two octaves) Diminished 7th starting on B (two octaves)

or ii) Exercise and Study Exercise (from memory): for embouchure facility with low articulation:

q = 80

  mf

7





 

 

       

 

   

    

 



 

   

      

Study: Candidate to prepare one of the following pairs: a) East Ex. 25, Ab major scale (p. 6) and ex. 15, C# minor scale (p. 13) (from Technical Exercises for the Oboe) b) Beekum Study no. 51 in Bb and Study no. 99 in F minor (from Più Mosso)




67

Oboe — Grade 6

Subject code: OB


Group A

J S Bach Besozzi Boni Cherubini Geminiani Handel Loeillet de Gant Mozart Mozart Sammartini

Piece

Sinfonia from BWV 156 (from The Most Beautiful Oboe Solos from the Church Cantatas) Sonata in C, 1st movt and 2nd movt Sonata in G, 1st movt: Preludio — Largo Polonaise (from The Oboist’s Collection book 2) Sonata in E minor, either 1st and 2nd movts or 3rd and 4th movts Concerto no. 1 in Bb, 1st movt: Adagio and 2nd movt: Allegro Sonata in E minor op. 5 no. 1, 1st and 2nd movts Andante K. 545 (from Mozart and Haydn for Oboe) Adagio K. 280 (from Mozart and Haydn for Oboe) Sonata in G, 1st movt and 2nd movt

Publisher Bärenreiter BA 8153 Chester Chester CH00441 Mayhew 3611019 Bärenreiter HM 178 Boosey Musica Rara MR 1053 Emerson E85 Emerson E85 Chester

Group B Barthe Bateman Debussy Dring Jacob Keech Knight Nielsen Parker Templeton Warren Woolfenden

Couvre Feu Gentle Breeze The Little Shepherd Polka or Danza Gaya Sonatina, 2nd movt Scherzo Rondoso Devil’s Dance Romance (from Two Fantasy Pieces op. 2) Carnival Time or Hunting the Haggis (from Jazzed Up Too) Scherzo Caprice Folksong Romance (from Reflections for Oboe)

Emerson E32 Valentine Music De Haske F 325–401 Weinberger Emerson OUP Cramer 90256 Emerson E356 Hansen Brass Wind 1305 Shawnee Press Emerson E470 Brass Wind 2302

Candidates may replace a Group A or a Group B piece with one Cor Anglais item.

Cor Anglais Harris Ophelia and Puck (from Two Shakespeare Pieces) Trad. Swedish (arr. Perkins) Walking Tune

Queen’s Temple QT7 Emerson E162b

Group C (unaccompanied) J S Bach No. 27, p. 15 or no. 57, p. 32 (from J S Bach Difficult Passages, ed. Rothwell) Boosey [custom print] Beekum Scala Polka, p. 14 (from Ornamental Oboes) Harmonia HU3795 Blatt Study no. 52 (from 80 Graded Studies for Oboe book 2) Faber Hinke No. 27, p. 16 (from Elementary School) Peters Jacob Limerick (from Seven Bagatelles) OUP Lyons No. 24 (from 24 Melodic Studies) Useful Music 68

Pietzch Reade Woolfenden

Oboe — Grade 6 Study no. 56 (from 80 Graded Studies for Oboe book 2) Bird Movements (from Aspects of a Landscape) Candlelight (from Reflections)

Faber Nova Brass Wind


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Db and B major (two octaves) Ab and F# major (to 12th) F, Bb and B harmonic and melodic minor (two octaves) G and G# harmonic and melodic minor (to 12th) Chromatic scale starting on B (two octaves) Whole-tone scale starting on D (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Db and B major (two octaves) Ab and F# major (to 12th) F, Bb and B minor (two octaves) G and G# minor (to 12th) Dominant 7th in the key of E (two octaves) Diminished 7th starting on Eb (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) J S Bach: Cantata no. 202 (Wedding) and Grieg: Norwegian Dances (from Woodwind World: Oboe Orchestral Extracts) Trinity b) Handel: La Paix (Royal Fireworks Music) and Wagner: Overture The Meistersingers of Nuremberg (from Woodwind World: Oboe Orchestral Extracts) Trinity Candidates may replace one extract from their chosen pair with the following cor anglais extract: Cor Anglais J S Bach: Cantata no. 177 (no. 59, p. 33) (from J S Bach Difficult Passages, ed. Rothwell) Boosey [custom print]



Oboe — Grade 7

Subject code: OB


Group A

Albinoni C P E Bach Cimarosa Eichner Fiocco Handel Marcello Sammartini Telemann Verroust

Piece

Publisher

Concerto in D minor, op. 9 no. 2, 1st movt Sonata in G minor, 2nd movt Concerto, 1st movt and 4th movt Concerto for Oboe & Strings, 1st movt: Allegro tempo giusto Arioso Sonata no. 3 in F, op. 1 no. 5, 1st movt: Adagio and 2nd movt: Allegro (from The Three Authentic Sonatas) Concerto in C minor, 1st and 2nd movts or 2nd and 3rd movts Sonata in G, 3rd and 4th movts Sonata in G minor, 3rd movt: Andante and 4th movt: Allegro Capriccio

IMC 1025 Ricordi SY506 Boosey OUP Schott ED 10536 Nova NM100 IMC 1289 Chester Schott ED 10195 Emerson E458

Group B Donizetti Solo in F minor Breitkopf MR 2277 Dring Italian Dance Weinberger Harty Chansonette (from Three Miniatures) Stainer H330 Head Presto or Elegiac Dance Boosey Nielsen Humoresque (from Two Fantasy Pieces op. 2) Hansen Richardson Roundelay Emerson E44 Ridout Romance Emerson E198 Schumann No. 1 or no. 3 (from Three Romances op. 94) Peters EP 2387 or Henle HN 427 Vinter Friday Street Studio Wilson Silver Sonatina for Oboe & Piano, 1st movt: Improvisation and 3rd movt: Rondo or 2nd movt: Romanza and 3rd movt: Rondo Saxtet 550 Woolfenden Reverie or Coney-Catcher (from Reflections for Oboe) Brass Wind 2302 Candidates may replace one Group A or Group B piece with one Cor Anglais item.

Cor Anglais Barret Harris

Cantilena Sonatina, 2nd movt

Phylloscopus PP561 Queen’s Temple QT8

Group C (unaccompanied) J S Bach No. 49, p. 28 or no. 70, p. 42 (from J S Bach Difficult Passages, ed. Rothwell) Boosey [custom print] Beekum Miniature, p. 8 or Mini Concert, p. 20 (from Ornamental Oboes) Harmonia HU 3795 Berkeley No. 2 (from Three Moods) OUP Bourgeois No. 4 (from Fantasy Pieces for Oboe) Brass Wind Britten Pan or Bacchus (from Six Metamorphoses after Ovid) Boosey Ferling Study no. 62 (from 80 Graded Studies for Oboe book 2) Faber Harris Sonata da Camera, 1st movt: Allegro assai Queen’s Temple QT6

70

Hinke Jacob Reade Woolfenden

Oboe — Grade 7 Study no. 14, p. 24 and Study no. 18, p. 33 (from Elementary Method for Oboe) Galop (from Seven Bagatelles) Birdsong (from Aspects of a Landscape) Harlequin & Columbine (from Reflections for Oboe)

Peters EP 2418 OUP Nova NM 237 Brass Wind 2302


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: Bb, Eb and E major (two octaves) Ab, G, A and F# major (to 12th) Bb, Eb, and C# harmonic and melodic minor (two octaves) A and F# harmonic and melodic minor (to 12th) Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on E (two octaves) Whole-tone scale starting on C (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: Bb, Eb and E major (two octaves) Ab, G, A and F# major (to 12th) Bb, Eb and C# minor (two octaves) A and F# minor (to 12th) Dominant 7th in the keys of Ab and F# (two octaves) Diminished 7th starting on Bb (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) Ravel: Forlane and Minuet (Le Tombeau de Couperin) and Tchaikovsky: Ballet Suite Swan Lake (from Woodwind World: Oboe Orchestral Extracts) Trinity b) Brahms: Violin Concerto and Bartók: Concerto for Orchestra (2nd movt) (from Woodwind World: Oboe Orchestral Extracts) Trinity Candidates may replace one extract from their chosen pair with the following cor anglais extract: Cor Anglais J S Bach: Cantata no. 6 (no. 3, p. 3) (from J S Bach Difficult Passages, ed. Rothwell) Boosey [custom print]



71

Oboe — Grade 8

Subject code: OB


Group A

J S Bach Bellini Döring Handel Handel Haydn Krommer Lebrun Mozart Stamitz Telemann Vivaldi Weber

Piece

Publisher

Sonata in G minor, 1st movt Bärenreiter NMA 77 Concerto in Eb, 2nd movt Ricordi NR13167900 Boleros — Rondo Espagnol Emerson E373 Sonata in G minor, HWV 364a, 1st and 2nd movts Peters EP 3035 Concerto no. 3 in G minor, 1st and 2nd movts Boosey Concerto in C, 1st movt Breitkopf EB 5349 Concerto in F, op. 52, 3rd movt: Rondo Bärenreiter Praha Concerto in D minor, 1st movt Schott Concerto in C, K. 314 (285d), 1st movt Henle HN 695 Concerto in Bb, 1st movt Breitkopf EB 6525 Sonata in A minor, 1st and 2nd movts (from Sonatas and Pieces) Bärenreiter HM 7 Sonata in C minor, RV 53, 3rd movt and 4th movt: Allegro Schott ANT 133 Concertino in C Nova NM137

Group B Arnold Berkeley Dring Elgar Godard Grovlez Harty Head Jacob Poulenc Rubbra Saint-Saëns

Sonatina, 1st movt: Leggiero and 2nd movt: Andante con moto Sonatina, 1st movt or 2nd and 3rd movts Showpiece (from Three Piece Suite) Soliloquy Légende Pastorale (from A Nineteenth Century Collection vol. 1) Sarabande & Allegro Orientale (from Three Miniatures) Siciliana Sonatina, either 1st and 2nd movts or 3rd and 4th movts Sonata, 1st movt Sonata in C op. 100, 1st movt: con moto Sonata, op. 166, 2nd or 3rd movts

Lengnick AL1136 Chester Emerson E434 Acuta NOV 120812 Nova NM391 Leduc AL21162 Stainer H330 Emerson E14 OUP Chester CH01617 Lengnick AL1140 any reliable edition

Candidates may replace one Group A or Group B piece with one Cor Anglais item.

Cor Anglais Marcello Reicha

any two contrasting movements from Sonata (from Solos for the English Horn Player) Recitative & Rondo

Schirmer McGinnis & Marx

Group C (unaccompanied) J S Bach Bourgeois Britten Carlson Chandler Ferling 72

No. 62, p. 36 or no. 66, p. 39 or no. 28, p. 16 (from J S Bach Difficult Passages, ed. Rothwell) No. 2 (from Fantasy Pieces for Oboe) Niobe and Narcissus (from Six Metamorphoses after Ovid) Circle of Memories Any two movements from Summer’s Lease Study no. 25 or Study no. 38 (from 48 Studies op. 31)

Boosey [custom print] Brass Wind Boosey Phylloscopus PP560 Phylloscopus PP65 Billaudot 3082

Harris Luft Reade

Oboe — Grade 8 Study no. 74 (from 80 Graded Studies for Oboe book 2) Study no. 77 (from 80 Graded Studies for Oboe book 2) Celebration (from Aspects of a Landscape)

Faber Faber Nova NM 237


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: Ab, G and A major (to 12th) All other major scales (two octaves) A, G and G# harmonic and melodic minor (to 12th) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on Bb (two and a half octaves) Chromatic scale starting on A, G and G# (to 12th) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on B (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: Ab, G and A major (to 12th) All other major arpeggios (two octaves) A, G and G# minor (to 12th) All other minor arpeggios (two octaves) Dominant 7th in the keys of Bb, Eb, A and B (two octaves) Diminished 7th starting on E, F and F# (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following pairs: a) Delius: Intermezzo (Fennimore and Gerda) and Dvoˇrák: Symphony no. 9: (From the New World) and Mussorgsky: Tuileries (Pictures at an Exhibition) (from Woodwind World: Oboe Orchestral Extracts) Trinity b) Ravel: Prélude (Le Tombeau de Couperin) and Rimsky-Korsakov: Scheherazade (2nd movt) (from Woodwind World: Oboe Orchestral Extracts) Trinity Candidates may replace one extract from their chosen pair with the following cor anglais extract: Cor Anglais J S Bach: Cantata no. 1 (no. 1, p. 1) or Cantata no. 186 (no. 60, p. 34) (from J S Bach Difficult Passages, ed. Rothwell) Boosey [custom print]



Bassoon — Grade 1

Subject code: BSN


Group A

Piece

Barratt Rise and Shine! Burness Allegro, no. 2 Cowles Catch the Crook, no. 5 or Croonin’ ’Oon, no. 6 Trad. Cockle Shells, no. 19 Gervaise Allemande Hughes Minuet Loane & Duckett Sleigh Ride, p. 18 Ramsay, arr. The Vicar of Bray or My Love’s an Arbutus Trad. L’homme armé

Book

Bravo! Bassoon Four Easy Pieces

Publisher Boosey Paterson’s PAT60019

Twenty-Five Fun Moments for Bassoon First Book of Bassoon Solos Bravo! Bassoon Six Low Solos

Studio Faber Boosey Emerson E10

Team Woodwind

Faber 17534

Favourite Folksongs for the Beginner Bassoonist Bassoon Favourites book 1*

Spartan SP530 Montem Music

First Book of Bassoon Solos First Book of Bassoon Solos

Faber Faber

Learn As You Play Bassoon

Boosey

Group B Aubert Bergmann Diabelli Gluck Gorb Hanmer Lyons Muset Sheen Tchaikovsky

Gavotte, no. 7 Romance, no. 8 Serenade from Twelve Short Pieces, p. 22 Chorus from Paris and Helen, p. 22 Bell Ringer Walking Tune Natasha’s Hedgehog Winter Song Rondo, no. 3 Russian Folksong, no. 6

Learn As You Play Bassoon Up Front Album for Bassoon Bassoon Bagatelles Compositions for Bassoon vol. 1 Bassoon Favourites book 1* The Really Easy Bassoon Book The Really Easy Bassoon Book

Boosey Brass Wind Emerson Useful U140 Montem Music Faber Faber

Group C (unaccompanied) Paciorkiewicz Rae Sebba Trad. Wastall Weissenborn

Study no. 3, Andante Bassoon Primer Method Blue Bop, no. 4 or Power House, no. 2 16 Characteristic Studies Dawn Chorus, no. 54 Abracadabra Bassoon Egyptian Dance, no. 47 Abracadabra Bassoon Unit 12 ex. 1, p. 30 or Unit 12 ex. 3, p. 30 Learn As You Play Bassoon No. 7 or no. 8 or no. 9, p. 3 Bassoon Studies, op. 8 vol. 1

* Piano accompaniment available for mini bassoon.

74

PWM 9813 Reedimensions RD 036 A & C Black A & C Black Boosey Peters EP 2277a

Bassoon — Grade 1


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C* and F major (one octave) A minor (one octave): candidate’s choice of either harmonic or melodic or natural minor * starting an octave above the lowest tonic

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C* and F major (one octave) A minor (one octave) * starting an octave above the lowest tonic

or ii) Exercise and Study Exercise (from memory): Half-hole exercise:

q = 72

    

      

     

mf



Study: Candidate to prepare one of the following: a) Weissenborn Study no. 6 in A minor (from 90 Easy Bassoon Studies) b) Hinke Study no. 8 in F (from 90 Easy Bassoon Studies)

Emerson E393 Emerson E393



75

Bassoon — Grade 2

Subject code: BSN


Group A

Barratt Bogar Gregson Henry VIII Hughes Ramsay, arr. Saint-Saëns Schumann Susato Trad. Watts

Piece

Book

Anna’s Cake-Walk Quick Dance, p. 60 Russian Dance Pastime with Good Company Bolero All Through the Night or Kelvin Grove The Elephant, no. 11 The Merry Peasant, no. 20 [with repeats] Ronde Caribbean Dance, p. 45 Humdinger Hoedown

Bravo! Bassoon Learn As You Play Bassoon Up Front Album for Bassoon Bassoon Favourites book 1* Six Low Solos Favourite Folksongs for the Beginner Bassoonist The Really Easy Bassoon Book First Book of Bassoon Solos Bassoon Favourites book 1* Team Woodwind Fresh Air Bassoon

Publisher Boosey Boosey Brass Wind 0308 Montem Music Emerson E10 Spartan SP530 Faber Faber Montem Music Faber 17534 Mayhew

Group B Boyle Cowles Gregson Grieg Hanmer Rameau Rosseter Sullivan Wedgwood Wilson

Prelude, no. 1 Little Suite Boosey Afternoon Song, no. 9 or Macaroon, no. 18 Twenty-Five Fun Moments for Bassoon Studio Nostalgic Waltz Up Front Album for Bassoon Brass Wind 0308 Bauernlied from Two Norwegian Melodies, no. 13 The Really Easy Bassoon Book Faber Lullaby Bassoon Bagatelles Emerson E16 Sarabande Bravo! Bassoon Boosey Song, no. 21 First Book of Bassoon Solos Faber Policeman’s Song Bassoon Favourites book 1* Montem Music Simply the Rest! or Cheeky Cherry Really Easy Jazzin’ About for Bassoon Faber Modal Camden CM064

Group C (unaccompanied) Diabelli Langey Matz Paciorkiewicz Rae Sebba Trad. Weissenborn

Etude, p. 33 No. 18, p. 19 Ex. 1, Moderato, p. 112 Study no. 4, Moderato Slow Coach, no. 6 or Inter-Galactic March, no. 5 Courtly Dance, no. 96 Portsmouth, no. 88 No. 2, p. 4 or no. 6, p. 5

Learn As You Play Bassoon The Bassoon Das Fagott vol. 1 Bassoon Primer Method

Boosey Boosey DVfM DV30021 PWM 9813

16 Characteristic Studies Abracadabra Bassoon Abracadabra Bassoon Bassoon Studies, op. 8 vol. 1

Reedimensions RD 036 A & C Black A & C Black Peters EP 2277a

* Piano accompaniment available for mini bassoon. 76

Bassoon — Grade 2


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) G major (one octave) D minor (to 12th): candidate’s choice of either harmonic or melodic or natural minor E minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) G major (one octave) D minor (to 12th) E minor (one octave)

or ii) Exercise and Study Exercise (from memory): Left thumb exercise:

q = 63

  



 



 

  

 







mf

Study: Candidate to prepare one of the following: a) Popp Study no. 26 in E minor (from 90 Easy Bassoon Studies) b) Nicholson Study no. 29 in G (from 90 Easy Bassoon Studies)

Emerson E393 Emerson E393



77

Bassoon — Grade 3

Subject code: BSN


Group A

Piece

Book

Publisher

Barratt Three Variations on Cat in the Snow Bravo! Bassoon Boosey Corrette Bruit de Chasse Bassoon Solos vol. 1 Chester CH55092 Cowles Thumb A Lift, no. 21 or ’Oonerism, no. 22 Twenty-Five Fun Moments for Bassoon Studio Dodgson Hobby Horse Up Front Album for Bassoon Brass Wind 0308 Elliott Signature Tune or The Donkey Trot Ivor the Engine Suite Paterson’s PAT60603 Farnaby Fayne Would I Wedd Going Solo Bassoon Faber Galliard Sonata no. 4, 2nd movt: Allegro e staccato Hinrichsen 753d Hughes Valse Humoresque Six Low Solos Emerson E10 Norton Stamping Ground Microjazz for Bassoon Boosey Verdi La donna è mobile Bassoon Favourites book 1* Montem Music Watts Shiny Shoe Shimmy Fresh Air Bassoon Mayhew 3611886 Ramsay, arr. The Flight of the Earls Favourite Folksongs for the Beginner Bassoonist Spartan SP530

Group B Amos Lucian’s March Goddard Daydreams Handel Air from The Water Music Handel March from Three Pieces Milde No. 2 of Three Easy Pieces Mozart Birdcatcher’s Song Norton A Dramatic Episode Ramsay, arr. Ye Banks and Braes RimskyKorsakov Theme from Sheherazade Wedgwood Easy Tiger or Hot Chilli Weissenborn Arioso, p. 61

The CMA Notebook for Bassoon CMA pubs. 240 Party Pieces Spartan SP138 Bassoon Favourites book 1* Montem Music Classical and Romantic Pieces book 1 OUP Bassoon Solos vol. 1 Chester CH55092 Bassoon Favourites book. 1* Montem Music Microjazz for Bassoon Boosey Favourite Folksongs for the Beginner Bassoonist Spartan SP530 Going Solo Bassoon Really Easy Jazzin’ About for Bassoon Learn As You Play Bassoon

Faber Faber Boosey

Group C (unaccompanied) Eisenhardt Gariboldi Langey Paciorkiewicz Rae Trad.

Ex. 2, Polonaise, p. 121 Study no. 1, Andantino, p. 42 or Study no. 4, Allegretto grazioso, p. 54 No. 29, p. 24 or no. 43, p. 31 Study no. 13, Andante cantabile Circular Waltz, no. 10 or A Bunch of Fives, no. 9 Mexican Hat Dance, no. 107

Das Fagott vol. 1

Learn As You Play Bassoon The Bassoon

DVfM DV30021

Boosey Boosey

Bassoon Primer Method

PWM 9813

16 Characteristic Studies Abracadabra Bassoon

Reedimensions RD 036 A & C Black

* Piano accompaniment available for mini bassoon. 78

Bassoon — Grade 3


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C and G major (two octaves) Bb* major (to 12th) A minor (to 12th): candidate’s choice of either harmonic or melodic minor G minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on G (one octave) * starting an octave above the lowest tonic

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C and G major (two octaves) Bb* major (to 12th) A minor (to 12th) G minor (one octave) * starting an octave above the lowest tonic

or ii) Exercise and Study Exercise (from memory): for octaves:

q = 120

 

f

5







 

 

 

 

 

 

 

 

 







Study: Candidate to prepare one of the following: a) Weissenborn Study no. 3 in C (p. 7) and Study no. 2 in G minor (p. 11) (from Bassoon Studies, op. 8 vol. 1) b) Weissenborn Study no. 3 in G major (p. 9) (from Bassoon Studies, op. 8 vol. 1)

Peters EP 2277a Peters EP 2277a



79

Bassoon — Grade 4

Subject code: BSN


Group A

Boismortier Cowles Dukas Farnaby Galliard Galliard Goddard Jacob Mercy Norton

Piece

Book

Gigue, no. 4 and Paysane no. 5 Eight Little Pieces from op. 40 Additional Waltz Catchy Tunes for ’Oons book 1 Extract from The Sorcerer’s Apprentice Classical and Romantic Pieces book 1 Tower Hill Going Solo Bassoon Sonata no. 6, 4th movt: Menuet alternat Sonata no. 1, Hornpipe Ragamuffin Party Pieces L’Après-midi d’un Dinosaur and Polka Four Sketches Minuetto from Sonata no. 5 Bassoon Solos vol. 1 Inter City Stomp Microjazz for Bassoon

Publisher Peters EP 8380 Studio OUP Faber Hinrichsen H 753f Hinrichsen H 753A Spartan SP138 Emerson E73 Chester CH55092 Boosey

Group B Bartók Bernstein Cowles Howells Joplin Pace Pfeiffer Telemann Trad. Swedish (arr. Perkins)

Evening in the Country Going Solo Bassoon There is a Garden or One Hand, One Heart Leonard Bernstein for Bassoon The Zebra Crossing Who’s Zoo? Minuet Grace for a Fresh Egg The Nonpareil Bassoon Favourites book 2 Pastorale, p. 59 Learn As You Play Bassoon Concerto in Bb, 2nd movt Sonatina in A minor, 3rd movt: Andante 2 Sonatinas: C minor & A minor Walking Tune

Faber Boosey Spartan SP485 Novello NOV120563 Montem Music Boosey Leuckart Schott FAG 26 Emerson E162a

Group C (unaccompanied) Concone Jancourt Kling Langey Ozi Paciorkiewicz 80

Study no. 1, Moderato sostenuto Ex. 1, Allegro poco agitato, p. 154 Ex. 2, Adagio, p. 141 No. 50 and no. 51, p. 34 Andantino, no. 17 Study no. 14, Allegro or Study no. 25, Adagio cantabile

The Singing Bassoon Das Fagott vol. 1 Das Fagott vol. 1 The Bassoon 42 Caprices


Emerson E281 DVfM DV30021 DVfM DV30021 Boosey Hofmeister

PWM 9813

Bassoon — Grade 4

Rae Wagner

Pizza, Pizza!, no. 16 or The Gaffer, no. 15 Ride of the Valkyries (Extract), no. 130

16 Characteristic Studies

Reedimensions RD 036

Abracadabra Bassoon

A & C Black


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F, G and D major (two octaves) D, E and B minor (two octaves): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on F (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F, G and D major (two octaves) D, E and B minor (two octaves) Dominant 7th in the key of C (two octaves)

or ii) Exercise and Study Exercise (from memory): for finger co-ordination:

               

q = 84

 



mf

    



Study: Candidate to prepare one of the following pairs: a) Weissenborn Study no. 2 in D minor (p. 8) and Moderato in F (p. 14) (from Bassoon Studies, op. 8 vol. 1) b) Weissenborn Study no. 4 in E minor (p. 9) and Study no. 1 in F (p. 8) (from Bassoon Studies, op. 8 vol. 1)

Peters EP 2277a Peters EP 2277a



Bassoon — Grade 5

Subject code: BSN


Group A

Baines Cowles Dunhill Foster Galliard Gossec Hess Marcello Parker Ridout Vojáˇcek Walker Weissenborn Wolf-Ferrari

Piece

Book

Publisher

Introduction and Hornpipe [complete] Schott ED 10531 Hip Hip Hippo-ray! Who’s Zoo? Spartan SP485 Lyric Suite, op. 96, 2nd movt: Scherzino or 4th movt: Intermezzo alla Gavotta Boosey Rondo, op. 10 no. 2 Two Simple Pieces Stainer 2577 Sonata no. 4, 6th movt: Tempo di Menuet Hinrichsen 753d Tambourin Tambourin and Gavotte Emerson E298 Rondo, no. 2 Seven Recital Pieces vol. 1 Hinrichsen 667a Sonata in A minor, 3rd movt: Allegro IMC 2286 Tom Jones or The House of Elliott The Music of Jim Parker for Bassoon Brass Wind 1321 Sonata, 3rd movt Emerson E109 Scherzo — Kolomyjka Bassoon Solos vol. 1 Chester CH55092 A la Russe Weinberger Arioso and Humoresque Two Pieces, op. 9 IMC 1432 Suite-Concertino op. 16, Strimpellata Ricordi NR12271200

Group B Boismortier Corrette Corrette Glatz Head Hindemith Mozart Mozart Mussorgsky Parker Telemann Weissenborn

82

Sonata in C minor, op. 50, no. 5, 2nd movt: Gavotte Two Sonatas op. 50 nos. 4 & 5 Sonata no. 1, Aria Les Delices de la Solitude vol. 1 Sonata no. 4, Aria Les Delices de la Solitude vol. 2 Suite for Bassoon & Piano, Declamation The Haunted House Three Fantastic Pieces Sonata (1938), 1st movt: Leicht bewegt Portrait Aria Bassoon Favourites book 2 Aria: ’Dalla Sua Pace’ Second Book of Bassoon Solos The Old Castle Bassoon Favourites book 2 Evening Thoughts Three Trifles Sonata in F minor, TWV 41:f1, 1st movt: Andante cantabile Romanze, op. 227

Musica Rara MR 2169 Schott Schott Phylloscopus PP131 Emerson E79 Schott ED 3686 Montem Music Faber Montem Music Stainer H309

IMC 1151 Rubank

Bassoon — Grade 5

Group C (unaccompanied) Braun Concone Cowles Langey Neukirchner Neukirchner Ozi Paciorkiewicz

Minuetto, p. 3 or Lamenterole, p. 15 Study no. 6, Andantino amabile Nuisance from Six Miniature Studies No. 109, Rapid Articulation, p. 66 Allegro, no. 1 or Tempo ad lib, no. 2 Ex. 2, Polonaise, p. 84 No.23, Andantino Study no. 31, Marciale scherzando

Solos 1740

Schott

The Singing Bassoon

Emerson E281

Tenor Toons for ’Oons

Studio

The Bassoon

Boosey

23 Bassoon Exercises Das Fagott vol. 2 42 Caprices

EMB Z.2218 DVfM DV30022 Hofmeister


PWM 9813


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C, Bb, Eb and D major (two octaves) A, G, C and B minor (two octaves): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on A (two octaves) Pentatonic (major) scale starting on C (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C, Bb, Eb and D major (two octaves) A, G, C and B minor (two octaves) Dominant 7th in the key of Bb (two octaves) Diminished 7th starting on D (two octaves)

or ii) Exercise and Study Exercise (from memory): for slurring in the bottom register

  

q = 56

   

mf









    



 



    



 

    



 83

Bassoon — Grade 5

Study: Candidate to prepare one of the following pairs: a) Weissenborn Poco adagio in A minor (p. 13) and Allegro moderato in Eb (p. 16) (from Bassoon Studies, op. 8 vol. 1) Peters EP 2277a b) Weissenborn Study no. 8, Andante in C minor (p. 17) and Poco Adagio in C (p. 13) (from Bassoon Studies, op. 8 vol. 1) Peters EP 2277a



84

Bassoon — Grade 6

Subject code: BSN


Group A

Amon Boismortier Corrette Danzi Devienne Frescobaldi Koželuh Neruda Schaffrath Stamitz Telemann Vogel

Piece

Sonata in F op. 88, 2nd movt: Andante, quasi allegro Sonata in C minor, op. 50 no. 5, 3rd movt: Largo and 4th movt: Allegro (from 2 Sonatas op. 50 nos. 4 & 5) Sonata no. 2, 1st movt: Allegro or Sonata no. 3, 1st movt: Allegro (from Les delices de la solitude vol. 1) Concerto in F, 2nd movt: Andante Sonata in G minor, op. 24 no. 5, 2nd. movt: Adagio Four Canzonas, no. 1 or no. 3 Concerto in C, 3rd movt: Allegro assai Concerto in C, 1st movt: Allegro spiritoso Duetto in G minor, 1st movt: Andante Concerto in F, 3rd movt: Poco presto Sonatina in A minor, 2nd movt: Allegro (from 2 Sonatinas: C minor & A minor) Concerto in C, 2nd movt: Romanze

Publisher Amadeus BP2536 Musica Rara MR 2169 Schott Leuckart Breitkopf MR 2049 Any reliable edition Elkan-Vogel Bärenreiter Praha H 7646 Schott FAG 19 Sikorski 339 K Schott FAG 26 Sikorski 521K

Group B Addison Bratton Challinger Damase De Haan Dunhill Fauré Godfrey Hardy Hurlstone Milde Naoumoff Waterhouse Weissenborn

Concertino, 3rd movt: Larghetto Emerson E305a The Teddy Bears’ Picnic Dr Downing 111 1006 Serenade Montem Music Basson Junior Lemoine 24767 Scherzo Schott ED 10530 Lyric Suite, op. 96, 1st movt or 3rd movt Boosey Pièce Leduc AL 19974 Introduction, moderato and any two variations (from Lucy Long) Boosey Nocturne Camden CM165 Sonata in F, 3rd movt: Allegretto Emerson E75 Tarantella, op. 20 Breitkopf MR 1092 Three Elégies, no. 1 Schott FAG 21 Diplo-Diversions, op. 44, Imperial Echoes Hofmeister FH 2578 Capriccio op. 14 IMC

Group C (unaccompanied) J S Bach Braun Bruns Concone Hába Jacob Jancourt Kopprasch

Partita BWV 1013, 4th movt: Bourrée Anglaise Universal UE 18135 Corrente, p. 18 (from Solos 1740) Schott Ex. 1, Moderato con eleganza, p. 86 (from Das Fagott vol. 2) DVfM DV30022 Study no. 38, Allegro giusto (from The Singing Bassoon) Emerson E281 Suite op. 69, 2nd. movt: Andante con moto ICAH Aria antiqua (from Partita for Solo Bassoon) OUP Study no. 4, Allegro moderato (from 26 Melodic Studies) Universal UE 18126 Study no. 15, Adagio or Study no. 19, Adagio (from 60 Studies vol. 1) IMC 2138 85

Bassoon — Grade 6 Milde Oromszegi Ozi Paciorkiewicz Weissenborn

Study no. 29, Allegretto (from Concert Studies vol. 2) May Festival (from 15 Characteristic Pieces) Polonaise, no. 14 (from 42 Caprices) Study no. 30, Allegro molto or Study no. 46, Allegro (from Bassoon Primer Method) Study no. 26, Allegro assai (from Bassoon Studies op. 8 vol. 2)

IMC 497 Emerson E159 Hofmeister PWM 9813 Peters EP 2277b


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: Bb major (three octaves) A, B, Ab, and Db major (two octaves) Bb harmonic and melodic minor (three octaves) G, F, F# and G# harmonic and melodic minor (two octaves) Chromatic scale starting on Bb (three octaves) Whole-tone scale starting on Eb (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: Bb major (three octaves) A, B, Ab, and Db major (two octaves) Bb minor (three octaves) G, F, F# and G# minor (two octaves) Dominant 7th in the key of Eb (two octaves) Diminished 7th starting on C (two octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following sets, a) or b): a) Mozart: Piano Concerto no. 20 (p. 5/6) and Verdi: Andantino, Allegro agitato and Grave (Aida), p. 50 (from Ed. Stadio Passi Difficili ‘e a soli’) b) Beethoven: Overture: Coriolan and Beethoven: Symphony no. 3 (Eroica) and Bizet: Carmen, Zwischenspiel (from Test Pieces for Orchestral Auditions — Bassoon/Contrabassoon)



Ricordi ER00122100

Peters EP 8662

Bassoon — Grade 7

Subject code: BSN


Group A

J C Bach Corrette Danzi Devienne Haydn Koželuh Neruda Stamitz Telemann Vanhal Vivaldi Vogel

Piece

Publisher

Concerto in Eb, 1st movt: Allegro spirituoso [without cadenza] Sikorski Sonata no. 6, 1st movt: Allegro moderato (from Les delices de la solitude vol. 2) Schott Concerto in F, 1st movt: Allegro Leuckart Sonata in F op. 24 no. 3, 1st movt: Allegro Breitkopf MR 2047 Concertino, Perger 52/5 [without cadenza] Doblinger DM878A Concerto in C, 1st movt: Allegro [without cadenza] Elkan-Vogel 164–00124 Concerto in C, 2nd movt: Adagio sostenuto [with cadenzas] Bärenreiter Praha H7646 Concerto in F, 2nd movt: Adagio molto [with cadenza] Sikorski 339 K Sonatina in C minor, 1st movt: Largo and 2nd movt: Allegro (from 2 Sonatinas: C minor & A minor) Schott FAG 26 Concerto in C, 1st movt: Allegro moderato Simrock Concerto in A minor, VIII no. 7, 1st movt: Allegro molto EMB Z.6076 Concerto in C, 3rd movt: Rondo Sikorski 521K

Group B Agolli Cooke Fuˇcik Françaix Hurlstone Kelly Maconchy Moore Owen Paciorkiewicz Ridout Saint-Saëns Vinter

Song (from Song and Dance) Emerson E213 Sonata, 1st movt: Allegro non troppo or 3rd movt: Allegro vivace Emerson E116 Der alte Brummbär Apollo AV5211 Andante, no. 1 (from Two Pieces) Schott Sonata in F, 1st movt: Vivace Emerson E75 Lérici Variations, Theme, Pastoral, March and Scherzo Novello NOV120565 Concertino, 1st movt: Moderato Lengnick AL1145 Presto Phylloscopus PP335 Bagatelle Arcadia AM 289 Filutek’s Adventure (from Two Miniatures) PWM Concertino, 3rd movt Emerson E53 Sonata, op. 168, 1st movt: Allegro moderato Peters EP 9195 Reverie Cramer 90275

Group C (unaccompanied) Bourgeois Concone Hába Jacob Jancourt Kopprasch Milde

Fantasy Pieces, no. 1: Allegro vivace Study no. 32, Lento cantabile (from The Singing Bassoon) Suite for Bassoon solo op. 69, 4th movt: Allegro risoluto Partita for Solo Bassoon, Preludio and Valse Study no. 3, Largo or Study no. 8, Allegro moderato (from 26 Melodic Studies) Study no. 32, Adagio (from 60 Studies vol. 1) Study no. 49, Presto (from Concert Studies vol. 2)

Brass Wind 3304 Emerson E281 ICAH OUP Universal UE 18126 IMC 2138 IMC 497 87

Bassoon — Grade 7 Neukirchner Oromszegi Ozi Satzenhofer Weissenborn

Study no. 8, Moderato or Study no. 15, Tempo giusto (from 23 Bassoon Exercises) EMB Z.2218 Locomotive (from 15 Characteristic Pieces) Emerson E159 Study no. 41, Allegro (from 42 Caprices) Hofmeister FH 3028 Study no. 4, Allegro moderato (from 24 Studies) IMC 1079 Study no. 15 or Study no. 17 (from Bassoon Studies op. 8 vol. 2) Peters EP 2277b


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: B and Bb major (three octaves) Db, D, E, and F# major (two octaves) B and Bb harmonic and melodic minor (three octaves) G, Eb, C# and G# harmonic and melodic minor (two octaves) Chromatic scale starting on B (three octaves) Pentatonic (major) scale starting on D (two octaves) Whole-tone scale starting on D (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: B and Bb major (three octaves) D, Db, E, and F# major (two octaves) B and Bb minor (three octaves) G, Eb, C# and G# minor (two octaves) Dominant 7th in the key of E (three octaves) Dominant 7th in the key of Db (two octaves) Diminished 7th starting on B (three octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following sets, a) or b): a) Beethoven: Symphony no. 6 (Pastoral) (4th movt) (p. 21) and J S Bach: Overture (p. 2) (from Ed. Stadio Passi Difficili ‘e a soli’) Ricordi ER00122100 b) Mozart: Symphony no. 41 (Jupiter) (1st and 2nd movts) and Wagner: Lohengrin (from Test Pieces for Orchestral Auditions — Bassoon/Contrabassoon) Peters EP 8662



Bassoon — Grade 8

Subject code: BSN


Group A

Crusell Dard Devienne Fasch Kreutzer Mozart Pfeiffer Reicha Rössler Vivaldi Vivaldi Weber

Piece

Publisher

Concertino, Polacca Fazer Sonata in D minor, op. 2 no. 5, 1st movt: Adagio and 2nd movt: Allegro or 3rd movt: Arietta and 4th movt: Allegro Nova Sonata in F, op. 24 no. 3, 3rd movt: Allegretto Breitkopf MR 2047 Sonata in C, 3rd movt: Andante and 4th movt: Allegro assai Universal UE 18128 Variations: Adagio, andante grazioso and any one variation Universal UE 18127 Concerto in Bb, K. 191, 2nd movt: Andante ma adagio [without cadenza] Bärenreiter BA 4868a Concerto in Bb, 3rd movt: Rondeau Leuckart Sonata in Bb, 1st movt: Allegro Schott FAG 5 Concerto in Bb, 3rd movt: Allegretto Schott ED10420 Concerto in E minor, RV 484, 1st movt: Allegro poco or 3rd movt: Allegro IMC 2353 Concerto in C, FV III no. 17 RV 472, 1st movt: Allegro non molto EMB Concerto in F, op. 75, 2nd movt: Adagio Breitkopf EB 6708

Group B Addison Bourdeau Elgar Feld Fogg Grovlez Jacob Maconchy Milde Nussio Pierné Saint-Saëns Tansman

Concertino, 1st movt: Andante Premier Solo Romance Sonatine, any two movements Concerto, 3rd movt: Con spirito Sicilienne et Allegro giocoso: Largamente, sicilienne and allegro giocoso Concerto, 1st movt: Allegro Concertino, 2nd movt: Lento espressivo, intimo Concertino [complete] Variations on an Arietta by Pergolesi, Variations 1 (Arioso), 2 (Scherzetto), 8 (Barbaresca) and any one other variation Solo de Concert op. 35 Sonata, op. 168, 3rd movt: Adagio, allegro moderato Suite, 1st movt: Introduction and Allegro

Emerson E305a Leduc AL 21060 Novello NOV120137R Schott FAG 2 Emerson E122 Leduc AL21163 Stainer 2625 Lengnick AL1145 Universal UE 18130 Universal UE 12182 Leduc AL20914 Peters EP 9195 Eschig ME 7123

Candidates may replace one Group A or Group B piece with one Contrabassoon item:

Contrabassoon Schulhoff Capuzzi

any two movements from Bass Nightingale Concerto in D major, 1st movt

Schott FAG 22 Yorke YE0011

Group C (unaccompanied) Arnold J S Bach Braun Jacobi Milde Neukirchner Orefici

Fantasy Partita BWV 1013, 2nd movt: Corrente Bizaria, p. 20 (from Solos (1740)) No. 4, Allegretto or no. 5, Allegro (from 6 Bassoon Exercises) Study no. 26, Allegretto (from Concert Studies vol. 2) No. 19, Allegro molto (from 23 Bassoon Exercises) Study no. 8 or Study no. 9 (from 20 Melodic Studies)

Faber Universal UE 18135 Schott ED 12237 EMB Z.2217 IMC 497 EMB Z.2218 IMC 2285 89

Bassoon — Grade 8 Oromszegi Pivoˇnka Šesták Weissenborn

Study no. 17, Elegia (from Twenty Advanced Bassoon Studies) Emerson E86 Study no. 10, Vivace (from Virtuoso Studies for Bassoon) Bärenreiter Praha H 1217 No. 1, recitativo, molto rubato or no. 2, Allegro giocoso (from cinque inventioni per virtuosi del fagotto) Panton Study no. 34, Andante con moto or Study no. 35, Andante maestoso (from Bassoon Studies op. 8 vol. 2) Peters 2277b


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: C, B and Bb major (three octaves) All other major scales (two octaves) C, B and Bb harmonic and melodic minor (three octaves) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on B, Bb and C (three octaves) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on Ab (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: C, B and Bb major (three octaves) All other major arpeggios (two octaves) C, B and Bb minor (three octaves) All other minor arpeggios (two octaves) Dominant 7th in the keys of E, F and Eb (three octaves) Dominant 7th in the key of Ab (two octaves) Diminished 7th starting on B, Bb and C (three octaves)

or ii) Orchestral Extracts Candidate to prepare one of the following sets, a) or b): a) Pergolesi/Stravinsky: Pulcinella (Variation 2) (p. 81) and Stravinsky: Firebird (p. 77) and Donizetti: L’elisir d’amore (p. 89) (from Ed. Stadio Passi Difficili ‘e a soli’) Ricordi ER00122100 b) Rossini: Overture: Barber of Seville and Tchaikovsky: Symphony no. 4 (1st movt) (from Test Pieces for Orchestral Auditions — Bassoon/Contrabassoon) Peters EP 8662 Candidates may replace one extract from their chosen set with the following contrabassoon extract: Contrabassoon Ravel: Ma mère l’oye (from Test Pieces for Orchestra Auditions — Bassoon/Contrabassoon) Peters EP 8662



Saxophone — Grade 1

Subject code: SAX



Group A Piece Alto/Baritone Saxophone in Eb

Book

Bizet Diabelli Glazunov Harris Haydn Street Swann Rae Trad. American Verdi

Ten Easy Tunes Fentone F 462 The Magic Saxophone Boosey First Repertoire for Alto Saxophone Faber First Repertoire for Alto Saxophone Faber Classical Album for Saxophone Universal UE 17772 Streetwise for Alto Saxophone & Piano Boosey The Really Easy Sax Book Faber Play it Cool — Saxophone Universal UE 21100 Easy Saxophone Solos Amsco Up-Grade Alto Saxophone Grades 1–2 Faber

Toreador’s Song The Joker Theme and Variations Seascape Minuet Attention Please! The Hippopotamus The Guv’nor Big Rock Candy Mountain La donna è mobile

Publisher

Soprano/Tenor Saxophone in Bb Anon. Queen of Heaven Beethoven Theme from the Choral Symphony Haydn Minuet Lyons Wheels Within Wheels Mouret Musette, no. 4 Rae The Guv’nor Schein Allemande Schubert Ecossaise Verdi La donna è mobile

Easy Pieces for Tenor Saxophone and Piano

Pan PEM81

Pop Go the Classics Cramer 90480 Classical Album for Saxophone Universal UE 17772 Compositions for Tenor Saxophone vol. 1 Useful U132 Dances from French Operas vol. 1 Studio Play it Cool — Saxophone Universal UE 21100 Klassische Saxophon-Soli Schott ED 7330 Let’s Make The Grade vol. 3 Sunshine SUN 171 Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber

Group B Alto/Baritone Saxophone in Eb Beswick Brahms Dodgson Foster Gershwin Lewin Lyons Norton Street Tchaikovsky Trad. Trad. Wedgwood

Farewell for a Fox Six for Sax Universal UE 17973 Sunday Classical Album for Saxophone Universal UE 17772 Sledgehammer Up Front Album for Eb Saxophone Brass Wind 0307 Beautiful Dreamer Fentone WA 6001 Love Walked In Easy Gershwin for Saxophone OUP Heat Haze [with repeat] Up Front Album for Eb Saxophone Brass Wind 307 Elgar Takes a Stroll Compositions for Alto Saxophone vol. 1 Useful U123 Calming Down The Microjazz Alto Saxophone Collection 1 Boosey Lazy Afternoon or Reflections Streetwise for Alto Saxophone & Piano Boosey Old French Song Classical Album for Saxophone Universal UE 17772 Drink to Me Only The Young Saxophone Player OUP Amazing Grace or Morning Has Broken Easy Pieces for Alto Saxophone Pan PEM89 I Believe Up-Grade Alto Saxophone Grades 1–2 Faber 91


Soprano/Tenor Saxophone in Bb Brahms Cowles Dodgson Hampton Hyde Lewin Tchaikovsky Trad.

Sunday Tri-Time Sledgehammer Lay me Down, p33 Soliloquy Heat Haze [with repeats] Old French Song Amazing Grace or Morning Has Broken

Classical Album for Saxophone Learn As You Play Saxophone Up Front Album for Bb Saxophone Saxophone Basics Learn As You Play Saxophone Up Front Album for Bb Saxophone Classical Album for Saxophone

Universal UE 17772 Boosey Brass Wind 0307 Faber Boosey Brass Wind 0307 Universal UE 17772

Easy Pieces for Tenor Saxophone & Piano

Pan PEM81

Group C (unaccompanied) Saxophone in Eb/Bb J S Bach Chorale, p. 19 Learn As you Play Saxophone Boosey Demnitz Study no. 9 80 Graded Studies for Saxophone book 1 Faber Diabelli Serenade, p. 19 Learn As you Play Saxophone Boosey Gariboldi Study no. 1 Easy Classical Studies for Saxophone Universal UE 17770 Garnier Study no. 8 80 Graded Studies for Saxophone book 1 Faber Gumbley Just a Thought Cool School [Bb or Eb versions] Brass Wind Hampton Down the Road or G Force or Blue Call Saxophone Basics Faber Lacour Study no. 1 50 Études façiles et progressives vol. 1 Billaudot G15491B Rae In the Beginning, no. 23 Easy Studies in Jazz & Rock Saxophone Universal UE 19392 Rae Proclamation, no. 1 Style Workout for or The First Waltz, no. 2 Solo Saxophone Universal UE 21232 Trad. Chinese Bamboo Flute, no. 25 Amazing Studies for Saxophone Boosey Wilson Muladhara The Seven Chakra for Solo Saxophone Camden CM239

92





or ii) Exercise and Study Exercise: for slurring C–D and D# (from memory):

q = 66

    mf

 

   

 

 

 

 

Study: Candidate to prepare one of the following: a) Beekum Air Varié [Allegro moderato only] (from Super Saxophones) b) Wilson No. 1 or no. 2 (from Saxtudes)

Harmonia HU 3793 Camden



93

Saxophone — Grade 2 Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8).

Group A Piece Alto/Baritone Saxophone in Eb J S Bach Foster Franck Handel Schubert Shostakovich Street Trad. Trad. Trad. Wastall

Book

Subject code: SAX Selected repertoire from the new Trinity Performer’s Series may also be chosen: from Musical Moments in place of Group A or B pieces, or from Mosaics instead of a Group C piece. The approved alternative pieces are listed on the Trinity website at www.trinitycollege.co.uk/woodwind

Publisher

Minuet in G Take Ten for Alto Saxophone Universal UE 18836 Old Folks at Home Elementary Solos for Alto Saxophone Fredrick Harris Allegretto, p. 54 Saxophone Basics Faber Trio from Water Music First Repertoire for Alto Saxophone Faber The Trout The Joy of Saxophone Yorktown YK21541 March from Six Children’s Pieces, no. 6 The Magic Saxophone Boosey Let’s Get Away [with repeat] Streetwise for Alto Saxophone & Piano Boosey Turkey in the Straw [with repeats] Skills Builders for Alto Saxophone Schirmer GS33481 Joshua Fought the Battle of Jericho Easy Pieces for Alto Saxophone Pan PEM 89 Dixie Fentone WA 6015 Midnight in Tobago Learn As you Play Saxophone Boosey

Soprano/Tenor Saxophone in Bb Cole Granite Couperin Gavotte Franck Allegretto Handel Trio from Water Music Lyons Velvet Rae Curtain-up or Bruno’s Tune Trad. Joshua Fought the Battle of Jericho Wedgwood Chinese Take It Away

Learn As You Play Saxophone Boosey Klassische Saxophon-Soli Schott ED 7330 Saxophone Basics Faber Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber Compositions for Tenor Saxophone vol. 1 Useful U 132 Play it Cool — Saxophone

Universal UE 21100

Easy Pieces for Tenor Saxophone & Piano Selected Solos for Soprano/Tenor Saxophone Grades 1–3

Pan PEM81 Faber

Group B Alto/Baritone Saxophone in Eb Blake Walking in the Air Byrd Pavane for the Earl of Salisbury Dodgson Meadowsweet Gershwin Love is Here to Stay Henry VIII, attrib. Greensleeves Lyons Serpentine McLean Vincent 94

The Really Easy Sax Book

Faber

Saxophone Solos vol. 1 [Alto] Chester CH55120 Up Front Album for Eb Saxophone Brass Wind 0307 Easy Gershwin for Saxophone OUP Up-Grade Alto Saxophone Grades 1–2 Faber Compositions for Alto Saxophone vol. 1 Useful U123 Making the Grade — Grade 2 Chester CH60098

Naulais Norton Tchaikovsky

Saxophone — Grade 2 Coconotes Billaudot G 5254 B Young at Heart The Microjazz Alto Saxophone Collection 2 Boosey Chanson Triste Classical Album for Saxophone Universal UE 17772

Soprano/Tenor Saxophone in Bb Bazelaire Chanson d’ Alsace Bernstein One Hand, One Heart from West Side Story Fauré Pavane Hamner Aria 1, no. 2 or Preludio, no. 1 Henry VIII, attrib. Greensleeves Ledbury Takin’ It Easy Lyons Serpentine Offenbach Barcarolle Rodgers & Hart You Are Too Beautiful Tchaikovsky Chanson Triste Trad. The Londonderry Air

Suite Française op. 114 Leonard Bernstein for Tenor Saxophone Classical Album for Bb Instruments book 2

Schott Boosey Studio

Saxophone Samples for Bb Saxophone Studio Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber All Jazzed Up for Saxophone Brass Wind 0302 Compositions for Tenor Saxophone vol. 1 Useful U132 Klassische Saxophon-Soli Schott ED 7330 All Jazzed Up for Saxophone Brass Wind 0302 Classical Album for Saxophone Universal UE 17772 Klassische Saxophon-Soli Schott ED 7330

Group C (unaccompanied) Saxophone in Eb/Bb Anon. Baermann Hampton Lacour Popp Rae Trad. Wedgwood Wilson

Medieval Dance Tune, Study no. 13 Study no. 12 or Study no. 17 The King’s Own Dance Study no. 2 or Study no. 3 Study no. 10 or Study no. 24 Jig in D, no. 5 The Ash Grove Cat Walk (Study in A minor) Swadistana

Amazing Studies for Saxophone 80 Graded Studies for Saxophone book 1 Saxophone Basics

Boosey Faber Faber

50 Études façiles et progressives vol. 1 Billaudot G15491B Easy Classical Studies for Saxophone Universal UE 17770 Style Workout for Solo Saxophone Universal UE 21232 Winners Galore for Saxophone Brass Wind Up-Grade Alto Saxophone Grades 1–2 The Seven Chakra for Solo Saxophone

Faber Camden CM239

95



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: D major (two octaves) C major (one octave, starting on either C) A and B minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: D major (two octaves) C major (one octave, starting on either C) A and B minor (one octave)

or ii) Exercise and Study Exercise (from memory): for slurring downwards:

Slow

  

q = 72



mf

 





 



 

 



 



Study: Candidate to prepare one of the following: a) Popp No. 14 and no. 16 (from Easy Classical Studies) b) Wilson No. 3 or no. 4 (from Saxtudes)



96

Universal UE 17770 Camden



Group A Piece Alto/Baritone Saxophone in Eb

Book

Bernstein Bullard Elgar Handel Harris Haydn Joplin Lyons Mussorgsky Nightingale Scott

Making the Grade — Grade 3 Circus Skills

America [with repeats] Dancing Dolls Pomp & Circumstance — Theme from March no. 4 Bourrée Foxtrot from Seven Easy Dances Serenade The Entertainer The Coolest Camel Promenade from Pictures at an Exhibition From Drainpipes to Flares Tango

The Magic Saxophone Classical Album for Saxophone

Publisher Chester CH60106 Spartan SP726 Boosey Universal UE 17772

First Repertoire Pieces for Alto Saxophone Boosey Classical Album for Saxophone Universal UE 17772 Making the Grade — Grade 3 Chester CH60106 Compositions for Alto Saxophone vol. 1 Useful U123 First Repertoire for Alto Saxophone Lucky Dip Café Europa

Faber Warwick WD009 Astute am242–54

Soprano/Tenor Saxophone in Bb Bazelaire Chanson de Bresse Ellington It Don’t Mean a Thing if it ain’t got that Swing Handel Bourrée Harris Foxtrot from Seven Easy Dances Lyons The Coolest Camel or Direct Action Mussorgsky Promenade Nightingale From Drainpipes to Flares Wedgwood Plaza de Toros Weill September Song

Suite Française, op. 114 Take Another Ten for Saxophone Classical Album for Saxophone First Repertoire Pieces for Tenor Saxophone

Schott Universal UE 21170 Universal UE 17772 Boosey

Compositions for Tenor Saxophone vol. 1 Useful U132 Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber Lucky Dip Warwick WD009 Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber Take Another Ten for Saxophone Universal UE 21170

Group B Alto/Baritone Saxophone in Eb Ilyinsky Berceuse Louiguy La vie en rose Norton Latin Purcell Air Rubenstein Melody Satie Gnossienne no. 3

First Repertoire Pieces for Alto Saxophone Boosey What Else Can I Play? Alto Saxophone Grade 3 Faber 4225A The Microjazz Alto Saxophone Collection 2 Boosey Take Ten for Alto Saxophone Universal UE 18836 First Repertoire Pieces for Alto Saxophone Boosey Erik Satie Saxophone Album Universal UE 18508 97

Saxophone — Grade 3 Schubert Street Vivaldi

Serenade First Repertoire Pieces for Alto Saxophone By the Lake Streets Ahead Cantabile from II Cordellino First Repertoire for Alto Saxophone

Boosey Saxtet 008 Faber

Soprano/Tenor Saxophone in Bb J S Bach Air Klassische Saxophon-Soli Schott ED 7330 De Fesch Canzonetta Spratt Finzi Carol Learn As You Play Saxophone Boosey Hamner Aria II, no. 4 or Valse, no. 3 Saxophone Samples for Bb Saxophone Boosey Haydn Serenade Classical Album for Saxophone Universal UE 17772 Ilyinsky Berceuse First Repertoire Pieces for Tenor Saxophone Boosey Rubenstein Melodie Klassische Saxophon-Soli Schott ED 7330 Schubert Serenade First Repertoire Pieces for Tenor Saxophone Boosey Vivaldi Cantabile from II Cordellino Selected Solos for Soprano/Tenor Saxophone Grades 1–3 Faber

Group C (unaccompanied) Saxophone in Eb/Bb Anon. J S Bach Briard Cowles Fenwick Garnier Hampton Köhler Lacour Rae Wilson

98

Song, Study no. 17 Amazing Studies for Saxophone Boosey Bourrée, Study no. 15 Amazing Studies for Saxophone Boosey Study no. 1, p. 42 or Study no. 3, p. 50 Learn As you Play Saxophone Boosey Slightly Latin no. 2 Finger Bobbins for unaccompanied Saxophone Studio The Flower Among Them All, no. 47 [with repeats] Amazing Studies for Saxophone Boosey Study no. 21 80 Graded Studies for Saxophone book 1 Faber Tell me about it Saxophone Basics Faber Study no. 20 Easy Classical Studies or Study no. 26 for Saxophone Universal UE 17770 Study no. 9 or Study no. 19 or Study no. 11 50 Études façiles et progressives vol. 1 Billaudot G15491B Chandelier Waltz, no. 7 Style Workout for Solo Saxophone Universal UE 21232 Manipura The Seven Chakra for Solo Saxophone Camden CM239



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) D minor (two octaves): candidate’s choice of either harmonic or melodic minor E and G minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on G (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) D minor (two octaves) E and G minor (to 12th)

or ii) Exercise and Study Exercise (from memory): for octaves:

  

Moderato q = 76

   mp

5

 

mp



 

 

    mp



mp



 





mp



  

   mp







mp

    

Study: Candidate to prepare one of the following: a) Beekum Pastorale in D minor (from Super Saxophones) b) Wilson No. 5 or no. 6 (from Saxtudes)





Group A Piece Alto/Baritone Saxophone in Eb J S Bach Benjamin Fauré Gorb Gregson Handel Lyons Mozart Shostakovich Street

Book


Publisher

Musette First Repertoire Pieces for Alto Saxophone Boosey Jamaican Rumba Learn As you Play Saxophone Boosey Mai Gabriel Fauré Saxophone Album Universal UE 21053 Habenera Up Front Album for Eb Saxophone Brass Wind 0307 Stepping Out Towards the Blue Horizon Up Front Album for Eb Saxophone Brass Wind 0307 Siciliana and Allegro Take Ten for Alto Saxophone Universal UE 18836 Bee Line Compositions for Alto Saxophone vol. 1 Useful U123 Minuet (no. 7) Classical Album for Saxophone Universal UE 17772 Romance from The Gadfly Fentone F690 Cruisin’ Streets Ahead Saxtet 008

Soprano/Tenor Saxophone in Bb Albinoni J S Bach Benjamin Cowles Gregson Lyons Moszkowski Mozart Shostakovich Singelée Telemann

Concerto in D minor, op. 9 no. 2, 1st movt: Allegro e non presto or 3rd movt: Allegro Advance Musette vol. 1 First Repertoire Pieces for Tenor Saxophone Boosey Jamaican Rumba Learn As You Play Saxophone Boosey Bala Ballade, no. 2 of 3 Sketches from Bala Saxophone Solos vol. 2 [Tenor] Chester CH 55208 Stepping Out Towards the Blue Horizon Up Front Album for Bb Saxophone Brass Wind 0307 Bee Line Compositions for Tenor Saxophone vol. 1 Useful U132 Spanish Dance, op. 12 no. 2 Solos for the Tenor Saxophone Player Schirmer Divertimento Klassische Saxophon-Soli Schott ED 7330 Romance from The Gadfly Fentone F690 Allegro vivace from Selected Solos for Soprano/ Premier Quatour, op. 53 Tenor Saxophone Grades 4–6 Faber Sonata in C minor, 1st movt: Siciliana–Andante Leduc AL 25008

Group B Alto/Baritone Saxophone in Eb Bernstein Chopin Debussy Dvorák Elgar 100

Somewhere Nocturne Jimbo’s Lullaby Romantic Piece op. 75 no. 1 Variation IX, Nimrod from Enigma Variations op. 36

Leonard Bernstein for Alto Saxophone Boosey The Joy of Saxophone Yorktown YK21541 Claude Debussy Saxophone Album Universal UE 17777 Solos for the Alto Saxophone Player An Elgar Saxophone Album

Schirmer GS33058 Novello NOV120742


Gershwin Theme from Rhapsody in Blue Concert Repertoire for Alto Saxophone Faber Heath Reflections Studio Kershaw Lengthening Shadows or End of a Perfect Day Latin Nights Hunt HE90 Norton Elegance The Microjazz Alto Saxophone Collection 2 Boosey Puccini Nessun Dorma The Classic Experience Cramer 90524 Rachmaninov Romance John Harle Saxophone Album (To Baker Street and Bach) Boosey Saint-Saëns The Swan Take Ten for Alto Saxophone & Piano Universal Satie Je te veux Encore! John Harle Chester CH61090

Soprano/Tenor Saxophone in Bb J S Bach Sonata in Eb BWV 1031, R R Bennett Borodin Dowland Dvoˇrák Elgar Fauré Kershaw Mendelssohn Rae Saint-Saëns

2nd movt: Siciliano Presser 114–40450 Tender is the Night — Nicole’s Theme Encore! John Harle Chester CH61090 Polotsvian Dance Rubank Flow My Teares (Lachrimae) Encore! John Harle Chester CH61090 Larghetto Simply Sax for Tenor De Haske F 488–401 Variation IX, Nimrod from Enigma Variations op. 36 An Elgar Saxophone Album Novello NOV120742 Après un rêve Gabriel Fauré Saxophone Album Universal UE 21053 Lengthening Shadows or End of a Perfect Day Latin Nights Hunt HE91 Song Without Words op. 109 Solos for the Tenor Saxophone Player Schirmer The Long Road Sonatina for Tenor Saxophone Reedimensions RD 003 The Swan Saxophone Solos vol. 1 [Tenor] Chester CH 55207

Group C (unaccompanied) Saxophone in Eb/Bb Anon. J S Bach Baermann Gariboldi Gariboldi Harrison Lacour Rae Rae Street Van Eyck Wilson

La rotta, no. 14 or Trotto, no. 51 Gigue (BWV 845), no. 16 Study no. 32 Study no. 11 Study no. 31 Calypso Collapso, no. 19 Study no. 26 or no. 29 or no. 30 Turn About, no. 1 or Slavonic Dance, no. 5 Destination Waltz, no. 15 or Full On, no. 18 A Little Piece Study no. 39, Malle Symen Anahata

Amazing Studies for Saxophone Amazing Studies for Saxophone 80 Graded Studies for Saxophone book 1 Amazing Studies for Saxophone 80 Graded Studies for Saxophone book 1 Amazing Studies for Saxophone

Boosey Boosey Faber Boosey Faber Boosey

50 Études façiles et progressives vol. 2 Billaudot G15492B 20 Modern Studies for Solo Saxophone Universal UE 18820 Style Workout for Solo Saxophone Universal UE 21232 Street Beats Saxtet 120 Amazing Studies for Saxophone Boosey The Seven Chakra for Solo Saxophone Camden CM239 101



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: Eb major (two octaves) A and G major (to 12th) C minor (two octaves): candidate’s choice of either harmonic or melodic minor A and F# minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on D (two octaves) Pentatonic (major) scale starting on G (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: Eb major (two octaves) A and G major (to 12th) C minor (two octaves) A and F# minor (to 12th) Dominant 7th in the key of G (two octaves)

or ii) Exercise and Study Exercise (from memory): for chromaticism in the high register:

       q = 60

mf

6



   

   

mf

mf

   

    

   

mf

mf

mf

   

   

mf

mf

    mf

    mf

   

mf

Study: Candidate to prepare one of the following: a) Beekum Mini Concert in G minor (from Super Saxophones) b) Wilson No. 7 or no. 8 (from Saxtudes)





Group A Piece Alto/Baritone Saxophone in Eb Albeniz J S Bach Bernstein Debussy Granados Harvey Kershaw Lyons Norton Parker Purcell Rodriguez

Book


Publisher

Tango op. 165 no. 2 Schott BSS 33749 Badinerie (Les classiques du saxophone no. 1) Leduc AL19511 Tonight from West Side Story Leonard Bernstein for Alto Saxophone Boosey Le petit nègre or Petite pièce Claude Debussy Saxophone Album Universal UE 17777 Spanish Dance no. 3 Three Spanish Dances Emerson E367 Caprice anglais Saxophone Solos vol. 2 [Alto] Chester CH55121 Tango till you Drop! Latin Nights Hunt HE90 The Swinging Roundabout [playing upper line in last 3 bars] Compositions for Alto Saxophone vol. 1 Useful U123 Set Piece The Microjazz Alto Saxophone Collection 2 Boosey Bright Young Things The Light Touch book 2 Stainer H388 Rondeau (from Abdelazar) Take Another Ten for Saxophone Universal UE 21170 La Cumparsita no. 5 Play Latin for Alto Saxophone Faber

Soprano/Tenor Saxophone in Bb J S Bach Two Bourrées (from Third Cello Suite) Solos for the Tenor Saxophone Player Schirmer Bernstein Tonight from West Side Story Leonard Bernstein for Tenor Saxophone Boosey Bouillon Valse-Fantasie First Repertoire Pieces for Tenor Saxophone Boosey Brown Tangram (Tango for Tenor) Warwick WD012 Gounod The Entry of the Nubian Slaves or Moderato con moto Simply Sax for Tenor De Haske F 488–401 Granados Andaluza Saxophone Solos vol. 1 [Tenor] Chester CH55207 Gurewich Czardas First Repertoire Pieces for Tenor Saxophone Boosey Harris Saxsequential Selected Solos for Soprano/Tenor Saxophone Grades 4–6 Faber Kershaw Tango Till you Drop! Latin Nights Hunt Mendelssohn Chanson de Printemps (Les classiques du saxophone no. 78) Leduc AL19752 Purcell Rondeau (from Abdelazar) Take Another Ten for Saxophone Universal UE 21170 Wolf-Ferrari Strimpellata First Repertoire Pieces for Tenor Saxophone Boosey

103


Group B Alto/Baritone Saxophone in Eb Anon. Spanish Love Song Concert Repertoire for Alto Saxophone Faber Balogh Palotás and Friss The Light Touch book 1 Stainer H387 Braga La Serenata Durand 1203300 Crepin Celine Mandarine Lemoine HL25244 Debussy The Little Shepherd or La fille aux cheveux de lin Claude Debussy Saxophone Album Universal UE 17777 Elgar Salut d’amour op. 12 An Elgar Saxophone Album Novello NOV120742 Ellerby Elegy for Checkpoint Charlie Studio Fauré Après un rêve Gabriel Fauré Saxophone Album Universal UE 21053 Gates Wonderland Mood Music Camden CM061 Rachmaninov Rhapsody on a Theme of Paganini — 18th variation Boosey Rae Sonatina for Alto Saxophone, Gymnopédie Bleu Reedimensions RD 002 Schumann Romance no. 1 Belwin Street All Because Of You Saxtet 001

Soprano/Tenor Saxophone in Bb Anon. Spanish Love Song Selected Solos for Soprano/Tenor Saxophone Grades 4–6 Faber J S Bach Sonata no. 6, 3rd movt: Siciliano Advance R R Bennett Tender is the Night — Rosemary’s Waltz Encore! John Harle Chester CH61090 Debussy Sarabande (from Suite pour le piano) Solos for the Tenor Saxophone Player Schirmer Dvoˇrák Lament op. 85 no. 6 Solos for the Tenor Saxophone Player Schirmer Elgar Salut d’amour op. 12 An Elgar Saxophone Album Novello NOV120742 Fiocco Aria and Rondo Kendor Heath Gentle Dreams Gentle Dreams and Shiraz Camden CM115 Kelly Bemused, no. 7 Mood Pieces for Soprano Saxophone Stainer H441 McGarry Song without Words Saxtet 015 Nyman Lost and Found Encore! John Harle Chester CH61090 Wilson Tango in D, for Soprano Saxophone Camden CM065

Group C (unaccompanied) Saxophone in Eb/Bb Grant Don’t Count on Me Gregory Captain Legpipe, no. 20 Rae Scale Model, no. 9 or Epilogue, no. 10 Rae Ambiguity, no. 8 Scott China Doll, no. 2 Stokes Study no. 30 Wilson Vishuddha 104

Mambo Merengue Saxophone Solos book 1

Brass Wind 1312 Astute am308–48

Style Workout for Solo Saxophone Universal UE 21 232 20 Modern Studies for Solo Saxophone Universal UE 18820 Saxophone Solos book 1 Astute am308–48 Easy Jazz Singles Hunt HE43 The Seven Chakra for Solo Saxophone Camden CM239



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: Bb, Eb and E major (two octaves) Ab major (to 12th) C, E and C# minor (two octaves): candidate’s choice of either harmonic or melodic minor F minor (to 12th): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on E (two octaves) Pentatonic (major) scale starting on D (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: Bb, Eb and E major (two octaves) Ab major (to 12th) C, E and C# minor (two octaves) F minor (to 12th) Dominant 7th in the key of A (two octaves) Diminished 7th starting on D (two octaves)

or ii) Exercise and Study Exercise (from memory): for chromatic tone quality:

q = 92

3           

mp

3

 

mp

f

3

3

        

mp

        f



f

      mp

Study: Candidate to prepare one of the following: a) Beekum Triolienne (from Super Saxophones) b) Wilson No. 9 or no. 10 (from Saxtudes)




105



Group A Piece Alto/Baritone Saxophone in Eb Albinoni Balogh Bizet Debussy Elgar Fauré Handel Koechlin Rachmaninov Ravel Vaughan Williams

Publisher

Concerto in D minor, op. 9, no. 2, 1st movt: Allegro e non presto or 3rd movt: Allegro Advance Gipsy Songs [with quasi cadenza] (from The Light Touch book 2) Stainer H388 Intermezzo, no. 3 (minuetto) (from Les soli des l’Arlesienne) Choudens AC20036 Arabesque no. 1 or Golliwogg’s Cake Walk (from Claude Debussy Saxophone Album) Universal UE 17777 Chanson de matin op. 15 no. 2 or Chanson de nuit op. 15 no. 1 (from An Elgar Saxophone Album) Novello NOV120742 Kitty-Valse (from Gabriel Fauré Saxophone Album) Universal UE 21053 Sonata no. 6, op. 1/15, 1st movt: Adagio and 2nd movt: Allegro (Les classiques du saxophone no. 90) Leduc AL20830 Etude no. 5 or Etude no. 11 (from 15 études pour Saxophone alto et piano) Billaudot/EFM 1008 Vocalise (from John Harle Saxophone Album (To Baker Street and Bach)) Boosey Piece en Forme de Habañera [Eb edition] Leduc AL17680 Six Studies in English Folk-Song, no. 5 and no. 6 Stainer or no. 4 and no. 6 [sep. piano accomp.] H173 [Eb sax] H47 [piano]

Soprano/Tenor Saxophone in Bb J C Bach Sinfonia in Bb, 2nd movt: Andante and 3rd movt: Presto Elgar Fauré Fiocco Handel Ravel Saint-Saëns Schumann Singelée Vivaldi

(from Klassische Saxophon-Soli) Schott ED 7330 Chanson de matin, op. 15 no. 2 or Chanson de nuit, op. 15 no. 1 (from An Elgar Saxophone Album) Novello NOV120742 Kitty-Valse (from Gabriel Fauré Saxophone Album) Universal UE 21053 Arioso (from Saxophone Solos vol. 2 (Tenor)) Chester CH55208 Sonata no. 1, 1st movt: Adagio and 2nd movt: Allegro (Les classiques des saxophone no. 113 (Tenor)) Leduc AL25143 Piece en Forme de Habañera [Bb edition] Leduc AL17679 Allegro Apassionata, op. 43 (from Solos for the Tenor Saxophone Player) Schirmer Romance op. 94 no. 1 (from Solos for the Tenor Saxophone Player) Schirmer Adagio and Rondo op. 63 Roncorp Concerto in A minor, RV 461, 3rd movt: Allegro [for soprano saxophone, trans. Kynaston] Leduc AL28950

Group B Alto/Baritone Saxophone in Eb Binge Bozza 106

Concerto for Alto Saxophone, 2nd movt: Romance Aria

Weinberger Leduc AL19714

Buckland Carpenter Cassiniere Delibes Dukas Hampton Lyons Naulais Rodgers Westbrook & Biscoe

Saxophone — Grade 6 Travellin’ Light (from Café Europa) Astute am242–54 Chorinho Carinhoso (from John Harle Saxophone Album — To Baker Street and Bach) Boosey Ronde (from Les contemporains écrivent vol. 2) Billaudot PN6183 Barcarolle from Sylvia (from Saxophone Solos vol. 1 (Alto ed.)) Chester CH55120 Alla Gitana Leduc AL19995 Between a Rock and a Hard Place (from Unbeaten Tracks — Alto Saxophone) Faber Valse des Lions (from Compositions for Alto Saxophone vol. 2) Useful U124 Any single movement from Petite Suite Latine Lemoine 26497 HL Interactive (from The Light Touch book 2) Stainer H388 Sonnet no. 13 (from John Harle Saxophone Album — To Baker Street and Bach) Boosey

Soprano/Tenor Saxophone in Bb Cowan German Granados Harvey Joplin Lyons Martin Rae

Shadows Boosey Pastorale and Bourrée Rubank Rondo Aragonesa (from Danza Espanola) UME UME21472 Contest Solo no. 4 for Soprano Sax [from bar 34, Allegro, to the end] Studio Palm Leaf Rag (from Elite Syncopations, Bethena & Palm Leaf Rag) Lemoine 25143 Melody in Search of a Musical or The Quick Brown Fox or Valse des Lions (from Compositions for Tenor Saxophone vol. 2) Useful U133 Sonatina for Soprano Saxophone & Piano op. 11, 2nd movt: Maestoso Cornelius Tarantella (from Sonatina for Tenor Saxophone) Reedimensions RD 003

Group C (unaccompanied) Saxophone in Eb/Bb Allen Dubois Gariboldi Goorhuis Lacour Lyons Mazas Rae Redpath Ross Street Wilson

No. 16 (from Saxophone Studio) Hunt Sarabande (from Suite Française) [Sarabande only, no Allegro] Leduc AL23138 Study no. 65 or Study no. 66 (from Easy Classical Studies for Saxophone) Universal The Young Ballerina (from Performance Studies for Saxophone) De Haske Study no. 33 (from 50 Études façiles et progressives vol. 2) Billaudot Study no. 21 (from 24 Melodic Studies for Saxophone) Useful U55 Study no. 64 (from 80 Graded Studies for Saxophone book 2) Faber Staccato Prelude, no. 4 (from 12 Modern Etudes for Solo Saxophone) Universal UE 18795 Emerald Engine, no. 6 (from Saxophone Solos book 1) Astute am308–48 Study no. 6, Sax Scorcher (from Sax Scorchers) Saxtet 118 Spic & Spanish or Like it or Not? (from Street Beats) Saxtet 120 Ajna (from The Seven Chakra for Solo Saxophone) Camden CM239

107



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Db, E and B major (two octaves) F# major (to 12th) F, Bb, B and C# harmonic and melodic minor (two octaves) G# harmonic and melodic minor (to 12th) Chromatic scale starting on C (two octaves) Whole-tone scale starting on C (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Db, E and B major (two octaves) F# major (to 12th) F, Bb, B and C# minor (two octaves) G# minor (to 12th) Dominant 7th in the key of F (two octaves) Diminished 7th starting on C (two octaves)

or ii) Study Candidate to prepare one of the following: a) Ferling no. 17 and no. 18 (from 48 Studies op. 31) b) Wilson no. 11 or no. 12 (from Saxtudes)



108

Billaudot 3082 Camden



Group A Piece Alto/Baritone Saxophone in Eb J S Bach Berthelot Debussy Eccles GalloisMontbrun Handel Haydn Pierné Vinci Vivaldi Wiedoeft

Sonata no. 6, 1st movt: Allegro ma non tanto or 2nd movt: Allegro Adage et arabesque Danse Bohémienne (from Claude Debussy Saxophone Album) Sonata in G minor: any two contrasting movements

Publisher

Advance 7043 Leduc AL24562 Universal UE 17777 Elkan-Vogel

Lied, no. 4 and Finale, no. 6 (from Six pieces musicales d’etude) Leduc AL21131 Allegro, Largo and Finale (Les classiques du saxophone no. 1) Leduc Gypsy Rondo (from Solos for the Alto Saxophone Player) Schirmer Canzonetta Leduc AL19414 Adagio and Allegro (from John Harle Saxophone Album — To Baker Street and Bach) Boosey Concerto op. 3/6 RV 356, 1st movt: Allegro or 3rd movt: Presto Universal UE 19075 Valse Vanité Hunt HE33

Soprano/Tenor Saxophone in Bb Albeniz J S Bach J S Bach Bonnard Brahms Dubois Fiocco Handel Harvey Singelée Singelée Tuthill

Mallorca or Puerta de Tierra (from Bolero) UME 21434 Sonata da Gamba no. 2, 2nd movt: Allegro Saxtet 014 Sonata in Eb, BWV 1031, 1st movt: Allegro moderato and 2nd movt: Siciliano Presser 114–40450 Sonata no. 1, 2nd movt: Recitativo & Scherzo Billaudot/EFM 1703 Hungarian Dance no. 1 (from Solos for the Tenor Saxophone Player) Schirmer Vielle Chanson and Rondinade Billaudot GB3290 Concerto, 3rd movt: Lent et très expressif and 4th movt: Très animé Schott Sonata in G minor, op. l/6, 1st movt: Larghetto and 2nd movt: Allegro (Les classiques du saxophone no. 114 (Tenor sax)) Leduc AL25144 Contest Solo no. 1 [complete] Studio 4th solo de Concert Molenaar Caprice op. 80 Roncorp USA Sonata for Tenor Saxophone op. 56, 1st movt: Allegro Southern

Group B Alto/Baritone Saxophone in Eb Albeniz Barnes Beaucamp R R Bennett Bonneau Carr

Puerta de Tierra (from Bolero) Arioso [to bar 51] (from Arioso & Presto) Tarantelle Three Piece Suite for Alto Saxophone & Piano, 1st movt: Samba Triste or 3rd movt: Finale Suite, Danse des demons and Plainte Habanera (from Four Comedy Dances)

UME 21434 Southern SU423 Leduc 20466 Novello Leduc AL20303 Kendor 109

Saxophone — Grade 7 Daneels Johnson Nelson Rae Schultheiss Wilson

Aria et Valse Jazz Nightsong for Alto Saxophone & Piano Sonata for Alto Sax & Piano, 2nd movt: Largo Sonatina for Alto Saxophone, Toccata Latino or East Coast Mainline Witch Hunt Day for Baritone or Alto Saxophone & Piano

Schott SF 9412 Schirmer GS82586 Advance Reedimensions RD 002 Saxtet 013 Camden CM062

Soprano/Tenor Saxophone in Bb Gould Harvey Heath Nichaus Piazzolla Rae Smith Sweeney Tepper Villa Lobos Wilson

Diversions for Tenor Sax & Orchestra, 2nd movt: Serenades & Airs or 4th movt: Ballads & Lovenotes Schirmer Rue Maurice-Berteaux (from Saxophone Solos vol. 2 [Tenor ed.]) Chester CH55208 Shiraz (from Gentle Dreams and Shiraz) Camden CM115 Tenor Soundscape Kendor Café 1930 (from Histoire du Tango for Soprano Saxophone) Lemoine 26820 Sonatina for Tenor Saxophone, 1st movt: Motive Power Reedimensions RD 003 Sonata no. 1, Hall of Mirrors, 4th movt: Hologram Camden CM117 Duo for Soprano Sax & Piano Camden CM116 Concertino for Soprano Saxophone Southern Fantasia for Soprano or Tenor Saxophone, 2nd movt Peer-Southern Silver Sonatina for Soprano Saxophone & Piano 1st movt: Improvisation and 3rd movt: Rondo or 2nd movt: Romanza and 3rd movt: Rondo Saxtet 019

Group C (unaccompanied) Saxophone in Eb/Bb J S Bach Buckland Dubois Frederick the Great Ferling Ingham Lyons Morland Rae Santecchia Street Wilby Wilson

110

Suite no. 1, 2nd movt: Allemande Brazilian Walk, no. 15 (from Saxophone Solos book 1) First Gavotte (from Suite Française) Study no. 76 (from Easy Classical Studies for Saxophone) Study no. 77 (from Easy Classical Studies for Saxophone) Distant Song (from Sax Scorchers) Study no. 23 (from 24 Melodic Studies for Saxophone) Prelude and Burlesque II (from Recitatives for Solo Saxophone) Point to Point, no. 5 or Neat!, no. 8 (from 12 Modern Etudes for Solo Saxophone) Study no. 8, Salón de Destrabe (from Sax Scorchers) Reel Time and Party Time (from Street Beats) Piazza San Marco (from New Concert Studies for Saxophone) Monody for Solo Saxophone

Lemoine 24054 Astute am308–48 Leduc AL23138 Universal UE 17770 Universal UE 17770 Saxtet 118 Useful U55 Broadbent 11210 Universal UE 18795 Saxtet 118 Saxtet 120 De Haske Camden CM099



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Bb, Db, E, B major (two octaves) F# major (to 12th) F, Bb, Eb, B and C# harmonic and melodic minor (two octaves) G# harmonic and melodic minor (to 12th) Chromatic scale starting on B (two octaves) Pentatonic (major) scale starting on F (two octaves) Whole-tone scale starting on E (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred or staccato-tongued as requested by the examiner: F, Bb, Db, E, B major (two octaves) F# major (to 12th) F, Bb, Eb, B and C# minor (two octaves) G# minor (to 12th) Dominant 7th in the key of Bb (two octaves) Diminished 7th starting on Eb (two octaves)

or ii) Study Candidate to prepare one of the following: a) Ferling Study no. 9 and Study no. 10 (from 48 Studies op. 31) b) Ferling Study no. 37 and Study no. 38 (from 48 Studies op. 31) c) Wilson No. 13 (from Saxtudes) d) Wilson No. 14 (from Saxtudes)

Billaudot 3082 Billaudot 3082 Camden Camden



111



Group A Piece Alto/Baritone Saxophone in Eb Agay J S Bach Bedard Debussy Demersseman GalloisMontbrun Guilhaud Koechlin Leclair Milhaud Richardson Tomasi

Rhapsody in Waltz Time Sonata in G minor, BWV 1020, 2nd movt: Adagio and 3rd movt: Allegro Sonata, 1st movt and 2nd movt La plus que lente (from Claude Debussy Saxophone Album) Serenade op. 33

Publisher Presser 114–40930 Universal UE 17774 Doberman Universal UE 17777 Hug 11469

Ballade and Ronde (from Six pieces musicales d’études) Leduc AL21131 Concertino [complete] [Eb version] Rubank Etude no. 9 or Etude no. 15 (from 15 études pour Saxophone alto et piano) Billaudot/EFM 1008 Adagio, Allemande et Gigue (Les classiques du saxophone no. 104) Leduc AL20844 Braziliera (from Scaramouche for Alto Saxophone) Salabert EAS15280b Elegy, no. 2 and Alla Burlesca, no. 3 (from Three Pieces op. 22) Emerson E68 Introduction et Danse Leduc AL24936

Soprano/Tenor Saxophone in Bb J S Bach Bonnard Fiocco/ Bazelaire Guilhaud Handel Marcello Martin Millars Tuthill Villa-Lobos Yuste

Sonata in G minor, BWV 1020, 2nd movt: Adagio and 3rd movt: Allegro Sonata no. 1, 1st movt: Andante moderato

Universal UE 17774 Billaudot/EFM 1703

Concerto, 1st movt: Allegro First Concertino Andante & Allegro Concerto in C minor, 1st and 2nd movts or 2nd and 3rd movts Ballade (1940) for Tenor Saxophone Andante and Rondo (from Saxophone Solos vol. 2 (Tenor)) Sonata op. 56, 2nd movt: Andante and 3rd movt: Fast Fantasia for Saxophone, 1st movt: animé Solo de Concruso

Schott Rubank Southern SS–963 Molenaar Universal UE 32359 Chester CH55208 Southern Peer-Southern UME UME87793

Group B Alto/Baritone Saxophone in Eb Barnes Bozza Casterede Demillac Françaix Grovlez Grundman 112

Presto [from bar 52] (from Arioso & Presto) Pulcinella Scherzo Jeux de Vagues any three dances from Cinq danses exotiques Sarabande et Allegro Concertante [complete]

Southern SU423 Leduc AL20298 Leduc AL21374 Combre Schott ED 4745 Leduc Boosey

Holcombe Nelson Schulhoff Tcherepnin Wood

Saxophone — Grade 8 Blues Concerto for Alto Sax, 1st movt: Allegro [with cadenza. Last two notes may be played an octave lower] or 3rd movt: Allegro con brio Sonata for Alto Saxophone & Piano, 1st movt: Drammatico or 3rd movt: With vigor Hot-Sonate for Alto Saxophone, 1st and 2nd movts Sonatine Sportive, 2nd movt: Mi-temps and 3rd movt: Course Schwarzer Tänzer

Studio Advance Schott Leduc Saxtet 005

Soprano/Tenor Saxophone in Bb Addison Carmichael Cowles Fischer Gould Heath Joplin Morland Piazzolla Singelèe Smith Wood

Harlequin for Soprano Saxophone Emerson E236 Aria (from Aria and Finale) Southern Of Spain Studio Keplus à Antioche, 1st movt and 2nd movt Billaudot GB3880 Diversions for Tenor Sax & Orchestra, 3rd movt: Rags & Waltzes or 5th movt: Quicksteps & Trios Schirmer GS82055 Out of the Cool for Soprano Sax and Piano Chester CH60422 Bethena (from Elite Syncopations, Bethena & Palm Leaf Rag) Lemoine 25143 Elegy and Fugue Broadbent 11211 Night club 1960 (from Histoire du Tango for Soprano Saxophone) [last note may be played an octave lower] Lemoine 26820 Solo de Concert op. 83 Rubank Sonata no. 1, Hall of Mirrors, 2nd movt: The Looking Glass Camden CM117 Schwarzer Tänzer Saxtet 005

Group C (unaccompanied) Saxophone in Eb/Bb Debussy Dubois Horch Hummel Lacour Mashima Rae Tweed I Wilson J Wilson Wood

Syrinx Jobert Gigue, no. 16 (from Suite Française) Leduc Study no. 18, Set Piece (from Sax Scorchers) Saxtet 118 Monolog (from Tre Pezzi, op. 81e) Advance 7052 Study no. 48 and Study no. 49 (from 50 Études façiles et progressives vol. 2) Billaudot Rhapsody in Waltz time (from New Concert Studies for Saxophone) De Haske Grand Etude, no. 12 or If Only…, no. 7 (from 12 Modern Etudes for Solo Saxophone) Universal UE 18795 Study no. 15, See-Saw (from Sax Scorchers) Saxtet 118 I Sleep at Waking Camden CM135 Sahasrara (from The Seven Chakra for Solo Saxophone) Camden CM239 Study no. 19, Balletico (from Sax Scorchers) Saxtet 118

113



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: Bb major (two and a half octaves) Ab, G, A and F# major (to 12th) All other major scales (two octaves) Bb harmonic and melodic minor (two and a half octaves) G, A, F# and G# harmonic and melodic minor (to 12th) All other harmonic and melodic minor scales (two octaves) Chromatic scale starting on Bb (two and a half octaves) Chromatic scale starting on F#, G, G#, A (to 12th) Chromatic scale starting on all other notes (two octaves) Whole-tone scale starting on B (two octaves)

Arpeggios: The following arpeggios to be performed f or p ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: Bb major (two and a half octaves) Ab, G, A and F# major (to 12th) All other major arpeggios (two octaves) Bb minor (two and a half octaves) G, A, F# and G# minor (to 12th) All other minor arpeggios (two octaves) Dominant 7th in the keys of Bb, Eb, Ab and A (two octaves) Diminished 7th starting on C, Bb and B (two octaves)

or ii) Study Candidate to prepare one of the following: a) Ferling Study no. 45 and Study no. 46 (from 48 Studies op. 31) b) Wilson No. 15 (from Saxtudes) c) Wilson No. 16 (from Saxtudes)



114

Billaudot 3082 Camden Camden

[Turn over for Recorder Grade requirements]

115

Recorder — Initial

Subject code: REC


Selected repertoire from the new Trinity Recorder Anthology books may also be chosen in place of Group A, B or C pieces. The approved alternative pieces are listed on the Trinity website at www.trinitycollege.co.uk/woodwind


The following pieces are contained in the book Descant Recorder Initial 2007-2011 published by Trinity:

Group A

Mozart Robinson Susato

Voi che sapete Rhythm and Blues La Morisque

Group B Playford, ed. Miles Rodgers

Goddesses Arriving Home Edelweiss

Group C (unaccompanied) Arbeau, ed. Trad. Trad.

Les Bouffons Medieval Dance Shepherd’s Hey

Technical Work (14 marks) (see page 10) Candidate to prepare both Section i) and Section ii) in full.

i) Scales and triads (from memory) Scales: The following scales to be performed tongued and mf : G and D major (the first five notes, ascending and descending)

Triads: The following triads to be performed tongued and mf : G and D major (ascending and descending)

ii) Exercise and Study Exercise (from memory): for equality of finger movement:

 q = 100    







 



 











Study: Proctor

116

Deep Blue C (from Recorder Initial 2007-2011)

Trinity

Recorder — Initial



117

Recorder — Grade 1

Subject code: REC



Group A Descant Recorder The following pieces are contained in the book Descant Recorder Grade 1 2007–2011 published by Trinity: Anon. de Visée Playford, ed.

Pavana — La Bergamasca Mascarade Grimstock

The following alternative pieces are also available:

Composer

Piece

Harris Haughton Holborne Lyons Paisible

Sunny Spells Bo’s Boogie or The Race The Honie-Suckle Natasha’s Hedgehog Minuet

Book

Publisher

First Repertoire for Descant Recorder Faber Fun Club Descant Recorder (Grades 0–1) Mayhew First Repertoire Pieces for Descant Recorder Boosey New Recorder Solos book 1 Useful U60 First Repertoire for Descant Recorder Faber

Treble Recorder Bergmann Dieupart Handel Haughton Holborne Naudot

Pony Trot Gavotte Gavotte The Race The Fruit of Love Babiole

Concert Repertoire for Recorder Suite no. 1 Concert Repertoire for Recorder Recorder Fun Club (Grade 0–1) First Repertoire Pieces [Treble ed.] Concert Repertoire for Recorder

Faber Moeck EM 1084 Faber Mayhew Boosey Faber

Group B Descant Recorder The following pieces are contained in the book Descant Recorder Grade 1 2007–2011 published by Trinity: Hernandez Hotteterre Vivaldi

El Cumbanchero Menuet Aria di Giga

The following alternative pieces are also available. Bonsor Buckley Elgar Watts Wedgwood Wilson 118

Legend Morning Song or Ragamuffin Land of Hope & Glory Goings On Dragonfly or Riding out West Gospel Joe

The Really Easy Recorder Book

Faber

Ragamuffin Winners Galore* Razzamajazz Repertoire (Descant Recorder) Easy Jazzin’ About Creative Variations for Recorder, vol. 1

CMC Brass Wind Mayhew

Faber Camden CM233


Treble Recorder Bonsor Corelli Diabelli Handel Haughton

Summer Afternoon Sarabanda Bagatelle, no. 1 (with repeats) Larghetto, no. 7 Home Alone

Five Concert Pieces Sonata 2, from Six Sonatas op. 5 vol. 1

Schott ED 12346 Schott ED 12303

Let’s Make the Grade book 2 Let’s Make the Grade book 2 Recorder Fun Club (Grade 1–2)

Sunshine SUN178 Sunshine SUN178 Mayhew

Group C (unaccompanied) Descant Recorder The following pieces are contained in the book Descant Recorder Grade 1 2007–2011 published by Trinity: Susato Trad. Wagner- Régeny

Bransle Deirdre’s Fancy No. 1 from Zehn Melodien

The following alternative pieces are also available: Anon. Tourdion [with repeats] Da Costa Thumbs up! Bowman, ed. Kalinka, no. 37 Fetzen Study no. 4 Rodgers Do-Re-Mi Van Eyck Doen Daphne d’Over Schoone Maeght (Theme only) Van Eyck Lavignone, no. 7

Fifty Five for Fun First Repertoire for Descant Recorder Fun & Games With The Recorder, Tutor book 3 50 Graded Studies for Recorder Easy Winners

Fentone Faber Schott Faber Brass Wind

Der Fluyten Lust-hof vol. 1 Amadeus or XYZ XYZ1013 50 Graded Studies for Recorder Faber

Treble Recorder Anon. No. 3 of Tunes for the Canary Bird or no. 1 of Tunes for the Parrot Haydn Emperor’s Hymn p. 24 Trad. Leitrim Fancy or Off to California Trad. Lotus Blossom, no. 38 Trad. Czech Polka (p. 15) Trad. Helston Furry Dance (p. 21) Trad. Manx Lullaby (p. 19)

The Bird Fancyer’s Delight Treble Recorder from the Beginning

Schott ED 10442 Music Sales

Traditional Irish Music for Treble Recorder Fun & Games with the Alto Recorder, Tutor book 1 Treble Recorder from the Beginning Treble Recorder from the Beginning Treble Recorder from the Beginning

Peacock Schott Music Sales Music Sales Music Sales

* Piano accompaniment available separately.

119


Technical Work (14 marks) (see page 10) Descant Recorder Candidate to prepare either Section i) or Section ii) in full.

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) D minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F and G major (one octave) D minor (one octave)

or ii) Exercise and Study Exercise (from memory): for accuracy and security of forked F fingering:

 q = 120     

    



      

  

Study: Candidate to prepare one of the following: a) Nykl Study no. 1, Allegretto [with repeats] (from 35 Studies for Soprano Recorder) b) Watts Study in Green or Study in Yellow (from Fresh Air)

Bärenreiter Praha H7132 Mayhew

Treble Recorder Candidate to prepare either Section i) or Section ii) in full.

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C and Bb major (one octave) G minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C and Bb major (one octave) G minor (one octave)

120


or ii) Exercise and Study Exercise (from memory): for accuracy and security of forked Bb fingering:

q = 120

     

    



      

  

Study: Candidate to prepare one of the following: a) Nykl Study no. 2, Allegro (from 35 Studies for Soprano Recorder) Bärenreiter Praha H7132 b) Staeps no. 9e and no. 9f and no. 9g (from The Daily Lesson) Universal



121


Subject code: REC



Group A Descant Recorder The following pieces are contained in the book Descant Recorder Grade 2 2007–2011 published by Trinity: Handel Hodges Telemann

Gavotte Butterfly Bounce Rigaudon


Composer

Piece

Bizet Bonsor Coombes Cooper Praetorius

Prelude from L’Arlésienne Caribbean or The Merry-go-round Staccato Polka or Simply a Rag Wren’s Waltz or Woodpecker Ballet

Publisher

Winners Galore*

Book

Brass Wind

The Really Easy Recorder Book Simply a Rag The Woodpecker and Friends Amazing Solos

Faber Brass Wind 0312 Kirklees Boosey

Treble Recorder Anon. Bonsor Corelli Haughton Susato Susato Trad.

Tanz Swing Your Partners! Tempo di Gavotto Tango Argentine Danse de Berger Ronde VI, no. 10 [with repeats] Peruvian Dance Tune

Kleine Vortragsstücke Five Concert Pieces Sonata 1, from Six Sonatas op. 5 vol. 1 Recorder Fun Club (Grade 1-2) First Repertoire Pieces (Treble Edition) The Renaissance Recorder Amazing Solos

Schott ED 4857 Schott ED 12346 Schott ED 12303 Mayhew Boosey Boosey Boosey

Group B Descant Recorder The following pieces are contained in the book Descant Recorder Grade 2 2007–2011 published by Trinity: Anon. Eben Vivaldi

Pavana — La Monina Soothing Duettino Largo

The following alternative pieces are also available: Cowles Farnaby Lennon/ McCartney Menken Miles 122

Ohm Sweet Ohm Fayne Would I Wedd

Power Up! Elizabethan Ayres & Dances

Yesterday A Whole New World Abigail’s Song

Easy Winners* Easy Winners* Creative Variations for Recorder, vol. 1

Fentone F870 Schott ED 10037 Brass Wind Brass Wind Camden


Moses Memories in Magenta Russell-Smith Pure Silk Wedgwood Let’s get Real

Five Strong Colours Jazzy Recorder I Easy Jazzin’ About

Tinderbox Universal Faber

Treble Recorder Carr Graves Reid Sieber Telemann

Sunday Bike Ride Air In the Hall of the Mountain Queen or Spooky Serenade Sonata I, 3rd movt: Ceciliana Andante from Partita no. 1

Duncan and Pauls Shopping List Divertimento

Sunshine Schott

Duncan & Pauls Shopping List

Sunshine

Sechs Sonaten Concert Repertoire for Recorder

Amadeus BP 0935 Faber

Group C (unaccompanied) Descant Recorder The following pieces are contained in the book Descant Recorder Grade 2 2007–2011 published by Trinity: Krähmer Montéclair Trad.

Csakan Schule no. 22 Cicilienne en Rondeau The Setting Sun

The following alternative pieces are also available: Boismortier Study no. 13 Bowman ed. Dance & Variations, no. 67 [complete] Trad. Hornpipe Van Eyck De zoete zoomertyden (Theme & 1st variation)

50 Graded Studies for Recorder

Faber

Fun & Games With The Recorder, Tutor book 3 Easy Winners

Schott Brass Wind

Der Fluyten Lust-hof vol. 1

Amadeus or XYZ

Treble Recorder Anon The Hole in the Wall, no. 43 or Air, no. 8 Fun & Games with the Alto Recorder, Tutor book 2 Schott Boismortier 1st Rigaudon Deuxiême Suite from Six Suites op. 35 Schott OFB 147 Boismortier 6th movt: Menuet Première Suite from Six Suites op. 35 Schott OFB 147 Cooper No. 1 or no. 3 or no. 4 [unaccompanied] Animal Antics Peacock Handel Minuet Treble Recorder from the Beginning Music Sales Mossi No. 46 — Gavotte Fun & Games with the Alto Recorder, Tutor book 1 Schott Mozart Andante Grazioso Treble Recorder from the Beginning Music Sales Phalese Branle de la Torche 50 Renaissance Dance Tunes Schott Trad. Setting Sun Traditional Irish Music for Treble Recorder Peacock Trad. Let the Toast Pass Treble Recorder from the Beginning Music Sales * Piano accompaniment available separately.

123



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C and D major (to 12th) D minor (to 12th): candidate’s choice of either harmonic or melodic or natural minor E minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C and D major (to 12th) D minor (to 12th) E minor (one octave)

or ii) Exercise and Study Exercise: (from memory) for confidence in fingering and intonation of chromatic notes:

 q = 110       

   

     

     

Study: Candidate to prepare one of the following: a) Nykl Study no. 4, Comodo [with written slurs] (from 35 Studies for Soprano Recorder) b) Watts Study in Red (from Fresh Air) c) Watts Study in Blue (from Fresh Air)

Bärenreiter Praha H7132 Mayhew Mayhew

Treble Recorder Candidate to prepare either Section i) or Section ii) in full

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F and G major (to 12th) G minor (to 12th): candidate’s choice of either harmonic or melodic or natural minor A minor (one octave): candidate’s choice of either harmonic or melodic or natural minor

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F and G major (to 12th) G minor (to 12th) A minor (one octave) 124


or ii) Exercise and Study Exercise (from memory): for confidence in fingering and intonation of chromatic notes:

q = 110

       

   

     

  



Study: Candidate to prepare one of the following: a) Nykl Study no. 16, Allegretto (from 35 Studies for Soprano Recorder) b) Staeps No. 6a (from The Daily Lesson) c) Staeps No. 6b (from The Daily Lesson) d) Staeps No. 4g and no. 5h (from The Daily Lesson)

Bärenreiter Praha Universal Universal Universal



125


Subject code: REC



Group A Descant Recorder The following pieces are contained in the book Descant Recorder Grade 3 2007–2011 published by Trinity: de Visée Hodges A Scarlatti

La Montfermeil Spruce and Juice Allegro


Composer

Piece

Bart Bennett Bennett Dieupart Haydn

Consider Yourself Collapso Moody Judy Menuet en Rondeau Partie: III Finale

Book

Publisher

Easy Winners* Concert Repertoire for Recorder First Repertoire for Descant Recorder First Repertoire Pieces for Descant Recorder First Repertoire for Descant Recorder

Brass Wind Faber Faber Boosey Faber

Treble Recorder Bonsor Carr De Lavigne Haughton Hook Marcello Mozart Ory Pitfield Vivaldi

Rush Hour! Harlequin on the Beach Gracieusement Celtic Dance or Seven Seas Hornpipe Sonatina no. 2 in C, 1st movt: Allegretto Sonata in F op. 2 no. 12: Gavotta To Chloe Muskrat Ramble Ostinato Winter

Five Concert Pieces Duncan & Pauls Shopping List First Repertoire Pieces [Treble ed.] Recorder Fun Club (Grade 2–3)

Schott ED 12346 Sunshine Boosey Mayhew Schott ED 10139

12 sonatas vol. 4 Amadeus BP2059 Concert Repertoire for Recorder Faber Amazing Solos Boosey Three Pieces for Treble Recorder & Piano Forsyth Amazing Solos Boosey

Group B Descant Recorder The following pieces are contained in the book Descant Recorder Grade 3 2007–2011 published by Trinity: J S Bach Trad. Vivaldi

Menuet from Suite in B minor Si Bheag Si Mhor Largo

The following alternative pieces are also available: Conte Cowles Finger 126

At Sunset First Repertoire for Descant Recorder Smooth Connections Power Up! Sonata, 4th movt: Adagio

Faber Fentone F870 Schott OFB 1022

Kelly Martin Wilson

Recorder — Grade 3 Air or Song (i) Two in Harmony Joe’s New Words

Globe Theatre Suite Two in Harmony Creative Variations for Recorder vol. 1

Stainer Pan Camden

Treble Recorder J S Bach Corelli Loeillet Marshall Montéclair Young Ridout

Menuet Pieces from the B minor Suite, BWV 1067 Moeck EM738 Preludio Sonata I, from Six Sonatas op. 5 vol. 1 Schott ED 12303 Sonata no. 3 in G, 1st movt: Largo Zwölf Sonaten op. 1, 1–3 Amadeus BP575 The Irish Lamentation A Playford Garland Forsyth Deuxième Concert in D minor, 6th movt: Sarabande Amadeus BP0742 Reflections Peacock Pastorale for Treble Recorder & Harpsichord or Piano Forsyth

Group C (unaccompanied) Descant Recorder The following pieces are contained in the book Descant Recorder Grade 3 2007–2011 published by Trinity: Boismortier Krähmer Trad.

Air Csakan Schule no. 25 Bonny Kate

The following alternative pieces are also available: Da Costa Gariboldi Van Eyck Wilson

Monday Blues Study no. 22 Tweede Rosemunde Fawlty Towers Theme

Concert Repertoire for Recorder 50 Graded Studies for Recorder Der Fluyten Lust-hof vol. 1 Winners Galore

Faber Faber Amadeus or XYZ Brass Wind 0310

Treble Recorder Anon. Adagio, no. 85 Fun & Games with the Alto Recorder, Tutor book 1 Schott Boismortier Quatrième Suite, 2nd movt: Gaiment Six Suites, op. 35 Schott OFB 147 L Mozart Passepied, no. 96 Fun & Games with the Alto Recorder, Tutor book 1 Schott Telemann Fantasia no. 1 in C, 2nd movt: Allegro 12 Fantasias Bärenreiter Trad. Drowsy Maggie Traditional Irish Music for Treble Recorder Peacock Trad. Sailor’s Hornpipe, no. 37 or Hole in the Wall, no. 43 Fun & Games with the Alto Recorder, Tutor book 2 Schott * Piano accompaniment available separately.

127



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: A, E and Bb major (one octave) A and G minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on G (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: A, E and Bb major (one octave) A and G minor (one octave)

or ii) Exercise and Study Exercise (from memory): for security of cross fingerings and half-hole technique:

 q = 80         

             



Study: Candidate to prepare one of the following: a) Nykl Study no. 6, Allegro energico (from 35 Studies for Soprano Recorder) b) Watts Study in Orange (from Fresh Air) c) Watts Study in Pink (from Fresh Air)

Bärenreiter Praha H7132 Mayhew Mayhew


either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: A, D and Eb major (one octave) C and D minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on C (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: A, D and Eb major (one octave) C and D minor (one octave) 128


or ii) Exercise and Study Exercise (from memory): for security of cross fingerings and half-hole technique:

q = 80           

              

Study: Candidate to prepare one of the following: a) Nykl Study no. 20, Andante (from 35 Studies for Soprano Recorder) Bärenreiter Praha b) Staeps No. 14b and no. 14c and no. 14j and no. 11a (from The Daily Lesson) Universal



129


Subject code: REC



Group A Descant Recorder The following pieces are contained in the book Descant Recorder Grade 4 2007–2011 published by Trinity: Graves Handel Joplin

The Pretty Girls of Ballyroan Country Dance The Entertainer


Composer

Piece

Kelly Watts Wilson

Jig When Paddy Met Bella Hey Joe — Let’s Meet

Book

Publisher

Globe Theatre Suite Razzamajazz Repertoire (Descant Recorder) Creative Variations for Recorder vol. 1

Stainer Mayhew Camden

Treble Recorder Anon. Bononcini Dieupart Fortin Hook Loeillet Loeillet Pitfield

Woodycock, no. 23 The Renaissance Recorder Boosey Divertimento I 4th movt: Vivace Divertimenti da Camera Schott ED 1022 Gigue Suite no. 1 Moeck EM 1084 Blues Jolly Joker Doblinger Sonatina no. 1 in F, 1st movt: Allegretto Schott ED 10138 Sonata no. 3 in G, 4th movt: Gavotta Twelve Sonatas op. 1 nos 1–3 Amadeus BP575 Sonata no. 1 in A minor, 4th movt: Giga Twelve Sonatas op. 1 nos 1–3 Amadeus BP575 Jig Three Pieces for Treble Recorder & Piano Forsyth

Group B Descant Recorder The following pieces are contained in the book Descant Recorder Grade 4 2007–2011 published by Trinity: de Visée Dowland Telemann

Allemande — La Royalle Flow my Tears Soave ma non Adagio

The following alternative pieces are also available: Babell Bonsor Bullard Peters Turner 130

Concerto in D minor op. 3 no. 3, 3rd movt: Adagio Reverie Jazzy Recorder II Best Bonnet Waltz Hat Box Summer Clouds Aria Six Bagatelles

Universal UE 17122 Universal UE 19364 Forsyth Mostyn Forsyth


Treble Recorder Corelli Hand Jacques Mancini Marcello Milford Steele Vivaldi Wetherell

Sonata IV, 1st movt: Preludio Six Sonatas vol. 2 Cantilena Sonata Piccola, op. 63 Prelude Serenata Sonata in B minor op. 1 no. 10, 1st movt: Largo Sonata in G minor op. 2 no. 11, 1st movt: Adagio Andantino, no. 1 Three Airs Song Recital Pieces vol. 2 Sonata in G minor op 13a no. 6 RV 58, 3rd movt: Largo Sonatina, 2nd movt: Cançion

Schott ED 12304 Peacock P148 Quaver’s Rest Amadeus BP866 Amadeus BP2059 OUP Forsyth Schott OFB 114 Forsyth

Group C (unaccompanied) Descant Recorder The following pieces are contained in the book Descant Recorder Grade 4 2007–2011 published by Trinity: Boismortier Krähmer Trad.

Gavotte Csakan Schule no. 31 The Maid of the Spinning Wheel

The following alternative pieces are also available: Ashworth & Hope Da Costa Harris Hinke Trad. ed. Saunders Watts

Blue Peter Theme Yes, but No Study no. 34 Study no. 24

Easy Winners Concert Repertoire for Recorder 50 Graded Studies for Recorder 50 Graded Studies for Recorder

Brass Wind Faber Faber Faber

Echuohara (Air for Tenor) 8 Traditional Japanese Pieces Novello (custom print) Coffee Bean Carnival! First Repertoire for Descant Recorder Faber

Treble Recorder Cooper Demoivre Johnson Linde Trad.

Chattering Monkeys, no. 7 [unaccompanied] Jigg, no. 77 March Time, no. 1 No. 15 Dingle Regatta

Animal Antics Peacock Fun & Games with the Alto Recorder, Tutor book 2 Schott Music for Hallowe’en Peacock Modern Exercises for Treble Recorder Schott Traditional Irish Music for Treble Recorder Peacock

* Piano accompaniment available separately.

131



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) Eb major (one octave) B, C* and F# minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on C: tongued only (two octaves) Pentatonic (major) scale starting on F (one octave) * starting on low C

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) F major (to 12th) Eb major (one octave) B, C* and F# minor (one octave) Dominant 7th in the key of F (two octaves) * starting on low C

or ii) Exercise and Study Exercise (from memory): for breath control and intonation of octaves:

                                 q = 100

Study: Candidate to prepare one of the following: a) Nykl Study no. 12, Moderato (from 35 Studies for Soprano Recorder) b) Dinn No. 5 (from Dexterity Studies for the Descant Recorder) c) Dinn No. 9 (from Dexterity Studies for the Descant Recorder)

132

Bärenreiter Praha Lengnick Lengnick



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) Bb major (to 12th) Ab major (one octave) B, E and F* minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on F: tongued only (two octaves) Pentatonic (major) scale starting on Bb (one octave) * starting on low F

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) Bb major (to 12th) Ab major (one octave) B, E and F* minor (one octave) Dominant 7th in the key of Bb (two octaves) * starting on low F

or ii) Exercise and Study Exercise (from memory): for breath control and intonation of octaves:

q = 100                                  

Study: Candidate to prepare one of the following: a) Nykl Study no. 21, Allegro (from 35 Studies for Soprano Recorder) b) Staeps No. 25 and no. 10 (from The Daily Lesson)

Bärenreiter Praha H7132 Universal



133


Subject code: REC



Group A Descant Recorder The following pieces are contained in the book Descant Recorder Grade 5 2007–2011 published by Trinity: J S Bach Handel Kelly

Suite no. 2 in B minor, BWV 1067: Rondeau Allegro Rigadoon


Composer

Piece

Bigaglia Cowles Golland Lane Miles Moses Telemann

Sonata in A minor, 4th movt: Allegro Battery Hens Power Up! Ragtime New World Dances Intrada Suite Ancienne Bathwater Blues Creative Variations for Recorder vol. 1 No. 3 Three Piece Suite Partita no. 2, Aria 6: Tempo di Minuet Die Kleine Kammermusik

Book

Publisher Schott Fentone F870 Forsyth Forsyth Camden Tinderbox Bärenreiter

Treble Recorder Ball Fortin Graves Hand Handel Handel Loeillet Sieber Valentine

Spinning Croon From the Hebrides Peacock Fire on Ice Jolly Joker Doblinger 04490 Festivo or Prelude Divertimento Schott Burlesca Sonata Piccola for Treble and Piano, op. 63 Peacock P148 Sonata in Bb, HWV 377, 1st movt: Allegro Complete Sonatas Bärenreiter BA 4259 Sonata in C, HWV 365, 4th movt: A tempo di gavotta Complete Sonatas Bärenreiter BA 4259 Sonata no. 2 in D minor, 2nd movt: Allegro Twelve Sonatas op. 1 nos 1–3 Amadeus BP575 Sonata II, 2nd movt: Corrente Six Sonatas Amadeus BP0935 Sonata in Bb, 4th movt: Giga Sonatas by Old English Masters vol. 2 Bärenreiter HM209

Group B Descant Recorder The following pieces are contained in the book Descant Recorder Grade 5 2007–2011 published by Trinity: C P E Bach Joplin Sieber 134

Un poco Andante Searchlight Rag Preludio–Largo


The following alternative pieces are also available: Autenrieth J S Bach Ellerby Telemann Turner

Der Herbst [must be played on Tenor] Haiku Mary’s Cradle Song Celebrated Classics Ashley Mill River Dances Sonata in A minor TWV 41, 3rd movt: Andante Sonatas and Pieces Aubade Four Diversions

Moeck Schott ED 10350 Peacock Bärenreiter HM7 Forsyth

Treble Recorder Albinoni Anon. J S Bach Cowlin Golland Leigh Montéclair Schumann

Sonata in A minor, 1st movt: Adagio Nos. 1, 2, 3, 4, 6, 7, 14 & 15 Greensleeves to a Ground Sonata in F, BWV 1031, 2nd movt: Siciliano Lament Recital Pieces vol. 3 Blues New World Dances Sonatina, 2nd movt: Larghetto, molto tranquillo Deuxième Concert in D minor, Rondeau — un peu légèrement Romance Concert Repertoire for Recorder

Amadeus Schott Nova NM263 Forsyth Forsyth Schott OFB 1041 Amadeus BP0742 Faber

Group C (unaccompanied) Descant Recorder The following pieces are contained in the book Descant Recorder Grade 5 2007–2011 published by Trinity: Heaton Smith Aria Telemann Allegro Trad. The Rights of Man The following alternative pieces are also available: Harris Köhler Van Eyck

Study no. 50 Study no. 26 Ballette Gravesand (Theme & 1st variation)

50 Graded Studies for Recorder 50 Graded Studies for Recorder Der Fluyten Lust-hof vol. 1

Faber Faber Amadeus or XYZ

Treble Recorder Anon. ed. Giesbert Davis Gal Linde Telemann Trad.

No. 11 or no. 15 Study no. 2 Cantabile, no. 3 of Four Bagatelles No. 12 Fantasia no. 11 in Bb, 3rd movt: Allegro The Gravel Walks

15 Solos by 18th Century Composers 15 Studies for Treble Recorder Pieces for Solo Recorder vol. 1 Modern Exercises for Treble Recorder

Schott ED 12216 Schott ED 11480 Forsyth Schott

12 Fantasias Bärenreiter BA 6440 Traditional Irish Music for Treble Recorder Peacock

135



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) E major (to 12th) Ab major (one octave) C and F minor (to 12th): candidate’s choice of either harmonic or melodic minor C# minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on C (two octaves) Pentatonic (major) scale starting on C (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: C major (two octaves) E major (to 12th) Ab major (one octave) C and F minor (to 12th) C# minor (one octave) Dominant 7th in the key of A (to 12th) Dominant 7th in the key of Db (one octave) Diminished 7th starting on C (two octaves)

or ii) Exercise and Study Exercise (from memory): for finger fluency in chromatic work:

 q = c. 1403        

3

    

     3

     3

Study: Candidate to prepare one of the following: a) Nykl Study no. 27: Andante (from 35 Studies for Soprano Recorder) b) Kállay Study B in C major or D major or E minor or G minor (from Key Exercises for Descant Recorder)

136

Bärenreiter Praha EMB



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) A major (to 12th) Db major (one octave) F and Bb minor (to 12th): candidate’s choice of either harmonic or melodic minor F# minor (one octave): candidate’s choice of either harmonic or melodic minor Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on F (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued or slurred as requested by the examiner: F major (two octaves) A major (to 12th) Db major (one octave) F and Bb minor (to 12th) F# minor (one octave) Dominant 7th in the key of D (to 12th) Dominant 7th in the key of F# (one octave) Diminished 7th starting on F (two octaves)

or ii) Exercise and Study Exercise (from memory): for finger fluency in chromatic work:

 q = c. 1403        

     3

      3

     3

Study: Candidate to prepare one of the following: a) Ball Study in C, no. 4 (from Studies for Treble Recorder) b) Staeps No. 26 (from The Daily Lesson)

Peacock Universal




Subject code: REC

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 8). Both Descant and Treble recorders must be played (see page 9).

Group A Piece Descant Recorder De Fesch Handel Sammartini Telemann Uccellini

Publisher

Sonata in G, 1st movt: Largo and 2nd movt: Allemande Boosey [custom print] Sonata in Bb, 2nd movt: Grave and 3rd movt: Allegro Schott ED 11713 Concerto in F, 2nd movt: [with cadenza] [cut orchestral intro] Schott OFB 1021 Sonata in A minor, TWV 41, 1st movt: Siciliana and 2nd movt: Spirituoso (from Sonatas and Pieces) Bärenreiter Sonata Duodecima (from Two Sonatas) Schott OFB 186

Treble Recorder Corelli Finger Handel Loeillet Mancini Montéclair Phalese Sammartini J C Schultze Telemann Vivaldi

Sonata IV, 3rd movt: Sarraband and 4th movt: Giga (from Six Sonatas op. 5 vol. 2) Schott ED 12304 A Division on a Ground by Mr Finger (from Divisions upon a Ground) Moeck Sonata in G minor, HWV 360, 1st movt: Larghetto and 2nd movt: Andante (from Complete Sonatas for Recorder) Bärenreiter BA 4259 Sonata no. 9, 1st movt: Adagio and 2nd movt: Allegro (from Twelve Sonatas op. 1 nos 7–9) Amadeus BP577 Sonata IV in A minor, 3rd movt: Largo and 4th movt: Allegro Spiccato Peacock P 137 Suite in D minor, 1st movt: Prelude and 2nd movt: Allemande Amadeus BP0742 The Leaves Be Green (no. 13 from The Renaissance Recorder) Boosey Sonata in Bb, 1st movt: Allegro ma non tanto Peacock PAR 203 Concerto in G, 3rd movt: Vivace Schott OFB 93 Sonata in F, 1st movt: Vivace (from 4 Sonatas) Bärenreiter HM6 Concerto in A minor, RV 108, 2nd movt: Largo and 3rd movt: Allegro Peacock

Group B Descant Recorder Bullard Lane Marshall Miles Wilson

Coffee & Croissants (from Recipes for Descant Recorder and Piano) Revelry (from Suite Ancienne) Eve (from The Garden of Eden) Candlelight (from Creative Variations for Recorder vol. 2) Just a Ballad for Joe (from Creative Variations for Recorder vol. 2)

Forsyth Forsyth Forsyth Camden Camden

Treble Recorder Gardner Graves Hand Jacob Marshall Milford

138

Waltz for Jock (from Recital Pieces vol. 3) Soliloquy and Finale (from Divertimento) Sonata Concisa, 2nd movt: Andante cantabile Pavane (from Suite) Siesta (from The Garden of Eden) Allegro Moderato (from Three Airs)

Forsyth Schott ED 10828 Mayhew Peacock Peacock OUP


Group C (unaccompanied) Descant Recorder Davis Duschenes Gardner Gariboldi Haverkate Haverkate Marcussen Van Eyck

Study no. 10 (from 15 Studies for Descant Recorder) Schott Study no. 7 (from 12 Etudes for Descant Recorder) Berandol Hornpipe from Heptad (from Pieces for Solo Recorder vol. 2) Forsyth Study no. 45 (from 50 Graded Studies for Recorder) Faber Rumba, no. 1 (from 12 Advanced Studies in Recorder Technique book 1) Broekmans Presto, no. 9 (from 12 Advanced Studies in Recorder Technique book 2) Broekmans Revejbelle from A Norwegian Herbarium [must be played on tenor] (from Pieces for Solo Recorder vol. 3) Forsyth Fantasia & Echo (from Der Fluyten Lust-hof vol. 1) Amadeus or XYZ

Treble Recorder Addison Anon. ed. Giesbert Bruggen Davis Linde Ridout Telemann Trad.

Spring Dances 2 or 3 (from Pieces for Solo Recorder vol. 3)

Forsyth

Capricio, no. 2 or Invention, no. 3 (from 15 Solos by 18th-Century Composers) Schott ED 12216 Study no. 1 (from Five Studies for Fingercontrol for Treble Recorder) Broekmans Study no. 1 (from 15 Studies for Treble Recorder) Schott No. 6 or no. 16 (from Modern Exercises for Treble Recorder) Schott Sonatina, 2nd movt or 3rd movt (from Pieces for Solo Recorder vol. 2) Forsyth Fantasia no. 3 in D minor, 2nd movt: Allegro (from 12 Fantasias) Bärenreiter BA 6440 Belfast Hornpipe (from Traditional Irish Music for Treble Recorder) Peacock PAR

139


Technical Work (14 marks) (see page 10) Must be taken on Treble Recorder. Candidate to prepare either Section i) or Section ii) in full.

either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued, slurred or staccato-tongued as requested by the examiner: C and Ab major (to 12th) E and F# major (one octave) A and C harmonic and melodic minor (to 12th) G#/Ab and C# harmonic and melodic minor (one octave) Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on G (one octave) Whole-tone scale starting on C (one octave)

Arpeggios: The following arpeggios to be performed mf ; tongued, slurred or staccato-tongued as requested by the examiner: C and Ab major (to 12th) E and F# major (one octave) A and C minor (to 12th) G#/Ab and C# minor (one octave) Dominant 7th in the key of C (two octaves) Diminished 7th starting on G (two octaves)

or ii) Study Candidate to prepare one of the following: a) Ball Scale Study, no. 1 (from Studies for Treble Recorder) b) Mönkemeyer Other Ornaments, no. 108 (from Handleitung für das Speil der Alt-Blockflöte book 2)

Peacock Moeck 2001

Supporting Tests (2 x 10 marks) Sight Reading/Improvisation will be on Descant or Treble recorder as requested by the examiner. Candidates to prepare i) and ii):


140


Subject code: REC


Group A Piece Descant Recorder

Publisher

Dieupart Suite in G: Overture Moeck EM1002 Di Selma Canzon prima (from Tanze) Pan Verlag Musikhaus Fontana Sonata Prima (from Venetian Music around 1600) Schott OFB 122 Handel Sonata in G op. 1 no. 5 HWV 363b, 3rd movt: Adagio and 2nd movt: Allegro [to be played in this order] Peacock

Treble Recorder Barsanti Blavet Handel Marcello Schickhardt Sieber Telemann Telemann Vivaldi

Sonata in Bb, 1st movt: Adagio and 2nd movt: Non tanto allegro (from Italian Baroque Music for Treble Recorder) Bärenreiter HM 250 Sonata in D minor op. III no. 2, 1st movt: Andante e spiccato and 2nd movt: Allegro Doblinger DM 1221 Sonata in A minor HWV 362, 3rd movt: Adagio and 4th movt: Allegro (from Complete Sonatas for Recorder) Bärenreiter BA 4259 Sonata in F op. 2 no. 12: Ciaconna Allegro Amadeus BP2059 Sonata in A minor op. 17 no. 3, 1st movt: Adagio and 2nd movt: Allemanda Moeck EM 1082 Sonata I, 1st movt: Prelude and 2nd movt: Corrente (from Six Sonatas) Amadeus BP 0935 Sonatina in A minor, 1st movt: Andante and 4th movt: Presto (from 2 Sonatinen für Blockflöte) Schott OFB 181 Concerto di Camera, 1st movt: Allegro Peacock Sonata in G minor op. 13a no. 6, RV 58, 1st movt and 2nd movt (from Italian Baroque Music for Treble Recorder) Bärenreiter HM 250

Group B Descant Recorder Bullard Edmunds Miles Poser Rose Turner Wetherell Wilson

Mexican Hat Dance (from Hat Box) Sonatina for Descant and Piano Sideways On (from Creative Variations for Recorder vol. 2) Serenade (from Sonatine no. 1 for Descant Recorder & Piano) The Kid from Venezuela Hornpipe (from Four Diversions for Descant and Piano) Sonatina: Tarantella After Charlie ... Joe (from Creative Variations for Recorder, vol. 2)

Forsyth Schott ED 10042 Camden Sikorski Universal Forsyth Forsyth Camden

Treble Recorder Arnold Cooke Davis Hand

Sonatina op. 41, 3rd movt: Rondo Capriccio (from Recital Pieces vol. 1) Sonatina for Treble and Harpsichord Sonatina no. 1 op. 41, 1st movt

Novello Forsyth Peacock Peacock P 178 141

Recorder — Grade 7 Marshall Murrill Staeps

The Serpent and A Little Temptation (from The Garden of Eden) Peacock [Must be played on both treble and sopranino] Sonata for Treble Recorder, 1st movt: Largo and 2nd movt: Presto Peacock PD 06 Sonata in Eb, 1st movt: Ruhig bewegt Universal UE 12603

Group C (unaccompanied) Descant Recorder Davis Evans Haverkate Haverkate Kuhlau Lechner Marcussen Marcussen Van Eyck

Study no. 1 (from 15 Studies for Descant Recorder) Schott ED 12432 A Rose in Phrygian Nines Orpheus OMP 089 Turkish Dance, no. 10 (from 12 Advanced Studies in Recorder Technique book 2) Broekmans Jive, no. 4 (from 12 Advanced Studies in Recorder Technique book 1) Broekmans Study no. 47 (from 50 Graded Studies for Recorder) Faber Any four sections from Traum und Tag Moeck Bekkeblom from A Norwegian Herbarium [must be played on Tenor] (from Pieces for Solo Recorder vol. 3) Forsyth Soterot from A Norwegian Herbarium (from Pieces for Solo Recorder vol. 3) Forsyth Engels nachtegaelitje [complete] or Pavaen Lachrymae (from Der Fluyten Lust-hof vol. 1) Amadeus or XYZ

Treble Recorder Anon. ed. Giesbert J S Bach Boismortier Bruggen Davis Greaves Linde Rose Staeps Telemann Thorn

142

No. 5 or no. 7 (Largo & Double) or no. 8 (from 15 Solos by 18th Century Composers) Schott ED 12216 Bourrée Anglaise (from Partita BWV 1013) Bärenreiter BA 6432 Première Suite: Prelude and Rondeau–Les Charites (from Six Suites, op. 35) Schott OFB 147 Study no. 4 (from Five Studies for Fingercontrol for Treble Recorder) Broekmans Study no. 5 (from 15 Studies for Treble Recorder) Schott ED 11480 Melancholy Piper (from Pieces for Solo Recorder, vol. 4) Forsyth No. 4 (from Modern Exercises for Treble Recorder) Schott Optometrist (from I’d Rather Be In Philadelphia) Universal UE 30214 Virtuoso Suite for Solo Treble, 1st movt or 2nd movt Schott OFB 35 Fantasia no. 10 in A minor, 1st movt: A tempo guisto (from 12 Fantasias) Bärenreiter BA 6440 Chocolate Bulbul, 1st movt Orpheus OMP 032



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued, slurred or staccato-tongued as requested by the examiner: Ab major (two octaves) F# major (to 12th) B major (one octave) F harmonic and melodic minor (two octaves) G#/Ab and F# harmonic and melodic minor (to 12th) Eb harmonic and melodic minor (one octave) Chromatic scale starting on F (two octaves) Pentatonic (major) scale starting on Ab (to 12th) Whole-tone scale starting on F (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued, slurred or staccato-tongued as requested by the examiner: Ab major (two octaves) F# major (to 12th) B major (one octave) F minor (two octaves) G#/Ab and F# minor (to 12th) Eb minor (one octave) Dominant 7th in the key of Db (to 12th) Diminished 7th starting on G# (two octaves)

or ii) Study Candidate to prepare one of the following: a) Ball Arpeggio Study, no. 2 (from Studies for Treble Recorder) b) Mönkemeyer Flat Keys, no. 24 (from Handleitung für das Speil der Alt-Blockflöte book 2)

Peacock Moeck 2001



143


Subject code: REC


Group A Piece Descant Recorder Babell Di Selma Sammartini Uccellini

Sonata I, 1st movt: Adagio and 2nd movt: Vivace (from 12 Sonatas nos. 1–3) Canzon Terza or Canzon Quarta (from Tanze) Concerto for Descant in F, 1st movt: Allegro Sonata overo Toccata sesta (from 2 Sonatas)

Publisher

Amadeus BP 334 Pan Verlag Musikhaus Schott Schott OFB 186

Treble Recorder Barsanti Boismortier Corelli Corelli Handel Sammartini Telemann Telemann Vivaldi

Sonata in C op. 1 no. 2, 1st movt: Adagio and 2nd movt: Allegro Bärenreiter HM 183 Sonata in G minor op. 44 no. 4, 3rd movt: Aria and 4th movt: Allegro Bärenreiter BA 8086 Sonata in C op. 5 no. 3, 1st movt: Adagio and 2nd movt: Allegro [The ornamented recorder line must be played] Musica Rara Sonata in F op. 5 no. 4, 4th movt: Adagio and 2nd movt: Allegro [must be played in this order] (from 12 Sonatas op. 5, vol. 2. Sonatas 3 and 4) [The ornamented recorder line must be played] Heinrichshofen Sonata in D minor, HWV 367a, 1st movt: Largo and 3rd movt: Furioso (from Complete Sonatas for Recorder) Bärenreiter BA 4259 Sonata in G, 3rd movt: Minuet con Variazioni Peacock PAR 202 Methodical Sonata op. 13 no. 3 in G minor, 1st movt: Grave [ornamented line] and 4th movt: Vivace Bärenreiter BA 6437 Sonata in C, TWV 41:C 2, 3rd movt: Grave and 4th movt: Vivace (from 4 Sonatas) Bärenreiter HM 6 Concerto in A minor, RV 108, 1st movt: Allegro Peacock

Group B Descant Recorder Bullard Bullard Dubery Golland Hedges Wilson

By Rail... (from 3 Diversions for Descant & Piano) Top Hat Quadrille (from Hat Box) Sonatina, 1st movt: Allegro Peacock PJT 009 Bossa Nova (from New World Dances) Three Concert Miniatures, no. 1: Allegro Funky Joe (from Creative Variations for Recorder vol. 2)

Forsyth Forsyth Forsyth Peacock Camden

Treble Recorder Bate Bowen Hand Jacob Reizenstein Sollima 144

Sonatina, 1st movt: Allegro Schott ED 10040 Sonatina for Recorder op. 121, 2nd movt: Andante tranquillo Sonatina no. 1 op. 41, 2nd movt: Slowly and expressively and 3rd movt: With wit and vigour Prelude & English Dance (from Suite) Partita 2nd movt: Sarabande and 3rd movt: Bourrée Sonata, 2nd movt: Andante cantabile

Emerson Peacock P178 Peacock Schott 10041 Schott OFB 127


Group C (unaccompanied) Descant Recorder Davis Evans Haverkate Heberle Van Eyck Van Eyck Walker

Study no. 9 (from 15 Studies for Descant Recorder) Snave’s Violetta Tango Adagio Recitativo, no. 11 (from 12 Advanced Studies in Recorder Technique book 2) Sonate brillante for Descant Recorder, 1st movt: Adagio Amarilli mia bella [complete] (from Der Fluyten Lust-hof vol. 1) Wat Zalmen op den Avond doen [2nd version, finishing with demi-semiquaver variation and omitting modos in 3 time] (from Der Fluyten Lust-hof vol. 2) A Rune for St Mary’s

Schott Orpheus OMP 089 Broekmans Carus 11.212 Amadeus or XYZ

Amadeus or XYZ Peacock

Treble Recorder Anon. J S Bach J S Bach Ball Bruggen Davis Flinn Linde Marcussen Rose Telemann Thorn

Allemande, no. 10 (from 15 Solos by 18th Century Composers) Schott ED 12216 Sonata in F BWV 1033, 2nd movt: Allegro [from solo edition] Moeck EM2542 Partita BWV 1013, Sarabande Bärenreiter BA6432 Caprice on a Baroque Theme, no. 11 or Impromptu Humoresque, no. 12 (from 12 Studies for Treble Recorder) Peacock Study no. 2 (from Five Studies for Fingercontrol for Treble Recorder) Broekmans Sonata, 3rd movt Hinrichshofen N 2291 Round Dance (from Lullaby and Dances) Peacock No. 13 or no. 21 (from Modern Exercises for Treble Recorder) Schott Rosenrot from A Norwegian Herbarium [must be played on sopranino] (from Pieces for Solo Recorder. vol. 3) Forsyth Lunch (from I’d Rather Be In Philadelphia) Universal UE 30214 Fantasia no. 3 in D minor, 1st movt: Largo — vivace (from 12 Fantasias) Bärenreiter BA 6440 Chocolate Bulbul, 2nd movt Orpheus OMP 032

145



either i) Scales and Arpeggios (from memory) Scales: The following scales to be performed mf ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: F and Ab major (two octaves) A, C, G, F# and Bb major (to 12th) B, D, E, Db/C#, and Eb major (one octave) F harmonic and melodic minor (two octaves), G#/Ab harmonic minor (two octaves) A, C, G, F#, Bb harmonic and melodic minor (to 12th) B, D, E, C# and Eb harmonic and melodic minor (one octave) Chromatic scale starting on F (two octaves) Whole-tone scale starting on G (two octaves)

Arpeggios: The following arpeggios to be performed mf ; tongued, slurred, staccato-tongued or using mixed articulation as requested by the examiner: F and Ab major (two octaves) A, C, G, F#, and Bb major (to 12th) B, D, E, Db/C# and Eb major (one octave) F and G#/Ab minor (two octaves) A, C, G, F#, and Bb minor (to 12th) B, D, E, C# and Eb minor (one octave) Dominant 7th in the keys of B and Eb (to 12th) Diminished 7th starting on F, G and F#* (two octaves) * up to Eb or F# at candidate’s choice

or ii) Study Candidate to prepare one of the following: a) Ball Study in Alternative Fingerings, no. 8 (from Studies for Treble Recorder) Peacock b) Ball Study in Staccato and Double Tonguing, no. 10 (from Studies for Treble Recorder) Peacock c) Mönkemeyer Intervals, no. 88 (from Handleitung für das Speil der Alt-Blockflöte book 2) Moeck 2001



[Turn over for Certificate examination requirements]

Certificate examinations — Flute, Clarinet, Oboe, Bassoon, Saxophone, Recorder, Ensembles Full details of Certificate examinations, including repertoire descriptors and regulations, are available on the Trinity website www.trinitycollege.co.uk/certificateexams

Structure Foundation

Intermediate

Advanced

Performance of Pieces of a set duration Presentation Skills (Technical Work and Supporting Tests are not applicable)

Marking The marks available for all Certificate examinations are as follows:

Component

Pass marks

Maximum marks

Performance

54

90

Presentation Skills

6

10

Total

60

100

Pass is awarded at 60 marks and Distinction at 80. The mark out of 90 is made up of three component marks, based on the holistic performance. · Notational Accuracy & Fluency (30 marks): How well the notes are prepared and realised: ‘Me and the Music’. · Technical Facility (30 marks): Instrumental control and the ability to draw the most from the instrument (e.g. tone colour, articulation, pedalling): ‘Me and the Instrument’. · Communication & Interpretation (30 marks): How well the candidate interprets the music, engages the audience and conveys a sense of the context of the music they are playing: ‘Me and the Audience’. The mark out of 10 for Presentation Skills is split into 3 sections: · Programme Planning (4 marks) The effectiveness and overall balance of the pieces played and the way in which they show different facets of the candidate’s abilities. The accuracy of the timing of the programme. · Programme Notes (4 marks) Researched notes to increase the listener’s appreciation and understanding of the performance. Ranging from a brief description of each piece at Foundation to an extended and more insightful piece for Advanced. · Presentation Skills (2 marks) Presentation of the performance to the listener; including stagecraft, personal presentation and comportment. 148


Solo Certificate examinations Repertoire (See also Pieces, page 7) Each examination requires a performance of pieces in accordance with a set time duration, rather than a specific number of pieces to be performed.

Certificate examination

Programme duration* Examination duration (minutes) (minutes)

Foundation

8–10

13

Intermediate

15–20

23

Advanced

25–30

33

* This time limit refers to the total duration of all the pieces performed, including breaks between movements but does not include: · arrival/departure time · setting up · tuning · breaks or pauses between items More than one item must be presented. Repertoire lists, from which the entire programme may be freely selected, are provided on the website www.trinitycollege.co.uk/certificateexams

Own-choice repertoire Candidates are permitted to make their own selections of repertoire taking up to one third (in time) of the recital programme (e.g. an Intermediate Certificate examination programme totalling 15 minutes may contain up to five minutes of own-choice repertoire). These own-choice pieces may be taken from any source, including drawn from current or past Grade syllabuses of any accredited board which relate to each Certificate level as indicated below. All own-choice repertoire must be of a similar level of technical and musical demand as the pieces on the list. A candidate’s own composition(s) may also be included.

Certificate examination

Approximate Grade equivalent

Foundation

Grade 3

Intermediate

Grade 5

Advanced

Grade 8

There is no facility for pre-approval of any own-choice repertoire, either by Trinity’s London office or by individual examiners. Candidates are strongly advised to refer to the lists of indicative repertoire and the repertoire descriptors for each Certificate examination level which are available on the website. 149


Presentation Skills Programme notes should be formatted in a similar way to those used for public recitals, e.g. a folded A4 (A5), typed or word-processed document. The content should range from a brief description of each piece for Foundation Certificate to a more extended and insightful piece of work for Advanced. This work must be the candidate’s own, showing evidence of personal creativity and input and must include timings for each piece. They may be in a language other than English, though a translation to English should also be provided. The translation need not be the candidate’s own work. Programme notes should be presented to the examiner at the beginning of the examination. The examiner will then let the programme flow, without comments between pieces to allow the candidate to proceed at their own rate, within the confines of the regulatory timings.

150


Certificate examinations for Ensembles Designed to encourage the co-operative skills essential for the development of a well-rounded musician, Trinity also offers Certificate examinations for ensembles. These are structured in the same way as Certificate examinations for individual instruments. Instruments and size of ensemble Provided that ensembles have repertoire of the appropriate level of difficulty and, as long as the examination centre can accommodate the performers adequately, there is no restriction on the nature or size of ensembles. Any ensemble of three or more players and/or singers may be entered. Duos will also be accepted, except in cases where standard Grade examinations already exist (such as most single-line instruments with piano). Repertoire No repertoire lists are provided, however repertoire should be chosen in line with the guidelines set out for solo Certificate examinations. Each part may be played by one player, as in chamber music, or by multiple performers according to the suitability of the music. Players may change instruments between pieces, but no extra credit will be given for performing on more than one instrument. Entering A special Ensemble Entry Form — obtainable from Local Area Representatives or from Trinity’s London office — must be used for each ensemble. Each must be given a name (e.g. ‘The Proctor Quintet’) which will be printed on the report form and certificates. For Ensemble examinations one written report will be issued for each ensemble. Each member will receive a certificate if the examination is passed. A teacher may not take part in an ensemble examination except as a conductor.

151

Music publishers Please note that agents’ or distributors’ addresses are given for non-UK publishers. These publishers may have different local agents in other parts of the world who may be able to supply music more easily or quickly. Details of these may be obtained by contacting the publishers directly at the addresses listed here. Trinity cannot guarantee that music will always be in stock with local suppliers. Candidates and teachers should always check with the publisher before it is assumed that any item has gone out of print. Acuta (Acuta Music): Hambrook, Ledbury, Hereford & Worcs HR8 2PX, UK T +44 (0)1531 670 634; c/o Music Sales Ltd Advance (Advance Music Ltd): c/o Music Exchange Aebersold (Jamey Aebersold Jazz): PO Box 1244, New Albany, IN 47151-1244, USA T +1 (800) 456 1388, +1 (812) 945 4281 (outside USA); www.aebersold.com in UK: c/o Music Exchange Alfred (Alfred Publishing): www.alfred.com in UK: c/o Faber Music Ltd ALRY (ALRY Publications Etc. Inc.): PO Box 36542, Charlotte, NC 28236, USA T +1 (704) 334 3413; www.alrypublications.com Amadeus (Amadeus Vertrieb): Barbara Päuler, Hermannstrasse 7, 8400 Winterthur, Switzerland T +41 052 233 28 66; www.amadeusmusic.ch; in UK: c/o Schott Music Ltd AMP (Associated Music Publishers Inc): c/o Music Sales Ltd Amphion (Amphion Editions Musicales): in UK: c/o United Music Publishers Ltd Amsco (Amsco Publications): c/o Music Sales Ltd Anglo Music (Anglo Music Press): c/o De Haske Music (UK) Ltd Apollo (Apollo Verlag Paul Lincke GmbH): Weihergarten 5, D-55116 Mainz, Germany T +49 6131 246 300 Arcadia (Arcadia Music Publishing Co. Ltd): PO Box 1 Rickmansworth, Herts WD3 3AZ, UK Astute (Astute Music Ltd): PO Box 17, Winsford, Cheshire, UK [email protected]; www.astute-music.com; c/o Advance Music AWMP (Australian Wind Music Publications): PO Box 863, Wahroonga, NSW 2076, Australia T +61 2 9482 9022; www.awmp.com.au Bärenreiter (Bärenreiter Ltd): Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK T +44 (0)1279 828930; www.bärenreiter.com Bärenreiter Praha (Editio Bärenreiter Praha): c/o Bärenreiter Ltd Belwin (Belwin Mills): c/o Maecenas Music Billaudot (Gerard Billaudot Editeur): 14 rue de l’Echiquier, 75010 Paris, France T +33 (1) 47 70 14 46; in UK: c/o United Music Publishers Ltd A & C Black (A & C Black): 38 Soho Square Square, London W1D 3HB, UK T +44 (0)20 7758 0200; www.acblack.com Boosey (Boosey & Hawkes Music Publishers Ltd): in UK: c/o Schott Music Ltd Mail Order: Boosey & Hawkes, c/o Music Exchange, Claverton Road, Manchester M23 9ZA, UK T +44 (0)20 7291 7255 or (Freephone in UK only) 0800 731 4778; www.boosey.com Trade: Boosey & Hawkes, c/o Schott Music Ltd, MDS Music Distribution Service 5/6 Raywood Office Complex, Leacon Lane, Charing, Ashford, Kent TN27 0EN, UK T +44 (0)1233 712233 Boston (Boston Music Company): c/o Music Sales Ltd Bosworth (Bosworth & Co. Ltd): c/o Music Sales Ltd Bote & Bock (Bote & Bock): c/o Schott Music Ltd Brass Wind (Brass Wind Publications): 4 St Mary’s Road, Manton, Oakham, Rutland LE15 8SU, UK T +44 (0)1572 737 409; www.brasswindpublications.co.uk 152

Music publishers Breitkopf (Breitkopf & Härtel): Walkmühlstraße 52, Wiesbaden D-65195, Germany T +49 611 45008 58; www.breitkopf.com; in UK: c/o Broome Cottage, The Street, Suffield, Norwich NR11 7EQ, UK; T +44 (0)1263 768 732 Broadbent & Dunn (Broadbent & Dunn Ltd): 66 Nursery Lane, Whitfield Dover Kent CT16 3EX, UK T +44 (0)1304 825 604; www.broadbent-dunn.com Broekmans (Broekmans & Van Poppel): Van Baerlstraat 92-94, 1071 BB Amsterdam, Netherlands T +31 (0)20 679 65 75; www.broekmans.com Camden (Camden Music): in UK: c/o Spartan Press Music Publishers Ltd; in USA, Canada, Mexico: Theodore Presser Company; in Europe: XYZ International BV Cascade (Cascade Music Publishing): 30 College Green, Bristol BS1 5TB, UK T +44 (0)1454 323 608 Chester (Chester Music Ltd): c/o Music Sales Choudens (Editions Choudens): 38 rue Jean Mermoz, 75008 Paris, France T +33 (0)1 42 66 62 97; c/o United Music Publishers Ltd CMA (CMA Publications): Strawberry Holt, Westfield Lane, Draycott, Somerset BS27 3TN, UK T +44 (0)1934 740270; www.cma-publications.co.uk Combre (Editions Combre): c/o United Music Publishers Ltd Cornelius (Cornelius Edition): 7 Mallards Way, Lightwater, Surrey GU18 5ND, UK T +44 (0)1276 452 998; www.astorgarecords.com Corybant (Corybant Productions): www.music123.com Cramer (Cramer Music Ltd): 23 Garrick Street, London WC2E 9RY, UK T +44 (0)20 7240 1612; www.cramermusic.co.uk Crescendo (Muziekhandel Crescendo): Jan Van Rijswijcklaan 7, 2018 Antwerpen, Belgium T +32 3 216 9846; www.crescendo-music.com Curwen (Curwen): c/o Music Sales Ltd De Haske (De Haske Music (UK) Ltd): Fleming Road, Earlstrees, Corby, Northants. NN17 2SN, UK T +44 (0)1536 260981; www.dehaske.com Doblinger (Musikverlag Doblinger): Dorotheerg. 10, A-1010 Wien, Austria T +43 (1) 515 030; www.doblinger-musikverlag.de; in UK: c/o Universal Edition (London) Ltd Downing (Dr Downing Music): 66 Eastleigh Road, Heald Green, Stockport, Cheshire SK8 3EJ, UK T +44 (0) 161 437 5607; www.drdowningmusic.com Durand (Durand et Cie (Paris)): for France only: 5 rue du Helder, 75009 Paris, France T +33 (0)1 53 24 80 01; www.durand-salabert-eschig.com for the rest of the world: c/o United Music Publishers Ltd DVfM (Deutsche Verlag für Musik): c/o Breitkopf & Härtel Ebony (Ebony Edition): Redwings, Linden Chase, Uckfield, E Sussex TN22 1EE, UK T +44 (0)1825 760046 Edition Musicus (Edition Musicus): c/o MusT, 33 Quernmore Road, London N4 4QT, UK T +44 (0)20 8341 4088; www.music-trading.co.uk/www.tutti.co.uk EFM (Editions Française de Musique): c/o Gerard Billaudot Editeur in UK: c/o United Music Publishers Ltd Elkan-Vogel (Elkan-Vogel): PO Box 7720, New York, NY 101500-1914, USA in UK: c/o United Music Publishers Ltd EMB (Editio Musica Budapest Ltd): PO Box 332, H-1370 Budapest, Hungary; +36 1483 3100 www.emb.hu; in UK: c/o Faber Music Ltd Emerson (Emerson Edition Ltd): Windmill Farm, Ampleforth, York YO62 4HF, UK T +44 (0)1439 788 324; www.juneemerson.co.uk Eschig (Editions Max Eschig): Editions Durand-Salabert-Eschig, 5, rue du Helder, F-75009 Paris, France; in UK: c/o United Music Publishers Ltd; in USA, Canada, Mexico: c/o Hal Leonard; other territories: BMG Ricordi 153

Music publishers Exaton (Editions Exaton): 9 avenue Foch, 56400 Auray, France T +33 02 97 24 08 16; www.christianledelezir.com Faber (Faber Music Ltd): Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK T +44 (0)1279 828 982; www.fabermusic.com Fazer (Fazer Music): c/o Schott Music Ltd Fentone (Fentone Music Ltd): c/o De Haske Music (UK) Ltd Fischer (Carl Fischer LLC): 65 Bleecker St., New York, NY 10012, USA T +1 212-777-0900; in UK: c/o Schott Music Ltd Forsyth (Forsyth Brothers Ltd): 126 Deansgate, Manchester M3 2GR, UK T +44 (0)161 834 3281; www.forsyths-music.co.uk Frederick Harris (Frederick Harris Music Co. Ltd): Unit 1, 5865 McLaughlin Rd, Mississauga, ON L5R 1B8, Canada; T + 1 905 501 1595; www.frederickharrismusic.com Green Man (Green Man Press): 180 Sheen Road, Richmond, Surrey TW9 1XD, UK T +44 (0)20 8332 9522; www.greenmanpress-music.co.uk Griffiths (Griffiths Edition): 21 Cefn Coed, Bridgend, Mid Glamorgan CF31 4PH, UK T +44 (0)1656 766 559 Guildhall (Guildhall): c/o Faber Music Ltd Hal Leonard (Hal Leonard Publishing Co.): 7777 W. Bluemound Road, PO Box 13819, Milwaukee WI 53213, USA; T +1 414 7743630; in UK c/o Music Sales Ltd Hansen (Hansen): c/o Music Sales Ltd Harmonia (Harmonia): c/o Spartan Press Music Publishers Ltd Heinrichshofen (Heinrichshofen’s Verlag): Liebigstraße 16, D-26389 Wilhelmshaven, Germany T +49 (0) 442 192 670; www.heinrichshofen.de Henle (G Henle Verlag): Forstenrieder Allee 122, 81476 München, Germany T +49 89 759 820; www.henle.de; in UK: c/o Schott Music Ltd Heugel (Heugel et Cie.): in UK: c/o United Music Publishers Ltd Hinrichsen (Hinrichsen Edition): D-26389 Wilhelmshaven, Germany; in UK: c/o Peters Edition Ltd Hofmeister (Friedrich Hofmeister Musikverlag): Büttnerstraße 10, D-04103 Leipzig, Germany T +49 341 9 60 07 50; www.friedrich-hofmeister.de Houston (Houston Publishing Inc): c/o Studio Music Company Hug (Hug & Co. Musikverlage): Grossmünsterplatz 7, 8001 Zürich, Switzerland T +41 44 269 41 41; www.hug-musikverlage.ch Hunt (Hunt Edition): c/o Spartan Press Music Publishers Ltd Ibberson (Paul Ibberson): 5A Merton Road, Walthamstow, London E17 9DE, UK T +44 (0)20 8503 6494; c/o Top Wind ICAH (Information Centre Aloise Háby): c/o Emerson Edition IMC (International Music Company): 5 West 37 Street New York, NY 10018, USA T +1 212 391 4200; www.internationalmusicco.com Itchy Fingers (Itchy Fingers): www.itchyfingers.com; c/o Schott Music Ltd Jobert (Editions Jobert): 35 rue Jean Moulin, 94300 Vincennes, France T +33 43 74 23 23; www.jobert.fr; in UK: c/o United Music Publishers Ltd: in USA, Canada, Mexico: c/o Theodore Presser Company Just Flutes (Just Flutes Edition): c/o Jonathan Myall Music Kendor (Kendor Music Inc.): 21 Grove Street, PO Box 278, Delevan, New York 14042-0278, USA T +1 716-492-1254; www.kendormusic.com; in UK: c/o Music Sales Ltd Lazarus (Lazarus Edition): PO Box 14324, London W5 2YS, UK T +44 (0)20 8997 4300; www.clarinet.demon.co.uk Leduc (Editions Alphonse Leduc): c/o United Music Publishers Ltd 154

Music publishers Lemoine (Editions Henry Lemoine): 41, rue Bayen, 75017 Paris, France; www.editions-lemoine.fr in UK: c/o United Music Publishers Ltd; in USA: c/o Theodore Presser Company Lengnick (Alfred Lengnick & Co.): c/o Faber Music Ltd Leuckart (Leuckart): c/o De Haske Music (UK) Ltd London Pro Musica (London Pro Musica): www.londonpromusica.com McGinnis & Marks (McGinnis & Marks Music Publishers): 236 West 26th Street, #11S New York, NY 10001-6736, USA; +1 (212) 243-5233 Maecenas (Maecenas): 5 Bushey Close, Old Barn Lane, Kenley, Surrey, CR8 5AU, UK T +44 (0)20 8660 3914 Masters (Masters Music Publications Inc.): PO Box 810157, Boca Raton, Florida 33481-0157, USA www.masters-music.com; in UK: c/o Maecenas Matt Smith (Matt Smith Music): www.mattsmithmusic.com or c/o United Music Publishers Ltd Mayhew (Kevin Mayhew Ltd): Buxhall, Stowmarket, Suffolk IP14 3DJ, UK T +44 (0)1449 737 978; www.kevinmayhewltd.com Metropolis (Metropolis Music): www.metropolis-music.com Molenaar (Molenaar Edition BV): c/o Music Sales Ltd Montem (Montem Music): 143 Aylesbury Road, Wendover, Bucks HP22 6LJ, UK T +44 (0)1296 696795; www.montemmusic.com Musica Rara (Musica Rara): c/o Breitkopf & Härtel Music Exchange (Music Exchange (Manchester) Ltd): Claverton Road, Wythenshawe, Manchester M23 9ZA, UK; T +44 (0)161 946 1234; www.music-exchange.co.uk Music Sales (Music Sales Ltd): Distribution Centre, Newmarket Road, Bury St. Edmunds, Suffolk IP33 3YB, UK; T +44 (0)1284 702 600; www.musicroom.com Musicians (Musicians Publications Inc.): 1076 River Road, PO Box 7160, West Trenton, NJ 8628, USA; T +1 609 882 8139; www.billholcombe.com MusT (Music Trading): 33 Quernmore Road, London N4 4QT, UK T +44 (0)20 8341 4088; www.music-trading.co.uk/www.tutti.co.uk Nova (Nova Music): c/o Spartan Press Music Publishers Ltd Novello (Novello & Co. Ltd): c/o Music Sales Ltd Orpheus (Orpheus Music): PO Box 1363, Armidale NSW 2350, Australia T +61 (02) 6772 2205; www.orpheusmusic.com.au; in UK and Europe: c/o Recorder Music Mail OUP (Oxford University Press): Customer Service & Distribution, Saxon Way West, Corby, Northants, NN18 9ES, UK; T +44 (0)1536 454 590; www.oup.co.uk in Australia: c/o Alfred Australia, PO Box 2355, Taren Point, NSW 2229 T +61 2 9524 0033; [email protected] in USA: Oxford University Press Inc, 198 Maddison Avenue, New York, NY 10016 Pan (Pan Educational Music): c/o Spartan Press Music Publishers Ltd Panton (Panton International): Radlická 99, 150 00 Praha 5, Czech Republic T +42 251 553 952; www.panton.cz; c/o Schott Music Ltd Paterson’s (Paterson’s Publications): c/o Music Sales Ltd Peacock (Peacock Press): c/o Recorder Music Mail Peer-Southern (Peer Southern Music Publishers): No.810 7th Avenue FL10, New York NY10019, USA www.peermusic.com; c/o Music Sales Ltd. Peters (Peters Edition Ltd): 10-12 Baches Street, London N1 6DN, UK T +44 (0)20 7553 4000; www.edition-peters.com; in UK: c/o Faber Music Ltd Phylloscopus (Phylloscopus Publications): 92 Aldcliffe Road, Lancaster LA1 5BE, UK T +44 (0)1524 67498; www.phylloscopus.co.uk Piper (Piper Publications): Dochroyle Farm, Barrhill, Girvan, Ayrshire KA26 0QG, UK T +44 (0)1465 821 377; www.piperpublications.co.uk 155

Music publishers Presser (Theodore Presser Company): 588 North Gulph Road, King of Prussia, PA 19406 USA T +1 610 525 3636; www.presser.com; in UK: c/o United Music Publishers Ltd PWM (PWM Edition): al. Krasinskiego 11a, 31-111 Krakow, Poland T +48 (012) 422-70 44; www.pwm.com.pl; in UK: c/o Universal Edition (London) Ltd Quavers (Quavers Rest Music): 22 Stephen’s Rd, Tunbridge Wells, Kent TN4 9JE, UK T +44 (0)1892 537764 Queen’s Temple (Queen’s Temple Publications): 15 Mallard Drive, Buckingham, Bucks MK18 1GJ, UK T +44 (0)1280 813144; www.qtpublications.co.uk; c/o Spartan Press Music Publications Ltd Reedimensions (Reedimensions): Woodhambury Cottage, 503 Woodham Lane, Woking, Surrey GU21 5SR, UK; www.reedimensions.com Regent (Regent): c/o Music Sales Ltd Ricordi (Ricordi): BMG Publications Customer Service, Via Liguria 4, Fraz. Sesto Ulteriano, 20098 San Giuliano Milanese, Italy; T +39 02 98813 4314; www.ricordi.com; in UK: c/o United Music Publishers Ltd; in USA, Canada: Hal Leonard Publishing Co. Roncorp (Roncorp): in UK: c/o Emerson Edition Rubank (Rubank): c/o Studio Music Company Saxtet (Saxtet Publications): 63 Witherford Way, Selly Oak, Birmingham B29 4AJ, UK T +44 (0)121 472 2122; www.saxtetpublications.com Schirmer (G. Schirmer Inc.): c/o Music Sales Ltd Schott (Schott Music Ltd): 48 Great Marlborough Street, London W1F 7BB, UK T +44 (0)20 7437 1246/(0)20 7534 0710: www.schott-music.com Shawnee (Shawnee Press Inc.): 1221 17th Avenue South, Nashville, TN 37212, USA T +1 800 431 7187; www.shawneepress.com Simrock (Simrock): c/o Schott Music Ltd Sikorski (Internationale Musikverlage Hans Sikorksi): Johnsallee 23, D-20148 Hamburg, Germany T +49 (0)40 41 410; www.sikorski.de; in UK: c/o Music Sales Ltd Southern (Southern Music Company): PO Box 329 1248 Austin Highway, Suite 212 San Antonio, Texas 78292, USA; T +1 210 226 8167; in UK: c/o Valentine Music Spartan (Spartan Press Music Publishers Ltd): Strathmashie House, Laggan Bridge, Scottish Highlands, PH20 1BU, UK; T +44 (0)1528 544 770; www.spartanpress.co.uk Spratt (Spratt): c/o Music Sales Ltd Stainer (Stainer & Bell Ltd): PO Boxes 110, Victoria House, 23 Gruneisen Road, London N3 1DZ, UK T +44 (0)20 8343 3303; www.stainer.co.uk Studio Music (Studio Music Company): PO Box 19292, London NW10 9PW, UK T +44 (0)20 8830 0110; www.studio-music.co.uk Sunshine (Sunshine Music Company): c/o Spartan Press Music Publishers Ltd Trinity (Trinity College London): c/o Faber Music Ltd Trinity Faber (Trinity Faber): c/o Faber Music Ltd UME (Union Musical Ediciones): c/o Music Sales Ltd UMP (United Music Publishers Ltd): 33 Lea Road, Waltham Abbey EN9 1ES, UK T +44 (0)1992 703 110; www.ump.co.uk Universal (Universal Edition (London) Ltd): 48 Great Marlborough Street, London W1F 7BB, UK T +44 (0)20 7437 1246/0(20) 7534 0710: www.universaledition.com Useful (Useful Music): c/o Spartan Press Music Publishers Ltd Valentine (Valentine Music): 26 Lichfield Street. London WC2H 9TZ, UK T +44 (0)20 7240 1628; www.valentinemusic.co.uk Warner Bros (Warner Bros. Publications): c/o Faber Music Ltd 156

Music publishers Warwick (Warwick Music): 1 Broomfield Road, Coventry, CV5 6JW UK T +44 (0)24 7671 2081; www.warwickmusic.com Weinberger (Josef Weinberger Ltd): 12-14 Mortimer Street, London W1T 3JJ, UK T +44 (0)20 7580 2827; www.josef-weinberger.com; c/o Faber Music Ltd Wiener Urtext (Wiener Urtext Edition): c/o Schott Music Ltd Wise (Wise): c/o Music Sales Ltd Yorke (Yorke Edition): c/o Spartan Press Music Publishers Ltd Yorktown (Yorktown): c/o Music Sales Zimmermann (Musikverlag Zimmermann): Strubbergstraße 80, 60489 Frankfurt am Main, Germany T +49 (0)69 9782 866; www.zimmerman-frankfurt.de; in UK: c/o MusT

UK Specialist Suppliers

Flute (cont.)

In case of any difficulty in obtaining music, the following specialist suppliers may be helpful:

Jonathan Myall Music (incorporating Just Flutes) 46 South End Croydon CR0 1DP, UK +44 (0)20 8662 8424 www.justflutes.com

All Wind Instruments June Emerson Windmill Farm Ampleforth York YO62 4HF, UK T +44 (0)1439 788 324 www.juneemerson.co.uk Recorder Recorder Music Mail Scoutbottom Farm Mytholmroyd, Hebden Bridge West Yorks HX7 5JS, UK T +44 (0)1422 882 751 www.recordermail.co.uk Flute Top Wind 2 Lower Marsh London SE1 7RJ, UK T +44 (0)20 7401 8787 www.topwind.com

Oboe, Clarinet, Bassoon and Saxophone T.W. Howarth & Co Ltd 31 Chiltern Street London W1M 1HG, UK T +44 (0)20 7935 2407 www.howarth.uk.com Saxophone Jazzwise 2B Gleneagle Mews Ambleside Avenue Streatham, London SW16 6AE, UK T +44 (0)20 8769 7725 www.jazzwise.com

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Trinity publications All available from your local music retailer Musical Moments — accompanied pieces for Flute, Clarinet & Saxophone Musical Moments Flute book 1 . . . . . . . . . . TG 009548 Musical Moments Flute book 2 . . . . . . . . . TG 009555 Musical Moments Flute book 3 . . . . . . . . . TG 009562 Musical Moments Flute book 4 . . . . . . . . TG 009579 Musical Moments Flute book 5 . . . . . . . . . TG 009586 Musical Moments Clarinet book 1 . . . . . TG 009593 Musical Moments Clarinet book 2 . . . . TG 009609 Musical Moments Clarinet book 3 . . . . TG 009616 Musical Moments Clarinet book 4 . . . . TG 009623 Musical Moments Clarinet book 5 . . . . TG 009630 Musical Moments Alto Saxophone book 1 . . . . . . . . . TG 009647 Musical Moments Alto Saxophone book 2 . . . . . . . . TG 009654 Musical Moments Alto Saxophone book 3 . . . . . . . . TG 009661 Musical Moments Alto Saxophone book 4 . . . . . . . . TG 009678 Musical Moments Alto Saxophone book 5 . . . . . . . . TG 009685 Musical Moments Tenor Saxophone book 1 . . . . . . . TG 009692 Musical Moments Tenor Saxophone book 2 . . . . . . TG 009708 Musical Moments Tenor Saxophone book 3 . . . . . . TG 009715 Musical Moments Tenor Saxophone book 4 . . . . . . TG 009722 Musical Moments Tenor Saxophone book 5 . . . . . . TG 009739

Mosaics — solo pieces for Flute, Clarinet & Saxophone Mosaics Flute book 1 (Initial–Grade 5) . . . . . . . . . . . . . . . . TG 009265 Mosaics Flute book 2 (Grades 6–8) . . . . . . . . . . . . . . . . . . . . TG 009272 Mosaics Clarinet book 1 (Initial–Grade 5) . . . . . . . . . . . TG 009289 Mosaics Clarinet book 2 (Grades 6–8) . . . . . . . . . . . . . . . TG 009296 Mosaics Saxophone book 1 (Initial–Grade 5) . . . . . . TG 009302 Mosaics Saxophone book 2 (Grades 6–8) . . . . . . TG 009319

Recorder Anthologies Book 1 (Initial–Grade 1) (score & part) . . . . . . . . . . . . . . . . . . TG 009234 Book 2 (Grades 2–3) (score & part) . . . . . . . . . . . . . . . . . . . . . TG 009241 Book 4 (Grades 4–5) (score & part) . . . . . . . . . . . . . . . . . . . . TG 009258

Woodwind Scales & Arpeggios Flute & Jazz Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 005717 Clarinet & Jazz Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 005724 Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006707 Bassoon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006714 Saxophone & Jazz Saxophone . . . . . . . . . . . . . . . . . . . . . . . . . . TG 005731 Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 005700

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Trinity publications

Sound at Sight Flute Grades 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006752 Grades 5–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006769 Clarinet Grades 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006776 Grades 5–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006783 Oboe Grades 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 007551 Bassoon Grades 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 007568 Saxophone Grades 1–4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006790 Grades 5–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TG 006806 Recorder* Descant (Initial–Grade 5) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 571 52233 5 Treble (Grades 1–8) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 571 52234 3

All Sorts Flute (Grades 1–3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 571 52123 1 Clarinet (Grades 1–3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0 571 52112 6

Saxophone Selection Alto Saxophone part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GSM 10219 Tenor Saxophone part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GSM 10226 Piano Accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GSM 10233

Woodwind World Orchestral Extracts Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TCL 002273 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TCL 002266 Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TCL 589019

Woodwind World Flute Book 1 (score & part) . . . . . . . . . TCL 320018 Book 2 (score & part) . . . . . . . . TCL 320025 Book 3 (score & part . . . . . . . . . TCL 320032 Book 4 (score & part) . . . . . . . . TCL 320049 Book 5 (score & part) . . . . . . . . TCL 320056

Book 1 (part only) . . . . . . . . . TCL 320117 Book 2 (part only) . . . . . . . . TCL 002211 Book 3 (part only) . . . . . . . . TCL 002228 Book 4 (part only) . . . . . . . . TCL 002235 Book 5 (part only) . . . . . . . . TCL 320155

Clarinet Book 1 (score & part) . . . . . . . . . TCL 350015 Book 2 (score & part) . . . . . . . . TCL 350022 Book 3 (score & part) . . . . . . . . TCL 350039 Book 4 (score & part) . . . . . . . . TCL 350046 Book 5 (score & part) . . . . . . . . TCL 350053

Book 1 (part only) . . . . . . . . . TCL 001931 Book 2 (part only) . . . . . . . . TCL 001948 Book 3 (part only) . . . . . . . . TCL 001955 Book 4 (part only) . . . . . . . . TCL 001962 Book 5 (part only) . . . . . . . . TCL 002204

* Sight reading tests for Descant Recorder can be downloaded from the website www.trinitycollege.co.uk/music

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