Ladies' fancy work ..

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VUTIKUL PATTERNS for this work, with Direaions for Working; ... Embroidery, Knitting Patterns, Crochet Patterns, Darned Lace Patterns, Macram^ Lace Patterns ...
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ipsis. Iris, Colcus Leaves, Nasturtiums, Hardtiack, Azalin, Flowering Almond, Murni „ Glory, ,_ Geranium, Russian Snow Flower, Love-in-the-Mist, Love"ies-B!eedintj, CalTa Lilies, Coxcomb, Crncus, Cadtus. Fuschia, Salvia, .Marigold, Carnation Pink, Cherries, Bitter Sweet. Taponica. Wild laurel, Chicorv. etc, .

This New Edition has tqz Paiges of Patterns and Instructions for KENSINGTON EMBROI-

DERY, ARTISTIC NEEDLE WORK,

etc.

has 57 Illustration!, of Stitches, including Oulline, Satin, Feather, Cross, Persian, Tent, Tapestry, Star, Irish, Hem, yanina. Wound, Knot, Chain, ButtonHole, Pilling, Ornamental Stitches /or Flannel, Stem, Open Work, Ribbon Work, Application, Point Russe, Snovj Flake, 21 new Renaissance Gives a list of the Stitches from Paris, etc. Fabrics and Materials used in Fancy Work has a fine collection of Artistic Designs, including Table Scarf, Piano Cover, Designs for Outline Tidies, Banner Screen, Daisies in It

South Kensington,

;

Ribbon Work, Banner Thermometer, Bro-

cade Sachet, Tassels for Fringes, Knotted Fringes, Squares for Patchwork, LAMBRK.>k contains a largf number of HE.VUTIKUL PATTERNS for this work, with Direaions for Working; also a number of handsome Thrc;i(l Kdgings, etc. It is mil the

Price,

30

rage to

cen

ts

;

S20O

per dozen.

CS^ BOOK OF =s^O

WORSTED + CROSS-STITCH \ PATTERNS. WORSTKH WORK PATTERNS FOR

ALPHABETS

and over loo other This book contains la Toilet Sets, C'azy Cushions, etc. Patterns of Borders, Corners. Flowers, Birds, Animals, 1'^ Stork, Elephant, Deer, Rooster, Bugs, Butterflies, Cats, Dogs, Rabbit Comic Designs, etc. Price, 35 cents; 9150 per dozen.

DARNED LACE PATTERNS.

Our new book of DARNED LACE P.\TTERNS contains a hirge number of these fine Patterns. They Ciin be used for making Tidies, Toilet Sets, Splashers, Shams, Bed Spreads, Aprons, Edgings, etc. Price, 35 cents; 8175 per dosen.

MACRAME LACE MING. and^

^ and

^.

RICK-RACK.

MACRAME

I-.ACE and RlrlC-RACK TRI.Mof Patterns and lnstnj«ions for makintr This hnok also contains Patterns and Dirc
A book

\

all Orders to J. F.

what

FINISHING FANCY WORK.

Spri:

Address

Book

tells

Flowers

IFGALLS,

,

-

Uo. 29

lunroe StKet, Lyan, Mass.

.

LADIES'

FANCY

^W^ORK.

ANNOUNCEIVIENT.— " J [iP

e

Y

arrangement with J. F. Ingalls, the leading publisher of Ladies' Fancy Work Books, we are able to present fo our We hope it will give you much pleasure and useful information. By reading subscribers this beautiful Book of Fancy Work. a special

advertisements on the cover pages, you will see that J. F. Ingalls has a large variety of Fancy

:amping

Outfits,

Stamped

y goods advertised

in this

V)

Felt and Linen Goods, and

Fancy

Work

book be sure and send your orders

PRICE,

--

Books, Stamping Patterns,

Materials that he furnishes at popular prices.

direct to J. F.

Ingalls, Publisher, Lynn, Mass.

THIRTY-FIVE CENTS.

Copyright, 1885, by J. F.

Publistied for the

Work

INGALLS.

PHELPS PUBLISHING SPRINGFIELD. MASS.

COJvIPANY.

When

ordering

I

COPYRIGHTED,

1885.

mQ

LADIES' FANCY WORK. N

presenting this book to our subscribers our object has been to cover as

a larger variety of IKSn

published.

|e

Fancy Work Patterns and

pg, Worsted Cross-Stitch Patterns,

Crocheting,

iaterials.

Silk, Java,

Descriptive

List

We

etc.

of the

Kensington Embroidery,

give below a partial

list

Mummy,

Terms used in Knitting, Terms Fancy Work, including Cloth Fabrics, Rucr

of the contents in

Artistic

:

Ida and Congress Canvas

;

also Descriptive List of the

Germantown, Berlin and Fancy Wools, Crewel, Zephyrs, Silk Materials, Chenille, Aracine,

and Silver Thread, Oakdale Twine,

l[)ld

for

Foundation Fabrics used

Panama, Railroad, Worsted Net,

jbrking Materials, including

etc.

