PIANO SOLO: - Broekmans & Van Poppel

A PRIMA VISTA a survey of reprints and of recent publications

2005/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CD’s: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected]

2 CONTENTS A PRIMA VISTA 2005/1 PAGE

HEADING

03 06 07 08 11

PIANO 2-HANDS PIANO 4-HANDS 2 AND MORE PIANOS, PIANO AND ORGAN, HARPSICHORD ORGAN KEYBOARD, ACCORDION

11 12

1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: VIOLIN SOLO VIOLA SOLO, CELLO SOLO, DOUBLE BASS SOLO, VIOLA DA GAMBA SOLO

13 15 16 17 18

1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: VIOLIN with accompaniment VIOLIN PLAY-ALONG VIOLA with accompaniment CELLO with accompaniment, CELLO PLAY-ALONG DOUBLE-BASS with accompaniment, VIOLA DA GAMBA with accompaniment

18

2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT:

23 24 25 27 28

1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: PICCOLO SOLO, FLUTE SOLO OBOE SOLO CLARINET SOLO, SAXOPHONE SOLO BASSOON SOLO, TRUMPET SOLO HORN SOLO, TROMBONE SOLO, TUBA SOLO

29 30 32 33 34 35 36 37 38 39

1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: PICCOLO with accompaniment, FLUTE with accompaniment FLUTE PLAY-ALONG OBOE with accompaniment, OBOE PLAY-ALONG CLARINET with accomnpaniment, CLARINET PLAY-ALONG SAXOPHONE with accompaniment SAXOPHONE PLAY-ALONG BASSOON with accompaniment, BASSOON PLAY-ALONG, TRUMPET with accompaniment TRUMPET PLAY-ALONG, HORN with accompaniment HORN PLAY-ALONG, TENOR HORN with accompaniment TROMBONE with accompaniment, EUPHONIUM with accompaniment, TUBA with accompaniment

40 43 44

2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 2 AND MORE WOODWIND INSTRUMENTS 2 AND MORE BRASS INSTRUMENTS COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS

45

COMBINATIONS OF WIND AND STRING INSTRUMENTS

48 51 56 57 59 60 67 70 72

RECORDER GUITAR MANDOLIN, HARP PERCUSSION MORE ACCORDION, CONCERTINA, MISCELLANEOUS SOLO VOICE, SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT, UNACCOMPANIED CHOIR OPERA, OPERETTA, MUSICAL, ORATORIO, MASSES, ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS BOOKS OF MUSICAL INTEREST

compilation by Jan A. Hollanders . prices in EURO (€) subject to changes and errors

3 PIANO SOLO: 160111 711103

710912 710553 121903 711191 710658 710923 711017 711018 710928 160372 710910 710874 710875

710664 711194

710674 711035 158796 710857

ALBUM Ancient Irish Airs and Dances: 201 Classic Tunes (Petrie, Hoffmann) ALBUM Keys to Stylistic Mastery: 28 Late Elementary to Early Intermediate Pieces from Five Style Periods Book I (The Baroque Period: 1. ALEXANDER: March in G major, 2. LULLY: Menuet in D minor, 3. KRIEGER: Menuet in A minor; 4. TELEMANN: Gigue, 5. BACH: Chorale, 6. HANDEL: Aylesford Piece; The Classical Period: 7. DIABELLI: Bagatelle, 8. NEEFE: Canzonetta in C major, 9. CZERNY: Melody in G major, 10. ALEXANDER: Miniature Sonatina, 11. STEIBELT: Adagio, 12. HAYDN: German Dance in G major; The Rom,antic Period: 13. BRESLAUR: Waltz, 14. ALEXANDER: Tender Thoughts, 15. SCHUMANN: Little Pice, 16. REINECKE: Elegy, 17. GURLITT: March, 18. THOMÉ: Melody; The Impressionist Period: ALEXANDER: 19. Glistening Willows, 20. Osaka Castle Graden, 21. Temple Bells & 22. The Lonely Sparrow; The Contemporary Period: 23. STRAVINSKY: Andantino, 24. BARTÓK: Hungarian Folk Dance, 25. MAYKAPAR: The Shepherd's Flute, 26. REBIKOV: The Chinese Doll, 27. BARTÓK: Slovak Peasant’s Dance; 28. ALEXANDER: Zany Zebras) (Jacobson-Clarfield, Alexander) ARNDT Felix 1889-1918 Nola. A Silhouette for the Piano BALAKIREV Mily 1837-1910 Sonata in B minor Op. 102 (Yablonsky) BEETHOVEN Ludwig van 1770-1827 Musik zu Goethes Trauerspiel “Egmont” Op. 84 (Hell) Sonate Op. 27 Nr. 2 (Die sogenannte Mondschein Sonate). Mit drei Skizzen des Meisters (Schenker) facsimile BERIO Luciano *1925 Sonata (2001) BOULANGER Lili 1893-1918 Trois Morceaux (1914) BRAHMS Johannes 1833-1893 Two Rhapsodies Op. 79 (Krust) Urtext Two Intermezzi Op. 117 (Krust) Urtext CHAMINADE Cécile 1857-1944 La Morena. Caprice espagnol Op. 67 CHOPIN Frédéric 1810-1849 Walzer e-Moll Op. posth. (Zimmermann, Theopold) CIMAROSA Domenico 1749-1801 Four Keyboard Sonatas R.20, R.25, R.27 & R.30 (Rossi) COHEN Roger Souvenirs imaginaires No. 1 Mémoires de scène (Nuages; Ma première valse; Cerf-volant; Très haut dans le ciel, vole l’oiseau; Mal de mer; Air songeur; Jour de fête; Plaisanterie; Mélancolie; Ivresse; Danse de Saint-Guy; Câlin; Heureuse surprise) Souvenirs imaginaires No. 2 Jeux de mémoire (Danse de Sioux; Au fil de l’rau; Tout schuss!; Vertige; Allegresse; A travers champs et prairies; Coeur tendre; Un belle journée; Tarantelle) CORNICK Mike On the light track: 8 original jazz piano pieces (1. Marking Time; 2. Sam’s Blues; 3. Valse; 4. Latin-ise; 5. Blue Berceuse; 6. Minimal Blues; 7. The Next Ascent; 8. Pedal-Dee-D) level 3 On the right track: 7 original jazz piano pieces (1. Hi-Jinks!, 2. Somewhat Blue, 3. Sonatine, 4. On the Lighter Side of Blue, 5. Going West, 6. Out for the Count, 7. Suzanne) CD included EDWARDS Ross Five Little Piano Pieces EINAUDI Ludovico *1955 Eden Roc ERÖD Iván *1936 Three Piano Pieces Op. 66: Op. 66a. Hommage à D.L.; Op. 66b Bartók’s Gedenken; Op. 66c. Blumenstück) (1995-1997) ESCAICH Thierry *1965 Aria

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11,90 5,55 18,85 18,00 19,20 27,65 6,95 10,65 7,95 5,55 5,15 37,80

13,35 13,35

21,80 21,80 11,45 19,30 11,45 8,55

4

160658 162113

710956 710883 710671 157059 710555 > 710558 157608 711187

710616

711225 711209 161231 710621 162238 162239 162240 162241 119395 710922 710790

FROMM-MICHAELS Ilse 1888-1986 Passacaglia Op. 16 GERLITZ Carsten Tango for Kids (Tango Piano Pieces for Children): 1. media luz; 2. Blue; 3. Paolo!; 4. El Choclo; 5. Silenzio; 6. Tango di flamenco; 7. Tango di habanera; 8. Tango di zick-zack; 9. The coles embrace style; 10. Viva argentina; 11. The red tango GESZLER György 1913-1998 24 Preludes and Fugues (Wedgwood) GIRARD Anthony Ma première fugue (Bouthinon-Dumas) easy GOLDMARK Carl 1830-1915 Georginen: Sechs Klavierstücke Op. 52 GOULD Glenn 1932-1982 Sonata GRAINGER Percy Aldridge 1882-1961 Richard STRAUSS 1864-1949: Der Rosenkavalier. Fantasie über das Schluss-Duett GUGLIELMI Alessandro Pietro 1728-1804 Sonate (Coarelli) GUILLARD Rémi Livre pour Audrey: 8 pièces pour piano Op. 135 (1. Audrey; 2. Petit Boogie; 3. L’Orgue de Barbaril; 4. Marche; 5. Pantomime; 6. Portrait; 7. Valse pour Audrey; 8. Ballade) HEGER Uwe *1957 Klezmer, Blues, and more . . . Ragtime, Latin Folk. Band 1 HELLER Stephen 1813-1888 Notenbuch für klein und gross Op. 138: 25 Melodische Stücke Band I: Fünf Lieder ohne Worte: 1. Zueignung, 2. Sanfter Vorfwurf, 3. Abenddämmerung, 4. Jägerbursch, 5. Barcarole; 6. Etüde, 7. Gedenkblatt, 8. Scherzetto, 9. Kuriose Geschichte, 10. Weinendes Kind, 11. Tröstende Kameraden, 12. Die Stumme, 13. Jägers Abschied, 14. Trauerblume, 15. Vergiß-mein-nicht HOLLIGER Heinz *1939 Chinderliecht. Schtückli für chliini u grossi Ching ou zum Erzeue und zum Mitsinge / Kinderleicht. Stücke für kleine und große Kinder auch zum Erzählen und Mitsingen (19931999) (Contents: 1. Em Tigi sis underbrochene Mittagsschlöfli / Tigis unterbrochenes Mittagsschläfchen; 2. Böckligumpe / Bockspringen; 3. Di kabutti Wauzerplatte of em Schpinngramefon in C-Dur/F-Dur / Die kaputte Walzerplatte auf einem Grammophon, das spinnt in C-Dur/F-Dur; 4. d Chatz u dr Schpatz / Die Katze und der Spatz; 5. liecht – S Jodlerduo Schwarz-Wyss, schwärer – “Hesch scho ghört vo de ChineSenne?”, vierhändig – dr zwänzgfingerig ChineSenn / leicht – Das Jodlerduo Schwarz-Weiß, schwerer – “Hast ddu schon von den ChineSennen gehört?”, vierhändig – Der zwanzigfingerige ChineSenn; 6. Mileva I; 7. Mileva II; 8. Dr Schutzängu (zäh- oder zwänzigfingerig) / Der Schutzengel (zwei- oder vierhändig); 9. Burdiefer Boogie-Woogie / Burgdorfer Boogie-Woogie; 10. Dr Igu und dr Hass / Der Igel und der Hase) partly 4-hands ICHIYANAGA Toshi *1933 Piano Space JAKUBOWSKI Pascale Huit petites pièces (Bouthinon-Dumas) moyenne difficulté JAUFENTHALER Gottfried / ZEISLER Maria Klavierspielen - super einfach - einfach super with chords, CD included KIRCHNER Theodor 1823-1903 Fünf Sonatinas Op. 70 (Loffler) Lieder ohne Worte: 7 Klavierstücke Op. 13 (Joelson) Nachtbilder: 10 Charakterstücke für Klavier Op. 25 (Joelson) Phantasien am Klavier Op. 36 (Joelson) Dreißig Kinder- und Künstlertänze für Klavier Op. 46 (Joelson) MARTINŮ Bohuslav 1890-1959 Loutky I (Puppets): Short Pieces (1. Columbina Dances, 2. The New Puppet, 3. The Shy Puppet, 4. Fairy-Tale, 5. The Puppet’s Dance) (Březina) MASON Daniel Gregory 1873-1953 Country Pieces Book I Op. 9 MEDTNER Nicolas 1880-1951 Sechs Märchen Op. 51 (Flamm)

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5

710263 710262

710356 158798 710873 162249 710924 710572 157418 710675 710575

710622 154933

154934

154935

154936

154937 154938 161176 710676 710628

MIER Martha Arkansas Suite [Sugarloaf Mountain; Little Rock Ragtime; Red River Flows Gently; Final (Maumalle Celebration)] Bravo! Book 2: 7 Intermediate to Late Intermediate Piano Solos with Spirit and Flair (Genesis; Jazz Extraordinaire; Pastels; Scherzo in D minor; Spanish Dance; Tarantella; Toccata Vivo) MOUSSORGSKY Modest 1839-1881 Pictures at an Exhibition (Bricard) NEUKOMM Sigismund Ritter von 1778-1858 Variationen über ein Rondo aus dem Oratorium Die Schöpfung von Joseph Haydn (Kircher) PESSON Gérard Trois petites études melancoliques ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 “Blumenlese”: 56 Klavierstücke aus Boßlers “Blumenlese für Klavierliebhaber” (Päuler) SAINT-SAËNS Camille1835-1921 Rhapsodie d’Auvergne Op. 73 SIMONS Moises 1890-1945 The Peanut Vendor (El Manisero). Concert Paraphrase by Paolo Gallico SMYTH Ethel Mary 1858-1944 Sämtliche Klavierwerke Band I: Sonaten (Sonate Nr. 1 C-Dur, Sonate Nr. 2 cis-Moll, Sonate Nr. 3 D-dur) (Gavrila-Serbescu) STAUD Johannes Maria Bewegungen (1996) TCHAIKOVSKY Peter I. 1840-1893 Twelve Pieces of Moderate Difficulty Op. 40 (1. Etude; 2. Chanson triste; 3. Marche funèbre; 4. Mazurka; 5. Mazurka; 6. Chant sans paroles; 7. Au village; 8. Valse; 9. Valse; 10. Danse russe; 11. Scherzo; 12. Rêverie impromptu) VERDI Giuseppe 1813-1901 Rigoletto. Konzert-Paraphrase über das Quartett von Franz Liszt (Liszt) VINCIGUERRA Remo Crossing Borders. A Progressive Introduction to Popular Styles Piano Book One (1. First Syncopation, 2. How it Was, 3. Royal Parade, 4. Blue Note, 5. Boo!, 6. Springy, 7. Little Study, 8. Two-hand Stomp, 9. Mr Smooth, 10. Dizzy Waltz, 11. Secret, 12. Topsy-Turvy, 13. Fresh Air, 14. On the Move, 15. Reflection, 16. Ragtime, 17. Mirror, Mirror, on the Wall, 18. Rock Star, 19. Ping-Pong, 20. New Age) Crossing Borders. A Progressive Introduction to Popular Styles Piano Book Two (1. The Show Begins, 2. Cool Cat, 3. Big Top, 4. Shining, 5. Merry-go-round, 6. The Good Old Days, 7. On Tour, 8. Piano bar, 9. Up Country, 10. Why Not?, 11. Gliding, 12. Come On, Then!, 13. Northern Lights, 14. Orange tango, 15. Whirling, 16. Michel) Crossing Borders. A Progressive Introduction to Popular Styles Piano Book Three (1. Maypole, 2. On the Road, 3. Weekend, 4. River Flow, 5. Moonstruck, 6. Prelude, 7. Old Times, 8. Maracas, 9. Lazy Day, 10. Suprise!, 11. Distant Shore, 12. Mountain Rider, 13. Boogie Bear, 14. Teasing, 15. Bordeaux) Crossing Borders. A Progressive Introduction to Popular Styles Piano Book Four (1. Funky Bear, 2. Joker, 3. Bucking Bronco, 4. Let’s Go!, 5. The Comedians, 6. On The Waves, 7. Gold, 8. Off-beat, 9. Domino, 10. On the Train, 11. Pastorale, 12. We like to Swing, 13. Sleepy Pianist, 14. Astor, 15. Dixie Kangaroo, 16. Deep South, 17. Caught Out, 18. All Aboard!) Crossing Borders. A Progressive Introduction to Popular Styles Piano Book Five (First Improvisations: Nos. 1-15) Crossing Borders. A Progressive Introduction to Popular Styles Piano Book Six (Jazz Sonatinas: Nos. 1-7) WAGNER Richard 1813-1883 Siegfried-Idyll WWV 103 in einer Klaviertranskription von Glenn GOULD (Morey) WEILL Kurt 1900-1955 Sechs Songs aus der Dreigroschenoper (1. Barbara Song; 2. Seeräuberjenny; 3. Ballade vom angenehmen Leben; 4. Liebeslied; 5. Zuhälterballade; 6. Kanonensong) (Formenti) YE Xiaogang *1955 Ballade Op. 25

5,25 8,95 16,45 12,20 9,25 36,00 6,95 5,95 19,30 15,35

19,45 12,80

10,10

10,10

12,15

12,15 14,20 14,20 16,65 19,20 14,80

6 PIANO 4-HANDS: 710481

711051

710353 710476 710678 710517 710902 710907 710908 710574 162172

710616

160115

710660

ALBUM Five-Star Sacred Duets: 12 Colorful Elementary to Late Elementary Arrangements of Hymns and Spirituals (1. Amazing Grace; 2. Do, Lord; 3. Every Time I Hear the Spirit; 4. God Is So Good; 5. Holy, Holy, Holy; 6. Jacob’s Ladder; 7. Jesus Loves Me; 8. Just As I Am; 9. Stand Up, Stand Up for Jesus; 10. Sweet Hour of Prayer; 11. Swing Low, Sweet Chariot; 12. This Is My Father’s World) (Alexander) ALBUM Les plaisirs du piano à 4 mains Volume 3 (Classiques et romantiques: Wolfgang Amadeus MOZART 1756-1791: Finale de la sonate KV 381; Ludwig van BEETHOVEN 1770-1827: Contredanse; Frédéric CHOPIN 1810-1849: Polonaise Op. 40/1; Johannes BRAHMS 1833-1893: 5e danse Hongroise; Musique du XIXe au XXIe siècle: Antonín DVORÁK 1841-1904: Danse slave Op. 72/2; Moritz MOSZKOWSKI 1854-1925: Danse espagnole Op. 12/1; Edvard GRIEG 1843-1907: La danse d’Anitra extrait de la 1re suite de Peer Gynt; György LIGETI 1923: Csángó Forgós; Claude DEBUSSY 1862-1918: 1re Épigraphe antique pour invoquer Pan, die du vent d’été; S. BLET *????: Preludio; R. GUILLARD *????: Ragtime Op. 2/8; Thierry MASSON *????: Boogie Liguily)) (MendelsVoltchikis) BRAHMS Johannes 1833-1893 Hungarian Dances Volume I: Books 1 & 2: Dances 1-10 (Bell, Bell) Hungarian Dances Volume II: Books 3 & 4: Dances 11-21 (Bell, Bell) BRUCKNER Anton 1824-1896 IV. Symphonie (Romantische) Es-Dur 1874, 1878-1880 (Löwe, Wöss) DAMASE Jean-Michel *1928 Mirage DITTERSDORF Carl Ditters von 1709-1799 Ajax et Ulysse. Sonata (Badley) Jason, qui emporte la Toison d’or. Sonata (Badley) Hercule en Dieu. Sonata (Badley) DVOŘÁK Antonín 1841-1904 From the Bohemian Forest Op. 68 (1. In the Spinning Room; 2. By the Black Lake; 3. Walpurgis Night; 4. In Wait; 5. Silent Woods; 6. From Troublesome Times) (Šourek, Čubr) GOTTSCHALK Louis Moreau 1829-1869 La Jota Aragonesa and Other Favorites: 1. La Jota Aragonesa Op. 14, Caprice espagnol; 2. Ojos criollos (Les yeux créoles) Op. 37, Danse cubaine, caprice brillant, contradanza; 3. “Réponds moi” (“Di que si”) Op. 50, Danse cubaine, caprice brillant; 4. La gallina Op. 53, Danse cubaine; 5. Ses yeux Op. 53, Polka de concert; 6. Grande tarantelle Op. posth. 67; 7. “Radieuse” Op. 72, Grande valse de concert; 8. Ouverture de Guillaume Tell, Grand morceau de concert (Bonawetz) HOLLIGER Heinz *1939 Chinderliecht. Schtückli für chliini u grossi Ching ou zum Erzeue und zum Mitsinge / Kinderleicht. Stücke für kleine und große Kinder auch zum Erzählen und Mitsingen (19931999) (Contents: 1. Em Tigi sis underbrochene Mittagsschlöfli / Tigis unterbrochenes Mittagsschläfchen; 2. Böckligumpe / Bockspringen; 3. Di kabutti Wauzerplatte of em Schpinngramefon in C-Dur/F-Dur / Die kaputte Walzerplatte auf einem Grammophon, das spinnt in C-Dur/F-Dur; 4. d Chatz u dr Schpatz / Die Katze und der Spatz; 5. liecht – S Jodlerduo Schwarz-Wyss, schwärer – “Hesch scho ghört vo de ChineSenne?”, vierhändig – dr zwänzgfingerig ChineSenn / leicht – Das Jodlerduo Schwarz-Weiß, schwerer – “Hast ddu schon von den ChineSennen gehört?”, vierhändig – Der zwanzigfingerige ChineSenn; 6. Mileva I; 7. Mileva II; 8. Dr Schutzängu (zäh- oder zwänzigfingerig) / Der Schutzengel (zwei- oder vierhändig); 9. Burdiefer Boogie-Woogie / Burgdorfer Boogie-Woogie; 10. Dr Igu und dr Hass / Der Igel und der Hase) partly 4-hands LISZT Franz 1811-1886 Weihnachtsbaum: 12 Pieces in Liszt’s Original Transcription (Book One: 1. Psallite, 2. O heilige Nacht!; 3. Die Hirten an der Krippe; 4. Adeste Fideles; Book Two: 5. Scherzoso; 6. Carillon; 7. Schlummerlied; 8. Altes provenzalisches Weihnachtslied; Book Three: 9. Abendglocken; 10. Ehemals; 11. Ungarisch; 12. Polnisch) (Banowetz) MAHLER Gustav 1860-1911 IV. Symphonie G-Dur (Wöss)

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711096 711097

711193 711192 710959 154939 154940 710816

MIER Martha Jazz, Rags & Blues for Two: 6 Original Duets for Early Intermediate Pianists Book 1 (Blackberry Rag, Bouncin’Boogie, Lazy Afternoon in Dallas, San francisco Blues, Straw Hat Strut, Teasing Rag) Jazz, Rags & Blues: 6 Original Duets for Early Intermediate Pianists Book 2 (Counting Ragtime, Fancy Dancin’, Fifth Avenue Blues, Saxophone Blues, Skateboard Boogie, Suwannee River Blues) RIHM Wolfgang *1952 Mehrere (19) kurze Walzer 1979, 1988 SCHÖNBERG Arnold 1874-1951 Zweites Streichquartett Op. 10 (Greissle) STILES Sarah 4 Hands Free. Acht Muziekstukken met Vrije Improvisatie. Plus praktische voorbeelden VINCIQUERRA Remo Crossing Borders. A Progressive Introduction to Popular Styles. Piano Duet Book One (1. Memories, 2. Magic Journey, 3. Let’s Play a Waltz, 4. Moonlight, 5. Steam train, 6. Looking Back) Crossing Borders. A Progressive Introduction to Popular Styles. Piano Duet Book Two (1. Mr. Boogie, 2. Cha Cha, 3. Walking, 4. Alla Joe Cocker, 5. Dreamtime, 6. Paint it blue, 7. Sleepy Seales, 8. Ballroom, 9. Happy Birthday, 10. Slinky, 11. Swinger, 12. Friday Night) Crossing Borders. A Progressive Introduction to Popular Styles. Piano Duet Book Three (1. Sputnik, 2. Floating, 3. Cabaret, 4. Don’t mess with us!, 5. Jamaica, 6. Music Hall, 7. Rock Concert, 8. Mischief, 9. Mystery, 10, Computer Song, 11. Goin’Home, 12. In the Blues Den, 13. Dixie Time, 14. The Entertainer)

9,75 9,75 32,05 51,35 11,00

14,20 14,20

14,20

2 AND MORE PIANOS: 161803 161584 161443 711095

BEETHOVEN Ludwig van 1770-1827 Concerto No. 3 in Do minore Op. 37 per pianforte e orchestra (Cappello) 2 pianos, CD included with orchestral accompaniment and full performance EDWARDS Matthew Concerto for Young Pianists (intermediate) 2 pianos; 2 playing scores PIAZZOLLA Astor 1921-1992 Suite Porteña de Ballet (Bragato) 2 pianos SCHUMANN Robert 1810-1856 Piano Concerto in A minor Op. 54 (Labé) 2 pianos

38,55 16,15 29,05 27,95

PIANO AND ORGAN: 711235

ESCAICH Thierry *1965 Choral’s Dream

21,60

HARPSICHORD: 159390

710910 162864 160945

ALBUM Muffat, Ebner. Sämtliche Werke für Clavier (Orgel) I [Georg MUFFAT 1653-1704: Werke gesicherte Authentizität Teil I: Partiten und Gigue (4); Werke ungesicherte Authentizität Teil I: Partita (1); Wolfgang EBNER 1612-1665: Werke gesicherte Authentizität Teil I: Partita, Toccata & Capriccio Sopra L’aria Pergamasca (3); Werke ungesicherte Authentizität Teil I: Praeambula, Fuge, Toccaten, Versii, Capriccio (43)] (Rampe) 1st edition CIMAROSA Domenico 1749-1801 Four Keyboard Sonatas R.20, R.25, R.27 & R.30 (Rossi) CLAUSELLS Joseph 18th century 3 Sonatas para clavecin COUPERIN Louis 1626-1661 Préludes non mesurés (Versuch einer Rekonstruktion des verlorenen Autographs) (Préludes d-Moll, D-Dur, g-Moll, g-Moll, g-Moll, a-Moll “à l’imitation de Mr. Froberger”, aMoll, A-Dur, C-Dur, C-Dur, C-Dur, F-Dur, F-Dur, e-Moll, c-Moll, G-Dur) (Wilson) CD included

32,00 37,80 9,65

27,00

8

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162860 159391

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ESPONA Miguel 1714-1779 Sonatas para clavicordo o clavecin (1. Andantino, 2. Allegro, 3. Andantino, 4. Allegro, 5. Cantabile, 6. *****, 7. Cantabile, 8. Presto, 9. Andante, 10. Allegro, 11. Andantino, 12. Allegro, 13. Cantabile, 14. Allegro, 15. Allegro, 16. Allegro, 17. Allegro, 18. Andantino, 19. Andantino, 20. Andante, 21. Andantino, 22. *****) (***** = unnamed) FREIXANET 18th century 3 Sonatas para clavecin FROBERGER Johann Jakob 1616-1667 Neue Ausgabe sämtlicher Werke IV.1: Clavier und Orgelwerke abschriftlicher Überlieferung. Partiten und Partitensätze, Teil 2 (Werke gesicherter Authentizität Teil 2: Partita in h FbW 626; Partita in e FbW 627; Partita in a FbW 628; Partita in a FbW 629; Partita in a FbW 630; Partita in Es FbW 631; Tombeau in c FbW 632; Lamentation in F FbW 633; Aria in d FbW 636; Partita Fragment in G FbW 637; Sarabande in e FbW 640; Werke ungesicherter Authentizität Teil 1: Partita in d FbW 618a; Allemande-Fragment in d FbW 634a; Allemande très bonne in d FbW 634b; Allemand in d FbW 635; Partita in A FbW 638; Partita in A FbW 638a; Partita in d FbW 639) (Rampe) HODERMAN George Caspar ????-1781 Six fugues pour les orgues ou le clavecin. Oeuvre première (c. 1780) (Dekker) fac simile

25,70 9,30

64,10 15,00

ORGAN: 159390 161160

158800

160841

710570 152705 161384

ALBUM Muffat, Ebner. Sämtliche Werke für Clavier (Orgel) I (Rampe) for contents see under previous heading HARPSICHORD, 1st edition ALBUM Dresdner Orgelmusik des 19. Jahrhunderts (Johann Georg SCHNEIDER 1789-1864: 1. Elevation; 2. Was Gott tut, das ist wohlgetan;Christian Gottlob HÖPNER 1799-1859: 3. Wer nur den lieben Gott lässt walten, 4. Adagio; Gustav Adolph MERKEL 1827-1885: 5. Präludium und Fuge h-Moll; 6. Con motot; 7. Schmücke dich, o liebe Seele; 8. Wachet auf, ruft uns die Stimme; Carl August FISCHER 1828-1892: 9. Adagio; Oskar Wermann 18401906: 10. Weihnachts-Pastorale; 11. Präl;udium und Fuge über die Töne des Glockengeläutes der Kreuzkirche zu Dresden; Alfred GRUNDMANN 1857-1930: 12. Vom Himmel hoch; Max BIRN 1863-1926: 13. Weihnachts-Fantasie Kommet, ihr Hirten; Paul GEIST 1865-1895: 14. Allegretto; 15. Con fuoco; Paul oTTO KRAUSE 1880-1946: 16. Basso ostinato; 17. Postludiale Skizze) (Sieling) ALBUM Wiener Orgelmusik um 1750 (Gottlieb MUFFAT 1690-1770: Toccata XV mit Capriccio “desperato” a-Moll; Ricercata XXXII d-Moll; Canzona VII g-Moll; Fuga a 4 G-Dur; Ciacona h-Moll; Georg Matthias MONN 1717-1750: Preludio e Fuga 1 a-Moll; Fuga C-Dur; Wenzel Raimund PIRCK 1718-1763: Figa cromatica e-Moll; Georg Christoph WAGENSEIL 17151777: Praeludium primi toni d-Moll; Praeludium scundi toni g-Moll; Fuga d-Moll; Das Glockengeläut zu Rom dem Vatican c-Moll; Andante ma molto d-Moll aus Op. 1/3; Josef Anton STEFFAN 1726-1797: Praeludium Es-Dur; Allegro G-Dur; P. Caspar Franz STARY 1732-1777: Prealudium et Fuga secundi toni g-Moll; Praeludium et Fuga tertii toni a-Moll; Praeludium primi toni d-Moll; Joseph SEEGER 1716-1782: Praeludium As-Dur) (Benedikt) ALBUM Toccatas, Carillons and Scherzos for Organ: 27 Works for Church or Concert Performance (Toccatas by J.S. BACH, BOËLLMANN, CALLAERTS, DUBOIS, FLETCHER, GIGOUT, MacMASTER, MAILLY, MULET, RENAUD, RENZI, SHELLEY, TOURNEMIRE, WIDOR, YON; Carillons by BOËLLMANN, BOURDON, GRISON, MARTY, MORANDE, MULET, SOWERBY; Scherzos by BINGHAM, BOSSI, DETHIER, FUMAGALLI, GIGOUT) (Smith) BIRD Arthur 1856-1923 Concert Fantasia BOËLLMANN Léon 1862-1897 L’Oeuvre d’Orgue II: Suites, oeuvres posthumes et inédits (Suite gothique Op. 25; Deuxième Suite Op. 27; Deux Esquisses; Fantaisie) (Schauerte- Maubouet) BONIS Mel (DOMANGE-BONIS Mélanie) 1858-1937 Composizioni per organo con e senza pedale obbligato (1. Preludio in Sol minore, 2. Preludio in Mi bemolle maggiore, 3. Corteggio nuziale in La maggiore, 4. Offertorio in Sol maggiore, 5. Piccolo Improvviso in Si bemolle maggiore, 6. Offertorio in Do minore, 7. Offertorio in Sol maggiore, 8. Pastorale in Sol maggiore, 9. Toccata in Sol minore, 10,

32,00

23,15

23,75

20,95 5,95 42,35

9

161269 161242 711047 159391

710495 153913

161669 710569 162794

710493 710911 710927 710571 710918 162041

>

150804 150805

Corale in Si bemolle maggiore, 11. Contemplazione, 12. Comunione in F maggiore, 13. Elevazione in Re maggiore, 14. Invocazione in Mi bemolle maggiore, 15. Preghiera in Do minore, 16. Elevazione in Mi bemolle maggiore, 17. Cantabile in Mi maggiore, 18. Versetto in Mi bemolle maggiore, 19. Adagio in Mi bemolle minore, 20. Quasimarcia in Sol maggiore, 21. Sortie in Mi bemolle maggiore)) BRAHMS Johannes 1833-1893 Variationen über ein Thema von Joseph Haydn Op. 56a (Chorale St. Antonii) (Ludwig) Akademische Festouvertüre Op. 80 (Ludwig) ESCAICH Thierry *1965 Poèmes pour orgue Premier Livre: “Eaux natales – Le Masque – Vers l’espérance” FROBERGER Johann Jakob 1616-1667 Neue Ausgabe sämtlicher Werke IV.1: Clavier und Orgelwerke abschriftlicher Überlieferung. Partiten und Partitensätze, Teil 2 (Rampe) for contents see under previous heading HARPSICHORD GÁRDONYI Zsolt *1946 Trois Hommages (Hommage à J.S. Bach; Hommage à F. Liszt; Hommage à M. Reger) GRIEG Edvard 1843-1907 Choralbearbeitungen und Fugen: Neun Choralbearbeitungen EG 185 (a. Lobt Gott, ihr Christen alle gleich G-Dur; b. Jesus, meine Zuversicht D-Dur; c. Choralbearbeitung g-Moll; d. Choralbearbeitung F-Dur; e. Mein erst Gefühl sei Preis und Dank As-Dur; f. Herr Jesu Christ, dich zu uns wend / Mein erst Gefühl sei Preis und Dank; g. Gelobet seist du, Jesu Christ D-Dur; h. Herr, ich habe missgehandelt g-Moll; i. Vom Himmel hoch, da komm ich her A-Dur), Sieben Fugen EG186 (Fuga a 2 C-Dur, b. Fuga a 2 a-Moll; c. Fuga a 4 C-Dur; d. Fuga a 3 G-Dur; e. Fuga a 3 c-Moll; f. Doppelfuge über den Namen GADE C-Dur; g. Fuge mit 3 Subjecten “Tripelfuge” d-Moll), Fuga a 4 voci g-Moll EG 184e (Dorfmüller) 1st edition GRUNELIUS Wilhelm von *1942 Mitten wir im Leben sind mit dem Tod umpfangen. Fantasie GUILMANT Alexandre 1837-1911 L’Organiste pratique Book 3 Op. 46 (1. Funeral March in C minor Op. 41/3; 2. Melody in G major Op. 46/4; 3. March in F major Op. 46/5; 4. Prayer in Bb major Op. 47/4; 5. Communion in D major Op. 46/1; 6. Cantabile in F major Op. 41/4) Oeuvres choisis pour orgue III: Arrangements d’après de cantus-firmi grégopriens et pièces de caractère [Arrangements d’après de cantus firmi grégoriens: Offertoire sur “O filii” Op. 49/2; Deo gratias Op. 65/58; Variations et Fugue sur le chant du Stabat mater Op. 65/13; Sortie Op. 65/51; Pièces de caractère: Choral Op. 49/3; Magnificat (Six Versets) Op. 41/2; La Crèche (Pastorale et Adoration) Op. 50/3; Trois Oraisons Op. 94] (Kalipp) HODERMAN George Caspar ????-1781 Six fugues pour les orgues ou le clavecin. Oeuvre première (c. 1780) (Dekker) fac simile INDY Vincent d’ 1851-1931 L’Organiste pratique Book 4 Op. 47 Vespers for the Communion of a Martyr Op. 51 KARG-ELERT Sigfrid 1877-1933 Three Symphonic Chorales Op. 87: 1. Ach bleib mit deiner Gnade Three Symphonic Chorales Op. 87: 2. Jesu, meine Freude LÜBECK Vincent 1654-1740 Neue Ausgabe sämtlicher Orgel- und Clavierwerke I: (1. Praeludium ex C# LübWV 10; 2. Praelamb(ulum) et Fuga ex Cb LübWV 6; 3. Prae(ludium) in d LübWV 11; 4. Ich ruf zu dir Herr Jesu Christ à 2 Clav: e ped. LübWV 13; Anhang – Die Clavierwerke aus der Handschrift ”S.M.G.1691”: 48 kleinere Kompositionen) (Rampe) MACQUE Giovanni de 1550-1614 Opere per tastiera Vol. I: Capricci – Stravanze – Canzoni etc. (Intrata d’organo; Consonanze stravaganza; Durezze, e ligature; Capriccio sopra un soggetto; Capriccio sopra tre soggetti; Canzona francese ; Canzona alla francdese 1; Canzona alla francese 2; Canzona alla francese 3; Canzona alla francese 4; Capriccio sopra re fa mi sol; Capricietto; Canzon chiamate le due Sorelle; Seconde parte; Prima Canzon; Seconda Canzon; Prima Gagliarda; Seconda Gagliarda; Partite sopra Ruggiero; Prima Stravaganza; Seconde Stravaganze; Toccata a modo di Trombette; Appendice: Ricercar Sexti toni a 4, Gagliard) (Tamminga) MARTINI Giovanni Battista 1700-1755 Liturgische Werke Heft I: Orgelmessen (Messa Solemnis, Messa da Morti) (Scarpa) Liturgische Werke Heft II: Manuskript Werke (Toccaten, Stücke zu Offertorien, Elevation, Post Communio I) (Scarpa)

19,30 18,00 15,40 18,70

64,10 14,15

19,00 11,55

7,45

46,20 15,00 6,95 5,55 5,95 8,35

48,75

13,65 21,70 23,75

10

150806 710568 162952 162866 162246 162565

091745

162566

161385 162863 710623

160307 162862 710627

157068

MARTINI Giovanni Battista 1700-1755 Liturgische Werke Heft III: Manuskript Werke (Toccaten, Stücke zu Offertorien, Elevation, Post Communio II) (Scarpa) MASON Daniel Gregory 1873-1953 Passacaglia und Fuge Op. 10 MAXWELL DAVIES Peter *1934 Mass 2 organs MENALT Gabriel 1657-1687 Obras Completas para Organo Volumen II: Himnos y veros MÜLLER-ZÜRICH Paul 1889-1993 Konzert für Orgel und Streichorchester Op. 28 organ part PRAETORIOUS Hieronymus 1560-1629 Sämtliche Orgelwerke Teil 1: 8 Magnificat-Zyklen (1. Magnificat primi toni, 2. Magnificat secundi toni, 3. Magnificat tertii toni, 4. Magnificat quarti toni, 5. Magnificat quinti toni, 6. Magnificat sexti toni, 7. Magnificat septimi toni, 8. Magnificat octavii toni), 2 Choralfantasien (9. Christ, unser Herr, zum Jordan kam, 10. Wenn mein Stündlein vorhanden ist), Magnificat primi toni (Hieronymus Praetorius III), Magnificat primi toni (Anonymus) (Beckmann) Sämtliche Orgelwerke Teil 2: 19 Hymnus-Zyklen (1. Hymnus: Æterne gratias tibi, 2. Hynnus: Æterno gratias patri, 3. Hymnus: A solis ortus cardine; 4. Hymnus: Christe qui lux es et dies; 5. Hymnus: Dies absoluti prætereunt; 6. Hymnus: Deus creator omnium; 7. Hymnus: Festum nunc celebre; 8. Hymnus: Fit porta christi pervia; 9. Hymnus: Herodes hostis impie; 10. Hymnus: Jesu nostra redemptio; 11. Hymnus: Jesu redemptor sæculi; 12. Hymnus: Lucis creator optime; 13. Hymnus: O lux beata trinitas; 14. Hymnus: Rex Christi factor omnium; 15. Hymnus: Te lucis ante terminum; 16. Hymnus: Veni creator spiritus; 17. Hymnus: Veni redemptor gentum; 18. Hymnus: Vexilla regis prodeunt; 19. Hymnus: Vita sanctorum) (Beckmann) Sämtliche Orgelwerke Teil 3: 10 Kyrie-Zyklen (1. Kyrie apostolicum; 2. Kyrie Magne deus; 3. Kyrie majus dominicale; 4. Kyrie majus virginum; 5. Kyrie martyrum; 6. Kyrie minus dominicale I; 7. Kyrie minus dominicale II; 8. Kyrie o Christi pietas; 9. Kyrie paschale; 10. Kyrie summus); Gloria (11. Gloria in excelsis Deo et in terra summum), Sanctus (12. Sanctus summum), Agnus (13. Agnus dei); 4 Sequentia-Zyklen (14. Sequentia: Ave præclarum mundi; 15. Sequentia: Grates nunc omnes; 16. Sequentia: Sancti spiritus adsit nobis gratia; 17. Sequentia: Victimæ paschali laudes), Psalm 113 (18. In exitu Israel de Ægypto), Magnificat (19. Magnificat germaniae), Sequentia: Summi triumphum regis (Fragment), Sequentia: Benedicta semper sancta (Fragment) (Beckmann) RESPIGHI Ottorino 1879-1936 Sei Composizioni Inedite (Macinanti) RODRIGUEZ MONLLOR Vicente 1690-1760 Batalla y toccata de clarines para organo SCHILDT Melchior 1592-1667 Sämtliche Orgelwerke: Choralbearbeitungen, Praeambula (1. Herr Christ, der einig Gottessohn: I. Versus a 4, mit dem pedahl vundt 2 Clavier, II. Versus, a 3, Manual oder den Corahl im pedahl, III. Versus, a 4, pedall, IV. Versus, a 3, Corahl im Bass, V. Versus, a 3; 2. Herzlich lieb hab ich dich, o mein Herr. Kolorierung. Ad manuale duplex; 3. Magnificat primi modi. I. Versus, Choral im Tenore, II. Versus, Auff 2 Clavier, Tertius Versus, a 4 Voc., Qvartus Versus, a 3 Voc., Choralis in Tenore, Qvintus Versus, a 3; 4. Praeamubulum gMoll; 5. Praeambulum G-Dur; 6. Anhang: Allein Gott in der Höh sei Ehr. Parodie, Herzlich lieb hab ich dich o Herr. Kantionsatz, 1610, Incerti) (Beckmann) SMART Henry 1813-1879 Orgelwerke (1. Marcia; 2. Voluntary in G major; 3. Voluntary in A minor; 4. Minuet; 5. Air with Variations and Finale Fugato; 6. Grand Solemn March) (Storfinger) SOLER Antonio 1729-1783 Obras para organo (Partido y fuga, Intento I, Intento II, Largo, Intento III) STEFFENS Johann 1559-1616 Sämtliche Orgelwerke: Drei Choralbearbeitiungen, Fantasia (1. Ach Gott, vom Himmel sieh darein. Choralfantasie; 2. Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt. Choralfantasie; 3. Veni redemptor gentium. Nun komm, der Heiden Heiland. Primus versus. Secunda versus. tertius versus; 4. Fantasia quarti toni); Die Melodien der Choralbearbeitungen in zeitgenössischen Fassungen) (Beckmann) WIDOR Charles-Marie 1844-1937 Symphonie Gothique pour Orgue (Friedrich, Roth)

22,50 7,45 26,50 18,95 15,40

34,65

34,65

34,65 12,85 11,90

21,80 19,30 20,25

21,80 21,20

11 KEYBOARD: 710662

161593

157608

ALBUM Country Rock & Western. Easy to play (1. Red River Valley; 2. Way down upon the Swanee River; 3.The Tioga Waltz; 4. He’s Got the Whole World in His hands; 5. Swing low, Sweet Chariot; 6. Blacwater Blues; 7. Turkey in the Straw; 8. The Streets of Laredo) (Diermaier, Löbisch) with chord symbols, CD included ALBUM Drenthe in Liedjes (Bij de stam van de olde linde; Boer Harms; Dauw over de velden; De G.S.M.; Dialectlied; Drenthenieren; Drents volkslied; Drents; Even nargens aan denken; Het broene dörpscafé; Hondsurg Hills; In de vut; Laand van Bartje; Mooi Annechien; Op. de grens; Op fietse; Postcode loterij; Rosing’s heeg; ‘t Hondtie; ‘t Is de boer; ‘t Is Harfst; Verzekeringen) (Scheper) HEGER Uwe *1957 Klezmer, Blues, and more . . . Ragtime, Latin Folk. Band 1

19,20

11,90 12,70

ACCORDION: 161593

710545 710547 711007

ALBUM Drenthe in Liedjes (Bij de stam van de olde linde; Boer Harms; Dauw over de velden; De G.S.M.; Dialectlied; Drenthenieren; Drents volkslied; Drents; Even nargens aan denken; Het broene dörpscafé; Hondsurg Hills; In de vut; Laand van Bartje; Mooi Annechien; Op. de grens; Op fietse; Postcode loterij; Rosing’s heeg; ‘t Hondtie; ‘t Is de boer; ‘t Is Harfst; Verzekeringen) (Scheper) DESCHAMPS Frédéric *1970 / RICHARD Jérôme *1980 Rêve d’Adeline accordion solo Marlotte accordion solo Le petit rag des champs accordion solo

11,90 10,30 10,30 10,30

1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: VIOLIN SOLO: 160660

710498 710995

BACH Johann Sebastian 1685-1750 30 Präludien [Arrangements: 1. C-Dur BWV 939; 2. F-Dur Wohltemperiertes Klavier I BWV 856; 3. G-Dur (original key F major) BWV 927; 4. d-Moll BWV 926; 5. E-Dur BWV 937; 6. C-Dur BWV 924; 7. G-Dur Wohltemperiertes Klaver II BWV 884; 8. g-Moll (original key C minor) Wohltemperiertes Klavier I BWF 847; 9. D-Dur Wohltemperiertes Klaver I BWV 850; 10. A-Dur (original key Ab major) Wohltemperiertes Klavier I BWV 862; 11. C-Dur (originally for organ) BWV 553; 12. e-Moll Wohltemperiertes Klavier I BWV 855; 13. d-Moll Wohltemperiertes Klavier II BWV 875; 14. d-Moll Wohltemperiertes Klavier I BWV 851; 15. f-Moll (original key C minor, originally for lute) BWV 999; 16. C-Dur (original key C# major) Wohltemperiertes Klavier II BWV 872; 17. D-Dur BWV 936; 18. C-Dur (original key C# major) Wohltemperiertes Klavier BWV 848; 19. G-Dur Wohltemperiertes Klavier I BWV 860; 20. B-Dur (from Partita in Bb major) BWV 825; 21. c-Moll BWV 934; 22. F-Dur BWV 928; 23. G-Dur (original key Bb major) Wohltemperiertes Klavier I BWV 866; 24. g-Moll (original key f-Moll) Wohltemperiertes Klavier II BWV 881; 25. E-Dur Wohltemperiertes Klavier I BWV 854; 26. C-Dur BWV 933; 27. G-Dur (original key F# major) Wohltemperiertes Klavier I BWV 858; 28. d-Moll BWV 935; 29. B-Dur (from Partita in Bb major) BWV 825; 30. g-Moll (original key C minor) Wohltemperiertes Klavier I BWV 874] (Brusch) CUNIOT Laurent Passages (Comentale) difficult GLASER Werner Wolf *1913 Ricordo IV & Canto (Lessing) 1st edition

27,00 8,55 10,20

12

160959

STILES Sarah Impro. Free Improvisation in String Playing for Teachers and Pupils. Includes guidelines and pieces. For violin, viola, cello and double bass (Introduction; 1. Inventing and Copying Simple Phrases and Sounds; 2. Question and Answer; 3. Free Improvisation: Free-Choice Notes; 4. Free Imrpovisation: Tranquillity and Disturbance; 5. Accompaniment for Improvisation with Open String; 6. Accompaniment for D Major Improvisation; 7. Free Improvisation: Rhythm. Glossary of Effects)

11,20

VIOLA SOLO: 160959

711070

STILES Sarah Impro. Free Improvisation in String Playing for Teachers and Pupils. Includes guidelines and pieces. For violin, viola, cello and double bass (Introduction; 1. Inventing and Copying Simple Phrases and Sounds; 2. Question and Answer; 3. Free Improvisation: Free-Choice Notes; 4. Free Imrpovisation: Tranquillity and Disturbance; 5. Accompaniment for Improvisation with Open String; 6. Accompaniment for D Major Improvisation; 7. Free Improvisation: Rhythm. Glossary of Effects) WOOLRICH John *1954 Through a Limbeck (2002)

11,20 10,10

CELLO SOLO: 159227 710948 160376 160959

LAUBA Christian *1952 Blue Raï PAGANINI Niccolò 1782-1840 12 Capricen (aus 24 Capricci per violino solo Op. 1) (Capricen Nr. 5, 6, 9, 11-14, 16, 17, 19, 20, 24) (Thomas-Mifune) PIATTI Alfredo 1822-1901 Zwölf Capricci für Violoncello solo Op. 25 STILES Sarah Impro. Free Improvisation in String Playing for Teachers and Pupils. Includes guidelines and pieces. For violin, viola, cello and double bass (Introduction; 1. Inventing and Copying Simple Phrases and Sounds; 2. Question and Answer; 3. Free Improvisation: Free-Choice Notes; 4. Free Imrpovisation: Tranquillity and Disturbance; 5. Accompaniment for Improvisation with Open String; 6. Accompaniment for D Major Improvisation; 7. Free Improvisation: Rhythm. Glossary of Effects)

35,20 12,80 20,55

11,20

DOUBLE BASS SOLO: 160959

STILES Sarah Impro. Free Improvisation in String Playing for Teachers and Pupils. Includes guidelines and pieces. For violin, viola, cello and double bass (Introduction; 1. Inventing and Copying Simple Phrases and Sounds; 2. Question and Answer; 3. Free Improvisation: Free-Choice Notes; 4. Free Imrpovisation: Tranquillity and Disturbance; 5. Accompaniment for Improvisation with Open String; 6. Accompaniment for D Major Improvisation; 7. Free Improvisation: Rhythm. Glossary of Effects)

11,20

VIOLA DA GAMBA SOLO: 160946

ALBUM Viole de gambe 2e cycle Volume I (Diego ORTIZ 1525-1579: Recercata Terza uit Trattado de glosas Roma, 1553; Christopher SIMPSON ????-????: Ground en ré mineur uit The Division-Viol, London, 1569; Marin MARAIS 1656-1728: Gavotte en rondeau (à 2 violes), Basse de la Gavotte uit Pièces à une et à deux violes, Paris, 1686; August KÜHNEL 1645-????: Prelude solo, Allemande uit Sonate o Partite, Cassel, 1698; Louis de CAIX d’HERVELOIS 1680-1760: La Florentine (première partie), Basse de la Florentine uit Second livre de pièces de viole, Paris, Foucault, 1719) (Hantaï) facsimile

11,70

13 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: VIOLIN WITH ACCOMPANIMENT: 710677

160707

161120

711049

710953 710515 159381 154950

710925 154951 710941 160102 159849 161287

ALBUM Ouvertüren-Album III (Franz SCHUBERT 1797-1828: Rosamunde, Felix MENDELSSOHN-BARTHOLDY 1809-1847: Ein Sommernachtstraum, Georges BIZET 1838-1878: Carmen, Charles GOUNOD 1818-1893: Margarethe (Faust), Ambroise THOMAS 1811-1896: Mignon, Richard WAGNER 1813-1883: Die Meistersinger von Nürnberg) (Nowotny) ALBUM Short Violin Pieces. A superb collection of short arrangements of popular music (1. Anything Goes; 2. Autumn; 3. Barcarolle; 4. Can-Can; 5. Can’t Take My Eyes Off You; 6. Chanson de Matin; 7. Dam Buster’s March; 8. Ding Dong Merrily On High; 9. E.T. The Extra Terrestrial; 10. Fly Me To The Moon; 11. Frosty The Snowman; 12. I Have A Dream; 13. Intermezzo; 14. Jean de Florette; 15. Jeeves and Wooster; 16. Jingle Bells; 17. Music To Watch Girls By; 18. Nobody Does It Better; 19. Queen Of My Heart; 20. Schindler’s List; 21. She’s The One; 22. Silent Night; 23. Smoke Gets In Your Eyes; 24. Spring; 25. Theme from The “New World” Symphony; 26. Yesterday; 27. You’ve Got A Friend In Me) (Davies) for easy violin, simple piano accompaniments ALBUM Russian Classics (A.Y. Warlamow 1801-1848: Red Sarafan; A.L.Gurilov 1803-1858: A Small Bell; M.I. Glinka 1804-1857: Tchernomor’s March & Wonderful Moment; A.G. Rubinstein 1829-1894: Melody in F major; Peter I. Tschaikovsky 1840-1893: Slavonic March & Chanson triste; A.P. Borodin 1833-1887: Virgin Dance; N.A. Rimsky-Korsakov 1844-1908: Song of India; M.P. Mussorgsky 1839-1881: Promenade & The Great Gate) (Romanov) play-along CD included ALBUM The Heifetz Collection Volume 3: Arrangements and Transcriptions (Isaac ALBÉNIZ 1860-1909: Sevilla; Mario CASTELNUOVO-TEDESCO 1895-1968: Ritmo di Tango from Media difficoltà; Frédéric CHOPIN 1810-1849: Nocturne op. 55/2; Claude DEBUSSY 18621918: La Chevelure from Chansons de Bilitis; Ernst von DOHNÁNYIi 1877-1960: Romanza from Suite in F# minor for Orchestra op. 19; Gabriel Urbain FAURÉ 1845-1924: Aubade; Christoph Willibald von GLUCK 1714-1787: Dance of the Blessed Spirits from the Opera Orfeo ed Euridice; Jacques IBERT 1890-1962: Le petit Âne blanc from Histoires; Zoltán KÓDÁLY 1882-1967: Chicken Song & Danube-Tisza from the Opera Háry János; Moritz MOSZKOWSKI 1854-1925: Sparks; Francis POULENC 1899-1963: Promenade à pied from Promenades for Piano; Serge PROKOFIEFF 1891-1953: Gavotta op. 32; Sergei RACHMANINOFF 1873-1943: Étude-tableau op. 33/2; Richard STRAUSS 1864-1949: Along the Silent Forest Path from Stimmungsbilder for Piano op. 2/1) (Heifetz) ALBINONI Tommaso 1664-1746 Concerto III Op. 2/6 B-Dur (Bergmann) BEAUCHAMP Jean-Bernard Variations sur un thème bulgare with harp BERLIOZ Hector 1803-1869 Rêverie et caprice pour violon et orchestre (MacDonald) BIZET Georges 1838-1875 Popular Pieces from Carmen and Jeux d’enfants [1. Prélude (Carmen Act I); 2. Habanera (Carmen Act I); 3. Seguidilla (Carmen Act I); 4. Entr’acte (Carmen), 5. Entreact II (Carmen); 6. Entr’acte III (Carmen); 7. Galop (le bal: Jeux d’enfants); 8. Farandole (L’Arlésienne Suite No. 2] (Curran) BOËLLMANN Léon 1862-1897 Prière from Suite Gothique Op. 25 (Boëllmann) BORODIN Alexander 1833-1887 Nocturne from String Quartet No. 2 in D major (Curran) BRAHMS Johannes 1833-1893 Intermezzo Op. 118/2 (Popov) originally for piano BRESNICK Martin *1946 Bird As Prophet COLGRASS Michael *1932 Hammer and Bow. A Fantasy (1999) with marimba CORIGLIANO John *1938 The Red Violin. Chaconne for Violin and Orchestra

28,20

20,30

14,95

33,70 11,70 11,95 11,45

16,20 5,55 9,20 10,65 26,95 20,20 26,95

14

710881 160105 159807 > 162162

710667 159808

162235 154954 > 162236 711016 710909 710584 159222 710919 157039 160375 153723 161066 711188 711189 161862 162248

DANCLA Charles 1818-1907 difficult 7 Solos de Concertos: 6e Solo en La majeur Op. 95 (Comentale) DELLO JOIO Norman *1913 Variations and capriccio FAURÉ Gabriel Urbain 1845-1924 The Wonderful World of Fauré [1. Après un rêve, 2. Au bord de l’eau, 3. Les présents (op. 46/1), 4. pavane, 5. Pie Jesu (from the Requiem), 6. Sicilienne (abridged)] (Moore) FRAZZI Vito 1888-1975 Sonata in Mi maggiore GLASER Frankl / ZYKOVA Elvira Methode van de 21ste eeuw voor viool deel 4: 44 stukken met CD-begeleiding (1. Stemtoon A; 2. Stemtoon E; 3. Stemtoon D; 4. Stemtoon G; 5. Cirkels; 6. Nog een laatste brief; 7. Vakantie op Hawaï; 8. De wind fluistert; 9. Komeet bedreigt de aarde; 10. Hymne; 11. Een landelijk tafereel; 12. Roos van metaal; 13. Pierrot; 14. Dino; 15. De sage van Mylene; 16. Muziekles van tante verstoord; 17. Drama op de noordkaap; 18. Avontuur op de Oriënt-Express; 19. Schipbreuk op de Zuiderzee; 20. Wandeling over het platteland; 21. Pastorale; 22. Een kerstverhaal; 23. Eeen vreemde uitvinding; 24. A hole in my pocket; 25. Zomer-idylle; 26. Klompenmeisje; 27. Bungy jumpen; 28. Breakdance; 29. Largo; 30; Abschied vom Klavier; 31. The entertainer; 32. Nachtvlinders; 33. Russisch roulette; 35. Zevenster; 36. Secret agent, secret mission; 37. Luie poezen; 38. S.O.S. Enterprise; 39. Adagio; 40. Izegrim; 41. Nocturne; 42. Lentewind; 43. Een onverwachte ontmoeting; 44. De zwarte ridder; 45. Beestjes in de kelder; 46. Merlyn; 47. Rêve; 48. Hava Magila) (ontwikkeling van de 3e positie) CD included GOLDMARK Carl 1830-1915 Ballade GRIEG Edvard 1843-1907 The Wonderful World of Grieg [1. Cradle Song, 2. Death of Åse (from Peer Gynt Suite), 3. Gavotte (from the Holberg Suite), 4. In ballad style, 5. Melody, 6. Morning (from Peer Gynt Suite), 7. Peasant’s song, 8. Sarabande (from the Holberg Suite), 9. Theme (from the 2nd movement of the Piano Concerto)] (Moore) HÄNDEL Georg Friedrich 1685-1759 Concerto B-Dur HWV 288 für Solovioline, Streicher und basso continuo (Forrer) Arrival of the Queen of Sheba (Curran) HOFMANN Leopold 1738-1793 Six Sonatas (Badley) with continuo HOLBORNE Anthony 1566-1602 Zwei Suiten (Zahn) optional with harpsichord HOSOKAWA Toshio *1955 Ancient Dance HUMMEL Johann Nepomuk 1768-1837 Violin Concerto (Rose) LALO Edouard 1823-1892 Sonata Op. 12 MARI Pierette *1929 Baroques dormantes MOSZKOWSKI Moritz 1854-1925 Two Concertpieces Op. 16 (1. Ballade; 2. Bolero) MOZART Wolfgang Amadeus 1756-1791 Einzelsätze für Violine und Orchester KV 261, KV 269, KV 373 (Seiffert, Petrenz, Guntner) Konzert für Violine und Orchester Nr.2 D-Dur KV 211 (Seiffert, Petrenz, Günter) Konzert für Violine und Orchester G-Dur KV.216 (Eisen, Breig, Manze) Violin Sonatas K.301-306: in G, Eb, C, E, A & D (Eisen) Urtext PAGANINI Niccolò 1782-1840 Cantabile e valzer 1823 (Kinsky, Rothschild) Variazioni sopra un tema di Giuseppe Weigl 1822 (Kinsky, Rothschild) PENDERECKI Krzysztof *1933 Sonata No. 2 (1999) (Mutter) PRAETORIUS Michael 1571-1621 Tänze aus Terpsichore (Nitz) with continuo

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RAFFAELLI Piero / WEISS Ferdinand Appolon mussagète für Kinder. Frei nach Strawinsky. Fragmente aus dem gleichnamigen Ballett aufbereitet in didaktisch-scherzhafter Weise (1. Naissance d’Apollo; 2. Variation d’Apollon; 3. Pas . . . d’Action; 4. Variation de Calliope; 5. Variation de Polymnie; 6. Variation de Terpsichore; 7. Pas de deux; 8. Apothéose) REVEYRON Joseph *1917 Vier Stücke (1. Verset, 2. Répons, 3. Psaume IV, 4. Quadrilobes) with organ ROSETTI Antonio / RÖSSLER Franz Anton 1750-1793 Sonate D-Dur nach einer zeitgenössischen Bearbeitung des Notturno D-Dur durch Johann André (1741-1799) (Richter) with harp or piano ROSSINI Gioacchino 1792-1868 Solfeggien. 16 Kompositionen: 1. Andante F-Dur, 2. Allegretto F-Dur (Semiramide: “Freut euch des Lebens”), 3. Andantino e-Moll, 4. Allegretto E-Dur, 5. Largo As-Dur, 6. Allegretto D-Dur, 7. Andante molto sostenuto Es-Dur, 8. Cantabile F-Dur, 9. Andante grave – Allegro A-Dur (Cantata per Aguada: “O giorno sereno”), 10. Quasi Adagio A-Dur, 11. Marziale EsDur (Die Zauberflöte), 12. Allegretto moderato H-Dur (“Dall’oriente l’astro del giorno”), 13. Adagio cantabile As-Dur, 14. Allegro G-Dur (“Mi lagnerò tacendo”), 15. Andante cantabile fMoll (Cavatina Addio di Rossini), 16. Andante A-Dur (“Ridiamo, cantiamo che tutto sen và”)] SCHUMANN Robert 1810-1856 Phantasie C-Dur Op. 131 (Draheim) SÉVÉRAC Déodat de 1872-1921 Minyoneta. Souvenir de Figueras SHEKOV Ivan *1942 Kaleidoskop. Ein Album für junge Leute Op. 79 (1. Lusitge Begegnung; 2. Lied; 3. Frühling; 4. Walzer; 5. Schlange im Zoo; 6. Spaß; 7. Boogie-Time) illustrated SUDER Joseph 1892-1980 Ariette und Capriccio (Suder) SUK Josef 1874-1935 Kompositionen für Violine und Klavier (1. Melodie; 2. Bagatelle; 3. Wiegenlied; 4. Abdnestimmung; 5. Dorf Serenade; 6. Liebeslied) TARTINI Giuseppe 1692-1770 Eight Sonatas Book I: Sonatas in G major, D minor and E minor (Malipiwero, Corti) TELEMANN Georg Philipp 1681-1767 Zwölf Methodische Sonaten Heft 1: Nr. 1-3 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 2: Nr. 4-6 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 3: Nr. 7-9 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 4: Nr. 10-12 (Michel, Gevert) with continuo VERACINI Francesco Maria 1690-1750 Sonata in G minor Op. 1/1 (Pizzetti, Corti) VIVALDI Antonio 1678-1741 Le quattro stagioni Op. 8: La primavera RV 269 CD included with orchestral accompaniment en full performance Le quattro stagioni Op. 8: L’estate RV 315 CD included with orchestral accompaniment en full performance Le quattro stagioni Op. 8: L’autumno RV 293 CD included with orchestral accompaniment en full performance Le quattro stagioni Op. 8: L’inverno RV 297 CD included with orchestral accompaniment en full performance

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49,10 14,15 5,95 16,65 15,40 19,30 16,75 19,30 19,30 19,30 19,30 13,95 32,15 32,15 32,15 32,15

VIOLIN PLAY-ALONG (VIOLIN WITH ACCOMPANIMENT ON CD): 160427

ALBUM The Academy Collection for Violin (Traditional: Greensleeves, Sky Boat Song & Londonderry Air; Erik Satie 1866-1925: Gymnopédie No. 1; Camille Saint-Saëns 18351921: The Swan; Henry Purcell 1659-1695: Come Ye Sons of Art; Georg Friedrich Händel 1685-1759: Largo; Johann Sebastian Bach 1685-1750: Air on the G-String & Siciliano; Wolfgang Amadeus Mozart 1756-1791: Voi che sapete; Peter I. Tchaikovsky 1840-1893: Dance of the Sugar-Plum Fairy; Antonio Vivaldi 1678-1741: Rain) (Vallis-Davies)

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ALBUM Kids TV Themes. Easy playalong for violin: 10 popular TV themes in easy melody line arrangements (1. Captain Pugwash, 2. Chatterhappy Ponies; 3. Pingu; 4. Pokemon Theme; 5. Postman Pat; 6. Roobarb & Custard; 7. Rugrats; 8. Sesame Street Theme; 9. Sooty Theme; 10. The Wombling Song) (Lesley) play-along CD included ALBUM World Music Argentina. Play-Along Violin (Tango, Vals Criollo, Milonga, Zamba, Chacarera) (Collatti) play along CD included BLACKWELL Kathy & David Fiddle Time Runners. A second book of easy pieces for violin. Violin Book 2 [Section 1 – New notes for second finger: 1. Start the show; 2. Bayan tree (duet); 3. Heat haze; 4. Medieval tale; 5. Cornish May song; 6. Chase in the dark; 7. Merrily danced the Quaker’s wife; 8. O leave your sheep (duet); 9. Jingle bells; 10. Allegretto in G (MOZART); 11. Pick a bale of cotton; 12. Noël (DAQUIN) (duet); 13. Finale from The Water Music (HANDEL); 14. Eccossaise in G (BEETHOVEN); 15. Fidel Time Rag; 16. Playing on the ol’banjo; 17. On the go!; 18. Yodelling song; 19. Takin’it easy; 20. Gypsy dance; 21. Ten thousand miles away (duet); 22. I got those fiddel blues; 23. Air in G (J.C. BACH); 24. Prelude from “Te Deum” (CHARPENTIER); 25. That’s how it goes!; Section 2 – New notes for third finger: 26. Flamenco dance; 27. Somebody’s knocking at your door; 28. The old chariot; 29. Adam in the garden; 30. Air (HANDEL) (duet); 31. The wee cooper o’Fife; 32. Aerobics!; 33. colourful illustrated, CD included Caribbean sunshine. Music Fact-Finder Pages] COLLEDGE Katherine & Hugh Waggon Wheels: 26 pieces for violin with playalong CD (1. In a garden; 2. Summer breeze; 3. Goldfish bowl; 4. Penny-farthing; 5. Butterflies; 6. Westminster Abbey; 7. Dinosaurs; 8. Paddle steamer; 9. Waterfall; 10. Knickerbocker glory; 11. Hills and dales; 12. Upstairs, downstairs; 13. Daydreaming; 14. Bell-ringers; 15. Polka dots; 16. Nightingale; 17. Chinese lanterns; 18. Fiddlesticks; 19. Windscreen wipers; 20. Bow ties!; 21. Ice dancers; 22. Full moon; 23. Waggon wheels; 24. With an upbeat; 25. On the wing; 26. Lollipop man) (Nelson) CD included HÄNDEL Georg Friedrich 1685-1759 Sonaten Band II: D-Dur, A-Dur & E-Dur (HWV 371-373) (Davisson, Ramin) Series MusicPartner, play-along CD included NORTON Chris Big Beats. Easy cello pieces in contemporary styles with stunning CD sounds: smooth groove (1. From Far Away; 2. Becalmed; 3. Desert Air; 4. Part of the Machinery; 5. Starstruck; 6. Gatecrasher; 7. Underwater; 8. Glass Ceiling; 9. Staying Upright; 10. Questing) with play-along CD RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 1 (1. Take Me Home, Country Roads; 2. Nights In White Satin; 3. Shine A Light On Me; 4. Those Were The Days; 5. Miss Pretty; 6. Salty Dog Blues; 7. How Deep Is Your Love; 8. Love Is All; 9. El Condor Pasa; 10. Stay With Me Till The Morning; 11. Streets Of London; 12. House For Sale; 13. You’d Better Beware Of The Darkness; 14. Rockin’All Over The World) CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) CD included

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VIOLA WITH ACCOMPANIMENT: 710867 160378 159377

PROUST Pascal Un chant, une danse (Lainé) STAMITZ Carl 1743-1805 Violakonzert Nr. 1 D-Dur (Gertsch, Weibezahn, Umbreit, Levin, Weber) TELEMANN Georg Philipp 1681-1767 Konzert G-Dur TWV 51:G9 (Hirschmann)

7,75 15,40 17,85

17 CELLO WITH ACCOMPANIMENT: 129130

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ALBUM Cello Brasil (Heitor VILLA-LOBOS 1878-1959: 1. Elegia, 2. A Canoa Virou (Das gekenterte Boot) & 3. O Canto Do Cisne Negro (Der Gesang des schwarzen Schwanes); Lorenzo FERNANDEZ *?: Suave Acalanto (Sweet Sleeping Song uit de 1. Suite Brasileira), Camargo Mozart GUARNIERI *1907: Ponteio Nr. 7) (Thomas-Mifune) BOËLLMANN Léon 1862-1897 Prière from Suite Gothique Op. 25 (Boëllmann) BORODIN Alexander 1833-1887 Nocturne from String Quartet No. 2 in D m,ajor (Curran) BUSONI Ferruccio 1913-1988 Kultaselle. Ten Short Variations on a Finnish Folksong CARSE Adam 1878-1958 fiddle fancies (Max) CLARKE Rebecca 1886-1979 Shorter Pieces (1. Epiloqgue; 2. Passacaglia on an Old English Tune; 3. I’’ Bid My Heart Be Still) GULBINS Max 1862-1932 Vier kleine Stücke Op. 14 (1. Andante; 2. Sehr ruhig; 3. Ruhig bewegt; 4. Largo) (Rockstroh) HOFMANN Leopold 1738-1793 Violoncello Concerto Badley C1 (Dellow, Hugh) LALO Edouard 1823-1892 Wodka-Walzer (Thomas-Mifune) LOCATELLI Pietro Antonio 1693-1764 Sonata in D major Op. 6/6 (Starkweather, Ennulat) MARTINŮ Bohuslav 1890-1959 Sonate Nr. 3 (Březina, Sedlák) PIATTI Alfredo 1822-1901 Souvenir de la Sonnambula Op. 5 (Rutkowski) PLEYEL Ignaz Joseph 1757-1831 Cello Concerto in C major Ben.104 (Badley) Cello Concerto in C major Ben.106 (Badley) Cello Concerto in D major Ben.105 (Badley) Cello Concerto in D major Ben.108 (Badley) RACHMANINOFF Serge 1873-1943 Rhapsody on a Theme of Paganini Op. 43: 18th Variation (York, Wallfisch) originally for piano and orchestra RÖNTGEN Julius 1855-1932 Sonata in G minor (1905) (Smit) SARASATE Pablo de 1844-1902 Zigeunerweisen (Gypsy Airs) Op. 20 (Colón) originally for violin SUDER Joseph 1892-1980 Ariette und Capriccio (Suder) VIVALDI Antonio 1678-1741 Sämtliche Sonaten für Violoncello und Basso continuo RV 39-47

CELLO PLAY-ALONG (CELLO WITH ACCOMPANIMENT ON CD): 157289

PASSCHIER Maja Abracadabra Cello Book 1 (STEP 1: 1. Pizz on D, 2. Pizz a pizza!, 3. Bobby Dhaftoe; STEP 2: 4. When the saints go marching in, 5. Supercalifragilisticexpialidocious, 6. A-tiske, a-tasket; 7. Little playmates, 8. Mobile phone, 9. Fiddle fanfare; STEP 3: 10. A friend in DEED, 11. One finger dance, 12. Eee-abba-dabba-dee!, 13. Spinnig wheel, 14. A stitch in time; STEP 4: 15. Frère Jacques, 16. Welsh lullaby, 17. Windmill song, 18. Hot cross buns, 19. Merrily we roll along; STEP 5: 20. Pease pudding hot, 21. Clown dance, 22. Road monsters, 23. Au claior de la lune, 24. Twinkle, twinkle, little bow, 25. Miss Mary Mac, 26. The song that never stops, 27. Whistle while you work; STEP 6: 28. Secret agents, 29. Little bird, 30. Summer shine, 31. Halfway down the stairs, 32. Old MacDonald; STEP 7: 33. Brown bread, 34. Big Ben, 35. Turn the glasses over, 36. Off to France in the morning; STEP 8: 37. Racing driver (a round), 38. Long, long ago, 39. Ode to joy, 40. The way you

13,85 5,55 10,10 8,35 8,65 26,40 11,55 37,80 10,10 37,80 19,30 15,25 ??,?? ??,?? ??,?? ??,?? 10,20 24,90 8,95 15,40 37,15

18 look tonight, 41. (Meet the) Flintstones; STEP 9: 42. I came from Alabama; 43. Morningtown ride; 44. Troika; 45. Daydreamer; STEP 10: 46. Roses from the South; 47. Lavender’s blue; 48. Call of the carrousel; STEP 11: 49. We all stand together; 50. Edelweiss; 51. On top of Old Smokey; 52. Londond’s burning (a round); 53. The hippopotamus song; STEP 12: 54. London Bridge; 55. Tea for two; 56. Stand by me; STEP 13: 57. Skye boat song; 58. Jupiter; 59. Feed the birds; STEP 14: 60. Kalinka; 61. The old bazaar in Cairo; 62. Muck! (a round); 63. Waltz; 64. Puff the magic dragon; 65. Dumplins; STEP 15: 66. Row, row, row your boat (a round); 67. Pop! goes the weasel; 68. Dance of the cuckoos; 69. The shepherdess (a round, D major arpeggio, G major arpeggio); 70. Wee’re off to see the Wizard; STEP 16: 71. Egyptian snake dance; 72. Shalom (a round); 73. Summer is icumen in (a round); 74. Part of your world; STEP 17: 75. Short’ning bread; 76. What shall we do with the drunken sailor?; 77. Winter wonderland; 78. EastEnders; STEP 18: 79. Happy birthday; 80. Heigh-ho; 81. The Addams family; 82. The mocking bird; 83. Chim chim cher-ee; STEP 19: 84. Ragamuffin’s rag (a round, C major scale two octaves, C major arpeggio two octaves); 85. Who will buy?; 86. Beauty and the Beast; STEP 20: 87. Barcarolle; 88. Millenium; 89. Watch out kookaburra! (a round); 90. Nocturne CD included

22,75

DOUBLE BASS WITH ACCOMPANIMENT: 160554

160555 159230 150657

ALBUM Subterranean Solos (1. François Joseph GOSSEC 1734-1829: Tambourin; 2. Wolfgang Amadeus MOZART 1756-1791: Allegro KV 3; 3. Peter WARLOCK / Philip HESELTINE 1894-1930: Basse–Danse; 4. Traditional Morris Dance: English Country garden; 5. Edvard GRIEG 1843-1907: Norwegian Dance Op. 35; 6. Charles DIBDIN 1745-1814: Tom Bowling; 7. Ambroise THOMAS 1811-1896: Gavotte from Mignon; 8. Henry PURCELL 1659-1695: Rondeau from Midsummer Might’s Dream; 9. Moritz MOSZKOWSKI 18541925: Spanish Dance No. 2 Op. 12) (Hartley, Elliott) double bass part Subterranean Solos (Hartley) piano part BARBÉ Thierry *1961 à chaton rompu. Pièce en deux parties: Partie A > débutant 2, Partie B > préparatoire 2 FAURÉ Gabriel Urbain 1845-1924 Élégie Op. 24 (Hellouin)

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VIOLA DA GAMBA WITH ACCOMPANIMENT: 160946

158896

ALBUM Viole de gambe 2e cycle Volume I (Diego ORTIZ 1525-1579: Recercata Terza uit Trattado de glosas Roma, 1553; Christopher SIMPSON ????-????: Ground en ré mineur uit The Division-Viol, London, 1569; Marin MARAIS 1656-1728: Gavotte en rondeau (à 2 violes), Basse de la Gavotte uit Pièces à une et à deux violes, Paris, 1686; August KÜHNEL 1645-????: Prelude solo, Allemande uit Sonate o Partite, Cassel, 1698; Louis de CAIX d’HERVELOIS 1680-1760: La Florentine (première partie), Basse de la Florentine uit Second livre de pièces de viole, Paris, Foucault, 1719) (Hantaï) facsimile SNEP Johan 1659-1719 Three Sonatas for Viola da gamba and Basso continuo (Rasch, Bartelsman)

11,70 16,00

2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 710656

160820

ALBUM Kammermusik-Album II: Trios (Franz Joseph HAYDN 1732-1809: Klaviertrio Nr. 38 DDur Hob.XV:24 & Klaviertrio Nr. 32 A-Dur Hob.XV:18; Carl Maria von WEBER 1786-1826: Klaviertrio g-Moll Op. 63; Carl Gottlieb REISSIGER 1798-1859: Klaviertrio g-Moll Op. 181; Ludwig van BEETHOVEN 1770-1827: Klaviertrio Es-Dur Op. posth.) (Glossner, Steffek, Luka) violin+cello+piano ALBUM Romantic Piano Trios for Beginners (Franz SCHUBERT 1797-1828: Kindermarsch; Michael I. GLINKA 1804-1857: Galop & Andalusian Dance; Carl Maria von WEBER 17861826: Andantino & Terzettino; Jacques Féréol MAZAS 1782-1849: Trio; Robert SCHU-

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161690 160661

159223 159224 159225 > >

MANN 1810-1856: Française, Walzer & Geburtstagsmarsch; Karoly THERN 1817-1886: Magyar induló; Modeste P. MUSORGSKY 1839-1881: Teardrop; Peter I. TSCHAIKOVSKY 1840-1893: Baba Yaga; Antonín DVOŘÁK 1841-1904: Two Minuets; J. LÖW *????: Krakowiak; Léo DELIBES 1836-1891: Valse lente; Edvard GRIEG 1843-1907: Norwegian Song, Lullaby & Norwegian Dance; Zdenko FIBICH 1850-1900: Furiant) (Pejtsik, Zemplenyi) violin+cello+piano 1st position! ALBUM À nous deux!: 12 Duos à la 1ère position (J.S. BACH 1685-1750: Gavotte; B. BARTÓK 1881-1945: Cornemuses; B. GARLEJ *????: La Balade de Morgano et Jordan, Pizz Parade; Chr.W. GLUCK 1714-1787: Gavotte; J.F. GONZALES *????: Maïko jolie; W. KROLL *????: Donkey Doodle; J.B. MARTINI 1706-1784: Gavotte; F. MAZAS 1782-1849: Danse africaine; W.A. MOZART 1756-1791: Allegro; N. PAGANINI 1782-1840: Caprice no. 9; J.F. RAMEAU 1683-1764: La Joyeuse) (Garlej) 2 violins 2 playing scores ALBUM Classics to please. Ausgewählte Stücke für 2 Violoncelli (PHALÈSE: Ungarese und Saltarello; SCHENK: Aria polonese; HOLBORNE: Alman The Honeysuckle; J.S. BACH: Musette; HÄNDEL: air CON Variazioni; W.A. MOZART: Bald prägt, den Morgen zu verkünden; MENDELSSOHN-BARTHOLDY: Nocturno; GRIEG: In der Halle des Bergkönigs; BRAHMS: Walzer; HUMPERDINCK: Abends will ich schlafen gehen; MAHLER: Ging heut’morgen durch das Feld; DEBUSSY: Golliwog’s Cake Walk) (Linde) 2 cello’s ALAIN Jehan 1911-1940 Deux pièces pour quatuor à cordes: I. Fugue sur un subjet d’Henri Rabaud (avec version pour quintette: 2 violins, alto, violoncelle et contrabasse); II. Variations su un thème de Rimsky-Korsakov (aussi avec version de Variation X : Choral à 6 voix: 2 violins, 2 altos et 2 violoncelles) (Alain) 2 violins+viola+cello score and parts BURGMÜLLER Norbert 1810-1836 Sämtliche Streichquartette Nr. 1-4: Op. 4 (1825), d-Moll Op. 7 (1825/26), f-Moll (1826) und a-Moll Op. 14 (1835) ( (Kopitz) 2 violins+viola+cello parts score commercially available CORRETTE Michel 1709-1795 Zwei Instrumentalsätze aus “Six Symphonies en Quatuor contenant les plus beaux Noëls François et Etrangers avec des Variations”: “Lobt Gott, ihr Christen alle gleich” (aus Symphonie Nr. 3) & “Erhalt uns, Herr, bei deinem Wort” (aus Symphonie Nr. 4) (Hofmann) 2 violins+viola/violin+continuo score = harpsichord/organ 4 parts (flute/oboe/recorder/violin, violin, viola/violin, cello) each DITTERSDORF Carl Ditters von 1739-1799 Divertimento E-Dur (Boschini, Pachlovsky) 2 violins+cello score and parts ENTEZAMI Ramin *1952 Duos (1. Up And Down Together; 2. The Two Proud Ines; 3. Cheerful In The Alps; 4. Folkdance; 5. The Dying Moth; 6. Dance Of The Dwarfs; 7. Waltz Of The Fleas; 8. A Fireman’s Dream; 9. Minuet in Style Of Joseph Haydn; 10. By The Fireside; 11. The Singing Sam; 12. The Wind-Up Doll; 13. At The Bazaar; 14. Stroll; 15. The Two tramps; 16. On A Visit To The Far East; 17. A Royal welcome; 18. Once Upon A Time; 19. Phantoms At Midnight; 20. The Cricket And The Ant) violin+cello playing score FAURÉ Gabriel Urbain 1845-1924 Pleurs d’or (Garlej) 2 violins+piano Puisqu’ici-bas toute âme (Garlej) 2 violins+piano Tarentelle (Garlej) 2 violins+piano FRAZZI Vito 1888-1975 Quartetto d’archi 2 violins+viola+cello full score Quintetto 2 violins+viola+cello+piano

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64,00

7,05 1,95 29,55

18,65 17,60 21,75 27,75 ??,?? ??,??

20

709969 709970 709971 709972 > > > > > > > > > > > > 710966 710970 710967 710968 710969 710971 161188 711313

710887 154955 158827

GASSMANN Florian Leopold 1729-1774 Sechs Streichquartette Op. 1: Nr. 1 C-Dur & Nr. 2 d-Moll (Schmidt) 2 violins+viola+cello score and parts Sechs Streichquartette Op. 1: Nr. 3 A-Dur & Nr. 4 c-Moll (Schmidt) 2 violins+viola+cello score and parts Sechs Streichquartette Op. 1: Nr. 5 F-Dur & Nr. 6 B-Dur (Schmidt) 2 violins+viola+cello score and parts Streichquartette Nr. 7 D-Dur, Nr. 8 As-Dur und Nr. 9 E-Dur (Schmidt) 2 violins+viola+cello score and parts String Quartet in Bb major Op. 3/1 (Hoskins) 2 violins+viola+cello parts String Quartet in Bb major Op. 3/1 (Hoskins) 2 violins+viola+cello score String Quartet in F major Op. 3/2 (Hoskins) 2 violins+viola+cello parts String Quartet in F major Op. 3/2 (Hoskins) 2 violins+viola+cello score String Quartet in C major Op. 3/3 (Hoskins) 2 violins+viola+cello parts String Quartet in C major Op. 3/3 (Hoskins) 2 violins+viola+cello score String Quartet in Eb major Op. 3/4 (Hoskins) 2 violins+viola+cello parts String Quarttet in Eb major Op. 3/4 (Hoskins) 2 violins+viola+cello score String Quartet in D major Op. 3/5 (Hoskins) 2 violins+viola+cello parts String Quartet in D major Op. 3/5 (Hoskins) 2 violins+viola+cello score String Quartet in C minor Op. 3/6 (Hoskins) 2 violins+viola+cello parts String Quartet in C minor Op. 3.6 (Hoskins) 2 violins+viola+cello score GOSSEC François Joseph 1734-1829 Quatuor en Do majeur Op. 15/1 2 violins+viola+cello parts Quatuor en Mi bémol majeur Op. 15/2 2 violins+viola+cello parts Quatuor en Do mineur Op. 15/3 2 violins+viola+cello parts Quatuor en Ré majeur Op. 15/4 2 violins+viola+cello parts Quatuor en Mi majeur Op. 15/5 2 violins+viola+cello parts Quatuor en La majeur Op. 15/6 2 violins+viola+cello parts GRIEG Edvard 1843-1917 Fuge f-Moll EG 114 (1861) (Benestad) 2 violins+viola+cello score and parts GUGLIELMI Alessandro Pietro 1728-1804 6 Concerti da camera Op. 1 (1768) (Pierami) harpsichord+2 violins+cello score these interesting concertos are recorded: CD RF 1011 (Erreffe Edizioni Musicali) HAAS Georg Friedrich “In iij.Noct.”. 3. Streichquartett (2001) 2 violins+viola+cello playing score HÄNDEL Georg Friedrich 1685-1759 Arrival of the Queen of Sheba (Curran) 2 violins+piano HAYDN Franz Joseph 1732-1809 Streichquartette Op. 0 Es-Dur Hob.II:6, Op. 1/1-4 B-Dur, Es-Dur, D-Dur, G-Dur (Hob.III:14), Op. 1/6 C-Dur (Hob.III:6) (Barret-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores

20,55 20,55 20,55 20,55 ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? ??,?? 9,95 8,80 9,95 8,80 9,95 8,80 19,00 33,40

23,05 8,05

30,20

21

158829 158230 158831 158832 158833 158834 158835 158837 158839 158841 158842 158843 162558 162559

710885

162573

160662 162243 160651

HAYDN Franz Joseph 1732-1809 Streichquartette Op. 2/1, 2, 4 & 6 A-Dur, E-Dur, F-Dur, B-Dur (Hob. III:7, 8, 10, 12) (BarrettAyres, Robbins Landon) 2 violins+viola+cello set of 4 study scores Streichquartette Op,. 9/1-6 C-Dur, Es-Dur, G-Dur, d-Moll, B-Dur, A-Dur (Hob.III:19-24) (Barrett Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 17/1-6 E-Dur, F-Dur, Es-Dur, c-Moll, G-Dur, D-Dur (Hob.III:25-30) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 20/1-6 Es-Dur, C-Dur, g-Moll, D-Dur, f-Moll, A-Dur (Hob.III:31-36) (Barret-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 33/1-6 h-Moll, Es-Dur, C-Dur, B-Dur, G-Dur, D-Dur (Hob.III:37-42) & Op. 42 d-Moll (Hob.III:43) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 7 study scores Streichquartette Op. 50/1-6 B-Dur, C-Dur, Es-Dur, fis-Moll, Es-Dur, D-Dur (Hob.III:44-49) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 54/1-3 G-Dur, C-Dur, E-Dur (Hob.III:58-59) & Op. 55/1-3 A-Dur, f-Moll, B-Dur (Hob.III:60-62) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 64/1-6 C-Dur, h-Moll, B-Dur, G-Dur, D-Dur, Es-Dur (Hob.III:65, 68, 67, 66, 63, 64) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 71/1-3 B-Dur, G-Dur, Es-Dur (Hob.III:69-71) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 3 study scores Streichquartette Op. 74/1-3 C-Dur, F-Dur, g-Moll (Hob.III:72-74) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 3 study scores Streichquartette Op. 76/1-6 G-Dur, d-Moll, C-Dur, B-Dur, D-Dur, Es-Dur (Hob.III:75-80) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 6 study scores Streichquartette Op. 77/1, 2 G-Dur, F-Dur (Hob.III:81, 82) & Op. 103 d-Moll (Hob.III:83) (Barrett-Ayres, Robbins Landon) 2 violins+viola+cello set of 3 study scores Trio No. 10 in A major (Baryton Trio) violin/viola concertante/cello concertante+viola/violin+cello/double bass 6 parts Trio No. 43 in D major (Baryton Trio) violin/viola concertante/cello concertante+viola/violin+cello/double bass 6 parts NB the viola concertante/cello concertante parts are set an octave lower than the violin (I) part in order to approach Haydn’s intentions in his baryton trios where the second part was frequently higher than the baryton part KALKE Ernst-Thilo *1924 Czardas, Polka et cetera (1. American Gipsy, 2. Schwarze Augen, 3. Hava Nagila, 4. Havenu Shalom, 5. Zwei Gitarren, 6. Rhapsody Nr. 6 nach Franz Liszt, 7. Ein Haydn Spass!, 8. Schwarzer Sonntag, 9. Pi-Pa-Polka) 3 violins score and parts Ragtime, Waltz et cetera (1. JOPLIN: Stoptime Rag, 2. KALKE: Rhodondendron Rag, 3. JOPLIN: Pleasant Moments; 4. FUCIK: Florentiner Marsch I; 5. FUCIK: Florentiner Marsch II, 6. Irish Folk Song: Amazing grace, 7. KALKE: Auf der Schaukel, 8. SAINT-SAËNS: Marche Royale du Lion, 9. KALKE: Falscher Walzer, 10. KALKE: Zupfgeigen Waltz) 3 violins score and parts KLEMM Richard 1902-1988 Suite (Boettcher) 3 cellos score and parts KREUZ Emil 1867-1932 Quintett Es-Dur Op. 49 (Päuler) viola solo+2 violins+viola+cello parts, originally for horn and string quartet LE BEAU Luisa Adolpha 1850-1927 Klaviertrio d-Moll Op. 15 violin+cello+piano

23,00 30,20 30,20 30,20 35,35 37,15 37,15 37,15 17,85 17,85 37,15 17,85 13,25 13,25

20,55

20,55 28,90 61,70 30,20

22

111124 711114 711116 711117 710649 710647 710650 710944 710954 162250 710551 710586 158845 710541 162256 162257 162258 710945 710937 710946

710825 >

LIGETI György *1923 Andante und Allegretto (1950) 2 violins+viola+cello score and parts MOLTER Johann Melchior 1696-1765 Concertino e-Moll MWV IX/30 (Häfner) violin+harpsichord+optional viola+optional cello pianoscore and 3 parts Concertino B-Dur MWV IX/29 (Heimerl) 2 violins+harpsichord+cello pianoscore and 3 parts Concertino G-Dur MWV IX/27 (Heimerl) 2 violins+harpsichord+cello pianoscore and 3 parts MORAVEC Paul *1957 Mood Swings (1998) violin+cello+piano MUFFAT Gottlieb 1690-1770 Konzert B-Dur (Haselböck) harpsichord+violin+continuo score PÄRT Arvo *1935 In fretta, in vento – String Quartet No. 6 (2001) 2 violins+viola+cello score RIMSKI-KORSAKOV Nikolai 1844-1908 Trio C-Dur (1897) violin+cello+piano ROBLEDO Antonio Soleares de Concierto piano+2 violins+viola+cello+double bass ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Sechs Duos (Päuler) 2 violins after his piano trios, score and parts ROSSINI Gioacchino 1792-1868 Duetto (Stutch) 2 cellos or cello+double bass score and parts SAINT-SAËNS Camille 1835-1921 Quartet (No. 1) Op. 112 2 violins+viola+cello parts TAKACS Jenö *1902 Altungarische Hofballmusik Op. 115c violin+cello+piano TANEYEW Sergey I. 1856-1915 Klavierquintett g-Moll Op. 30 piano+2 violins+viola+cello TELEMANN Georg Philipp 1681-1767 50. Triosonate d-Moll TWV42:d6 (Joelson) 2 violins+continuo 1st edition THIERIOT Ferdinand 1838-1919 Suite und Choral (Morgan) 3 cellos or 2 cellos+viola 1st edition, score and parts Quintett G-Dur Op. posth. (1914) (Päuler) 2 violins+viola+2 cellos 1st edition, score and parts THOMAS-MIFUNE Werner *1941 Revolutions-Serenade frei nach Chopin 4 violins+2 cellos+piano or 6 cellos+piano score and parts Lolli of Lohengreen (in jazz style) violin+cello+piano or 2 cellos+piano Zwei Groschenlied an den Abendstern (Wenn Kurt Weill den Tannhäuser geschrieben hätte) 2 cellos+piano TITZ Anton 1742-1810 Streichquartett Nr. 2 2 violins+viola+cello parts Streichquartett Nr. 2 2 violins+viola+cello study score

19,20 13,55 13,55 13,55 53,90 23,75 18,65 56,00 18,10 19,30 26,10 29,95 28,25 45,00 15,40 19,30 61,70

17,05 9,60 12,80 21,60 13,85

23

710826 > 158840 711069 711071 711072 158766 161017 162259 162260 158849 158850

TITZ Anton 1742-1810 Streichquartett Nr. 3 2 violins+viola+cello parts Streichquartett Nr. 3 2 violins+viola+cello study score VANHAL Johann Baptist 1739-1813 Quartett Es-Dur Op. 40/1 (Strauss, Strauss) violin+viola+cello+piano VAUGHAN-WILLIAMS Ralph 1872-1958 String Quartet in C minor (1898) (Penton Vaughan-Williams) 2 violins+viola+cello parts Nocturne and Scherzo (1906) & Scherzo (1904) (Penton Vaughan-Williams) 2 violins+2 violas+cello parts Piano Quintet in C minor (1903) (Penton Vaughan-Williams) violin+viola+cello+double bass+piano VIVALDI Antonio 1678-1741 Concerto a-Moll Op. 3/8 (L’estro armonico) (Dubs-Buchser) 2 violas+piano(-reduction) originally for 2 violins and string ochestra WEINBERG Mieczyslaw *1919 Klavierquintett Op. 18 2 violins+viola+cello+piano ZELLNER Julius 1832-1900 Streichtrio c-Moll Op. 36 (Morgan) violin+viola+cello 1st edition, score and parts Sextett Es-Dur Op. 32 (Päuler) 2 violins+2 violas+2 cellos 1st edition, score and parts ZIMMERMANN Anton 1741-1781 Quartetto in Dis Op. 3/1 (Múdra) 2 violins+viola+cello parts Quartetto in Dis Op. 3/1 (Múdra) 2 violins+viola+cello score

19,00 12,35 43,70 34,60 34,60 50,90 15,40 ??,?? 36,00 61,70 29,55 17,35

1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: PICCOLO SOLO: 161938

BRESNICK Martin *1946 High Art (1983) (Monson)

optional: with toy piano

13,45

Querflöten Spicker. Die praktische Grifftabelle für Querflöte ALBUM Orchesterstudien Schubert / Mendelssohn: Flute - Piccolo (SCHUBERT: 1. Sinfonie DDur D 82 1813; 2. 2. Sinfonie B-Dur D 125 1815; 3. Sinfonie D-Dur D 200 1815; 4. Sinfonie c-Moll D 417 1816 Tragische; 5. Sinfonie B-Dur D 485 1816; 6. Sinfonie C-Dur D 589 1817; 7. Sinfonie h-Moll D 759 1822 Unvollendete; 8. Sinfonie C-Dur D 944 1828 Große; Ouvertüre D-Dur D 12 1811/12; Ouvertüre D-Dur D 26 1812; Ouvertüre B-Dur D 54 aus früher Zeit; Ouvertüre D-Dur D 556 1817; Ouvertüre im italienischen Stile D-Dur D 591 1817; Ouvertüre e-Moll D 648 1819; Ouvertüre im italienischen Stuile D-Dur D 590 1817; Ouvertüre Des Teufels Lustschloß D 84 1814/22; Ouvertüre Der vierjährige Posten D 190 1815; Ouvertüre Claudine von Villa Bella D 239 1815; Ouvertüre Die Zauberharfe D 644 1819/20; Ouvertüre Alfonso und Estrella D 732 1821/22; Rosamunde Musikalisches Schauspiel D 797 1823; MENDELSSOHN: Sinfonie D-Dur Bläserfassung Jugendwerk 1820/24; 1. Sinfonie c-Moll Op. 11 1824; 3. Sinfonie a-Moll Op. 55 1841/42 Schottische; 4. Sinfonie A-Dur Op. 90 1832/22 Italienische; 5. Sinfonie D-Dur Op. 107 Reformation; Ouverture für Harmoniemusik Op. 24 1826; Konzert-Ouverture Meeresstille und glückliche Fahrt Op. 27 1828; Konzert-Ouverture Das Märchen von der schönen Melusine Op. 32 1833; Ouverture zu Viktor Hugos Ruy Blas Op. 95 1839; Trompetenouverture Op. 101 1826; Konzert E-Dur für 2 Klaviere und Orchester Jugendwerk 1823; Capriccio brillant für Klavier und Orchester Op. 22 1832; Rondo brillant für Klavier und Orchester Op. 29 1834;

6,35

FLUTE SOLO: 161926 711000

24

157627

710890 710891 159236 710884 161621 711219

161879

Serenade und Allegro giojoso für Klavier und Orchester Op. 43 1838; Konzert e-Moll für Violine und Orchester Op. 64 1838/44; Lobgesang Symphonie-Cantate B-Dur Op. 52 1840; Paulus Oratorium Op. 36 1836; Antigone Op. 55 1841; Die erste Walpurgisnacht Ballade Op. 60 1841-43; Elias Oratorium Op. 70 1846; Ein Sommernachtstraum (Ouvertüre Op. 21 1826; Schauspielmusik Op. 61 1842); Athalia Op. 74 1845; Oedipus in Kolonos des Sophokles Op. 93 1846) (Richter) ALBUM Con variazioni. Variationen für Flöte solo (Ludwig van BEETHOVEN 1770-1827: 1. Menuetto & 11. Air; Wolfgang Amadeus MOZART 1756-1791: 2. “Deh prendi un dolce ampleso” aus La Clemenza di Tito (Behrendt), 3. “Bei Männern, welche Liebe fühlen” aus Die Zauberflöte” (Nicholson), 4. Menuetto aus Don Giovanni, 8. “Nie wer ich deine Huld verkennen aus Entführung aus dem Serail (Kohler) & 10. Aria (Kohler); Ignaz Joseph PLEYEL 1757-1831: 5. Arietta, 6. Arietta & 7. Arietta (Kohler); Anton Bernard FÜRSTENAU 1792-1852: 9. Arietta) (Braun) ALLERME Jean-Marc Jazz Attitude: 40 études jazz pour flûte Livre 1: études 1-20. Faciles et progressives CD included with complete performance and with piano accompaniment Jazz Attitude: 40 études jazz pour flûte Livre 2: études 21-40. Faciles et progressives CD included with complete performance and with piano accompaniment BACH Johann Sebastian 1685-1750 Toccata et Fugue en ré mineur BWV 565 & Fantaisia Chromatica en si mineur BWV 903 (Veilhan) FELD Jindřich *1925 Fantaisie-Variations sur un thème de Leonardo de Lorenzo (Bernold) GENZMER Harald *1909 3. Sonate LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: C Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included MAZUR Andreas Das Ars-pro-Toto Spiel. Neue Klänge auf Teilen der Flöte. Eine Anleitung (1. Vorwort; 2. Tonproduktion und Griffweisen: 2.1. Kopfstück solo, 2.2. Kopfstück-Fußstück-Kombination, 2.3. Fußstück solo, 2.4. Mittelstück-Fußstück-Kombination; 3. Tonsysteme: 3.1. Fußstück solo: 3.1.1. H-Fuß solo, 3.1.2 C-Fuß solo, 3.2. Kofpstück solo, 3.3. Kopfstück-FußstückKombination: 3.3.1. Kopfstück-Fußstück-Kombination H-Fuß, 3.3.2. Kopfstück-FußstückKombination C-Fuß; 4. “ . . . ad libitum . . . “: Improvisationsvorschläge; 5. Melodische Werchselübungen: 5.1. H-Fuß solo, 5.2. C-Fuß solo, 5.3. Kopfstück solo, 5.4. KopfstückFußstück-Kombination H-Fuß, 5.5. Kopfstück-Fußstück-Kombination C-Fuß, 5.6. Mittelstück-Fußstück-Kombination; 6. Einfacher einstimmige Übungen und Volkslieder: 6.1. H-Fuß/C-Fuß solo, 6.2. Kopfstück solo, 6.3. Kopfstück-Fußstück-Kombination H- und CFuß, 6.4. Mittelstück-Fußstück-Kombination; 7. Duos mit Bauteilen und vollständiger Flöte als 2. Stimme: 7.1. H-Fuß/C-Fuß solo, 7.2. Kopfstück solo, 7.3. Kopfstück-FußstückKombination H- und C-Fuß, 7.4. Mittelstück-Fußstück-Kombination “Greensleeves” mit 2. Flöte / mit Klavierbegleitung; 8. Duos nur mit Bauteilen; 9. Ausblick – Erweiterte Spieltechniken: 9.1. Singen und Spielen: 9.1.1. Paralelle Glissandi, 9.1.2. gegenläufige Glissandi, 9.1.3. Im Unisono und mit Orgelpunkt, 9.2. Flatterzunge (flutter-tonguing), 9.3. Tongue stops, 9.4. Tongue clicks, 9.5. Zungenpizzicato, 9.6. Kissing sounds, 9.7. Windgeräusch (residual tone), 9.8. Jet whistle, 9.9. Whisper sounds – Ghost sounds, 9.10. Key clicks, 9.11. Triller und tremoli, 9.12. Handschlag auf die Rohröffnung, 9.13. Fingerschlag auf das Mundloch, 9.14. Multiphonics; 10. CD-Index) CD included

25,65

10,90 25,20 25,20 13,00 14,50 12,20

26,95

43,65

OBOE SOLO: 161883 161884

BAIER Dorotheo / KÖNIG Natalie Heximex und Gruseltango. Eine Oboenschule für Kinder im Grundschulalter method, pupil’s book Heximex und Gruseltango. Eine Oboenschule für Kinder im Grundschulalter method, teacher’s mamnual

34,65 16,65

25

159706

711219

153729

BARRET Apollon 1803-1879 / NIEMANN Theodor ????-???? My First Barret Niemann For The Developing Student. An Introduction to the Barret and Niemann Methods for Oboe (Oboe Fingering Chart; How to use This Book; Exercises in Evenness and Timbre; Simple Melodies for the Art of Phrasing; Exercises for Two Oboes to Develop Tone; Barret Patterns for the Study of Articulation; Sustained Tones; Niemann Exercises and Melodies in Duet Form; Exercises to Develop Articulation; Duets for the Development of Articulation; More Niemann Melodies in Duet Form; Extended Major Scales; Arpeggios; Barret Chromatic Patterns and Chromatic Scale; Gavotte by FrançoisJoseph GOSSEC; Serenade: Andante Cantabile from String Quartet No. 8 by Franz Joseph HAYDN; Sicilienne from Pelléas and Mélisande by Gabriel FAURÉ; Arioso from Cantata No. 156 by Johann Sebastian BACH) (Schmidt) LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: C Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included MOCHIZUKI Misato Au bleu bois (1998) manuscript edition

9,40

26,95 7,70

CLARINET SOLO: 161925 161699

161700 161701 711010 160953 711218 711217

711009 >

Klarinetten Spicker. Die praktische Grifftabelle für Klarinette mit deutschem System ALBUM The Real Easy Book. Tunes for beginning improvisers. Bb version. Level 1 (Milt JACKSON: Bags’ Groove; Duke PEARSON: Big Bertha; Sonny ROLLINS: Blue Seven, Doxy, Sonnymoon For Two, St. Thomas, Tenor Madness; Red GARLAND: Blues By Five, Red’s Good Groove; Oscar PETTIFORD: Blues In The Closet; Eddie HARRIS: Cold Duck Time, Freedom Jazz Dance, Listen here, ; McCoy TINER: Contemplation; Harold MABERN Jr.: Edward Lee; John COLTRANE: Equinox, Mr. P.C.; Jimmy HEATH: Gingerbread Boy; Jerome RICHARDSON: Groove Merchant; Nat ADDERLEY: Jive Samba, One For DaddyO, Work Song; Jim NADEL: Jo Jo Calypso; Horace SILVER: The Jody Grind, Sister Sadie, Song For My Father; Benny COLSON: Killer Joe; Freddie HUBBARD: Little Sunflower, Straight Life; Joe ZAWINUL: Mercy, Mercy, Mercy; Cedar WALTON: Midnight Waltz, Short Stuff; Kenny BARRON: Revelation; Wes MONTGOMERY: Road Song; Mark LEVINE: Shoshana; Blue MITCHELL: Sir John; Antonio Carlos JOBIM: So Danço Samba; Joe PRIMROSE: St. James Infirmary; Jim ROTONDI: Trail Dust; Traditional: When The Saints Go Marching In; Charlie PARKER: Yardbird Suite; Eric ALEXANDER: Z’s Blues) (Sher) ALBUM The Real Easy Book. Tunes for beginning improvisers. Eb version. Level 1 (for contens see previous item 161699) (Sher) ALBUM The Real Easy Book. Tunes for beginning improvisers. Bass clef version. Level 1 (for contents see previous item 161199) (Sher) KASSAP Sylvain *1956 Balkanique 3e cycle LESTER Leon The Developing Clarinettist: 31 Clarinet Studies LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bb Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Eb Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included ROSSÉ François *1945 Clarichoufron ZEHM Friedrich *1923 Fünf Studien

6,35

25,65 25,65 25,65 13,00 12,10

26,95 26,95 6,70 16,10

SAXOPHONE SOLO: 161924

Saxophon Spicker. Die praktische Grifftabelle für alle Saxophone

6,35

26

710516 711023

161699

161700 710520

710514

710892 160708 711019 711218 711217 711221

ALBUM Etudes pour saxophone 1 (DANAJLOSKA: La Voix mystérieuse; SUZUKI: Slapstick; VIVANCOS: Moustik’s Etude; VLITAKIS: Gedächtnis) (Delangle) A-sax Eb ALBUM Études pour saxophone 2 (BARBA: Étude sur le bisbigliando; BEDROSSIAN: La solitude au courreur de fond; DROUIN: Epigraphie; ROHLOFF: Rite rythme; VALLUHA: Étude) (Delangle) A-sax EbALBUM The Real Easy Book. Tunes for beginning improvisers. Bb version. Level 1 (Milt JACKSON: Bags’ Groove; Duke PEARSON: Big Bertha; Sonny ROLLINS: Blue Seven, Doxy, Sonnymoon For Two, St. Thomas, Tenor Madness; Red GARLAND: Blues By Five, Red’s Good Groove; Oscar PETTIFORD: Blues In The Closet; Eddie HARRIS: Cold Duck Time, Freedom Jazz Dance, Listen here, ; McCoy TINER: Contemplation; Harold MABERN Jr.: Edward Lee; John COLTRANE: Equinox, Mr. P.C.; Jimmy HEATH: Gingerbread Boy; Jerome RICHARDSON: Groove Merchant; Nat ADDERLEY: Jive Samba, One For DaddyO, Work Song; Jim NADEL: Jo Jo Calypso; Horace SILVER: The Jody Grind, Sister Sadie, Song For My Father; Benny COLSON: Killer Joe; Freddie HUBBARD: Little Sunflower, Straight Life; Joe ZAWINUL: Mercy, Mercy, Mercy; Cedar WALTON: Midnight Waltz, Short Stuff; Kenny BARRON: Revelation; Wes MONTGOMERY: Road Song; Mark LEVINE: Shoshana; Blue MITCHELL: Sir John; Antonio Carlos JOBIM: So Danço Samba; Joe PRIMROSE: St. James Infirmary; Jim ROTONDI: Trail Dust; Traditional: When The Saints Go Marching In; Charlie PARKER: Yardbird Suite; Eric ALEXANDER: Z’s Blues) (Sher) ALBUM The Real Easy Book. Tunes for beginning improvisers. Eb version. Level 1 (for contens see previous item 161699) (Sher) BOIS Christophe 25 Airs en guise d’études. Pour tous les saxophones (ALBENIZ: España, Zortzico; BERLIOZ: Symphonie fantastique: Un Bal, Marche au supplice, Songe d’une nuit de Sabbat; BIZET: Carmen, Seguidilla; COUPERIN: Amours-badins, L’Exquise; DVORAK: Danses slaves No. 1, No. 2 No. 3 et No. 8; GRIEG: Peer Gynt, Danse de Anitra; HANDEL: Salomon, Ouverture Acte 3; PURCELL: Didon et Enée: Ouverture, Danse triomphale; RIMSKY-KORSAKOV: Schéhérzade, 1er mouvement Tranquillo, 2ème mouvement Andantino, 3ème mouvement Allegretto; SAINT-SAËNS: Carnaval des animaux: Pianistes, Volière; SCARLATTI: Sonate en Do no. 21, Sonate en Do no. 24; SMETANA: La Moldau: Introduction, La Noce, Final) fin de 2e cycle et 3e cycle 28 Études et transpositions ou comment jouer dans toutes les tonalités en parcourant le monde. Pour tous les saxophones (Amériquie: La Guantanamera – Cuba; Scalerica d’oro – Ladinos; San Pedro troto cien años - Bolive; Rosa Colorado – Chili; Sucu, sucu – Equateur; El Tortillo – Chili; Los Bilbilicos – Ladinos; La Bogotana – Colombie; Cielito Lindo – Mexique; La Contrabandista – Pérou; Euroipe de l’Ouest: Jeiki – Pays Bas / France; Farandole – Provence / France; Todos me Querem – Portugal; He piped so sweet – Ecosse; Et moi pendant c’temps là . . . – Bretagne / France; Sao Macaio – Portugal; De Lagos a Fisetta – Portugal; The Flax in Bloom – Irlande; Europe de l‘Est: Jacko – Ludovie / Pologne; Pope sagt, er tränke nie – Roumanie; Plainte – Roumanie; Marche – Pologne; Proche-Orient: Avinu Malkénu – Israël; Dayenu – Israël; Chine: Souvenir de Chine 1; Yao; Souvenir de Chine 2; Le Petit Gardien de boeufs) fin de 1er cycle et 2e cycle Les gammes en quelques modes pour tous les saxophones. Majeur. Mineur. Par ton. Diminué. COLTRANE John Transcriptions from A Love Supreme (Part I Acknowledgement, Part II Resolution, Part III Pursuance, Part IV Psalm) T-sax, with chord symbols DELANGLE Claude / BOIS Christophe Méthode de saxophone. Volume 2 illustrated, CD included LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bb Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Eb Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Tenor Saxophone (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included

13,35

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15,95

22,60 25,20 17,50 38,55

26,95 26,95 26,95

27

159247

MÉRIOT Michel *1928 15 études techniques et rythmiques pour tous les saxophones

21,75

BASSOON SOLO: 710625

711220

097442 710878

KLÜTSCH Georg *1951 Bassoon Fundamentals. A Guide to Effective Practice (Aims of this Book; Tone quality: Work on tone quality, Hole-covering fingering, Matc hing the registers, Vibrato; Finger technique: Sensitive points of fingetechnique, Half-hole exercises, Preliminary exercises for all scales; Atriculation: Staccato technique, Legato; The upper register: Fundamental exercises, Preparatory fingering exercises for solo passages; Trills: Fundamental exercises, Alternative fingerings for difficult trills; Intonation; Studies based on scales and arpeggios) LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bass Clef Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included TELEMANN Georg Philipp 1681-1767 Twelve Fantasias (Hawkins) WEISSENBORN Julius 1837-1888 My First Weissenborn for the Developing Student. An Introduction to the Weissenborn Practical Method for the Bassoon (How to Use this Book; “Daily Bread’ Studies; Exercises for Two Bassoons to Develop Tone; Weissenborn Practical Exercises; Exercises to Develop Articulation; Weissenborn Exercise for Pointed Articulation; Tw Advanced Studies – Julius Weissenborn; Duets for Two Bassoons: Russian Hymn – Tchaikovsky, Cradle Song – von Weber, Melody, America – Traditional, Melody, Carnival of Venice; Technical Etudes; Song of Master Adam; Le Souvenir; Richard of the Lion Heart – Grétry; Flower of Damascus – Saverio; Extended Major Scales; Weissenborn Chromatical Exercises; Shenandoah; Arpeggios; The Harmonious Blacksmith – Händel; Aria Bist du bei mir – Bach; Tambourin – Gossec; Serenade from String Quartet No. 8 – Haydn; Bourrée – Händel; Danny Boy – Traditiona) (Schmidt)

29,50

26,95 18,90

9,40

TRUMPET SOLO: 159624

161699

161700

ALBUM Anthology of Lyrical Pieces for Trumpet and Other Instruments (ALBENIZ; BACH; BEET-HOVEN; BELLINI; BIZET; BONONCINI; BORODIN; BRAHMS; CACCINI; CATALANI; CHOPIN; DEBUSSY; DONIZETTI; DVORAK; FALCONIERE; FAURÉ; GABRIELLI; GOUNOD; HUMPERDINCK; LEONCAVALLO; MARCELLO; MASCAGNI; MASSENET; MOZART; OFFENBACH; PORPORA; PUCCINI; RACHMANINOFF; RAVEL; ROSSINI; SAINT-SAËNS; SCARLATTI D.; SCARLATTI A.; SCHUBERT; SCHUMANN; TCHAIKOVSKY; VERDI; GLUCK; WAGNER) (Rizzetto) ALBUM The Real Easy Book. Tunes for beginning improvisers. Bb version. Level 1 (Milt JACKSON: Bags’ Groove; Duke PEARSON: Big Bertha; Sonny ROLLINS: Blue Seven, Doxy, Sonnymoon For Two, St. Thomas, Tenor Madness; Red GARLAND: Blues By Five, Red’s Good Groove; Oscar PETTIFORD: Blues In The Closet; Eddie HARRIS: Cold Duck Time, Freedom Jazz Dance, Listen here, ; McCoy TINER: Contemplation; Harold MABERN Jr.: Edward Lee; John COLTRANE: Equinox, Mr. P.C.; Jimmy HEATH: Gingerbread Boy; Jerome RICHARDSON: Groove Merchant; Nat ADDERLEY: Jive Samba, One For DaddyO, Work Song; Jim NADEL: Jo Jo Calypso; Horace SILVER: The Jody Grind, Sister Sadie, Song For My Father; Benny COLSON: Killer Joe; Freddie HUBBARD: Little Sunflower, Straight Life; Joe ZAWINUL: Mercy, Mercy, Mercy; Cedar WALTON: Midnight Waltz, Short Stuff; Kenny BARRON: Revelation; Wes MONTGOMERY: Road Song; Mark LEVINE: Shoshana; Blue MITCHELL: Sir John; Antonio Carlos JOBIM: So Danço Samba; Joe PRIMROSE: St. James Infirmary; Jim ROTONDI: Trail Dust; Traditional: When The Saints Go Marching In; Charlie PARKER: Yardbird Suite; Eric ALEXANDER: Z’s Blues) (Sher) ALBUM The Real Easy Book. Tunes for beginning improvisers. Eb version. Level 1 (for contens see previous item 161699) (Sher)

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28

161886 161940

159252 159253 159254 711218

711048 161939 710490 162986

162985 710486 710487

BIERLER Lothar J. Anfängerschule Band 2 für Trompete, Kornett, Flügelhorn, Tenorhorn method BUSH Irving R. Trumpet Players Blow with Good Vibrations. A Serious Book with a Humorous Title (I. Breathing Techniques as Applied to Trumpet Playing; II. The Embouchure; III. Tonal Production; IV. The Slur; V. Tonguing; VI. The Extreme Registers; VII. Fingering; VIII. Endurance; IX. The Warm Up; X. Intelligent Practice Procedures; XII. The Psychology of Trumpet Performance) CAENS Thierry *1958 Basic Systems pour Trompette 3: Motifs courts (Caens) Basic Systmes pour Trompette 4: Les harmoniques naturelles (Caens) Basic Systems pour Trompette 5: Sur l’accord parfait (Caens) LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bb Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included PLOG Anthony *1947 Method for Trumpet Book I: Warm-up Exercises and Etudes method Method for Trumpet Book 2: Fingering Exercises and Etudes (Part I) method RIZZETTO Jay Fifteen Contemporary Etudes for Trumpet. 2nd Edition SAMPSON David *1951 Notes from Faraway Places. Three Suites: Suite I (1. Krems - Austria; 2. Richmond Virginia; 3. Delaware Water Gap - Pennsylvania; 4. Duet 1), Suite II (1. Schoodic Point – Maine; 2. Cantonsville – Maryland; 3. Prague – Czech Republic; 4. Duet 2) & Suite III (1. New York City – NY; 2. The Crow’s Nest; 3. “Solo”; 4. Santa Barbara – California; 5. Duet 3) with 3 duets STEVENS Thomas *1938 8 Studies for Trumpet 1976-1988. After the Second Viennese School TELEMANN Georg Philipp 1681-1767 Twelve Fantasias for Unaccompanied Trumpet (Rizzetto) originally for flute UBER David *1921 Solo Etudes for Trumpet Op. 419

19,20

13,45 27,75 13,90 21,75

26,95 13,45 40,70 17,40

19,50 35,10 23,20 14,50

HORN SOLO: 710865 710549

GALLAY Jacques-François 1795-1826 12 Études Op. 75 (Garcin-Marrou) MOZART Wolfgang Amadeus 1756-1791 Concerto No. 1 in D major K.412 (Chambers) F-horn solo part in place of the D-horn solo part

12,20 7,25

TROMBONE SOLO: 711220

710409 160106

LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bass Clef Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included MÁSSON Áskell *1953 Monologue (2002) McGREGOR Rob Roy Daily Scale Builder for Trombone

26,95 11,70 12,10

TUBA SOLO: 711220

LIPNER Arthur From Lead Sheets to Hip Solos. Developing Improvisation for All Instruments: Bass Clef Instruments (Swing, Samba, Bossa, Funk, Soca: a.o. Charlie PARKER “My Little Suede Shoes”, “Now’s the Time” & Mongo SANTAMARIA “Afro Blue”) CD included

26,95

29 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: PICCOLO WITH ACCOMPANIMENT: 711229

CARRÉ Gilles . . . Fil . . . (Beaumadier)

8,55

FLUTE WITH ACCOMPANIMENT: 160904

710949

711057

710577 711041 711043 161880 711206 161881 711210 161670 710904 162236 > 162242 162040 710957 150711

ALBUM Russian Classics (A.Y. Warlamow 1801-1848: Red Sarafan; A.L.Gurilov 1803-1858: A Small Bell; M.I. Glinka 1804-1857: Tchernomor’s March & Wonderful Moment; A.G. Rubinstein 1829-1894: Melody in F major; Peter I. Tschaikovsky 1840-1893: Slavonic March & Chanson triste; A.P. Borodin 1833-1887: Virgin Dance; N.A. Rimsky-Korsakov 1844-1908: Song of India; M.P. Mussorgsky 1839-1881: Promenade & The Great Gate) (Romanov) play-along CD included ALBUM BIS – Zugaben für Flöte und Klavier [Georges BIZET 1838-1878: Farandole, Soldier’s Chotus (Carmen), Song of the Torreadore (Carmen) & Aria (The Perl Fishers); Leo DELIBES 1836-1891: Mazurka (Coppelia); Antonín DVORAK 1841-1904: Largo (New World Symphony), Op. 95; Charles GOUNOD (1818-1893): Soldier’s Chorus (Faust); Edvard GRIEG 1843-1907: Anitra’s Dance (Peer Gynt Suite I), Op. 46/3; Felix MENDELSSOHN-BARTHOLDY 1809-1847: Wedding March (Midsummer Night’s Dream); Piotr TSCHAIKOVSKY 1840-1893: March (Nutcracker Suite), Op. 71a/2] (Förster) ALBUM Le Voyage du Petit Flûte: 11 pièces avec versions CD: flûte et piano et piano seul (1. BASTEAU: Variations “Londonderry Air; 2. GUIOT: Rome, en calèche; 3. BRETON: Alla ungherese; 4. AUBIN: Le chandelier de Hanouka; 5. TANAKA: Voyage au coeur de l’Orient; 6. MULLER: Le petit bonze et son shakuhachi; 7. TAKANA: Les lunes de Cuzco; 8. PROUST: Naranjada; 9. VANBESELAERE: Mexique; 10. AMIOT: Carnaval aux Caraïbes; 11. NAULAIS: Parfum de Paris) (Sarrien-Perrier, Basteau) piccolo, CD included BACH Carl Philipp Emmanuel 1714-1788 Six Sonatas Wq. 125-127, 129, 139, 134 (Walther) BEETHOVEN Ludwig van 1770-1827 Sonate No. 5 en Fa majeur “Le Printemps” Op. 24 (Altès, Marion) originally for violin Sonate No. 4 en La majeur Op. 23 (Altès, Marion) originally for violin BUREN John van *1952 Canzone DENTRESANGLE Franck Éclipse (Macarez) with percussion FINK Siegfried *1928 Spiegelungen à 2: 5 Impressionen (Wentorf, Kremling) with percussion. 2 playing scores FLEURETTE Bernard Insouciance (Chatoux) GÁRDONYI Zsolt *1946 Trois Mouvements (2001) with organ HOFMANN Leopold 1738-1793 Flute Concerto Badley G2 (Badley, Dellow) HOLBORNE Anthony 1566-1602 Zwei Suiten (Zahn) optional with harpsichord HURLSTONE William Yeates 1876-1906 Four English Sketches (1. Pastoral, 2. Caprice, 3. Romance, 4. A Reverly) (Kossack) KIRNBERGER Johann Philipp 1721-1783 9. Sonate g-Moll & 4. Sonate e-Moll (Wiese, Shaw) with continuo KUBIČA Miroslav *1951 Sonatina per flauto e pianoforte LEGÁNY Dénes 1965-2000 Sonata LUYPAERTS Guy-Claude De la flûte en cinq volumes. Volume 4: Élémentaire 1 (Style de . . . , En vague I, En vague II, Largo et fugato) texts French, English, German and Spanish; CD included

14,95

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33,40 29,95 23,15 19,60 15,35 10,15 16,05 7,75 15,40 37,80 15,40 14,50 19,30 14,15 13,65 60,50

30

711008 711234 710653 161270 710269 710270 710271 162248 160813

710997 159005

710654 710550 162253 158761 158762 158763 710461 161442 159234 159235 161882

LUYPAERTS Guy-Claude De la flûte en cinq volumes. Volume 5: Élémentaire 2 (Fluide, Miroir I, Miroir II, Véloce) texts French, English, German and Spanish; CD included LUZE Hubert de Mándres (Chatoux) with harp MARTIN Frank 1890-1974 Ballade 1939 MOZART Wolfgang Amadeus 1756-1791 Sonate C-Dur KV.330(300h) (Schäfer) (originally piano solo from Pariser Sonaten 1783) with guitar, guitar score and flute part POPP Wilhelm (ALBERTI Henry) 1828-1903 6 Sonatinen Op. 388 Band 1: Sonatinen 1-3 (Widdermann) 6 Sonatinen Op. 388 Band 2: Sonatinen 4-6 (Widdermann) Album: 1. Spanischer Tanz, 2. Spanische Serenade, 3. Nachtigallenserenade (Kossack) PRAETORIUS Michael 1571-1621 Tänze aus Terpsichore (Nitz) with continuo QUANTZ Johann Joachim 1697-1773 5 Sonate (Sonata in Sol maggiore QV.I:105; Sonata in Do maggiore QV.I:12; Sonata in Si minore QV.I: 167; Sonata in Do minore QV.I:15; Sonata in Re maggiore QV.I:47) (Csalog, Papp) with continuo ROSETTI Antonio / RÖSSLER Franz Anton 1750-1793 Sonate D-Dur nach einer zeitgenössischen Bearbeitung des Notturno D-Dur durch Johann André (1741-1799) (Richter) with harp or piano ROSSINI Gioacchino 1792-1868 Solfeggien. 16 Kompositionen: 1. Andante F-Dur, 2. Allegretto F-Dur (Semiramide: “Freut euch des Lebens”), 3. Andantino e-Moll, 4. Allegretto E-Dur, 5. Largo As-Dur, 6. Allegretto D-Dur, 7. Andante molto sostenuto Es-Dur, 8. Cantabile F-Dur, 9. Andante grave – Allegro A-Dur (Cantata per Aguada: “O giorno sereno”), 10. Quasi Adagio A-Dur, 11. Marziale EsDur (Die Zauberflöte), 12. Allegretto moderato H-Dur (“Dall’oriente l’astro del giorno”), 13. Adagio cantabile As-Dur, 14. Allegro G-Dur (“Mi lagnerò tacendo”), 15. Andante cantabile fMoll (Cavatina Addio di Rossini), 16. Andante A-Dur (“Ridiamo, cantiamo che tutto sen và”)] SCHNYDER Daniel *1961 Sonata 1998/1999 SCHUBERT Franz 1797-1828 Sonata (Duo) in A major Op. 162 D.574 (Stallman) originally violin and piano SUDER Joseph 1892-1980 Ariette und Capriccio (Suder) TELEMANN Georg Philipp 1681-1767 Zwölf Methodische Sonaten Heft 1: Nr. 1-3 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 2: Nr. 4-6 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 3: Nr. 7-9 (Michel, Gevert) with continuo Zwölf Methodische Sonaten Heft 4: Nr. 10-12 (Michel, Gevert) with continuo VERDI Giuseppe 1813-1901 / RÉMUSAT Jean 1815-1880 La Traviata – Caprice (Braun) VOGEL Helmut *1925 Trois pas de deux: 1. Flirt; 2. Solitude; 3. Rondo bizzarro also with harpsichord Six pièces: 1. Calme et fluïde; 2. Letn et très expressif; 3. Animé; 4. Avec humour; 5. L:argo; 6. Veloce WÜNSCH Christoph *1955 Vier Bilder (1. Dialog – C-flute; 2. Meditation - alto flute; 3. Tambour - piccolo; 4. Paranoia – C-flute) (Wentorf, Kremling) 3 flutes one player, intermediate, 2 playing scores

60,50 10,15 30,80 12,70 15,40 15,40 14,15 12,85

20,35 19,20

49,10 38,50 26,85 15,40 19,30 19,30 19,30 19,30 12,20 43,05 25,30 15,35

FLUTE PLAY-ALONG (FLUTE WITH ACCOMPANIMENT ON CD): 710619

ALBUM Folk for Flute (Engeland: Alas my love (Greensleeves); Ierland: Morning has broken & I’ve been a wild rover; Schotland: Auld lang syne & Amazing grace; Rusland: Kalinka & Kasatschok; Italië: Bella bimba, Tiritomba & O sole mio; Frankrijk: Il était un petit navire & Plaisir d’amour; Spanje: Cielito lindo & La paloma; Mexico: La cucaracha; Bolivië: Andenmelodie; Verenigde Staten: Oh happy day, Swing low, Yankee Doodle & Tom Dooley) (Magolt, Magolt) with additional 2nd part, CD included

21,20

31

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160063

160817

160818

160897

161642

711201 161107

160238

ALBUM The Academy Collection for Flute (Traditional: Greensleeves, Sky Boat Song & Londonderry Air; Erik Satie 1866-1925: Gymnopédie No. 1; Camille Saint-Saëns 18351921: The Swan; Henry Purcell 1659-1695: Come Ye Sons of Art; Georg Friedrich Händel 1685-1759: Largo; Johann Sebastian Bach 1685-1750: Air on the G-String & Siciliano; Wolfgang Amadeus Mozart 1756-1791: Voi che sapete; Peter I. Tchaikovsky 1840-1893: Dance of the Sugar-Plum Fairy; Antonio Vivaldi 1678-1741: Rain) (Vallis-Davies) ALBUM Movie Songs By Special Arrangement: Eleven Movie Songs. Jazz-Style Arrangements with a “Variation” [1. Sweet Georgia Brown (uit: Some Like It Hot 1959, Jazz on a Summer’s Day 1958, Oscar 1991, Sweet and Lowdown 1999, To Be or Not to Be 1983); 2. Over the Rainbow (uit: The Wizzard of Oz 1939, Finding Forrester 2000); 3. A Day in the Life of a Fool (Black Orpheus 1959); 4. Bye, Bye, Blackbird (uit: Sleepless in Seattle 1993, Pete Kelly’s Blues 1955, Rainbow ‘Round My Shoulder 1952, The Eddie Cantor Story 1953, Isadora 1969); 5. As Time Goes By (uit: Casablanca 1942, Sleepless in Seattle 1993); 6. Days of Wine and Roses (uit: Days of Wine and Roses 1962); 7. Emily (uit: The Americanization of Emily 1964); 8. The Way You Look Tonight (uit: Swing Time 1936, Vegas Vacation 1997); 9. Misty (uit: Play Misty for Me 1971); 10. On Green Dolphin Street (uit: On Green Dolphin Street 1947); 11. Almost Like Being in Love (uit: Brigadoon 1954, Groundhog Day 1993)] (Strommen) with guitar symbols, CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included ALBUM Take the Lead Plus. Jazz Standards. C Edition. Eight great flexible arrangements in four parts playable by any number of instruments (Robin WILLIAMS: 1. Do Nothin’Till You Hear From Me; Louis ARMSTRONG: 2. It Don’t Mean A Thing – If It Ain’t Got That Swing, 3. Jeepers creepers; Ella FITZGERALD: 4. Misty; Frank SINATRA: 5. Moonlight in Vermont; Sarah VAUGHAN: 6. On Green Dolphin Street; Andy WILLIAMS: 7. The Shadow Of Your Smile; Nat King COLE: Star Dust; A Guide To Notation) (Harris) CD (demo / play along) included ALBUM Guest Spot New Chart Hits. Playalong for Flute (Anyone Of Us/Stupid Mistake; Colourblind; Complicated; If You’re Not The One; I’m Gonna Getcha Food!; Love At First Sight; Round Round; The Tide Is High/Get The Feeling; Unbreakable; Whenever, Whenever) (Simon) play-along CD included ALBUM World Music Argentina. Play-Along Flute (Tango, Vals Criollo, Milonga, Zamba, Chacarera (Collatti) play along CD included HOSAY James L. Loco for Latin: 10 pieces that covers just about every Latin style! (1. Kickin’ with Carlos; 2. Road to Atlantis; 3. Honeymoon in Bermuda; 4. Yucatan summer; 5. Tito tribute; 6. Sound of Miami; 7. Let’s get ready to rumba; 8. Last boat to Catalina; 9. Brzilian Goddess; 10. Playing La Beata Loca) play-along CD included MOWER Mike Doing Time. Ten Flute Pieces to Set Your Fingers Free (Leaps & Sounds; Breaking Up; Care Less; Breezing; Root 49; Slithers; Quarterly Returns; Diminished Responsibilities; Timing Again; Hop Hipster; Tuning Note A 440; Sonata Latina; Doodle & Flight; Triligence; Fingerbusters; Opus Di Jazz; Not The Boring Stuff; A Night in Greenwich; Here We Go Again; Blowing A Storm; 20 Commandments; Sonata for Piccolo & Piano; Landscapes) play-along CD included

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32

159990

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RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 1 (1. Take Me Home, Country Roads; 2. Nights In White Satin; 3. Shine A Light On Me; 4. Those Were The Days; 5. Miss Pretty; 6. Salty Dog Blues; 7. How Deep Is Your Love; 8. Love Is All; 9. El Condor Pasa; 10. Stay With Me Till The Morning; 11. Streets Of London; 12. House For Sale; 13. You’d Better Beware Of The Darkness; 14. Rockin’All Over The World) CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) CD included WILLIAMS John Harry Potter and the Chamber of Secrets. Selected Themes from the Motion Picture (1. Tuning Note, 2. Dobby The House of Elf, 3. The Chamber of Secrets, 4. Fawkes the Phoenix, 5. Moaning Myrtle, 6. Harry’s Wondrous World, 7. Gilderoy Lockhart, 8. Nimbus 2000, 9. Family Portrait, 10. Hedwig’s Theme) CD included

12,95

12,95

13,45

OBOE WITH ACCOMPANIMENT: 711045 159384 162236 162248 159005

162307

BACH Johann Sebastian 1685-1750 Nu komm’ der Heiden Heiland BWV 659 originally for organ solo HÄNDEL Georg Friedrich 1685-1759 Sämtliche Sonaten für Oboe und Basso continuo (1. Sonate B-Dur HWV 357, 2. Sonate cMoll HWV 366, 3. Sonate F-Dur HWV 363) (Best) with continuo HOLBORNE Anthony 1566-1602 Zwei Suiten (Zahn) optional with harpsichord PRAETORIUS Michael 1571-1621 Tänze aus Terpsichore (Nitz) with continuo ROSSINI Gioacchino 1792-1868 Solfeggien. 16 Kompositionen: 1. Andante F-Dur, 2. Allegretto F-Dur (Semiramide: “Freut euch des Lebens”), 3. Andantino e-Moll, 4. Allegretto E-Dur, 5. Largo As-Dur, 6. Allegretto D-Dur, 7. Andante molto sostenuto Es-Dur, 8. Cantabile F-Dur, 9. Andante grave – Allegro A-Dur (Cantata per Aguada: “O giorno sereno”), 10. Quasi Adagio A-Dur, 11. Marziale EsDur (Die Zauberflöte), 12. Allegretto moderato H-Dur (“Dall’oriente l’astro del giorno”), 13. Adagio cantabile As-Dur, 14. Allegro G-Dur (“Mi lagnerò tacendo”), 15. Andante cantabile fMoll (Cavatina Addio di Rossini), 16. Andante A-Dur (“Ridiamo, cantiamo che tutto sen và”)] WATTS Sarah Razzamajazz Oboe. Starts with just one note – takes you up to ten. Jazzy piano part for the teacher (1. Banana Tango, 2. B Groovy; 3. Kim’s Ballad; 4. Mellow Out; 5. Morning in Moscow; 6. Movie Buster; 7. Mr Cool; 8. Play of Light; 9. Sea Sparkle; 10. Shrimp Shuffle; 11. Stardom Waltz; 12. Stripy Cat Crawl; 13. Ten Toe Tapper; 14. Two at Twilight; 15. Water Lilies) CD included

7,40 19,15 15,40 12,85

49,10

14,25

OBOE PLAY-ALONG (OBOE WITH ACCOMPANIMENT ON CD): 160063

ALBUM Movie Songs By Special Arrangement: Eleven Movie Songs. Jazz-Style Arrangements with a “Variation” [1. Sweet Georgia Brown (uit: Some Like It Hot 1959, Jazz on a Summer’s Day 1958, Oscar 1991, Sweet and Lowdown 1999, To Be or Not to Be 1983); 2. Over the Rainbow (uit: The Wizzard of Oz 1939, Finding Forrester 2000); 3. A Day in the Life of a Fool (Black Orpheus 1959); 4. Bye, Bye, Blackbird (uit: Sleepless in Seattle 1993, Pete Kelly’s Blues 1955, Rainbow ‘Round My Shoulder 1952, The Eddie Cantor Story 1953, Isadora 1969); 5. As Time Goes By (uit: Casablanca 1942, Sleepless in Seattle 1993); 6. Days of Wine and Roses (uit: Days of Wine and Roses 1962); 7. Emily (uit: The Americanization of Emily 1964); 8. The Way You Look Tonight (uit: Swing Time 1936, Vegas Vacation 1997); 9. Misty (uit: Play Misty for Me 1971); 10. On Green Dolphin Street (uit: On Green Dolphin Street 1947); 11. Almost Like Being in Love (uit: Brigadoon 1954, Groundhog Day 1993)] (Strommen) with guitar symbols, CD included

21,70

33

160817

160818

160897

710711

ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included ALBUM Take the Lead Plus. Jazz Standards. C Edition. Eight great flexible arrangements in four parts playable by any number of instruments (Robin WILLIAMS: 1. Do Nothin’Till You Hear From Me; Louis ARMSTRONG: 2. It Don’t Mean A Thing – If It Ain’t Got That Swing, 3. Jeepers creepers; Ella FITZGERALD: 4. Misty; Frank SINATRA: 5. Moonlight in Vermont; Sarah VAUGHAN: 6. On Green Dolphin Street; Andy WILLIAMS: 7. The Shadow Of Your Smile; Nat King COLE: Star Dust; A Guide To Notation) (Harris) CD (demo / play along) included HOLZ Bernd *1955 JUMP play along: 7 Popsongs for Oboe (1. Julia; 2. Easy Going; 3. Remember My Love; 4. Rainbow Colours; 5a. Jump; 5b. Jump; 6. Blue Planet; 7. Dreams) CD included

19,00

19,00

20,40 19,20

CLARINET WITH ACCOMPANIMENT: 710938

710942 160757 710585 160753 710882 710935 >

ALBUM BIS – Zugaben und Stücke (J.S. BACH: Aria & Jesus meine Freude; G.F. HÄNDEL: Largo; B. GODARD: Berceuse de Jocelyn; R. SCHUMANN: Air de Eglise von Stradella & Träumerei; W.A. MOZART: Larghetto aus dem Klarinettenquintett; T. GIORDANI: Caro mio ben) (Hölÿ, Mayer) Bb-, with organ BRAHMS Johannes 1833-1893 Intermezzo Op. 118/2 (Popov) originally: piano, ACAVALLINI Ernesto 1807-1874 La Calma. Romanza senza parole (Bradbury) BbLISZT Franz 1811-1886 Nocturne No. 1 (Balassa) BbLOVREGLIO Donato 1841-1907 Fantasia sull’Opera Un Ballo in Maschera di Giuseppe Verdi Op. 46 (Bradbury) BbMARTIN Gilles “Suite Jazzy” (Verdier) moyenne difficulté, BbREGER Max 1873-1916 Sonata in F# minor Op. 49/2 AROMERO Antonio y Andia 1815-1886 Primer Solo Original

12,80 10,65 12,15 7,45 15,90 10,90 13,95 21,20

CLARINET PLAY-ALONG (CLARINET WITH ACCOMPANIMENT ON CD): 710620

ALBUM Folk for Clarinet (Engeland: Alas my love (Greensleeves); Ierland: Morning has broken & I’ve been a wild rover; Schotland: Auld lang syne & Amazing grace; Rusland: Kalinka & Kasatschok; Italië: Bella bimba, Tiritomba & O sole mio; Frankrijk: Il était un petit navire & Plaisir d’amour; Spanje: Cielito lindo & La paloma; Mexico: La cucaracha; Bolivië: Andenmelodie; Verenigde Staten: Oh happy day, Swing low, Yankee Doodle & Tom Dooley) (Magolt, Magolt) with additional 2nd part, CD included

21,20

34

160817

160818

160898

161644

> 159991

162044

ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included ALBUM Take the Lead Plus. Jazz Standards. Bb Woodwind Edition. Eight great flexible arrangements in four parts playable by any number of instruments (Robin WILLIAMS: 1. Do Nothin’Till You Hear From Me; Louis ARMSTRONG: 2. It Don’t Mean A Thing – If It Ain’t Got That Swing, 3. Jeepers creepers; Ella FITZGERALD: 4. Misty; Frank SINATRA: 5. Moonlight in Vermont; Sarah VAUGHAN: 6. On Green Dolphin Street; Andy WILLIAMS: 7. The Shadow Of Your Smile; Nat King COLE: Star Dust; A Guide To Notation) (Harris) CD (demo / play along) included ALBUM Guest Spot New Chart Hits. Playalong for Clarinet (Anyone Of Us/Stupid Mistake; Colourblind; Complicated; If You’re Not The One; I’m Gonna Getcha Food!; Love At First Sight; Round Round; The Tide Is High/Get The Feeling; Unbreakable; Whenever, Whenever) (Simon) play-along CD included KRASSNITZER Gerhard *1973 Multiphonics (168 pages!) German system, CD included RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 1 (1. Take Me Home, Country Roads; 2. Nights In White Satin; 3. Shine A Light On Me; 4. Those Were The Days; 5. Miss Pretty; 6. Salty Dog Blues; 7. How Deep Is Your Love; 8. Love Is All; 9. El Condor Pasa; 10. Stay With Me Till The Morning; 11. Streets Of London; 12. House For Sale; 13. You’d Better Beware Of The Darkness; 14. Rockin’All Over The World) Bb-, CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) Bb-, CD included

19,00

19,00

20,40

20,30 62,60

12,95

12,95

SAXOPHONE WITH ACCOMPANIMENT: 711053

161323 710862 710861 710859 711044

ALBUM Saxofolk: 13 pièces faciles avec CD versions saxophone alto et piano et piano accompagenement [1. Scarborough Fair (traditional); 2. Danse slave (DVORAK); 3. Kyoto (TANAKA); 4. Zoé (JOURDY); 5. Prière de Olag Trigvenson (GRIEG); 6. Hava nagila (traditional); 7. Improvisation (MICHAT); 8. Topkapi (PROUST); 9. Squaw (MICHAT); 10. Jephan (RICHARD); 11. Saxnova (BASTEAU); 12. Greensleeves (folk song); 13. Ilnlatraprapa (MERAH); 14. Accords] (Michat, Basteau) Eb-alto, CD included BOLCOM William *1938 Concert Suite for Alto Saxophone and Band (1998) Eb-alto DEBUSSY Claude Les sons et les parfums torunent dans l’air du soir (ertait des Préludes Livre I) (David) Eb-alto 1. Danseuse de Delphes; 2. Des pas sur la neige; 3. Hommage à Esq. P.P.M.P.C. (extrait des Préludes Livres I et II pour piano) (David) Eb-alto DVOŘÁK Antonín 1841-1904 Humoresque Op. 101/7 (Verdier) originally for piano solo FERRAN Jean-Michel Balalde et Rock Acrobatique (Fourmeau) Eb-alto

33,40 22,90 10,15 10,90 8,55 10,90

35

159248 711123 162295 710882 710872 710879 711122

GHIDONI Armando Carillon débutant, Eb-alto/Bb-soprano/Bb-tenor KASTNER Jean-Georges 1810-1867 Variations faciles et brillantes sur un thème original (Delangle, Chouraki) Eb-alto LINGEN Jan van Saxophone Recital. Pieces for Alto Saxophone and Piano/Keyboard (1. Sax Parade; 2. Pop Ballad; 3. Bossa Brazil; 4. Sax-o-funk; 5. Slow Rock Saxes) Eb-alto MARTIN Gilles “Suite Jazzy” (Verdier) moyenne difficulté, BbPARADIES Maria-Theresa von 1759-1824 Siclienne (Delangle) Eb-alto PIROVANO Xavier Rhapsodie (Gremelle) difficile, Eb-alto SAVARI Jérôme 1819-1870 Fantaisie sur des motifs du Freischütz de Weber (Delangle) Eb-alto

12,20 19,90 11,95 10,90 7,95 16,30 13,95

SAXOPHONE PLAY-ALONG (SAXOPHONE WITH ACCOMPANIMENT ON CD): 160817

160818

160898

161643

711053

161976

159715

ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included ALBUM Take the Lead Plus. Jazz Standards. Bb Woodwind Edition. Eight great flexible arrangements in four parts playable by any number of instruments (Robin WILLIAMS: 1. Do Nothin’Till You Hear From Me; Louis ARMSTRONG: 2. It Don’t Mean A Thing – If It Ain’t Got That Swing, 3. Jeepers creepers; Ella FITZGERALD: 4. Misty; Frank SINATRA: 5. Moonlight in Vermont; Sarah VAUGHAN: 6. On Green Dolphin Street; Andy WILLIAMS: 7. The Shadow Of Your Smile; Nat King COLE: Star Dust; A Guide To Notation) (Harris) CD (demo / play along) included ALBUM Guest Spot New Chart Hits. Playalong for Alto Saxophone (Anyone Of Us/Stupid Mistake; Colourblind; Complicated; If You’re Not The One; I’m Gonna Getcha Food!; Love At First Sight; Round Round; The Tide Is High/Get The Feeling; Unbreakable; Whenever, Whenever) (Simon) play-along CD included ALBUM Saxofolk: 13 pièces faciles avec CD versions saxophone alto et piano et piano accompagenement [1. Scarborough Fair (traditional); 2. Danse slave (DVORAK); 3. Kyoto (TANAKA); 4. Zoé (JOURDY); 5. Prière de Olag Trigvenson (GRIEG); 6. Hava nagila (traditional); 7. Improvisation (MICHAT); 8. Topkapi (PROUST); 9. Squaw (MICHAT); 10. Jephan (RICHARD); 11. Saxnova (BASTEAU); 12. Greensleeves (folk song); 13. Ilnlatraprapa (MERAH); 14. Accords] (Michat, Basteau) Eb-alto, CD included BERINGEN Robert van Go Solo! A Fun Collection of Original Pieces! (1. The Spider Girls; 2. Early Birds; 3. Joys and Sorrows; 4. Uncla Sam’s Blues; 5. Desert Island; 6. No Rock Today; 7. The (un)Lucky Guitar Player; 8. The Clog Race; 9. A Sunny Day; 10. Don’t Give Up; 11. Sky Sailor; 12. Oriental Nights) illustrated, Eb-alto, CD included NORTON Chris Chris Norton’s Big Beats. Techno Treat: Easy saxophone pieces in contemporary styles with stunning CD sounds (How to use this book; 1. Urban Surfer; 2. Harmonic Space; 3. Danger, Danger; 4. Sweet Incantation; 5. Static; 6. Liberated; 7. Nightmare in Anytown; 8. Don’t Touch That Dial; 9. Evil mr. X; 10. Here Come the Mysterons) CD included

19,00

19,00

20,40

20,30

33,40

15,95

16,30

36

159992

162045

158596

RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 1 (1. Take Me Home, Country Roads; 2. Nights In White Satin; 3. Shine A Light On Me; 4. Those Were The Days; 5. Miss Pretty; 6. Salty Dog Blues; 7. How Deep Is Your Love; 8. Love Is All; 9. El Condor Pasa; 10. Stay With Me Till The Morning; 11. Streets Of London; 12. House For Sale; 13. You’d Better Beware Of The Darkness; 14. Rockin’All Over The World) alto sax Bb, CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) A-sax Eb, CD included WILLIAMS John Selected Themes from the Motion Picture Harry Potter and the Chamber of Secrets (The Chamber of Secrets; Dobby the House Elf; Family Portrait; Fawkes the Phoenix; Gilderoy Lockhart; Harry’s Wondrous World; Hedwig’s Theme; Moaning Myrtle; Nimbus 2000) A-sax, CD included

12,95

12,95

13,45

BASSOON WITH ACCOMPANIMENT: 162308

711068

WATTS Sarah Razzamajazz Bassoon. Starts with just one note – takes you up to ten. Jazzy piano part for the teacher (1. Banana Tango, 2. Kim’s Ballad; 3. Mellow Out; 4. Morning in Moscow; 5. Movie Buster; 6. Mr Cool; 7. One Note Swing; 8. Play of Light; 9. Sea Sparkle; 10. Shrimp Shuffle; 11. Stardom Waltz; 12. Stripy Cat Crawl; 13. Ten Toe Tapper; 14. Two at Twilight; 15. Water Lilies) CD included WEDGWOOD Pamela Really Easy Jazzin’about: Fun Pieces (Riding out west; Homeward bound; Simply the rest!; Keep truckin’; Easy tiger; Hot chilli; The Joker; Cat walk; Dragonfly; Cheeky cherry; Wrap it up) CD included

14,25

13,25

BASSOON PLAY-ALONG (BASSOON WITH ACCOMPANIMENT ON CD): 711068

WEDGWOOD Pamela Really Easy Jazzin’about: Fun Pieces for contents see under previous heading BASSOON WITH ACCOMP., CD included

13,25

TRUMPET WITH ACCOMPANIMENT: 710950

159848

710488

ALBUM BIS – Zugaben für alle Anlässe Volume 3 (A.J. DUQUESNE: Mélopée dans le Sdtyle Hebraïque; J.S. BACH: “Cinque Variazioni di Helmut HUNGER su lieder spirituali di J.S.BACH: 1. Dir, dir, jehova, will ich singen, 2. Gib dich zufrieden und sei stille, 3. Ich halte treulich still, 4. Komm, süsser Tod, komm sel’ge Ruh, 5. Auf, auf, mein herz, mit Freuden; L. LÉFÉBURE-WÉLY: Pastorale; J.S. BACH: “Adagio” dalla Toccata BWV 564; M. REGER: Romanze) (Hunger) with organ, Bb-, C-, A-trumpet part ALBUM Solos for Trumpet: 23 Recital Pieces with Piano Accompaniment (G. ALARY: Concert Piece Op. 57; A.O. ANDERSEN ?: A Glad Tune; J.-B. ARBAN: Fantaisie and variations on The Carnival of Venice; J.S. BACH: Arioso from Cantata No. 156; G. BIZET : Habanera from the Opera Carmen; J.E. BURKE: The Magic Trumpet – Grand March; H.L. CLARKE: Supremacy of Hight; A. DE BOECK: Allegro; A. DVORAK: Humoreske Op. 101/7; B. FITZGERALD: Call & Frolic from Modern Suite; B. GODARD: Berceuse from the Opera Jocelyn; E.F. GOLDMAN: The Rainbow; G.F. HANDEL: Largo from the Opera Xerxes; H. BARTLEY: Gaiety Polka; J. LEVY: Grand Russian Fantasia – Theme and Variations; E. LLEWLLYN: My Regards – Waltz; L. MOZART: Concerto for Trumpet – 1st and 2nd Movements; C. SAINT-SAËNS: My Heart at Thy Sweet Voice from the Opera Samson et Dalila; T.V. SHORT: Maud - Valse Brillante; L.B. SMITH: Ecstacy – Waltz; H.H. VANDER COOK: Dewdrops – Polka & Lilacs - Polka) (Morrison) DELINGER Larry King Lear Sonata Bb-, with organ

20,75

26,95 23,20

37

150268 710605 710943 138906

ECCLES John 1668-1735 Sonata in D major for Trumpet, Strings and Basso continuo (Sanders, Knipschild) 3 trumpets parts included in Bb-, D-, CFILAS Juraj *1955 A Very Short Love Story (2002) C-/BbPALLAVICINO Carlo 1630-1688 Sinfonia per Tromba e Orchestra Il Diocletiano Venezia 1675 (Hunger, Mayer) D-/CTURRIN Joseph *1947 Two Portraits 1995 also fluegelhorn

27,65 14,05 8,50 19,50

TRUMPET PLAY-ALONG (TRUMPET WITH ACCOMPANIMENT ON CD): 160898

160817

160818

159991

162043

162044

ALBUM Take the Lead Plus. Jazz Standards. Bb Woodwind Edition. Eight great flexible arrangements in four parts playable by any number of instruments (Robin WILLIAMS: 1. Do Nothin’Till You Hear From Me; Louis ARMSTRONG: 2. It Don’t Mean A Thing – If It Ain’t Got That Swing, 3. Jeepers creepers; Ella FITZGERALD: 4. Misty; Frank SINATRA: 5. Moonlight in Vermont; Sarah VAUGHAN: 6. On Green Dolphin Street; Andy WILLIAMS: 7. The Shadow Of Your Smile; Nat King COLE: Star Dust; A Guide To Notation) (Harris) CD (demo / play along) included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn a l bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 1 (1. Take Me Home, Country Roads; 2. Nights In White Satin; 3. Shine A Light On Me; 4. Those Were The Days; 5. Miss Pretty; 6. Salty Dog Blues; 7. How Deep Is Your Love; 8. Love Is All; 9. El Condor Pasa; 10. Stay With Me Till The Morning; 11. Streets Of London; 12. House For Sale; 13. You’d Better Beware Of The Darkness; 14. Rockin’All Over The World) Bb-, CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) CD included Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) Bb-, CD included

20,40

19,00

19,00

12,95

12,95

12,95

HORN WITH ACCOMPANIMENT: 157743 157747

DUVERNOY Frédéric 1765-1838 Fantasie (Ostermeyer) FKRUFFT Nikolaus von 1779-1818 Variationen über die Cavatine aus der Oper “Der Augenarzt” von Adalbert Gyrowetz (Ostermeyer) F-

14,15 12,85

38

711056

710497 711233 161901 711067

MOLINARI Michel / BASTEAU Jean-François Cor solos: 12 pièces avec CD versions pour cor et piano et pour piano seul [1. Le jardin sur la lagune (NAULAIS); 2. Aquarium (PROUST); 3. Le voyage d’Hadrien (CREPIN); 4. . . . Au fond des bois (NAULAIS); 5. Des hortensias sous la pluie (TANAKA); 6. Pallas (DONDEYNE); 7. Habanera nocturne (PELEGRI); 8. Greensleeves (folk song); 9. Le diamant bleu (BASTEAU); 10. Scènes de Far-West (PROUST); 11. Old & New folksongs (HEGENHAUSER); 12. Swing for Brass (MULLER); Accords]) F-, CD included PROUST Pascal “Gamins d’Paris” (Garcin-Marrou) FREINHART Hugo *1958 Adagio et Rondo (Garcin-Marrou) FRÖNTGEN Julius 1855-1932 Aus Jotunheim (1902) (Smit) FWEDGWOOD Pamela Really Easy Jazzin’about: Fun Pieces (1. Tangerine, 2. Swing Your Partners!, 3. Crystal Spring, 4. Hot Chilli, 5. Homeward Bound, 6. Riding Out West, 7. Wrap it Up, 8. Jitterbug, 9. Cat Walk, 10, Buttercup, 11. Keep Trucking) F-

33,40 7,75 12,20 18,65

13,25

HORN PLAY-ALONG (HORN WITH ACCOMPANIMENT ON CD): 160817

160818

711056

ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and Eb instruments, with guitar chords and texts play-along CD included ALBUM 14 Nederlandstalige liederen om mee te spelen-zingen (1. Broeder Jacob; 2. Des winters als het regent; 3. Waarvan gaan er de boeren; 4. Wij zijn al bijeen; 5. ‘k Zag twee beren; 6. ‘k Kwam lestmael; 7. De winter is vergangen; 8. Wel Annemarieke; 9. Komt vrienden in de ronde; 10. Ontwaakt gij luie slapers; 11. Al die wilen te kap’ren varen; 12. De mei plezant; 13. Reuzenlied; 14. Hier staan tot afscheid) (Bauweraerts) Version for C, Bb and F instruments, with guitar chords and texts play-along CD included MOLINARI Michel / BASTEAU Jean-François Cor solos: 12 pièces avec CD: versions pour cor et piano et pour piano seul [1. Le jardin sur la lagune (NAULAIS); 2. Aquarium (PROUST); 3. Le voyage d’Hadrien (CREPIN); 4. . . . Au fond des bois (NAULAIS); 5. Des hortensias sous la pluie (TANAKA); 6. Pallas (DONDEYNE); 7. Habanera nocturne (PELEGRI); 8. Greensleeves (folk song); 9. Le diamant bleu (BASTEAU); 10. Scènes de Far-West (PROUST); 11. Old & New folksongs (HEGENHAUSER); 12. Swing for Brass (MULLER); Accords] F-, CD included

19,00

19,00

33,40

TENOR HORN WITH ACCOMPANIMENT: 159712

ALBUM Bravo! Tenor Horn. More then 25 pieces (French-Canadian Folk Song: On the Wing; BARRATT: Hopak, Jewel in the Crown, Getting a Buzz!, Mosey Along, Serenade, Shortcake-Walk, Ferryside, Howling-bags, Chorale, Out-of-Step March, Hampton Swing, Fivepins, Bed-Rock Blues, Trompe de Chasse, Minimals; CZERNY: Rise and Shine!; SCHMITT: Moderato; GERVAISE: Allemande; BULL: Brunswick’s Toy; SCHUBERT: German Dance; HAYDN: Minuet; Scottish Folk Song: The Night Visiting Song; Latvian Folk Song: Harvest Time; CLARKE: The Duke of Gloucester’s March; French Folk Song: Morning Song; Traditional/Barratt: St. James’ Infirmary; PACHULSKI: Song of the Harvesters) (Barratt) Eb-

18,35

39 TROMBONE WITH ACCOMPANIMENT: 711055

162056 710876 710877 162057 159255 159256 159257 159258 150736

161576 158816 711066

ALBUM Cool Trombone: 12 pieces avec CD versions trombone et piano et piano seul [1. Le jardin sur la lagune (NAULAIS); 2. Aquarium (PROUST); 3. Le voyage d’Hadrien (CREPIN); 4. . . . Au fond des bois (NAULAIS); 5. Des hortensias sous la pluie (TANAKA); 6. Pallas (DONDEYNE); 7. Habanera nocturne (PELEGRI); 8. Greensleeves (folk song); 9. Le diamant bleu (BASTEAU); 10. Scènes de Far-West (PROUST); 11. Old & New folksongs (HEGENHAUSER); 12. Swing for brass (MULLER); 13. Accords) (Naulais, Basteau] CD included BARTHE Adrien 1828-1898 Solop de concours (Sluchin) BRAHMS Johannes 1833-1893 Sonata No. 1 in E minor Op. 38 (Sauer) originally for cello and piano Sonata No. 2 in F major Op. 99 (Sauer) originally for cello and piano COHEN Jules 1835-1901 Andante (1858) (Sluchin) with organ or piano DEFAYE Jean-Michel *1932 À la ma nière de Vivaldi pour trombone et orchestra à cordes FAURÉ Gabriel Urbain 1845-1924 Élégie Op. 24 (Mauger) GALIÈGUE Marcel / NAULAIS Jérôme Gammi si do préparatoire 2 J’ai le blues préparatoire 1/2 IBERT Jacques 1890-1962 Histoires (La meneuse de tortues d’or; Le petit âne blanc; Le vieux mendiant; Dans la maison triste; Le palais abandonné; Bajo la mesa; La cage de cristal; La marchande d’eau fraîche) (Bollinger) MICHEL Jean-François *1957 In memoriam WAGENSEIL Georg Christoph 1715-1777 Concerto per trombone (Winkler) tenor trombone, with piano or organ WEDGWOOD Pamela Really Easy Jazzin’about: Fun Pieces (Riding out west; Homeward bound; Simply the rest!; Keep truckin’; Easy tiger; Hot chilli; The Joker; Cat walk; Dragonfly; Cheeky cherry; Wrap it up) B.C. and T.C.

33,40 9,85 20,20 20,20 9,85 15,15 15,15 12,20 12,20

27,75 30,40 15,30

13,25

EUPHONIUM WITH ACCOMPANIMENT: 711054

710608 710866 710607 711040

ALBUM Tuba d’Amore: 12 pièces avec C versions euphonium ou saxhorn-basse et piano et piano seul [1. Le diamant bleu (BASTEAU); 2. Des hortensias sous la pluie (TANAKA); 3. Le voyage d’Hadrien (CREPIN); 4. Greensleeves (folk song); 5. . . . Au fond des bois (NAULAIS); 6. Aquarium (PROUST); 7. Old & New folksongs (HEGENHAUSER); 8. Le jardin sur la lagune (NAULAIS); 9. Pallas (DONDEYNE); 10. Scènes du Far-West (PROUST); 11. Habanera nocturne (PELEGRI); 12. Swing for brass (MULLER); 13. Accords] (Cortone d’amore, Basteau) also saxhorn B.C., CD included FILAS Juraj *1955 Concerto for euphonium and orchestra or windband (2002) T.C. or B.C. MANCONE Patrick Bel automne au Canada (Fritsch) also saxhorn; B.C. C-/BbSZENTPALI Roland *1977 Pearls (1999) WEBER Carl Maria von 1786-1826 Andante e Rondo ungarese Op. 35 (Fritsch) originally: bassoon and orchestra; also saxhorn B.C. Bb-/C-

33,40 21,85 8,55 19,50 31,50

TUBA WITH ACCOMPANIMENT: 162574

GRUNELIUS Wilhelm von *1942 Drei lyrische Szenen

25,70

40

158202 710609 159529

JACOBSEN Julius 1915-1990 Tuba buffo. Concerto for Tuba and Wind Band JEVTIC Ivan *1947 Balkan’s Ayers Rock (2000) SZENTPALI Roland *1977 Concerto for solo tuba and orchestra (2002)

34,70 14,05 21,85

2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 2 AND MORE WOODWIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 900786

710619

158811

710680

ALBUM Saxophone Duos for Beginners (66 pieces by: ANONYMUS, CERTON, OTHMAYR, CACCINI, MORLEY, SCHEIN, LOCKE, PURCELL, BERTALOTTI, COUPERIN, VALENTINE, TELEMANN, MOURET, HOTTETERRE, BACH, HÄNDEL, DEFESCH, STÖLZEL, NAUDOT, CHÉDEVILLE, BLAVET, BÂTON, LAVIGNE, CORRETTE, KREBS, HAYDN/DIETER, VANHAL, CAMPAGNOLI, BRUNI, MOZART, HUGOT, SPOHR, SCHUBERT, WIEDEMANN, BARRET, LAZARUS, OFFENBACH, RIMSKY-KORSAKOV, KOCSÁR, PAPP) (Perényi, Perényi) 2 saxophones playing score ALBUM Folk for Flute (Engeland: Alas my love (Greensleeves); Ierland: Morning has broken & I’ve been a wild rover; Schotland: Auld lang syne & Amazing grace; Rusland: Kalinka & Kasatschok; Italië: Bella bimba, Tiritomba & O sole mio; Frankrijk: Il était un petit navire & Plaisir d’amour; Spanje: Cielito lindo & La paloma; Mexico: La cucaracha; Bolivië: Andenmelodie; Verenigde Staten: Oh happy day, Swing low, Yankee Doodle & Tom Dooley) (Magolt, Magolt) with additional 2nd part, CD included ALBUM Tunes For Teens 1: Stücke der Romantik für flexibles Zusammenspiel (Robert SCHUMANN 1810-1856: Von fremden Ländern und Menschen Op. 15/1; Felix MENDELSSOHN-BARTHOLDY 1809-1847: Venetianisches Gondellied Op. 19/6; Peter I. TSCHAIKOWSKY 1840-1893: Italienisches Liedchen Op. 39/15; Zdenek FIBICH 18501900: Furiant) (Erhart-Schwertmann) 1-3 variable instruments+piano/keyboard: 1st part in C : flute/violin/oboe/S-recorder 1st part in Bb : clarinet/soprano-saxophone/trumpet 2nd part in C : violin 2nd part in C : viola 2nd part in Bb : clarinet/trumpet 2nd part in Eb : alto-saxophone 2nd part in C : A-recorder 3rd part in C : cello/double bass/bassoon/trombone 3rd part in Bb : bass clarinet/tenor-saxophone 3rd part in F : horn 3rd part in Eb : baritone-saxophone score and parts ALBUM Magic Flute. Flute Ensemble 2: Music from the Romantic Era (Gisler-Haase): SCHUMANN Robert 1810-1856: Tamburinschlägerin 4 flutes+optional piano SCHUMANN Robert 1810-1856: Meerfey 5 flutes+optional piano BRAHMS Johannes 1833-1893: Fragen 4 flutes+piano GRIEG Edvard 1843-1907: Fiskervise & Lokk 3 flutes REGER Max 1873-1916: Im Himmelreich steht ein Haus & Abendgang im Lenz 4flutes KODÁLY Zoltán1882-1967: Túrót eszik a cigány 4 flutes score and parts, CD included

15,85

21,20

23,75

23,75

41

710620 159747 162112

711200

711198

710999

160167

161458 > > > 158109 710998 159239 159240 159241 159245

ALBUM Folk for Clarinet (for contents see previous item 710619) (Magolt, Magolt) with additional 2nd part, CD included ALBUM English Folksongs (Lupa) 2 C-melody instruments+CD accompaniment CD included ALBUM Two on Tour. Bekannt Lieder für zwei Saxophone (1. Skip To My Lou; 2. Winter, ade; 3. Die Affen rasen durch den Wald; 4. Kuckuck; 5. Ma come balli bela bimba; 6. Ein Mann, der sich Kolumbus nannt; 7. Scarborough Fair; 8. Red River Valley; 9. There is a House in New Orleans; 10. Suse, liebe Suse; 11. What Shall We Do?; 12. Drei Chinesen mit dem Kontrabass; 13. Swansee River; 14. The Yellow Rose of Texas; 15. Santa Lucia; 16. She’ll Be Coming Round the Mountain; 17. In meinem kleinen Apfel; 18. Swing Low, Sweet Chariot; 19. Alouette; 20. Das bucklicht Männlein; 21. Auld Lang Syne; 22. Kookaburra; 23. Oh, Susanna; 24. Banks of Ohio; 25. Greensleeves; 26. My Bonnie is Over the Ocean; 27. Tiritomba; 28. La Cucaracha; 29. Camptown Races; 30. Cielito Lindo; 32. Londenderry Air) (van Gorp) 2 saxophones playing score ALBUM World Music Argentina (Tango, Vals Criollo, Milonga, Zamba, Chacarera) (Collatti, Diermaier) 2 flutes/Bb-clarinets/Bb-saxophones+piano+bandoneon+bass+guitar+bombo legüero: score and 10 parts, CD included ALBUM Center Stage. Four-part flexible chamber music arrangements featuring a soloist (Antonín DVORÁK 1841-1904: Largo from The New World Symphony; Modeste MUSSORGSKY 1829-1881: Promenade from Pictures from an Exhibition) (Rae) 2 flutes/Bb-clarinets/Eb-alto saxophones+Bb-clarinet/Bb-tenor saxophone/F-horn+bass clarinet/bassoon+optional piano score and parts BACH Johann Sebastian 1685-1750 Orchestersuite Nr. 3 D-Dur BWV 1068 (Weinzierl, Wächter) 4 flutes: 2 flutes+alto flute+bass flute or flute ensemble: 3 optional flutes+2 flutes+alto flute+bass flute score and parts BÖNISCH Josef *1935 Music for Two (1. Swinging, 2. Boogie, 3. Waltz, 4. Disco, 5. Piece for Sarah, 6. JazzWaltz, 7. Ballad, 8. Little Boy) 2 flutes 2 playing scores CORTICELLI Gaetano 1804-1840 Tre terzetti no. 1 (Specchi, Carlini, Vignali) oboe+bassoon+piano Tre terzetti no. 2 (Specchi, Carlini, Vignali) oboe+bassoon+piano Tre terzetti no. 3 (Specchi, Carlini, Vignali) oboe+bassoon+piano DEBUSSY Claude 1862-1918 Golliwog’s Cakewalk (Büsing) clarinet+bassoon+piano DEVIENNE François 1759-1803 Eighteen Easy Duets (Hawkins) oboe+bassoon playing score DRECHSLER Joseph 1782-1852 Quartett (Thalheimer) 3 flutes+altoflute/Bb-clarinet/bass flute 1st edition, score and parts FAURÉ Gabriel Urbain 1845-1924 Pleurs d’or (Garlej) 2 flutes+piano Puisqu’ici-bas toute âme (Garlej) 2 flutes+piano Tarentelle (Garlej) 2 flutes+piano Pavane Op. 50 (Ghidoni) 3 Bb-clarinets+bass clarinet score and parts

21,20 12,50

10,95

27,65

25,65

25,65

9,65 27,90 27,90 27,90 17,35 13,50 25,65 17,60 21,75 27,75 24,15

42

159246 159250 159251 161904 > > 159555

710906 711223 150717 710932 710931 711212 162244 > 161885

710860 710863

159249

FAURÉ Gabriel Urbain 1845-1924 Sicilienne (extrait de Pelléas et Mélisande) (Ghidoni) 3 Bb-clarinets+bass clarinet score and parts Pavane Op. 50 (Ghidoni) SATBar-saxophone quartet score and parts Sicilienne (extrait de Pelléas et Mélisande) (Ghidoni) SATBar-saxophone quartet score and parts FERLENDIS Giuseppe 1755-1802 12 Divertimenti in stile classico (Magistrelli) 2 Bb-clarinets playing score FUCHS Georg Friedrich 1752-1821 Trios Band 1: Nr. 1-3 3 clarinets score and parts Trios Band 2: Nr. 4-6 3 clarinets score and parts GÖTTSCHE-NIESSNER Friedgrund *1954 Erinnerungen an das Meer (1. Spiel der Wellen am Strand, 2. Tanz mit dem Sturm, 3. Nebel, 4. Strandspaziergang) 4 flutes score and parts HOFMANN Leopold 1738-1793 Three Flute Duos Badley I:D1, I:D6 & I:G1 (Badley) 2 flutes score and parts HOSOKAWA Toshio *1955 Birds Fragments III shô+flutes(bass flute and piccolo, one player) HÜE Georges 1858-1948 Nocturne pour flûte et orchestre (Müller-Dombois) 2 flutes 2 playing scores KARG-ELERT Sigfrid 1877-1933 Trio Op. 49/1 oboe+cor anglais+Bb-clarinet score and parts LOCATELLI Pietro Antonio 1693-1764 Sonata in E minor (Schlenger) 2 flutes 2 playing scores MAYEUR Léon-Louis Le nid (Beaumadier) 2 piccolos+piano MIEG Peter 1906-1990 Concerto pour deux flûtes et orchestre à cordes (1974) 2 flutes+piano MOZART Wolfgang Amadeus 1756-1791 Die Zauberflöte KV 620 – Ouverture (Büsing) Eb-clarinet+2 Bb-clarinets+2 bassethorns in F+Bb-bass clarinet score and parts MÜLLER Gregor *1976 Team-Work: 20 Klarinettenduos ohne Registerwechsel für Anfänger (1. Frühlingswalzer; 2. Ein kleiner Walzer; 3. Fleißige Bienen; 4. Der Clown; 5. Im Wald; 6. Der edle Ritter Kunibert; 7. Marsch der tapferen Ritter; 8. Arthurs Rittertanz; 9. Kuniberts Rittertanz; 10. Teamwork; 11. Bienenstichschnittchen; 12. Ein trauriges Lied; 13. Ballade; 14. Duettino; 15. Der Spaziergang; 16. Freundschaft; 17. Der kleine Blues; 18. Der Mai; 19.Am See; 20. Die gute Fee) LACOUR Guy *1932 Moments partagés (Verdier) 2 clarinets moyenne difficulté à difficile, playing score Méditation (Fourmeau) saxophone ensemble: optional sopranino+2 sopranos+3 altos+3 tenors+2 baritones+optional bass score and parts MÉRIOT Michel *1928 14 Petits duos récréatifs (1. Valse Boston; 2. Martial; 3. Serénade; 4. Ballade; 5. Badinage; 6. Berceuse; 7. Pas de deux; 8. Danse chaloupée; 9. Évocation; 10. Petite marche; 11. Bavardage; 12. Aubade; 13. Polka; 14. Cakewalk) 2 Eb-alto saxophones text French, English, German, Spanish, Italian

21,75 24,15 21,75 9,65 21,85 21,85

19,20 37,80 23,05 17,60 11,15 8,35 16,30 30,85 17,35

19,20 10,90 36,35

31,90

43

158110 159832 711020 710871 > 162256 160914 >

NAUMANN Johann Gottlieb 1741-1801 Sonata in A minor (Hawkins) oboe+bassoon PIAZZOLLA Astor 1921-1992 Tango Suite (Jackson) 4 bassoons PEIGNÉ Bertrand Dvořákarian, Variations sur un thème de Dvořák SATBar-saxophone quartet PRÉS Josquin des 1450-1521 Ave Maria (Delangle) SATBar-saxophone quartet SORG Andreas *1959 Höllental 2 bass clarinets+piano TELEMANN Georg Philipp 1681-1767 50. Triosonate d-Moll TWV42:d6 (Joelson) 2 oboes+continuo VIVALDI Antonio 1678-1741 Vivaldi in Blue (Buerseus) flute choir (flute solo+4 flutes) ZEHM Friedrich *1923 Trialog oboe+clarinet+bassoon

playing score

10,00

score and parts

31,10

score and parts

22,60

score and parts

13,35 21,20

1st edition

15,40

score and parts

19,00

score and parts

21,20

2 AND MORE BRASS INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 160995

159628 162981 162052 710864 162060 159627 162059 162982 158812

BACH Johann Sebastian 1685-1750 Sechs Choralvorspiele: 1, Vater unser BWV 737; 2. Christum wir sollen loben schon BWV 696 – Fughetta; 3. Ach Gott und Herr per Canonem BWV 714; 4. Liebster Jesu, wir sind hier. Chorale BWV 706 – Alio modo; 5. Herrlich tut mich verlangen BWV 727; 6. Ich hab’mein’Sach’Gott heimgestellt BWV 708 (Jeurissen) 4 F-horns score and parts BACH Carl Philipp Emanuel 1714-1788 March for The Ark (Rizzetto) 2 Bb-trumpets+F-horn+trombone+tuba parts COLOMER Juan J. *1966 Los Cincos Mosqueteros 1999 2 C-trumpets+F-horn+trombone+tuba score and parts CORNETTE Victor 1795-1868 Six Duos Concertants extrait de la Méthode de Trombone (1841) (Sluchin, Lapie) 2 trombones playing score DAUPRAT Louis-François 1781-1868 20 Duos Op. 14 (Garcin-Marrou) 2 horns in different keys playing score DEMERSSEMAN Jules 1833-1866 Grand duo sur des motifs de Guillaume Tell (de Rossini) (Sluchin) tenor trombone+double bass saxhorn+piano FUČIK Julius 1872-1916 Florentiner March (Rizzetto) 2 Bb-trumpets+F-horn+trombone+tuba parts GEBAUER François-René 1773-1845 Six Trios extrait de 50 Leçons pour la Trombone Basse, Alto & Tenor (1795) (Weiner) 3 trombones score and parts GIMENO José A. *1928 Quintetto para metal 1967 2 C-trumpets+F-horn+trombone+tuba score and parts HINTERDORFER Rudolf *1947 “ . . . bis in die Höhen drang dein Geschall” nach einem Lied der Hildegard von Bingen (1997) 4 trombones score and parts

16,05 11,60 29,65 17,65 21,60 17,65 15,95 17,65 29,65

23,00

44

710603 158814 162979 160817 162984 162983 710921

159625 710601 162986

162980 159626 710602

HOUBEN Kevin *1977 Three Statements: 1. Don’t hold back, 2. Be related, 3. Don’t waste your drive (2001) 6 trumpets score and parts LEITNER Ernst Ludwig *1943 Hommage à F.G. Lorca (1989) 2 Bb-trumpets+F-horn+trombone+tuba score and parts MEIER Jost *1939 Pentagramm 2 C-trumpets+F-horn_trombone+tuba score and parts PAPP Lajos *1935 Merry Trumpeters: Five Trumpet Trios 3 trumpets score and parts PASCUZZI Gregory *1952 Dialogues for 2 Trumpets and Orchestra 2 Bb-trumpets+piano(-reduction) PLOG Anthony *1947 Trombone Quartet No. 1 “Densities” 1998/2002 4 trombones score and parts REED Alfred *1921 Othello. A Symphonic Portrait in Five Scenes after Shakespeare (2001) brass ensemble: 4 F-horns+4 Bb-trumpets+4 trombones+2 euphoniums+2 tubas+timpani+snare drum/bass drum+pair of cymbals/tam-tam+bells/xylophone+vibraphone score and parts RICHMOND Lewis Gabriel’s Trumpet. Suite 2 Bb-trumpets+F-horn+trombone+tuba score and parts SAMPSON David *1951 Hommage JFK (1995) 4 C-trumpets+4 F-horns+3 trombones+bass trombone+2 tubas+timpani+percussion (2) score and parts Notes from Faraway Places. Three Suites: Suite I (1. Krems - Austria; 2. Richmond Virginia; 3. Delaware Water Gap - Pennsylvania; 4. Duet 1), Suite II (1. Schoodic Point – Maine; 2. Cantonsville – Maryland; 3. Prague – Czech Republic; 4. Duet 2) & Suite III (1. New York City – NY; 2. The Crow’s Nest; 3. “Solo”; 4. Santa Barbara – California; 5. Duet 3) 2 trumpets (partly) Strata 2 Bb-trumpets/Bb-fluegelhorns+F-horn+trombone+tuba score and parts SPRUNG David Fanfare for Five 2 Bb-trumpets+F-horn+trombone+tuba parts STEVENS Thomas *1938 Igor’s Dance (2001) 2 Bb-/C-trumpets+F-horn+trombone+tuba score and parts

19,50 48,20 27,30 12,05 21,85 21,85

41,94 20,30

37,45

19,50 29,65 8,70 24,95

COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS: 160819

158811

ALBUM Duets for Clarinet and Bassoon (or Violoncellol) for Beginners (94 pieces by: Anonymus; PHALÈSE; HAUSSMANN; SCHEIN; Melchior FRANCK; VAN EYCK; BLOW; KRIEGER; MUFFAT; TORELLI; BÖHM; BERTALOTTI; François COUPERIN; LOEILLET; VIVALDI; MATTHESON, TELEMANN; RAMEAU; Johann Sebastian BACH; HÄNDEL; LEO; DAQUIN; Wilhelm Friedemann BACH; KREBS; Leopold MOZART; Franz Joseph HAYDN; DITTERSDORF; VANHAL; HOOK; GRÉTRY; STEFANI; TÜRK; Wolfgang Amadeus MOZART; GYROWETZ; BEETHOVEN; MAZAS; BERR; BARRET; SCHUMANN; OFFENBACH; WIEDEMANN; KADOSA; KABALEVSKY; GARDONYI; LENDVAY; KOCSÁR) (Perényi, Perényi) Bb-clarinet+bassoon playing score ALBUM Tunes For Teens 1: Stücke der Romantik für flexibles Zusammenspiel (Robert SCHUMANN 1810-1856: Von fremden Ländern und Menschen Op. 15/1; Felix MENDELSSOHN-BARTHOLDY 1809-1847: Venetianisches Gondellied Op. 19/6; Peter I.

15,85

45

128290 > > > 710929

710582

TSCHAIKOWSKY 1840-1893: Italienisches Liedchen Op. 39/15; Zdenek FIBICH 18501900: Furiant) (Erhart-Schwertmann) (for instrumentation see: 2 AND MORE WOODWIND INSTRUMENTS) 1-3 variable instruments+piano/keyboard score and parts BONIS Mel 1858-1937 Scènes de la forêt (1928) (1. Nocturne, 2. A l’aube, 3. Invocation, 4. Pour Artemis) (Mayer) flute+F-horn+piano ELER André Frédéric 1764-1821 Quartett Op. 10/1 2 clarinets+bassoon+horn score and parts Quartett Op. 10/2 2 clarinets+bassoon+horn score and parts Quartett Op. 10/3 2 clarinets+bassoon+horn score and parts RAMEAU Jean Philippe 1683-1764 Symphonies et danses (1. Air Polonais, 2. Ritournelle, 3. Adoration du soleil, 4. Chaconne) (Oubradous) flute+oboe+Bb-clarinet+bassoon+F-horn score and parts RYDEN William *1939 A Ragtime Aviary for Wind Quintet (1. Sacrifice Bunting; 2. Owl’s Head Rag; 3. The Laughing Gull; 4. Fallen Sparrows, 5. The Bustard Strut) flute+oboe+Bb-clarinet+bassoon+F-horn score and parts

23,75 25,70 25,05 25,05 25,05

26,55

29,95

COMBINATIONS OF WIND AND STRING INSTRUMENTS: 160819

158811

711200

ALBUM Duets for Clarinet and Bassoon (or Violoncello) for Beginners (94 pieces by: Anonymus; PHALÈSE; HAUSSMANN; SCHEIN; Melchior FRANCK; VAN EYCK; BLOW; KRIEGER; MUFFAT; TORELLI; BÖHM; BERTALOTTI; François COUPERIN; LOEILLET; VIVALDI; MATTHESON, TELEMANN; RAMEAU; Johann Sebastian BACH; HÄNDEL; LEO; DAQUIN; Wilhelm Friedemann BACH; KREBS; Leopold MOZART; Franz Joseph HAYDN; DITTERSDORF; VANHAL; HOOK; GRÉTRY; STEFANI; TÜRK; Wolfgang Amadeus MOZART; GYROWETZ; BEETHOVEN; MAZAS; BERR; BARRET; SCHUMANN; OFFENBACH; WIEDEMANN; KADOSA; KABALEVSKY; GARDONYI; LENDVAY; KOCSÁR) (Perényi, Perényi) Bb-clarinet+cello playing score ALBUM Tunes For Teens 1: Stücke der Romantik für flexibles Zusammenspiel (Robert SCHUMANN 1810-1856: Von fremden Ländern und Menschen Op. 15/1; Felix MENDELSSOHN-BARTHOLDY 1809-1847: Venetianisches Gondellied Op. 19/6; Peter I. TSCHAIKOWSKY 1840-1893: Italienisches Liedchen Op. 39/15; Zdenek FIBICH 18501900: Furiant) (Erhart-Schwertmann) (for instrumentation see: 2 AND MORE WOODWIND INSTRUMENTS) 1-3 variable instruments+piano/keyboard score and parts ALBUM World Music Argentina (Tango, Vals Criollo, Milonga, Zamba, Chacarera) (Collatti, Diermaier) 2 melody instruments+piano+bandoneon+bass+guitar+bombo legüero: 1st part in C : flute/violin 1st part in Bb : clarinet/saxophone 2nd part in C : flute/violin 2nd part in Bb : clarinet/saxophone bandoneon part guitar part piano part bass part: double bass/E-bass/cello bombo legüero part score and 10 parts, CD included

15,85

23,75

27,65

46

711198

162224 162225 162226 162227 162228 162229 128289

710870 162230 162440

162438

162231 162232 162233

ALBUM Center Stage. Four-part flexible chamber music arrangements featuring a soloist (Antonín DVORÁK 1841-1904: Largo from The New World Symphony; Modeste MUSSORGSKY 1829-1881: Promenade from Pictures from an Exhibition) (Rae) 4-part flexible chamber ensemble+optional piano: 1st part in C : flute/violin/oboe/ 1st part in Bb : clarinet 1st part in Eb : alto saxophone 2nd part in C : flute/oboe/violin 2nd part in Bb : clarinet 2nd part in Eb : alto-saxophone 3rd part in C : violin 3rd part in Bb : clarinet 3rd part in Bb : tenor saxophone 3rd part in C : viola 3rd part in F : horn 4th part in C : cello/double bass/bassoon 4th part in Bb : bass clarinet piano part (optional) for rehearsal or support score and parts BACH Johann Christian 1735-1788 Quintett C-Dur Op. 11/1 (Morgan, Joelson) flute+oboe+violin+viola+continuo Quintett G-Dur Op. 11/2 (Morgan, Joelson) flute+oboe+violin+viola+continuo Quintett F-Dur Op. 11/3 (Morgan, Joelson) flute+oboe+violin+viola+continuo Quintett Es-Dur Op. 11/4 (Morgan, Joelson) flute+oboe+violin+viola+continuo Quintett A-Dur Op. 11/5 (Morgan, Joelson) flute+oboe+violin+viola+continuo Quintett D-Dur Op. 11/6 (Morgan, Joelson) flute+oboe+violin+viola+continuo BONIS Mel 1858-1937 Scènes de la forêt (1928) (1. Nocturne, 2. A l’aube, 3. Invocation, 4. Pour Artemis) (Mayer, Schmitt) flute+viola+harp BOTTESINI Pietro 1790-1865 Divertimento (Verdier) clarinet+2 violins+viola+cello score and parts CIRRI Giovanni Battista 1724-1808 Sestetto D-Dur (Päuler) flute+2 violins+viola+cello+double bass score and parts CORRETTE Michel 1709-1795 Noël Allemand. Weihnachtskonzert F-Dur über “Lobt Gott, ihr Christen alle gleich” (Concerto V) (Hofmann) oboe+2 violins+continuo originally in G major; score = harpsichord/organ 3 string parts (violins, cello; the 2nd violin part is optional) each oboe part Zwei Instrumentalsätze aus “Six Symphonies en Quatuor contenant les plus beaux Noëls François et Etrangers avec des Variations”: “Lobt Gott, ihr Christen alle gleich” (aus Symphonie Nr. 3) & “Erhalt uns, Herr, bei deinem Wort” (aus Symphonie Nr. 4) (Hofmann) flute/oboe+violin+viola/violin+continuo score = harpsichord/organ 4 parts (flute/oboe/recorder/violin, violin, viola/violin, cello) each CRUSELL Bernhard Henrik 1775-1838 Divertimento C-Dur (Päuler) oboe+2 violins+viola+cello score and parts DANZI Franz 1763-1826 Sextett Es-Dur Op. 10 (Morgan) oboe+2 Eb-horns+2 violas+cello+optional double bass score and 7 parts EYBLER Joseph 1765-1846 Quintett D-Dur (Päuler) flute+violin+2 violas+cello score and parts

25,65 23,15 23,15 23,15 23,15 23,15 23,15

25,70 37,90 48,85

8,35 1,60 2,30

7,05 1,95 23,15 36,00 48,85

47

182977 > > 159265 160330 710597 710940 710939 159385 158820

710683 710899 710684 710900 710685 710901 > > 711015 162237 161673

FEDERICI Francesco 17??-1830 Sesteto No. 1 (Bonet) oboe+bassoon+F-horn+violin+viola+cello score and parts Sesteto No. 2 (Bonet) oboe+bassoon+F-horn+violin+viola+cello score and parts Sesteto No. 3 (Bonet) oboe+bassoon+F-horn+violin+viola+cello score and parts FELD Jindřich *1925 Musique pour flûte et quatuor à cordes “Flautarchia” flute+2 violins+viola+cello score and parts GIESEKING Walter 1895-1956 Divertimento (Rekeszus)) A-clarinet+2 violins+viola+cello score and parts HÄNSEL Peter 1770-1831 Quartett B-Dur Op. 19 (Zehm) Bb-clarinet+violin+viola+cello score and parts HAYDN Franz Joseph 1732-1809 Flöten Quartett II D-Dur (after Symphony No. 104 in D major Hob.I:104 Salomon) (Riedel) flute+violin+viola+cello parts Flöten Quartett III B-Dur (after Symphony No. 102 in Bb major Hob.I:102) (Riedel) flute+violin+viola+cello parts Symphony Quintetto in C major Hob.I:97 (after Symphony No. 97) (Hogwood) flute+2 violins+viola+cello+optional piano score and parts HAYDN Johann Michael 1737-1806 Quartetto in F (Rainer) flute+violin+viola+cello score and parts HOFMANN Leopold 1738-1793 Leoplold Hofmann was regarded by his contemporaries as one of the moste gifted and influential composers of his generation. Although a church musician by profession, Hofmann was also an important and prolific composer of instrumental music. His symphonies, concertos and chamber works were played all over Europe and the avidity with which they were collected is attested to by the large number of surviving manuscript copies. Hofmann was famed for his violin playing and several of his concertos were probably written for his own use. He held a number of important church music positions in Vienna, foremost among them, that of Kapellmeister at St. Stephan’s Cathedral (17721793) and also served for some years as Hofklaviermeister. Divertimento in D major Badley II:D1 (Badley) flute+violin+viola+cello parts Divertimento in D major Badley II:D1 (Badley) flute+violin+viola+cello score Divertimento in G major Badley II:G1 (Badley) flute+violin+viola+cello parts Divertimento in G major Badley II:G1 (Badley) flute+violin+viola+cello score Divertimento in D major Badley III:D4 (Badley) flute+violin+viola+cello parts Divertimento in D major Badley III:D4 (Badley) flute+violin+viola+cello score Concertino Badley A2 (Badley) flute+violin+cello+continuo parts Concertino Badley A2 (Badley) flute+violin+cello+continuo score HOSOKAWA Toshio *1955 Herbst-Lied Bb-clarinet+2 violins+viola+cello score JANITSCH Johann Gottlieb 1708-1763 Sonata da chiesa G-Dur Op. 7/4 (Päuler, Gevert) oboe/flute+violin+viola+continuo KELLER Gottfried 1700 Sonata II (Ruhland) trumpet/oboe+2 violins+viola+continuo

42,90 42,90 42,90 75,45 30,85 25,05 13,45 17,05 34,55 18,65

16,20 37,80 16,20 37,80 16,20 37,80

44,90 19,30 15,40

48

162243 099579 161889 162247 157794 158821 710920 162251 161890 > 157798 710606 162256 711073 >

KREUZ Emil 1867-1932 Quintett Es-Dur Op. 49 (Päuler) Eb-horn+2 violins+viola+cello parts LESSEL Franciszek 17801838 Flute Quartet in G major Op. 3 (Tauros) flute+violin+viola+cello score and parts MICHAEL Frank *1943 “In des Kirschbaums Schatten” Op. 79/2 In memoriam Machiko Shimbori 2 flutes+violin+viola+cello+harpsichord MÜLLER-ZÜRICH Paul 1898-1993 Quintett Op. 74 (Morgan) violin+clarinet+bassoon+cello+piano PUNTO Giovanni 1746-1803 (STICH Johann Wenzel) Sechs Quartette Op. 1: Nr. 1-3 (Ostermeyer) horn+violin+bassoon/cello+bass score and parts RAFFASEDER Hannes *1970 In Stille – Aufschrei! (1997/1998) flute+cello+piano REGER Max 1873-1916 Serenade in G major Op. 141a flute+violin+viola score and parts ROSETTI Antonio (RÖSSLER Franz Anton) 1750-1792 Quartett G-Dur RWV D16 (Buschmann) flute+violin+viola+cello score and parts ROSSINI Gioacchino 1792-1868 Der Barbier von Sevilla bearbeitet von Joseph Küffner (1777-1856) (Michael) flute+violin+viola+cello score and parts SMITH Russell Trio clarinet+cello+piano SPERGER Johann Matthias 1750-1812 Quartett Es-Dur (Ostermeyer) horn+violin+viola+bass score and parts SZENTPALI Roland *1977 Ballade (2002) tuba+2 violins+viola+cello score and parts TELEMANN Georg Philipp 1681-1767 50. Triosonate d-Moll TWV42:d6 (Joelson) oboe+violin+continuo 1st edition VAUGHAN-WILLIAMS Ralph 1872-1958 Quintet in D major (1898) (Penton Vaughan-Williams) A-/Bb-clarinet (1 player)+F-horn+violin+cello+piano ZEHM Friedrich *1923 Sechs Impromptus A-clarinet+viola score and parts

61,70 36,20 17,35 30,85 24,40 25,05 20,95 20,55 35,90 39,85 23,15 31,20 15,40 50,90 22,50

RECORDER: So = sopranino recorder / S = descant or soprano recorder / A = treble or alto recorder / T = tenor recorder / B = bass recorder / gB = great bass recorder / subB = sub bass recorder 161927 710652

157618

Blockflöten Spicker. Die praktische Grifftabelle für alle Blockflöten ALBUM Blockflötentrio (1. Aura Lee, 2. Coon Hollow Capers, 3. Ragtime) (Ensemble Dreiklang Berlin) ATB- or STB-recorder trio score and parts ALBUM Aus dem Barock: 20 Tänze und Stücke [Tänze und Stücke von PURCELL (2), HÄNDEL (3), Johann Bernard BACH (1), Johann Sebastian BACH (5), MATTHESON (2), RAMEAU (3), François COUPERIN (4)] (Zahn) SAT-recorder trio playing score

6,35

14,05

??,??

49

160822

710614

710615

157619 159243

710858 159960 160366

ALBUM French Baroque Duets (Michel Pignolet de MONTÉCLAIR 1667-1724: 1. Cinquième Concert from Concerts à deux Flûtes traversieres sans Basse Paris 1724; Pierre Danican PHILIDOR 1681-1731: 2. Deuxième Suitte from Premier Oeuvre Contenant III. Suittes a deux Flûtes Traversieres Seules. Avec III. autres Suittes, Paris 1717 & 3. Unzième Suitte from Troisième Oeuvre. Contenant une Suitte a deux Flûtes-Traversieres Seules, Et une autre Suitte, Paris 1718; Jacques-Martin HOTTETERRE 1674-1763: 4. Deuxième Suitte from Pieces a deux Dessus Pour les Flûtes-Traversieres, Flûte-a-bec, Violes, etc., Paris 1717 & 5. Premiere Suitte from Pieces a deux Dessus, sans Basse Continue Pour les Flûtes-Traversieres, Flûtes-a-bec, Violes etc., Paris 1712; Michel DE LA BARRE 16751743/44: 6. [Dix-Septième Suite] from Dixième Livre Contenant 2 Suittes a deux FlûtesTraversieres sans Basse, paris 1722 & 7. XXIe Suite from Douzième Livre Contenant 2 Suittes a deux Flûtes Traversieres sans Basse, Paris 1725) (Bali) 2 A-recorders playing score ALBUM Classical Hits for Descant Recorder (with additional 2nd part) (VIVALDI: “The Spring” from The Four Seasons; MOZART: The Birdcatcher’s song from The Magic Flute, “Das klinget so herrlich” from The Magic Flute, Eine kleine Nachtmusik; BACH: “O Haupt voll Blut und Wunden” from the St Matthew Passion; BRAHMS: Cradle Song; CHARPENTIER: Prélude from Te Deum; HAYDN: Andante from the Symphony No. 94 The Surprise, Imperial Anthem from the Emperor Quartet; BEETHOVEN: “Ode to Joy” from the Ninth Symphony; WEBER: “Wir winden dir den Jungfernkranz” from Der Freischütz; VERDI: “La donna è mobile” from Rigoletto, Chorus of the Hebrew Captivers “Va, pensiero” from Nabucco; SMETANA: “The Moldau” from My Homeland; BIZET: “Toréador, en garde!” from Carmen; OFFENBACH: Barcarole from Tales of Hoffmann, Cancan from Orpheus in the Underworld; ROSSINI: Overture to The Barber of Seville; WAGNER: Wedding Chorus “Treulich geführt” from Lohengrin; TCHAIKOVSKY: Main Theme from Swan Lake) (Magolt, Butz) 2 S-recorders or S-recorder+CD accompaniment CD included, English version ALBUM Klassische Hits für Sopranblockflöte (mit zugefügte zweite Stimme) (VIVALDI: “Der Frühling from Die vier Jahreszeiten; MOZART: “Der Vogelfänger bin ich ja” aus Die Zauberflöte, “Das klinget so herrlich” aus Die Zauberflöte, Eine kleine Nachtmusik; BACH: “O Haupt voll Blut und Wunden” aus der Matthäuspassion; BRAHMS: Wiegenlied; CHARPENTIER: Prélude aus dem Te Deum; HAYDN: Andante aus der Sinfonie Nr. 94 Mit dem Paukenschlag, Kaiserhymne aus dem Kaiserquartett; BEETHOVEN: “Freude, schöner Götterfunken” aus der 9. Sinfonie; WEBER: “Wir winden dir den Jungfernkranz” aus Der Freischütz; VERDI: “La donna è mobile” aus Rigoletto; Gefangenenchor “Va, pensiero” aus Nabucco; SMETANA: “Die Moldau” aus Mein Vaterland; BIZET: “Toréador, en garde!” aus Carmen; OFFENBACH: Barcarole aus Hoffmanns Erzählungen, Cancan aus Orpheus in der Unterwelt; ROSSINI: Ouvertüre zu Der Barbier von Sevilla; WAGNER: Brautchor “Treulich geführt” aus Lohengrin; TSCHAIKOVSKY: Hauptthema aus Schwanensee) (Magolt, Butz) 2 S-recorders or S-recorder+CD accompaniment CD included, German version BACH Johann Christian 1735-1788 Bläsersinfonie Nr. 3 (Herrmann) SATTB-recorder ensemble score and parts Bach-Exercitium: Préludes, Fantaisies, Toccatas, Exercitium (Preludios en Do majeur BWV 531, en La mineur BWV 543, en Fa majeur BWV 536, en Fa majeur BWV 572, en Fa majeur BWV 541, en Sol majeur BWV 966, en Mi mineur BWV 559, en Sol mineur BWV 558, en Ré majeur BWV 556, en Mi bémol majeur BWV 553, en Do mineur BWV 549, en La bémol majeur BWV 560, Fantasia en Ré mineur BWV 542, Toccatas en Si bérmol majeur BWV 916, en Sol mineur BWV 910, en Fa mineur BWV 914, Pedal-Exercitium en Si mineur BWV 598) (Veilhan) A-recorder solo Partita BWV 1013 (Sanvoisin) A-recorder solo BULLARD Alan Three Diversions S-/T-recorder+piano/harpsichord CALDINI Fulvio *1959 Fade-Control Op. 47/c (1990) (Loeki Stardust Quartet) SATB-recorder quartet score and parts

12,80

17,35

17,35 16,05

20,45 7,75 20,30 15,40

50

161820 162440

162438

159962 158801 160169

160927

159383

162236 159963 159964 157625

CARNAUD aîné Drei Soli (1828) (Thalheimer) S-recorder solo CORRETTE Michel 1709-1795 Noël Allemand. Weihnachtskonzert F-Dur über “Lobt Gott, ihr Christen alle gleich” (Concerto V) (Hofmann) S-recorder+2 violins+continuo originally in G major; score = harpsichord/organ 3 string parts (violins, cello, the 2nd violin is optional) each S-recorder part Zwei Instrumentalsätze aus “Six Symphonies en Quatuor contenant les plus beaux Noëls François et Etrangers avec des Variations”: “Lobt Gott, ihr Christen alle gleich” (aus Symphonie Nr. 3) & “Erhalt uns, Herr, bei deinem Wort” (aus Symphonie Nr. 4) (Hofmann) S-recorder+violin+viola/violin+continuo score = harpsichord/organ 4 parts (flute/oboe/recorder/violin, violin, viola/violin, cello) each FORSHAW David *1938 Thirteen Ways Of Looking At A Blackbird A-recorder+piano FORTIN Viktor *1936 Jolly Joker A-/B-recorder (one player)+piano or guitar GLASER Frank / CLAESSENS Joke Muzikale vertellingen 1 (Methode voort Altblokfluit): 50 stukken met CD-begeleiding (Heel lang geleden; Spijt; Tempel van de Inca’s; Ode an die Freude; Overgrootvader vertelt; Liefdesverdriet; De harmonie van St. Oeffelt; Hik!; In de saloon; A-G ballade; De jonkheer stelt zich voor; A hole in my pocket; Opmaat scherzo; Drama op de noordkaap; Vakantie op Hawai; Een kerstverhaal; Een oude legende; Dynamiet; Paarden en verkeersdrempels; Kalinka; Digital terminator; Vallende sterren; Polovtsian dance; Bes-ballade; Karavaan in de woestijn; Symfonie in F-dur; Rhythm & pop; S.O.S. Enterprise; Dansje voor en gebroken spiegel; Pop in F; Muziekles van tante verstoord; Schildpadden vieren carnaval; Largo; Ongewisse ontmoeting; Bungy Jumpen; Scarborough Fair; Cabaret; Magna Carta; Greensleeves; Marokko house; Daar komt de bruid; Luie ezel; Polyfonie; De slag bij Austerlitz; Bloemen van metaal; Er was eens . . . ;Lang zal ze leven; de lente; Breakdance; Bij het kampvuur; Grepentabel) A-recorder+CD accompaniment CD included Methode van de 21ste eeuw voor blokfluit. Deel 3: 35 stukken met CD-begeleiding (1. Op de vlucht; 2. Bij dageraad; 3. Afwas rag; 4. Walzer; 5. Schipbreuk op de Zuiderzee; 6. Mazurka; 7. Wij zijn er bijna; 8. Isolde; 9. Slapende poezen; 10. De Harmonie van St. Oeffelt; 11. Pruikendans; 12. Pianoconcert nr. 1; 13. De Moldau; 14. Etude rag; 15. Schemerlicht; 16. Willem Tell; 17. Klaagzang over een computervirus; 18. A – ballade; 19. Een vreemde uitvinding; 20. De valse smid; 21. Elastiek; 22. Barcarolle; 23. Afscheid van de piano; 24. Le Rêve; 25. The entertainer; 26. Elegante dressuur voor nukkige mustangs; 27. Roofridder; 28. Verdwaalde vogel; 29. Vlinder; 30. Dance of the hours; 31. Mars van de twokkels; 32. Weerspiegelingen in het water; 33. Circels; 34. Adagio; 35. Terugkeer naar de jungle) CD included HÄNDEL Georg Friedrich 1685-1759 Sämtliche Sonaten für Blockflöte und Basso continuo (Sonate g-Moll HWV 360, Sonate aMoll HWV 362, Sonate C-Dur HWV 365, Sonate F-Dur HWV 369, Sonate B-Dur HWV 377, Sonate d-Moll HWV 367a; Anhang 6. Satz Variante HWV 367a) (Best) recorder+continuo HOLBORNE Anthony 1566-1602 Zwei Suiten (Zahn) recorder+piano/harpsichord JACKSON Francis *1917 Sonatine Pastorale Op. 123 S-=A-recorder+piano one recorder player on descant and treble recorder LANE Philip *1950 Suite Ancienne S-recorder+piano LECLAIR Jean Marie 1697-1764 Sonata VII (4me livre) (Schmidt-Laukamp) A-recorder+continuo

12,10

8,35 1,60 2,30

7,05 1,95 20,30 21,20

14,50

14,50

32,00 15,40 22,60 22,60 11,55

51

162248 160365 162252 157617 160234 162254 162255

153727 157624 158802 710623 160235

PRAETORIUS Michael 1571-1621 Tänze aus Terpsichore (Nitz) S-recorder+continuo RENKEN Hans-Dieter *1952 Goccia di pioggia S- or T-recorder solo SIEBER Ignazio 1700-1757 Sechs Sonaten (Kügler, Kostujak) A-recorder+continuo SWEELINCK Jan Pieterszoon 1562-1621 Ballo del granduca (Van Goethem) SATB-recorder quartet score and parts TELEMANN Georg Philipp 1681-1767 Concerto a-Moll (Zahn) AATB-recorder quartet originally for 4 violins; score and parts Sechs neue Sonaten Heft I: Sonaten 1-3 (g-Moll TWV41:e11, B-Dur TWV41:G11, g-Moll TWV41:e10) (Nitz) A-recorder+continuo Sechs neue Sonaten Heft II: Sonaten 4-6 (B-Dur TWV41:G12, g-Moll TWV41:e9, F-Dur TWV41:D19) (Nitz) A-recorder+continuo THIELE Siegfried *1934 Flauti dolci, flauti amari e piccanti (1999) 4 recorders: T+S=A=B+B+S=A=B=subB score and parts facsimile VIVALDI Antonio 1678-1741 L’Estate (Der Sommer) aus Die vier Jahreszeiten (Cassignol) ATB-recorder trio score and parts WOODCOCK Robert 1690-1728 Concerto Nr. 4 a-Moll für 2 Sopranblockflöten, Streicher und Basso continuo (Zahn) 2 S-recorders+piano ZAHNHAUSEN Markus *1965 Horns of Eflland (1999) T-recorder solo ZIESMANN Egon *1953 Fantasia rockica SAAT-recorder quartet score and parts

12,85 8,35 23,15 14,15 6,45 19,30 19,30 24,40 13,50 11,45 12,80 4,50

GUITAR: 710519

710523

ALBUM Les maîtres du XIXe siècle. Pièces faciles et de moyenne difficulté, choisies, revues et doigtées (Mauro GIULIANI 1781-1829: Le Papillon Op. 50: Andantino no. 21, Grazioso no. 23, Andantino no. 7, Tempo di Polacca no. 19, Allegro no. 6; Dionisio AGUADO 17841849: Méthode 1ère partie: Leccion no. 15, Leccion no. 28, Leccion no. 10, Méthode 2e partie: Leccion no. 8, Leccion no. 27, Leccion no. 10; Ferdinando CARULLI 1770-1841: Op. 276: Sicilienne, Minuetto, Schottisch, Andante, Rondo; Fernando SOR 1778-1839: Andante Op. 47/1, Andantino Op. 2/3, Andante Op. 48/5, Galop Op. 57/7, Allegretto Scherzoso Op. 8/4, Rondo Op. 48; Napoléon COSTE 1806-1888: Etude, Etude de la méthode complète pour la guitarte, Rondo Op. 51/11; Matteo CARCASSI 1792-1853: Larghetto, Caprice Op. 26/3, Air montagnard Op. 18; Fernando FERRANDIÈRE 17501816: Rondo, Contradanza; Johann Kaspar MERTZ 1806-1856: Nocturno Op. 4, Tarantella Op. 13/6; Alfred COTTIN 1863-1923: Balalaïka – chanson russe; Niccolo PAGANINI 1784-1840: Perigoldino, Sonatina) (Cacérès) guitar solo ALBUM Claude Nougard: 12 pièces spécialement adaptées (1. Cécile ma fille; 2. Tendre; 3. Un été; 4. Rimes; 5. L’île de Ré; 6. La vie en noir; 7. Bidonville; 8. Chanson pour Marylin; 9. Je suis prissonier des nuages; 10. Bras dessus, bras dessous; 11. Le coq et la pendule; 12. L’île Hélène) (Martinez) guitar solo CD included

19,90

25,20

52

710352

710323

159748 710322

710473

162576

710510 710508 710513 160833

ALBUM Girl’s Guitar Method 1 (Types of Guitars – Acoustic; Types of Guitar – Electric; A Short History of the Guitar; Buying a Guitar; Caring for Your Guitar; Tuning Your Guitar; Holding Your Guitar; Getting Acquainted with Music; Getting Acquainted with Tablature; Chord Diagrams; Notes on the 1st String E - Songs & Exercises: Sophia’s Smile, The Ballad of Nicola, How to Count Time, Time Signatures; Playing Different Kinds of Notes and Time Signatures; Notes on the 2nd String B – Songs & Exercises: Beautiful Brown Eyes, Daisy Rock, Jingle Bells; Notes on the 3rd String G – Songs & Exercises: Au Clair de la Lune, Three-String Rock, Aura Lee, Largo from the New World Symphony, Introducing Chords; Meet the Chords; The Three-String C Chord – Songs & Exercises: Ode to Joy, Introducing the Quartet Rest, Cats’n’Kittens; The Three-String G7 Chord – Songs & Exercises: Down in the Valley; Notes on the 4th String D – Songs & Exercises: Reuben Reuben, Old MacDonald Had a Farm, Merry-Go-Round, Daisy Bell; Four-String Chords: G and G7 – Songs & Exercises: Rockin’the Chimes, Laughing Hannah; Notes on the 5th String A – Songs & Exercises: Rock On!; Introducing High A – Songs & Exercises: Pink Fussy Slippers, Incomplete Measures, A-Tiskit, A-Tasket; Notes on the 6th String E – Songs & Exercises: The Natural Scale, Silver Threads Among the Gold, Tempo Signs, ThreeTempo Rock, The Joy of Love – Plaisir d’amour, Bass-Chord Accomopaniments, Can-Can – Duet, Dynamics, Castles in the Sand, Signs of Silence, Mermaids Never Rest, The FourString C Chord – Songs & Exercises: When The Saints Go Marching In) guitar solo 2 CD’s included ALBUM Guitare di Corsica Volume 1: 13 mélodies traditionelles – Paroles en Corse (1. Ciucciarella; 2. Brunetta; 3. A dumanda in matrimoniu; 4. Lamento di u trenu; 5. Miniocola; 6. A pippa; 7. Lor di pantera; 8. O mattè di la surella; 9. A rustaghja; 10. Dio vi salvi regina; 11. U strampalatu; 12. A palatina; 13. A scuttiscia) (Ciosi) guitar solo CD included ALBUM English Folksongs (Lupa) guitar+CD accompaniment CD included ALBUM Guitare Breizh Volume 1: 10 mélodies traditionells – Paroles en Breton [1. Pennherez keroulas; 2. Pardon sant fiakr; 3. Toutouig; 4. Son ar sistr; 5. Gwerz marv pontkalleg; 6. La chanson de la mariée (Boked eured); 7. Suite de kas a barh: kasar pemp-tri c’hemener; 8. An glarch; 9. Ti eliz iza; 10. An dro] (Mursic) guitar solo CD included ALBUM Teach yourself to Play Guitar. Everything you need to know to start playing now! Covers: Rock, Heavy Metal, Blues, Country, Jazz and Folk Styles. For beginners of all ages. Learn to read standard music notation and TAB. Use with acoustic or electric guitar. Includes over 65 popular. Play chords, scales and cool licks. CD-ROM included ALBUM Famous Classics for Guitar Solo: Kunio Shichinohe’s favorite pieces 2 (Claude DEBUSSY: Clair de Lune; Ermanno WOLF-FERRARI: Intermezzo from “The Jewels of the Madonna”; Camille SAINT-SAËNS: Le Cygne; Tecia BADARCZEWSKA: Maiden’s Prayer: Frédéric CHOPIN: L’adieu and Nocturne; Johann STRAUSS: Emperor Waltz; Robert SCHUMANN: Träumerei; Peter I. TCHAIKOVSKY: Arabian Dance from “The Nutcracker”, Scene and Dance of four swans from “The Swan Lake”; Spanish Folksong: Romance de Amor; Franz SCHUBERT/Carl Maria von WEBER/? WERNER: “Hedge Roses” Medley; Riccardo DRIGO: Serenade) (Yamada) guitar solo ALBENIZ Isaac 1860-1909 Bajo la Palmera (Rivoal) 3 guitars score and parts ASSAD Sergio *1952 Valsas de Rio (Assad) 2 guitars score and parts BOURNET Pascal Viva la Bamba! Ensemble à séquences variables pour orchestre de guitares guitar orchestra score BROUWER Leo *1939 Nuevos Estudios Sencillos guitar solo

22,45

21,85 12,50

21,85

74,95

17,25 13,35 21,20 11,55 16,20

53

162575

158808 710518 711098 710351

161162

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161118

CARULLI Ferdinando 1770-1841 Selected Works for Guitar: 3 Overtures Op;. 106 (1. Overture de la “Lodowïska” von Rodolphe KREUTZER; 2. Overture de la “Caravane” de A.E.M. GRÉTRY; 3. Overture du “Prisonnier” de D. MARIA) (Monteiro) 2 guitars score and parts CATALÁ Rafael Fantasia (2001) guitar solo CAUVIN Philippe Rocktypicovin (Estrada) guitar solo CLEMENT Vivian Fretboard Knwoledge for the Contemporary Guitarist. The ultimate guide to music for blues, rock and jazz guitarists CRAMER Matthew Easy Holiday Songs. A Collection of Popular Traditional Tunes. Great songs everybody loves; Easy to play; Tablature, standard music notation and chord diagrams; Strumming patterns included [About the Author; Introduction; Reading Music; Danny Boy; Jingle Bells; God Rest Ye Merry Gentlemen; Silent Night; What Child Is This?; O Come, O Come, Emmanuel; O Come All Ye Faithful; Auld Lang Syne; We Three Kings; The First Noel; Go, Tell It on the Mountain; Joy to the World; I Have a Little Dreidle; We Wish You a Merry Christmas; America the Beautiful; America (My Country! ‘Tis of Thee); Battle Hymn of the Republic; Yankee Doodle; The Star-Spangeld Banner; Chord Chart] guitar solo CD included DEHO Felice *1940 Four for One 11 x 4 Begleitmuster (1. What shall we do with the drunken sailor; 2. Amazing Grace; 3. Banks of the Ohio; 4. Clementine; 5. My Mother’s Blues; 6. Española; 7. Old Texas; 8. Tom Dooley; 9. Irischer Tanz; 10. He’s got the whole World; 11. Un poquito cantas) guitar solo accompaniment patterns! FLETCHER Rob Blues Grooves. The Essence of Blues Rhythm Guitar. Play rhythm guitar in the styles of the great blues artists. Learn the nuances that define the blues sound. Covers technique, theory, blues comping and more. Examples in standard notation and TAB (About the Author; Introduction; Chapter 1: The Basic Blues Groove; Chapter 2: Blues Rhythms and Progressions; Chapter 3: Chicago Shuffles; Chapter 4: Delta Grooves; Chapter 5: Texas Shuffle; Chapter 6: Double Stop Grooves; Chapter 7: Tasty T-Bone Sliding Swing Grooves; Chapter 8: Straight-Eight Grooves, Chicago Style; Chapter 9: Chord Comping Rhythm; Chapter 10: Bass-Line Grooves; Chapter 11: Riff Blues Grooves; Chapter 12: Boogie Blues; Chapter 13. Melodic-Pattern Blues Grooves; Chapter 14: Melodic Patterns Over 12Bar Blues; Chapter 15: Funky Blues; Chapter 16: Minor Blues Grooves; Chapter 17: Funky Minor Grooves; Chapter 18: Minor/Major magic Sam-Style Grooves; Chapter 19: Mojo Train Grooves; Chapter 20: Rumba Blues; Chapter 21: Surf Blues; Chapter 22: Final Thoughts; Appendix 1: Reading Chord Diagrams and TAB; Appendix 2: Reading Standard Music Notation; Appendix 3: Chords with the Root on the 6th String; Appendix 4: Chords with the Root on the 5th String; Appendix 5: Essential Blues Artists) guitar solo CD included GRAF Richard beat it – guitar percussion & groove ensemble Band 1: Workshop mit CD (Guitar Percussion: Das Drumn-Set; Notation; Schlagzeugklänge und ihre Umsetzung auf der Gitarre, Rhythm Workout, Rythmus Training, Grooves & Styles, Percussion Teamwork; Groove Ensemble: Die Gitarren-Band und das Zusammenspiel, Form, Formzeichen, Infos zur CD, Kompositionen für Guitar Groove Ensemble: Rock You > Rock 8-Beat; Six Teens Rock 16-Beat; Gimme the Blues > Blues Rock; Muffle Shuffle > Shuffle; House of the Rising Funk > Funk; Let’s Swing > Swing; One, Two, Three > 3/4-Takt; Mission Possible > 5/4-Takt) CD included, method

18,15 13,50 9,25 16,10

22,45

12,20

29,95

28,25

54

157091

710889

710354

710477

711237 711238 711241 711245 711100 710355

710635

159124

711208

GRAF-MARTINEZ Gerhard Flamenco Guitar Method Volume 2. For teaching and private study. Standard music notation and tablature (Lesson 6: Arpeggio, Tremolo; Lesson 7: Picado; Lesson 8: Bulerias I; Lesson 9: Alzapúa; Lesson 10: Soleá, Alegrías, Bulérias II, Tarantos, Tangos; Estilo: Estilos; History: Introduction, Antiquity, Middle Ages, The Moors, The Reconquista, The Jews, The Inquisition, The Conquista, The Gipsies, Terminology, Development of Flamenco, Flamenco in the 50s and Today, Los Tablaos, El Cante – El Baile – El Tocque, Pasión, Bibliography, Epilogue, CD Tracks, Index) method` HOARAU Jean-Christophe Chansons brésiliennes: 10 pièces (1. Montes claros – 4e année; 2. Baião da Serra – 4e année; 3. Baião do Ladrão – 4e année; 4. O choro de morro – 5e année; 5. Caico – 5e année; 6. A canoa virdu – 5e année; 7. Ciranda – 5e année; 8. Carneirinho – 5e année; 9. Ela nad quis accordar – 5e année; 10. Chôro para pizzindim – 5e année) guitar solo HORNE Greg / PHILLIPS Stacy The Multi-Instrumentable Guitarist. Banjo. Mandolin. Uke. Dobro. Dulcimer. The Acoustic Musicien’s Guide to Versatility. Includes introductory lessons on: 1. Mandolin and octave mandolin, 2. Tenor banjo, 3. Clawhammer and three-finger banjo technique, 4. Ukelele and baritone uke, 5. Lap dulcimer,. 6. Resophonic slide guitar (DOBRO). [About the Authors; Introduction; How to Learn Folk Music; Chapter 1 – Mandolin; Chapter 2 – The “Octave Mandolin” Group: Octave Mandolin, Irish Bouzouki, Irish Tenor Banjo; Chapter 3: Tenor Banjo and Tenor Guitar Swing and Dixieland; Chapter 4: Introducing the Five-String Banjo; Chapter 5: Banjo: Clawhammer Style; Chapter 6: Banjo: Three-Finger Style; Chapter 7: Ukelele; Chapter 8: Baritone Uke and Tenor Guitar (Guitar Tuning); Chapter 9: Lap Dulcimer; Chapter 10: Lap Slide Guitar; Summary of Tunings] CD included JACKSON Fruteland Guitar Roots. Delta Blues. The Roots of Great Guitar Playing. Easy-to-read examples in standard music notation and TAB. Basic technique and music theory for the beginning guitarist. Easy, authentic Delta blues tunes to play. Loads of Delta blues trivia and interesting facts. Lessons on Delta slide guitar and alternate tunings. DVD included JIRMAL Jiři Canzona, Intermezzo et Danza paesano (Mikulka) guitar solo Canzona et Danza paesano (Mikulka) 2 guitars score and parts Canzona et Danza paesano (Mikulka) 4 guitars score and parts Blue Bossa (Mikulka) guitar solo KELLEY Kirby Beginning Electric Slide Guitar. An Introduction to Slide Techniques and Styles DVD included KLEPPER Jeff Easy Jewish Songs. A Collection of Popular traditional Tunes. Great songs everybody loves; Easy to play; Tablature, standard music notation and chord diagrams; Strumming patterns included [About the Author; Introduction; Reading Music; Artzna Alinu; Ein Adir; Eit Dodim; Hafinjan; Hava Nagila; Hinei Ma Tov; Not By Might (Debbie Friedman); Tree of Life (Richard Silverman); Oseh Shalom (Jeff Klepper); Tum Balalaika; Shir Chadash (Julie Silver); Yism’chu Hashamayim; Hatikva; Nigun; Shabbes; Dodi Li (Steve Sher); Chord Chart] guitar solo CD included LACERTOSA Carmelo *???? / FICCO Davide *1962 Summer Suite (1. Travelling; 2. Claire; 3. Night by Night; 4. The Last Lake; 5. Happy E) (Moisycos Guitar Duo) 2 guitars score and parts LAURO Antonio 1917-1986 Works for Guitar Volume 10: Arrangements (i) (1. El Totumo de Guarenas, 2. Flores de la Montaña, 3. Cueca Chilena) guitar solo LAUTREC Louis Guitare des villes et guitare des champs: 30 pièces récréatives et progressives (Lautrec) guitar solo

29,50

11,95

29,95

34,45 9,25 11,95 15,95 9,25 33,55

22,45

23,60

21,70 10,55

55

161887 162553 710506 710505 159231 158809 157695

710504 161270 120588 161888 710508 711101 157742 711052

160440

LOGY Johann Anton 1650-1721 Partita a-Moll (Dausend) guitar solo Zwei Suiten C-Dur & G-Dur (Seidl) guitar solo MARTINEZ Louis Guitare Improvisation Volume 1: Gammes et Arpèges (Solfège et Tablatures) guitar solo CD included Guitare Improvisation Volume 2: Accords et Cadences (Solfège et Tablatures) guitar solo CD included MASSELIER Alphonse / LEMAIRE Stéphane Étude basique de la Bass (4, 5 & 6 cordes) bass guitar solo MATIEGKA Wenzeslaus Thomas 1773-1839 Variationen über ein Tirolerlied (Hackl) guitar solo MAZER Susan Learn to Sing and Play Guitar. A guide to singing and playing for the absolute beginner Great for beginners; Vocal techniques are clearly explained; Icludes TAB and standard notation; Learn basic chords, strums and fingerpicking patterns; Complete lyrics included for each song (About the author; Introduction; Parts of thje guitar; Holding the guitar; Basic guitar technique; Tuning the guitar; Reading standard music notation; The notes on all six strings of the guitar; Learning the music; Reading chord diagrams; Reading tablature; Learning the lyrics; Your first chords; When the saints go marching in; Deck the halls; Midnight special; Amazing grace; The water is wide; Bill Bailey won’t you please come home; Fingerstyle; Silent night and the first Noel; Chord embellishments; Scarborough Fair; Jingle bells; Creating a bass .line; Two songs in A minor; Sittin’on top of the world; Down by the riverside; C.C.Rider; Barre chords; Sloop John B.; Wanderin’; The twelve-bar blues; The blues rhythm pattern; Final comments; Scales and key signatures; Songs using the blues rhythm pattern; Strumming patterns; Chart of common chords; Transposition table) guitar solo CD included MELLITS Marc 8 Études (Assad) 2 guitars score and parts MOZART Wolfgang Amadeus 1756-1791 Sonate C-Dur KV.330(300h) (Schäfer) flute+guitar originally piano solo from Pariser Sonaten 1783, guitar score and flute part OSPALD Klaus “ . . . . . el sol no nos recuerde” (1996) 2 guitars manuscript playing score PACHELBEL Johann 1653-1706 Suite d-Moll (Dausend) guitar solo POLITI Adrien Autour du Tango: 8 pièces guitar solo RAY Sharon Rock Bass for Beginners. An Easy Beginning Method. A friendly step-by-step approach bass guitar, DVD included SIMROCK Heinrich 1760-18?? Thema mit Variatioinen (Ostermeyer) F-horn+guitar+piano/harp SOR Fernando 1778-1839 Valses et menuets (Valse: Op. 2/2, Op. 8/6, Op. 17/2-5, Op. 18/1, 3 & 4, Op. 32/2, Op. 33/2, Op. 43/6, Op. 45/4, Op. 48, 4 & 5, Op. 51/2-4 & 6, Op. 57/3 & 5; Menuets: Op. 3/2, Op. 5/1 & 3, Op. 11/1-8 & 10, Op. 24/ 1, 5 & 6) (Cacérès) guitar solo TANSMAN Alexandre 1897-1986 Posthumous Works for Guitar (1. Inventions – Hommage à Bach; 2. Passacaille; 3. Pièces brèves; 4. Prélude et Interlude; 5. Quattro tempi di mazurka) (Gilardino, Biscaldi, Zigante) guitar solo

15,35 14,15 30,85 30,85 35,20 12,70

26,95 30,85 12,70 34,70 15,35 11,95 32,15 10,30

19,90

37,25

56

162127

710512

TORROBA Federico Moreno 1891-1983 Music for Guitar. A unique collection for guitar solo by the celebrated Spanish composer (Contradanza; Jaranera; Jota levantina; Madroños; Molinera; Punteado; Taconeo clásico; Triptico: 1. Pintoresca; 2. Romance; 3. Festiva; Verbenera; Vieja leyenda) (Chapa) guitar solo VIARD Bruno Pimiento latino guitar solo

26,40 7,70

LUTE: 160988

JOHNSON Robert 1580-1643 Complete Lute Music (25 Fantasies, Pavans, Galliards, Almans, Dances, Corantes, etc.) (Luckhardt) lute solo facsimile, notation in TAB

23,15

MANDOLIN: 711001

LEONE Gabriele 18th century Trio B-Dur (Totaro) 2 mandolins+continuo

15,10

HARP: 159164

710521

710522

ALBUM Yuletide Treasure. Celtic & English Music for Winter Celebration [1. The Abbot’s Bromley Horn Dance; 2. Green Grow’th the Holly; 3. Lullabies for the Christ Child; 4. Nos Galan (Deck the Halls); 5. The Humors of Winter; 6. Gloucestershire Wassall; 7. Christmas Day in the Morning; 8. Greensleeves; 9. That Night in Bethlehem; 10. The Holly and the Ivy / Sans Day carol; 11. Down in Yon Forest; ||||||||||||||) (Friou, Lane) harp solo (nos. 1-11) harp solo or harp duets (harp 1) harp duets (harp 1) harp duets (harp 2, play with harp 1 or melody instrument 1) harp duets (harp 2, play with harp 1 only) duet (harp 2, play with melody instrument 1 only) ALBUM Chante, harpe. Airs célèbres du répertoire lyrique. Musique de scène et de ballet Volume 1 (BELLINI: Casta Diva de Norma; BIZET: Air du Toréador de Carmen; DELIBES: Valse de Coppélia; GLUCK: Air d’Orphée; GODARD: Berceuse de l’opéra Jocelyn; GOUNOD: Valse légère de Faust; GRIEG: Chanson de Solveig de Peer Gynt; HAENDEL: Aria de l’opéra Rinaldo; LULLY: Menuet du Bourgeois Gentilhomme; MOZART: Air de Papageno de La Flûte enchantée; OFFENBACH: Barcarolle des Contes d’Hoffmann & Chanson de Fortuno; PUCCINI: Valse de Musette de La Bohème & O mio babbino caro de l’opéra Gianni Schicchi; SCHUBERT: Ballet de Rosamunde; THIRIET: Démone et Merveilles; VERDI: La Donna è mobile de Rigoletto; Bel canto napolitain: Santa Lucia) (Beaumont-Chollet) harp solo ALBUM Chante, harpe. Airs célèbres du répertoire lyrique. Musique de scène et de ballet Volume 2 (BAZIN: Romance de Maître Pathelin; BIZET: Habanera de Carmen & Romance de Nadir des Pêcheurs de perles; DELIBES: Pizzicati de Sylvia; GOUNOD: Ariette de Roméo et Juliette & Ballade du Roi de Thule de Faust; GRIEG: Danse d’Anitra de Peer Gynt & Le Matin de Peer Gynt; LULLY: Marche pour la cérémonie des Turcs du Bourgeois Gentilhomme; MOZART: Zélinda et Don Juan de Don Juan; PUCCINI: Un bel di vedremo de Madame Butterfly; ROSSINI: Air de Rosine du Barbier de Seville; TCHAIKOVSKI: Casse de Noisette – extrait; VERDI: Choeur des esclaves de Nabucco; Variations sur “l’Amour de Moy”) (Beaumont-Chollet) harp solo

27,50

17,20

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57

710515 128289

160100

711234 161980

710997

160101

157742 710893 161053

BEAUCHAMP Jean-Bernard Variations sur un thème bulgare violin+harp BONIS Mel 1858-1937 Scènes de la forêt (1928) (1. Nocturne, 2. A l’aube, 3. Invocation, 4. Pour Artemis) (Mayer, Schmitt) flute+viola+harp originally for flute, F-horn and piano KONDONASSIS Yolanda On Playing the Harp (Introduction; About Yolanda Kondonassis; Part I: On Building the Foundation: 1. Getting to Know Your Harp; 2. A Brief History; 3. Body Balance and Sitting Position at the Harp; 4. Elbow and Wrist Position; 5. Hand and Finger Position; 6. Closing the Fingers; 7. Raising; 8. Fingering and Placing; 9. Reverberation and Buzzing; 10. Muffling; 11. Pedal Technique; 12. Rhythm; 13. Tone Quality; 14. Even Sound Production; 15. The Art of Praticing; 16. Making the Most of Your Harp Lessons; 17. Expression and Musicality; 18. Performance and Memorization; 19. Taking Care of the Body: You Most Precious Instrument; 20. Tuning; 21. Harpistic Notations and Symbols; 22. Special Effects; Part II: On Strenthening and Conditioning: 23. Strength Training for Individual Players; 24. Raising Practice; 25. Pedal Practice; 26. Arpeggios; 27. Scales; 28. Sliding Fingers; 29. Broken Chord Configurations; 30. Trills; 31. Glissandi; 32. Harmonics; Part III: On Warming Up: Stretches for harpists; Level I Daily Warm-up for Beginning Harpists; Level II Daily Warm-up for Intermediate Harpsists; Level III Daily Warm-up for Qadvanced and Professional Harpists; Closing Thoughts) LUZE Hubert de Mándres (Chatoux) flute+harp ROBERTSON Kiwi Scottish Ballads and Airs (Are ye sleepin’Maggie?; Auld Lang Syne; Barbara Allan; Baloo Baleerie; The Blue Bells of Scotland; Blythe, blythe, and merry was she; Flow Gentle, Sweet Afton; Green Grow the Rashes, O!; Highland Mary; I’m a’doun for lack o’Johnnie; John Adderson, My Jo; Johnny Faa; Logan Water; O My Love Is Like a Red, Red Rose; Robin Adair; Roslin Castle; Will Ye Go to Flanders; Ye Banks and Braes) Celtic harp lyrics included ROSETTI Antonio / RÖSSLER Franz Anton 1750-1793 Sonate D-Dur nach einer zeitgenössischen Bearbeitung des Notturno D-Dur durch Johann André (1741-1799) (Richter) harp+violin/flute SALZEDO Carlos 1885-1961 The Carlos Salzedo Collection for Harp (Traditional English Folksong: Annie Laurie; Traditional African/Amrican Spiritual: Deep River; Carlos SALZEDO: Five Preludes: 1. Quietude, 2. Iridescence, 3. Introspection, 4. Whirlwind, 5. Lamentation; Christoph Willibald von GLUCK: Gavotte from the Opera Iphigenia in Aulis; George Friderich HANDEL: Largo from the Opera Xerxes; Irish Folksong: The Last Rose of Summer; Anotn RUBINSTEIN: Melody in F; Traditional Russian Folksong: Song of the Wolga Boasmen; Franz Joseph HAYDN: Theme and Variations; Johannes BRAHMS: Waltz in Ab major) (Kondonassis) harp solo SIMROCK Heinrich 1760-18?? Thema mit Variatioinen (Ostermeyer) F-horn+guitar+piano/harp WERY Benoît Quatre études de virtuosité (Criswick) harp solo WOODS Sylvia Gecko Tails (1. Sticky Toes; 2. View from the ceiling; 3. Dancing in the waterfalls; 4. Tropical dreams; 5./6. Gecko stroll) (No. 5 for lever harp tuned to C and pedal harps; No. 6 for lever harps tuned to 3 flats) harp solo CD included

11,95

25,70

33,70 10,15

17,50

19,20

33,70 10,30 13,35

17,50

PERCUSSION: 710880

BENEDETTI Didier Timpanium (Martynciow) 4 timpani

parts

8,55

58

159260 150261 711206 710478

162978

161881 710479

161919

711046 710921

710601

710474

710868 710869 711037 161882

159262 159263

COUPRIE Christian *1954 “Ça va par trois” & “Dessus-dessous” percussion+piano/vibraphone+bass 1er cycle “Roux-Frits” & “Le Sorcier et la Boulangère” percussion+piano/vibraphone+bass 1er cycle DENTRESANGLE Franck Éclipse (Macarez) flute+percussion ERSKINE Peter Drumset Essentials Volume 2. Includes: Additional Beats & Rhythmic variations. Beginning to Advanced Fills & Solos. Playing in Large & Small Ensembles. Drumset Reading. Brush techniques. Play-Along CD CD included FAVRE Pascal *1949 Celebration flute+Bb-clarinet+Eb-alto saxophone+2 Bb-trumpets+trombone+tuba+timpani+percussion score and parts FINK Siegfried *1928 Spiegelungen à 2: 5 Impressionen (Wentorf, Kremling) flute+percussion (1 player) 2 playing scores KALANI All About Jembe. Everything you need to start playing now! Includes: History and Overview. Tuning and Drum Care. Playing Techniques. Traditional Rhythm Arrangements. Audio/Video Play-Along CD CD included LIPPERT Claus / WEISSWEILER Lilli Rhythm Songbook: 99 Patterns populärer Musik. Mit Hörbeispielen auf CD: Audio & Midi (1. Vorwort; 2. zur Benutzung; 3. Rhythmen; 4. Stilgruppen; 5. Instrumente, Notation; 6. modifizierte Instrumente; 7. Stücke; 8. Tipps zum Einstudieren; 9. Glossar; 10. Literatur; 11. Kopiervorlagen; 12. Audio/Daten-CD) CD included MARTYNCIOW Nicolas TCHIK (Martynciow) snare drum REED Alfred *1921 Othello. A Symphonic Portrait in Five Scenes after Shakespeare (2001) brass ensemble: 4 F-horns+4 Bb-trumpets+4 trombones+2 euphoniums+2 tubas+timpani+snare drum/bass drum+pair of cymbals/tam-tam+bells/xylophone+vibraphone score and parts SAMPSON David *1951 Hommage JFK (1995) 4 C-trumpets+4 F-horns+3 trombones+bass trombone+2 tubas+timpani+percussion (2) score and parts SWEENEY Pete Rock Drums for Beginners. An Easy Beginning Method. Get started playing a drumset right away. A friendly step-by-step approach. Techniques and drum beats of the great rock drummers. Includes loads of exercises and songs to play method, book + DVD TAVERNIER Jean-Claude Accessoirement (Tavernier) percussion+piano difficile Navegna I et II (Tavernier) vibraphone+piano facile à moyenne difficulté TULLIO Giorgio Di *1960 La Batteria – New Contemporary Independance percussion CD included WÜNSCH Christoph *1955 Vier Bilder (1. Dialog – C-flute; 2. Meditation - alto flute; 3. Tambour - piccolo; 4. Paranoia – C-flute) (Wentorf, Kremling) flute=piccolo=alto flute+percussion intermediate, 2 playing scores ZIELINSKI Bernard / RABBIÉ Jean-Pascal Bonamta. Danse à la mode thaïe percussion+piano débitant à élémentaire Le colosse aux pieds d’argile snare drum/tamburin solo 2e/3e cycle

13,90 13,90 10,15

29,95

27,30 16,05

25,45

38,40 10,15

41,94

37,45

34,45 10,15 10,15 27,00

15,35 17,60 13,90

59 MORE ACCORDION: 161120

ALBUM Russian Classics (A.Y. WARLAMOW 1801-1848: Red Sarafan; A.L.GURILOV 18031858: A Small Bell; M.I. GLINKA 1804-1857: Tchernomor’s March & Wonderful Moment; A.G. RUBINSTEIN 1829-1894: Melody in F major; Peter I. TSCHAIKOVSKY 1840-1893: Slavonic March & Chanson triste; A.P. BORODIN 1833-1887: Virgin Dance; N.A. RIMSKYKORSAKOV 1844-1908: Song of India; M.P. MUSSORGSKY 1839-1881: Promenade & The Great Gate) (Romanov) accordion+piano play-along CD included

14,95

CONCERTINA: 710682

SNOO Pauline de English Concertina Course Volume One

CD included

25,00

MISCELLANEOUS: 160232

710668

710996

160078

160075

DAVIS Miles 1926-1991 Miles Davis Real Book – C-Edition. Lead Sheets for 57 Compositions (1. Agitation; 2. Aïda; 3. All Blues; 4. Back Seat Betty; 5. Bitches Brew; 6. Blue Haze; 7. Blue in Green; 8. Blues No. 2; 9. Boplicity – Be Bop Lives; 10. Brown Hornet; 11. Budo; 12. Circle; 13. Circle in the Round; 14. Deception; 15. Dig; 16. Down; 17. Drad Dog; 18. Eighty One; 19. Filles de Kilimanjaro; 20. Flamenco Sketches; 21. Four; 22. Fran Dance; 23. Freddie Freeloader; 24. Green Haze; 25. Half Nelson; 26. Ife; 27. It’s About That Time; 28. Lazy Susan; 29. Little Willie Leaps; 30. Miles; 31. Miles Ahead; 32. Milestones; 33. Mood; 34. Nardis; 35. Petits Machins; 36. Pfrancing – No Blues; 37. The Serpehnt’s Tooth; 38. Seven Steps to Heaven; 39. Shhh/Peaceful; 40. Sid’s Ahead; 41. Side Car; 42. Sippin’ at Bella; 43. So What; 44. Solar; 45. Somethin’ Else; 46. Song No. 2; 47. Spanish Key; 48. Stuff; 49. Swing Spring; 50. Teo’s Bag; 51. Theme; 52. Thisness; 53. Tout de Suite; 54. Tune Up; 55. Vierd Blues; 56. Water on the Pond; 57. What It Is) HUDSON Rob Evolution. The Improvisational Style of Bob Brookmeyer. Transcription and Analysis (Stella by Starlight; Polka Dots and Moonbeams; The Lady is a Tramp; The King; Whoo-eeee!; Broadway; Mud Bug; Blue China; Gal in Galico; Green Stamps; Haig and Haig; Sweet and Lovely; Yesterdays; I Hear a Rhapsody; My Funny Valentine; Body and Soul; Sundays; Detour Ahead; Later Blues; Someday My Prince Will Come) STENGER Alfred Partiturspiel leichtgemacht. Anleitung und Übungen für Unterricht und Selbststudium (1. Übungsbeispiele mit alten Schlüsseln; 2. Übungsbeispiele mit transponierenden Instrumenten: 2.1. Die B-Transposition, 2.2. Die A-Transposition, 2.3. Die F-Transposition; 3. Übungsbeispiele mit alten Schlüsseln und transponierenden Instrumenten kombiniert: 3.1. Notation in zwei Systemen, 3.2. Notation in drei Systemen; Anschließende Bemerkung; Verzeichnis der Übungsstücke) STONE Tom Een muzikaal avontuur van Tom Stone: Door dik en dun met Stan & Ollie (De Stan en Ollie tune; “Roaring Twenties” - ballet; Henkie’s poedel Candy; Bij de politie; De dronken zeeman – ballet; Een zeeman ben ik al jaren; Onze voetbalclub; In the good old summertime; Je hebt me weer mooi in de nesten gewerkt; Als m’n huiswerk klaar is; Ach, ik leer wel een andere keer; Majorette Mars - ballet; Familie van Straaten; Finale; Geluidweffecten: Auto parkeren, Deurbel, Wegrijden met oldtimer, Vallende wieldop) (op de CD staat de volledige uitvoering van de grote pretreveu Door dik en dun met Stan & Ollie) CD included Het is weer zingen geblazen: 30 Liedjes om mee te zingen of te spelen met de CD (1. Alles in de wind; 2. Dr. Ijzerbaard; 3. We houden ‘t vast wel droog; 4. Dit is de loeppie-loep; 5. Opa Bol; 6. Ik wil de drummer zijn; 7. Schipper mag ik overvaren; 8. De pinguinpas; 9. Tante uit Marokko; 10. Van voor naar achter; 11. Moppie is ziek; 12. Joep en Lot; 13. ‘t Schip moet zeilen; 14. De zevensprong; 15. Juffrouw Jansen; 16. De beer klom over de bergen; 17. Ik heb een mooie tante; 18. Mijn neefje Peter; 19. Ik moet gaan; 20. Lekker stappen in de regen; 21. Bingo; 22. Zakdoekje leggen; 23. Advocaatje; 24. Als je blij bent;

26,95

53,90

20,50

14,95

60 25. Rombom doet de grote trom; 26. Ik heb m’n wagen volgeladen; 27. Vlieg in de karnemelk; 28. Meneer de Bruin; 29. Oom Arie; 30. ‘k Zag twee beren) CD included

14,95

SOLO VOICE: 710888

IVANOVA Vera *1977 Un~now solo voice

15,40

SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT: 159809

159811

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ALBUM Great Vocal Duets (1. MOZART: Al fato dan legge from Cosi Fan Tutte; 2. BIZET: Au fond du temple from The Pearl Fishers; 3. MOZART: Bei Männern, welche Liebe fühlen from The Magic Flute; 4. MOZART: Che soave zefiretto from The Marriage of Figaro; 5. VERDI: É il sol dell’anima from Rigoletto; 6. DONIZETTI: Esulti pur la barbara from L’Elisir d’Amore; 7. DELIBES: Flower Duet from Lakmé; 8. MOZART: Là, ci darem la mano from Don Giovanni; 9. BELLINI: Mira, O Norma from Norma; 10. PUCCINI: O soave fanciulla from La Bohème; 11. VERDI: Quel suon, quelle preci from Il Trovatore) (Wiggins) tenor+baritone+piano (nos. 1 & 2) soprano+baritone+piano (nos. 3 & 8) 2 sopranos+piano (nos. 4 & 9) soprano+tenor+piano (nos. 5, 6, 10 & 11) soprano+mezzo soprano+piano (no. 7) ALBUM Great Bass & Baritone Arias (1. MOZART: Ah pietà from Don Giovanni; 2. NICOLAI: Als Büblein klein from The Merry Wives of Windsor; 3. GOUNOD: Avant de quitter ces lieux from Faust; 4. VERDI: Di provenza il mar from La Traviata; 5. DONIZETTI: El corregge ogni diferto from L’Elisir d’Amore; 6. VON WEBER: Hier im ird’schen Jammerland from Der Freischütz; 7. VERDI: Il balen del suo sorriso from Il Trovatore; 8. MOZART: In diesen heiligen Hallen from The Magfic Flute; 9. VERDI: Infelice! a tuo credevi from Ernani; 10. ROSSINI: La calunnia from The Barber of Seville; 11. ROSSINI: Largo al factotum from The Barber of Seville; 12. MOZART: O Isis und Osiris from The Magic Flute; 13. MOZART: Se vuol ballare, Signor contino from The Marriage of Figaro; 14. SULLIVAN: The policeman’s song from The Pirates of Penzance; 15. PUCCINI: Vecchia zimarra from La Bohème; 16. MOZART: Wer ein Liebchen hat gefunden from Die Entführung aus dem Serail) (Wiggins) bass+piano (nos. 8, 10,11, 12, 14, 16) bass-baritone+piano (nos. 1, 2, 5, 13, 15) baritone+pianio (nos. 3, 4, 6, 7, 9) ALBUM Ten Folk Songs for Solo Voice. For Concerts, Contests, and Recitals [1. Railroad Medley: The Wabash Cannon Ball, She’ll Be Comin’ Round the Mountain, I’ve Been Working on the Railroad); 2. I Know Where I Am Going; 3. Simple Gifts; 4. Beautiful Dreamer; 5. The Erie Canal; 6. The Ash Grove; 7. Arkansas Traveler; 8. Aura Lee; 9. Billy Boy; 10. Goober Peas] (Hayes) medium high voice+piano CD included ALBUM Arias from eighteenth-century French operas Book 3: Nine Arias for Tenor (FrançoisAndré PHILIDOR 1726-1795: Tom Jones: Ariette de Jones Acte II Scène 4 Le Sorcier: Romance de Bastien Acte I Scène 6; Le Sorcier: Ariette de Julien La Tempête Acte I Scène 7; Etienne-Nicolas MÉHUL 1763-1817: Ariodant: Romance du Barde Acte II Scène 1, Ariodant: Romance d’Ariodant Acte II Scène 10; Nicolas-Marie DALAYRAC 1753-1809: Sargines, ou l’Elève de l’amour: Air de Sargines Acte I Scène 3, Gulnare, ou l’Esclave persane: Romance d’Osmin Scène 4, Gulnare, ou l’Esclave persane: Romance de Gulnare Scène 11, La jeune Prude, ou Les Femmes entre elles: Romance de Lindor Scène 15) (Expert, Pillard) tenor+piano

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10,45

61

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ALBUM Arias from eighteenth-century French operas Book 4: Four Arias for Bass (FrançoisAndré PHILIDOR 1726-1795: Tom Jones: Récit de chasse Acte I, Scène 3, Ernelinde: Air de Rodoald Acte II Scène 8; Etienne-Nicolas MÉHUL 1763-1817: Les deux aveugles de Tolède: Récitatif et Air de Mendoce, Euphrosine, ou le Tyran corrigé: Ariette d’Alibour Acte I Scène 1) (Expert, Pillard) bass+piano ALBUM Seven Short Songs (1. Nicholas MARSHALL: Here we come a-piping; 2. Geoffrey BUSH: Cradle song; 3. Inglis GUNDRY: The Lamb That E’er The World Began; 4. John GOLLAND: To Musick; 5. Geoffrey KIMPTON: Song at evening; 6. David DORWARD: In the still air; 7. Betty ROE: I know a bank) voice+recorder+piano score and recorder part ALBUM 100 Years of Popular Music. 30s. Volume 1 (1. About A Quartet To Nine; 2. All I Do Is Dream Of You; 3. All Of Me; 4. All The Things You Are; 5. Anything Goes; 6. Beyond The Blue Horizon; 7. Blue Moon; 8. Body And Soul; 9. Bye Bye Blues; 10. Dancing In The Dark; 11. Dancing With Tears In My Eyes; 12. Deep Purple; 13. Dinner For One Please James; 14. Embraecable You; 15. A Foggy Day; 16. For All We Know; 17. For You; 18. Get Happy; 19. The Glory Of Love; 20. Goody Goody; 21. Hometown; 22. I Apologise; 23. I Don’t Know Why I Just Do; 24. I Got Rhythm; 25. I Guess I’ll Have To Change My Plan; 26. I Only Have Eyes For You; 27. I Wanna Be Loved By You; 28. I Won’t Dance; 29. I’ll String Along With You; 30. I’m Confessin’; 31. I’m In The Mood For Love; 32. I’m Shooting High; 33. I’ve Got The World On A String; 34. I’ve Got You Under My Skin; 35. I’ve Told Ev’ry Little Star; 36. In A Shanty In Old Shanty Town; 37. Isle Of Capri; 38. It’s A Sin To Tell A Lie; 39. It’s Only A Paper Moon; 40, It’s The Talk Of The Town; 41. Just One More Chance; 42. Keep Young And Beautiful; 43. The Lady Is A Tramp; 44. Let By-gones Be By-gones; 45. Let’s Fall In Love; 46. Life Is Just A Bowl Of Cherries; 47. Love Is Just Around The Corner; 48. Love Letters In The Sand; 49. Lovely Lady; 50. Memories Of You; 51. Moonlight Serenade; 52. Music, Maestro, Please; 53. On The Sunny Side Of The Street; 54. Once In A While; 55. Over The Rainbow; 56. Paradise; 57. Pick Yourself Up; 58. Please Don’t Talk About Me When I’m Gone; 59. Red Sails In The Sunset; 60. San Francisco; 61. September In The Rain; 62. September Song; 63. Smoke Gets In Your Eyes; 64. South Of The Border; 65. Star Dust; 66. Stay As Sweet As You Are; 67. Temptation; 68. Thanks For The Memory; 69. There’s Is A Small Hotel; 70. Three Little Words; 71. Walkin’ My Baby Back Home; 72. The Way You Look Tonight; 73. What A Difference A Day Made; 74. When I Take My Sugar To Tea; 75. Where Or When; 76. Who’s Is Taking You Home Tonight; 77. You Came Along From Out Of Nowhere; 78. You Must Have Been A Beautiful Baby; 79. You’re My Everything; 80. Young And Healthy) (Cuellar) piano/vocal/chords ALBUM Songs about the “Hungarian Sea” (1. A Balaton aranyhidja; 2. A Balaton nyárfás partjat; 3. A Balaton tükre felett; 4. A keszthelyi főutcán; 5. A keszthelyi kikötőnél; 6. Alkony szállt a Balatonra; 7. Badacsonyi kéknyelű; 8. Badacsonyi nyárfás parton; 9. Badacsonyi öreg nyárfák; 10. Balatoni hajóslegény; 11. Balatoni kis csárdákban; 12. Balaton keringő; 13. Balaton közepe; 14. Balatonnak édes vize; 15. Balaton tetején; 16. Befagyott már a Balaton; 17. Csillogó, szép a Balaton; 18. Csopak, Somló, Badacsony; 19. Csuka, potyka, kecsege; 20. Elragadta galambomat a Balaton tőlem; 21. Hullámzó Balaton tetején; 22. Kék Balaton; 23. Kékvizű Balaton; 24. Kékvizű, szép tó; 25. Kigyúlt egy csillag a Balatonon; 26. Kizöldült az öreg Bakony; 27. Öreg halász vén csónakján; 28. Ránk borul a csöndes alkony; 29. Ringato, kék Balaton; 30. Sir a kislány a Balaton partján; 31. Súgd meg, Balaton; 32. Széles a Balaton vize; 33. Szép az őszi Balaton-part; 34. Tihany partját csókolja a Balaton; 35. Tüzes ború Badacsony; 36. Zúg a vihar a Bakonyba’) (Vas, Mészáros) voice/violin/piano/harmony indication ALBUM Elizabethan and Jacobean Songs (ATTEY: Resound my voice; TESSIER/DOWLAND: In agrove most rich of shade; DANYEL: Thou my pretty bird; BARTLETT: A pretty duck, Of all the birds & My choice is made; CAMPIAN: My love hath vow’d & Maids are simple; ROSSETER: What is a day & Sweet, come again; FERRABOSCO: Young and simple though I am) (Criswick) voice+guitar

9,75

22,60

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ALBUM Voci d’Opera: Maria Callas Volume 1 (BELLINI: 1. Ah! non credea mirarti from La Sonnambula & 2. Casta diva from Norma; DONIZETTI: 3. Ardon gl’incensi from Lucia di Lammermoor; VERDI: 4. Ah, forse è lui che l’anima from La Traviata, 5. Mercè, dilette amiche from I Vespri siciliani & 6. La luce langue from Macbeth; PONCHIELLI: 7. Suicido from La Gioconda; PUCCINI: 8. Vissi d’arte from Tosca) (Rossini) voice(s)+piano ALBUM Voci d’Opera: Maria Callas Volume 2 (CHERUBINI: 1. Dei tuoi figli la madre from Medea; SPONTINI: 2. Caro oggetto il di cui nome from La Vestale; BELLINI: 3. Dormono entrambi from Norma & 4. Qui la voce sua soave from I Puritani; DONIZETTI: 5. Ai dolce guidami from Anna Bolena; VERDI: 6. Ben io t’invenni – Anch’io dischiuso un giorno – Salgo già del; trono aurato from Nabucca & 7. È tardi! . . . – Addio, del passato bei sogni ridenti from La Traviata) (Rossini) voice(s)+piano ALBUM Voci d’Opera: Enrico Caruso (DONIZETTI: 1. Una furtiva lagrima from L’elisir d’amore; VERDI: 2. La donna è mobile from Rigoletto & 3. Se quel guerrier lo fissi! . . . Celeste Aida from Aida; PONCHIELLI: 4. Cielo e mar! from La Gioconda; BOITO: 5. Dai campi, dai prati from Mefistofele; LEONCAVALLO: 6. Recitar! . . . Vesti la giubba from I pagliacci; PUCCINI: 7. Che gelida manina! from La Bohème, 9. E lucevan le stelle from Tosca & 10. Addio, fiorito asil from Madame Butterfly; GIORDANO: 8. Amot te vieta from Fedora; COTTRAU: 11. Santa Lucia; CARDILLO: 12. Core ‘ngrato; TOSTI: 13. Ideale, 14. ‘A vucchella & 15. L’alba separa dalla luce l’ombre) (Rossini) voice+piano ALBRECHTSBERGER Johann Georg 1736-1809 Gaude virgo & Passione Domine. Two Arias trombone+voice+piano ANDERS Erich (Erich Freiherr Wolff von Gudenberg) 1883-1955 Flöten-Lieder Op. 109 (I. Weich fließend, ein wenig bewegt; II. Leicht beschwingt, nicht schnell; III. Ruhig und zart; IV. Bewegt, doch immer mit Ausdruck, heimlich) soprano+flute+piano ARRIAGA Juan Crisostomo de 1806-1826 Edipo. Polinicio’s Aria tenor+piano BEACH Amy (Mrs. H.H.A. BEACH / Amy Mary CHENEY) 1867-1944 Four Songs Op. 51 (1. Ich sagte nicht / Silent love German/English text; 2. Wir drei / We Three German/English text; 3. Juni / June German/English text; 4. Je demande à l’oiseau / For my love French/English text) voice+piano BÖDDECKER Philipp Friedrich 1607-1683 Magnificat anima mea Dominum. Geistliches Konzert (Hofmann) soprano/tenor+continuo score BRANCA Gianni / SERINO Gianni Interplay ritmico per basso e batteria etnica o tradizionale (Legende; Parte introduttiva; Cascara; Rendez; Palito; Danzia) bass voice+percussion CD included BRIXI František Xaver 1732-1771 Christus factus est pro nobis (Christus erniedrigte sich selbst). Passionsmusik (Hofmann) SATB-choir+2 violins+2 trombones/violas+continuo score, text German/Latin Das Katzengeschrey (Hofmann) SATB-choir+continuo choral score CACCINI Giulio 1545-1018 Le nuove musiche Book 3: Madrigals and Arias (1. Io parto amati lumi; 2. Ardi, cor mio; 3. Arde il mio petto misero; 4. Fere scivaggie, che per monti errate; 5. Fillide mia, se di beltà sei vaga) (Perinello) voice+piano CASSIDY Eva You’re the voice: Ten timeless classics arranged for voice, piano and guitar (1. Ain’t No Sunshine; 2. Autumn Leaves; 3. How Can I Keep From Singing; 4. Imagine; 5. It Doesn’t Matter Anymore; 6. Over The Rainbow; 7. Penny To My Name; 8. People Get Ready; 9. Wayfaring Stranger; 10. What A Wonderful World) voice+piano+guitar CD included

18,00

18,00

18,00 25,55

17,95 5,95

7,45 9,25

23,15 12,20 3,10

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32,60

63

161325

711014 161455

>

159268 710501 159273

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710914 710672

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CORIGLIANO John *1938 Mr. Tambourine Man: Seven Poems of Bob Dylan (1. Prelude: Mr. Tambourine Man; Clothes Line; Blowin’in the Wind; Masters of War; All Along the Watchtower; Chimes of Freedom; Postlude: Forever Young) voice+piano DÍAZ José F. Guantanamera (Becker) SmSABar-choir+claves/guiro choral score DONIZETTI Gaetano 1797-1848 Arie d’opera per soprano e mezzo soprano [Cavatina di Betly “Oh, libertà gradita . . .” from Betly (soprano); Aria di Norina “All’udir che mio tesor . . .” from I pazzi per progetto; (soprano); Cavatina di Isabella “Quando Isabella detto ha di si . . .” from Olivio e Pasquale; (soprano); Aria di Corilla “E puoi goder, tiranno . . .” from Le convenienze teatrali (soprano); Aria di Eleonora “Vedea languir quel misero . . .” from Il Furioso all’isola di San Domingo (soprano); Aria di Parisina “Ugo è spento . . .” from Parisina d’Este (soprano); Aria di Zaida “Terra adorata dei padri miei . . .” from Don Sebastiano (mezzo soprano); Duetto Nina ed Ernesto “Un raggio quel detto sfavilla . . .” from Il Giovedi’Grasso (soprano e tenore); Duetto Eleonora e Marcella “Che il sorriso mio primiero . . .” from Il Furioso all’isola di San Domingo (soprano e mezzo soprano)] (Tarabella) soprano+piano / mezzo soprano+piano / soprano+mezzo soprano+piano DU MONT Henri 1610-1684 Airs Spirituels composé de trente airs à quatre voix avec basse-continu, dix airs à trois voix avec basse continuo et accompagnement d’un dessus instrumental et de trois petits motets en latin (Favier) 4 voices+continuo (30 Airs) 3 voices+high instrument+continuo (10 Airs) 4-part voices unaccompanied (3 Motets) DUTILLEUX Henri *1916 San Francisco Night (text: Paul Gilson) voice+piano ESCAICH Thierry *1965 In memoriam SSAATTB-choir+organ score FLORENTZ Jean-Louis *1947 Magnificat-Antiphone pour la visitation Op. 3 pour ténor, choeur mixte et orchestre (Florentz) tenor+piano(-reduction) vocal score FOOTE Arthur 1853-1937 Four Songs Op. 51 (The Rose and the Gardener; In the Story “Beyond the Pale”; If Love were what the Rose is; Ashes of Roses) high voice+piano FRANCK César 1822-1890 Six Duets (L’Ange gardien; Aux petits enfants; La vierge à la crèche; Les danses de Lormont; Soleil; La chanson du vannier) soprano+alto+piano GLAZUNOV Alexander 1865-1936 La Primavera d’Or (La Forge) voice+piano GOLDMARK Carl 1830-1915 Sechs Lieder Op. 46 [1. Der Brautkranz mit den halbverwelkten Blüten (Kiss); 2. An die Georgine (Gilm); 3. Trutz (David); 4. Der Trompeter an der Katzbach; 5. