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Caat^o T b e e t e r ta»» night, where ; Koaaaevteh'e e t u H y voice x*as well Mr. Bodenaky nooductlng A t n e x t Sunday nlght'a "Special ".be S i n Cat'o Opera Cuiapany pve- 'err»pbyi'd in t h e i de of yhaunard, Oala Concert,' 1 Mmee l*elder and i e r t e d " l . a Boneine.'* with a cajt the other a y p p o r u r g amge^a heina; Mr l^snge'a miniatration* werp Of the Opera I Mario Valle and Harold Crawford. Olacewaka and Meaare. Melchlur, av»pl> taaiefu), but U Hor.egger a I (huiight waa a hn>py ona bin ajaja>| The f i m perforpiar.se thl* ae*- Schorr and M?t and tha Arinn So- that included B'a:< a Harnya ae ! Carlo Peroai conducted end tha itioii of it * a a a c a n e l y t o ba aoiflon of " t l o e t t e r d a f i i i n u r ing," laat cietv of Brooklyn f J H mixed voices, Mimi, Sydney P.ayaer as Hodolfo attendance v aa gc. Monday evening with Mutes. Jteth* , « • J • «| D u • to th* muaicai and theatrical qualiIliaa Heeg aavtaked on laia ajaarleh- herg, o u t c w a k a and Clark and j M e a r a m L.& O O P e m t J lable w o r k the full m«a»ure of her Maaire. Oe.1 Cbreo, Borgiuii. Pinn, ties ot the erotrki and tna pcrfor n ak'li and wisdom, which r e m l u - d Artlettion and Paltrinieri. Mr S i r Puccini'a veraion ot the Left a m e w a s aif-o enhanced by the i in a performance a. i w t r to p«r. aiin will conduct and Miss DeLe- ; B a n k K I D to have be«n seen at the gfteethrely aimplg gettbtajg Mtefan fee'.ton aa mortal es»*« -«re likely a e t t e VHI te&d the ballwt Other to begr. Her delicately curved operas of the e l e v e n t h week will , 1 yet cubtly pulaaUnaj projection of be: j the f irgt theme w a s In Itself H lec• Trlatnn und l a e l d e " on Wednaa- , | ture on the meaning £ Mtaelaoa, which appear* turaa" (Mo t) la D major, l*r|*ad Wahafleial aael Meaere. Jnnn', t, an occasion lot some- geyety, the w o i k can he gtvajl after a too ltt'ie ereheetre. Ite »insle benrlag. The booic U rich elif'ht- b* 6 ' Tibbett, IVAngelo. W i i d h e i m , i - , . , . are eulogies of the- dead h n o j w t r » . : Altgla«s, P a l t i i n t e : ! t c.r;- .,..^...i»»^ • • ^ • > ( i . o *he p a r t j bill, the feraaec with Mme, Mario gftet ska he? fai'en in love w i i h His orcheMtia:ioji i« mostly l n s t r j Mr. Lange off-red for the a t t e a - i 4 l ...--••'•• a ySUBg fifcherrnan. \ mentation ar.d not quite itjre. Ht« *ion o.' hia audience a Jiach su'.'e of Lady Mmi^'id Btaadyc, w h i c h (and MsgtUg. Mertinelli, Tibbett, la eipla'.ned by Albert Stoesael. j; reritati\« is 6e\ iuus and tmetrtaUl wjt^ aung bv Leonora Corona in \ O-hanovaky and Tedc:-'. ; Mr. Bel,.>),, ceneueted the perfoitnance ami hi* vocal line is dis;ortefi HC- aaleeted er.d arranged by Arthur plece ef Ooete Ljursrberg. O t h e r j lesaa conducting the Ittter with fnrre is BO system of guuhng •j enrdmg t o the faehttan of mod HeaaeggSf -from various of the leading si n g e i s wtre LewTeaoe T i b - Mmes. Dongjberg, Manski, Qlaaeen themss i t Mr. AnrheU'e gcera,)jefnteta. The writing tow the tele bett. Edward Johnson and Lnulg an d Doe, and Messrs. lVuenz, though repltltloa of melodic f rag-,i y o k e s Is unfavorable to good sing- French suites. Th;< arranger pre D'Angelo and t l l s d v S w s r t h o u t . Schorr. Liet, Olemens. Alteia^s, nent ta '.i*fd la building the struc-• ing and mu«» have been a camel tax aaaatadJ his f i v e gageetpte i n the Tulle Sernfin conducted. The audt- Gandolfi. B a d e , D'Angelo, Pal trimt,.i. Thf saaeia laj •simple and I upon the U&finleked t e c h m c cf tlie geejueaggg adopted by Bi>ch in these I e n c f was large. leri, Gabor. Wlndheim and Wolfe: inert He (the composer > ha* j works, t h e order beiafl an 'An-j — away from the lux .riant | gtudeata. Sf(ttea methods of the ektwnsatlcdats end; W h e n t h e production is riewed In gleiae" in B minor, a "Parabande ' i a . o t t e " in B, a "Mer-.iPt ' I lata remantleists by arhteving a] gwtft retrospect the fancy and w i t j • tr,pie and harder tin*. Relevant. ! of i h e book, th; ( a e t u r a l l y auiiiearfset crude dr.-l o! en i'f*l(var*. motives are ti»»d ai deeorattve devices In place Igat e v e n i n g , and the froteaquerji "Glfnje" in G. I* '.vas the pteaeoi enalit^iHlod the I of Hor.egjrtr 'o r t U i n the keys of Isle the of the Plost andiihedea nf the in stated e' the sumptuous 'oweU* harmon- of Ctteek chorus at the eldea of t h e ' the erlgiaal wrlllagj, which v,Rj {(R of 'he early n l n o t e s e t w e n t i e s . "A mmilar revolt f r c m post-war Htnpe stand o it n est prominently. i bound to he aietraetlnf for listen- \ tteeernisni is noted tu t h e orebe*> But w h a t e v e r ta awid here must be ers with a sense ef pitch, ap- i bation Here only primary cn:oi« accepted M the immediate and too ! AifXANPta xosrjA* p e a n n g . « « they did, in the ggojuence grs uaad There i.« little "blending' rapidly formed summery of a arork : P R O D U C T I O N Ot ' noted above How* »r\ it mlijht be whose details mighl receive more — DAILY K I T V S fa the Richard BtraUM manner. Observed that H o n e g g e i re»ainea aearching coneidc ration. "Helen * The sound effects lean toward the hfud ?nd brilliant. Although I W Retires" will have more perform- : very Httkl else, a s regards spirit or j style. playing in ordinary sendera orcnei-- ances tonight and tomorroWi j B 'i srag hta purpeee to approxl ~ . N i 5uf» !>•>, fyiraordinary dew that loiUs mo"( tike a piano than H. York City this week tock Ke toll I the ori.ir.el in *.*ne teragf of t h e ; 4mm part and demand.* eapec.aily llfl the B r o n t when a seven-foot 1 ereheetre of toeaay, 'he !ici< ef Cenatrueted ajnall tympani; an un- ! snowdrift made it impossible for : haes t r a s s and wood winds cou'd | not be overtooksd. Actually, howejae int j ann pi M ar> , UP, one tn get i.i or r •• of t h e r W a . Y * t 4 S t h ST. eral potnti about the orchestration Bronx Art Theats-r, a small ftdatteb ever, the arrangement aeamod purOOUOlaS rA|ta,AMtC5 T*"-« t . he mentioned. The treatment of playhouse, situated opposite Bronx j-iose'ej-g; what there n a s of charm and E U Z a l f T H Scft < t!ir**i s«t 'i *••- -Ian the principal pert* la predominat- Paak, As a resv't, performenceg of ' find suavity In the strings' phrasing I se- UJa.|ikmOaa * ajissaaai ake "DiftinJ by ' of an aceesionsJ passage waa neH*t. i m - M a - aaa ingly lyri^ and very bttle of the " A i l in a TJferime " Jewiet d r s m a UNiTto aatisti SA'Jl CZ!NNf.a M t t t '•»/,»r* S**» "n't jsr.d
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Thomas M. Tryniski 309 South 4th Street Fulton New York 13069
www.fultonhistory.com
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