;

Illustrated Description of

Stitches, including

South

Kensington, Out-

Satin, Feather, Cross, Plush, Persian, Tent, Tapestry, Star, Renaissance Stitches, from Paris, including

\arled esse 111

given in

is

we could, and to o-ive any Fancy Work Book that has been as

Needle Work, OutEmbroidery, Knitting Patterns, Crochet Patterns, Darned Lace Patterns, Macram^ Lace Patterns, Rick-Rack Trim-

pd in

e.

Instructions than

This book contains Patterns and Instructions

much ground

Diamond, Milan Point, Spanish Point, Feather, Twisted Wheels,

and Snow Flake

Stitches, for

Crazy Patchwork; Instructions

Instructions for Stamping, including Directions for

Fancy Work or k.

Fan Pin Cushion, Design Banner

the

for

Lamp

Shade,

for

Piano Cover, some

Work Bag, etc.

We

fine

for

Hand

A

Patterns, Design for

Paintino-;

large variety for

Fancy

Tidy or Mat, Outline

Macram6 Lace Patterns, Table Scarf, Whisk Broom our subscribers will find much in this book to benefit them.

Quilt of Silk Patchwork,

hope each of

also

Paint used for Stamping.

Patchwork Patterns, Decorated Band

Darned Lace

Diamond,

Wicker Stitches; also Point

Kensington Painting,

Powder and

Patterns, including Antique and Grecian Crochet Edging,

nbroidery Patterns, Ladies' 3lder,

Making

Rosette, and

^^ TS—

Ds-^r

Sfil

TERMS USED



IN

CROCHET.

work, and continues to draw long enough. Short Stitch. Keep one loop on the needle, put the needle into the stitch and draw the thread through it and the loop at the same time. Single Crochet. Put the needle into the stitch, and draw the thread through it, and then put the thread over and draw through both loops

Chain

Stitch.

Chain

stitch

begins

the thread through until the chain

all

is



TERMS USED To Cast On. To Cast Off. on to the last .

—The —To knit



IN KNITTING.

interlacement of the cotton on the needle. and to pass over the second, and so stitch, which is to be secured by drawing the thread first

2 stitches,

through. To Cast Over.

—To bring the cotton forward round the needle. —

To Narrow. To lessen by bringing two stitches together. To Seam.—To knit a stitch with the cotton before the needle. To Widen.—To increase by making a stitch, bringing the cotton round the needle, and knitting the same when it occurs. A Plain Boxv. That composed of simple knitting. To Purl. To knit with the cotton before the needle. To Rib. To work alternate rows of plain and purl knitting.

together.



Long Crochet. Put the thread over needle before you put it into the work, draw the thread through work, then thread over and through two loops, and again thread over and through two loops. Open Crochet. Make one long crochet, then one chain stitch, and omit or.pass over one stitch of the work, make one long crochet into



ne-xt stitch.



— —

A Loop

Stitc/i.

— Made

by bringing the cotton before the needle,

which in knitting the succeeding stitch will again take its own place. To Slip or Pass a Stitch. To change it from one needle to the other



without knitting

"When

it is

it.

requisite to cast off,

and continue

a

row on a separate

needle, run a coarse thread through the cast off stitches, as they are easily taken

up when required.

Household.

CRAZY PILLOW. A

crazy or autograph pillow

is

a piece of

common

cotton canvas,

which you pass around among your Each one contribfriends, letting each one work something on it. utes her mite, anything and anywhere she chooses, and when all have worked, the owner fills it in, and finishes it the same as any other sofa pillow. Some nice patterns for crazy pillows will be found in our book of lOO Worsted Cross-Stitch Patterns; price, 25 cents, by mail.

the size

you want your

pillow,

|

DESIGN

FOR A PIANO COVER OR TABLE CLOTH.

This engraving represents a very handsome design for table spread, piano cover or stand cloth. The model from which this illustration was copied is made on o-arnet wool canvas, with a rich, gold-colored floss, and is probably as effective a combination as can be suggested. However, personal taste, and the prevailing tint in a room where the article embroidered is to be used, must direct combinations. It is not necessary to use canvas, as cloth, 1

felt or Canton flannel maybe preferred; but the meshes of the canvas will be found of great assistance in following

the pattern

with regularity of

done in a long back-stitch, or and is extremelv eflective.

Stitches r^:?

,\

LIST and explanation of the fabrics and working' materials used in embroidering fancy articles, hangings, Also, directions for and illus-

trations of various stitches.

two or

three, the

cross-stitch,

there are

mystery.

DEsioN

t

OR A I'lANu

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The work is all Kensington stitch,

ana Foundation Fabrics.

coverings, tidies, etc.

llililllillilillillliBiailiJISIlIlillBllllIBilillB^^^^

stitch.

sort of

and

many

to

stitches

are

The Alpha of

various reasons.

ordinary stitches.

all

the exception of variations of the

generally

whom

familiar, although they yet remain an unsolved

probably the one which first by the beginner, for W'e will proceed to describe the all

"Gobelin," or "tapestry" should not be taken up

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IT^STRXJCTIONS for STA^IVJ:PIISrathe French Indelible Stamping Paint; this fore you work the design.

FRENCH INDELIBLE STAMPING.—This

FOR STAMPING WITH PERFORATED PARCHMENT PATTERNS.

DRY STAMPING.— This done by process known follows — Place The process pattern (rough as

as pouncing. side up) on the

a

is

is

the

:

material to be stamped, placing heavy weights on the corners to keep it from slipping; then rub the powder over the perforations with the distributor till the pattern is clearly marked on the material, (this can be ascertained by lifting one corner of the pattern slightly). Then remove the pattern carefully, lay a piece of thin paper over the stamping, and pass a hot iron over it; this melts the gum in the powder, and fastens the pattern to the material. The iron should be as /w/ as possible ivifkoiii scorching the cloth. Should the heat change the color of the material, iron it all over. Do not do any stamping by this process on a hot or damp day if it can be avoided. Keep the powder in a cool, dry place. In stamping with light colored powders, the best way to fasten it is to hold the back of the cloth French stamping is betagainst a stove pipe or the face of the iron. ter, however, for all dark materials. To take the powder up on the distributor, have a tin plate with a piece of woolen cloth glued on the bottom, sprinkle a little powder on the cloth, and rub the distributor over it, taking care to shake oft' all the powder you can enough will remain to stamp the pattern clearly. ;

DISTRIBUTOR. —To

aiAIiE BLUE POWDER.— Take equal parts of pulverized gum damar and white rosin, and just enough Persian blue to color

TO

mix well

together.

The Blue Powde'r

is

for light

goods;

it

will

not work well on dark goods.

lilGHT enough only.

COLORED DRY POWDER — does to give satisfaction.

Any

LARD OIL

is

goods that the

is the best process for all dark materials, in fact, this and the blue powder are all that will ever be needed. By this process a kind of paint is used inPlace the pattern stead of powder, and a brush instead of a pouncet. on the cloth, smooth side up if you can, though either side will work Rub the well; weight the pattern down as in powder stamping. paint evenly over the perforations, and it will leave the lines clean, sharp and distinct. After the stamping is done, \.he pattern must be cleaned immediately : this is done by placing the pattern on the table, and turning benzine or naphtha over it to cut the paint, and then wiping the pattern dry on both sides with an old cloth, or, better still, with cotton waste, such as macliinists use to clean machinery, this is cheap and absorbs the paint and naphtha quickly; hold the ])attern up to the light to see if the holes are all clear, if they are not, wash it the second time. Do not use the pattern for powder immediately after it has been -vashed : let it dry a short time, otherwise the moistened gum will clog the perforations.

TO MAKE THE PAINT.—Take

zinc white, mix it with boiled little drying, such as painters use. Get a painter to mi.x it for you. Keep in a tin pail (one holding a pint is a good size), have a piece of board cut round, with a screw in the centre for a handle, to fit loosely into the pail drop add a little oil occathis on the paint and keep it from drying up sionally to keep the paint from growing too thick, and it will always be ready for use. oil to

about the thickness of cream, add a

;

;

make

a Distributor, take a block of pine wood, two or three inches square, and tack a piece of soft felt on one When the distributor gets worn, cover it over with a side of it. piece of soft felt; a piece from an old felt hat is just the thing.

it;

must dry thoroughly hs-

not work well

We

make the Blue Stamping Powder Blue Powder will not work well on, use

better to use in the Paint than boiled oil.

We now

THE BRUSH. — Take

a fine stencil brush or any brush with a square end, wind it tightly with a string from the handle down to within one-half inch of the end, this will make it just stiff enough to distribute the paint well. Keep the brush in water, to keep it from drying up, taking care to wipe off the water before using.

If these directions are carefully followed, the stamping will always be satisfactory. The great secret of success in this business is to fre-

quently show

furnish the Paint,

new

all

designs.

mixed, ready to use.

See price on Order Sheet.

HINTS TO STAMPERS. The

table

on which the stamping

first with one thickness of felt or other soft of enameled cloth drawn tightly and tacked at the sides to make a perIn stamping plush, the nap should be fectly smooth and level surface. rubbed up evenly before the stamping is done. In stamping repped .a, i^,;l)e.Sirips, Scallops, Vines, .

Clienille, Silk, etc., 15c.

ftc.

TIDY i POINT RUSSE PATTERNS.