... and fire-blast, meaning's press and screw. – Samuel Taylor Coleridge (1818).
Meditation XVII Box. CC. 2008, Philip Chapman-Bell http://origami.oschene.com
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Meditation XVII Box
xvii With Donne, whose muse on dromedary trots, Wreathe iron pokers into true-love knots; Rhyme's sturdy cripple, fancy's maze and clue, Wit's forge and fire-blast, meaning's press and screw. – Samuel Taylor Coleridge (1818)
CC
2008, Philip Chapman-Bell http://origami.oschene.com
Meditation XVII by John Donne (1623)
N Dicunt, M
t nother, says ma he at y be h t Ia so ill, as bo m, ea r ni a a s at that they who ve rsa l th l hi a l , so tb ch s; ha are all her action t is m es ns o ,o y he int tra d so ne e t h t a d too, and ingraf u m c ha ,b nd eb k a bu p o , te r i o yj ow tu on s not torn out of the b ust th ati l d po s i u c ho n e; b b rin a nt ut Go ll; ys ry tr he e a gt e v e he s d n i ' s hand is u con th op fro be alls at g t c r r h o l e e l a t m g ll d y ation to yer be ca o ed, come, so this n, s fi o th i n nr i N vo a m rst i g em tol .N l ve eter n the ld? it a l fo ee rc ov morning; and it was d or rm di h e w r t t ea e an n him s nm r it f it, ny thi h it i that t .A fo d g r om f u o s y a h o h t l inks it doth; and nk l t b an ma no u that o , o t d i f n e t nh th bell w d, a sel n ne s; i er ath hich is passing a piece of him nd mi ipe toll r ma l a t l h e e d eref nou in nm an he b ore n gh ever send to know for whom t red old ay u g o t a f s be it. N m s, a sick o m an s not wel hath aff liction enough that i o too b , an d his sick to lie in death, and this affliction may
o or i N e ( r i s om st e, T mu u h o kn him ow ut s for e n s l o l t o i t t m av e, a sh yh nd tiz e ma , s e e p t d e a t m s y a o od b es b ur yw she elon l eb hen g h s a W t . o l l h a e b t s r e t e n d o s e f h is int I am r mu ha a member. And w ib oa ter n tl b m d e hap tter sh a uc tha .T language; and every c h ll u for e ess b m l i dr n b nd u ain m is s ag i ck p all o in g o r e m th t ur scattered leave is s s e h f h t , t f s o a w i y an r h t y o s ca mi t th am br or b nit is fa ought so near the do nu ho at dig e a .I r t e W i o n a e h t s . t e ear he i sl tha ain iser od ight liest. If d an rc t th o em we understand ar oG m m d t i a s , n ad occ en en f th ot ited n o v w a n u t s b e t i s a i o i e r r n e e w f co r cal o u of it ght upon him, he ere o dh a pa w is , i l f t t f n s n e o t e a e h l n th f w n r , ; i i t e o s v G h d e a l r y m us by be od an is a piece of the con oug go g h e if t g f b s i n o t a y g e: oh of m th ge isery, a d i m s i e f t e om r o m y , g a o n i r w w a r b o r o f ; f a dt l bu ict r in i o o t gol , n t n . I h f a i hat m s an carry treasure in bullio bell ies t , t h appl a t tells me of his affliction, digs out and
Lent ,t w t his bell di f e.) he Pe ce, n r a n c h ;a hi n dp yt o ca erchance I ma kn us I e h es d nd it to rt ac toll for me, a fo i s h e ; i e i s l d, d a sm n t i h es m a t action concern an, pi ot a nk th me r ll m r ar a a a o t : a s o n e c y t m f ; i s s o n n r l e c o c e n a w r he ted e or s he he ; Go slat ,r re re st d ty l tran e a w e i A r m e ll p v . e l ver s o s y r as th ign ising y bo the ac at n ano ok h dd r o o t n s n h t a l t l ten ol l ie open to one n by ty a e s l e t s r i clo up h o for n as f h pi as wh ou is ar as a suit (in which bot d ou et e it ell e b b o r y m w e e l e o veni ee mak ry to wa as ac ng pra d to no th sh n ise ye be gla re , na om e d r l , u w e w o e r e e m s u f u e d e w c g n e y aw w oi n h th he ry th his e s se o n a o f n f t n i s i y t o r i f s n d e i e s u e k b s a ? t ur b o o h u t d w y er u re th omo on i r r co u a n e p s p s e tio t e a, E re lv o s if a eas gu a e u l r n l c r s e i o n t w p , s e u a i k , s s t h e s l e b my a r o u r tm f en n is , in t o a u e s ing t s no t f m etch lati ak xt hou o u e t i n n n e m b h h t o i r e f o m r e r e y ym T , r . h ' s s l i s e t dan r l f, b eas e trav u h r e s g yse a w i m e l i l h n y o t a r f d e r I re m t a k e min secu e own into nd so contemplation, a
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onitu oll ing softly fo or lls wh om this bell to km an yse w r th e l f t t s no ,u o much be lic t th at o h w t at. T ch dy he church is Ca ild of o di is th tb on an th a ec ereby o e t m connected aut es r, ne hor are et wa no e , y h a he n w y, b tra d is one volume; nl nsla be me lig l o o s r t , ll t ed b e io ou h h hat y age, some by sickness c ea na s a T rly ring rs nd pre s. s to a , in the at ti rde est i n h o o p sermon calls not u s ima d br tha tw iou ee tion ea if g u d i l t e b n in ks , wer r am app s? e mingled), which of the se i m ou l g o fo i a an c h n a a i t? W w I tion or ur sc nr his, , that se s o a tu i d h o l u l s n e t o it might be ours as w a ft n eig ca re b en hy yi occ ,a be y d e b hb of , n s to r f a n e , rien ot his n ou i sm m asu en ear to any bell which upo d's rs. y G t, bu av ishe tre o n e i T r a o h t it ruly im f thin od e, n is e own were: any man's death d is n it w ,w ctio om i l ere a ot c h f f ho ra n exc urr our is o id, fo usable cov ent arer ss if we d e e n tous ur e m n oney d onl er an in the y se use of it, except we get near curi ty.
This spiral is set in IM FELL English PRO. The Fell Types are digitally reproduced by Igino Marini. http://www.iginomarini.com
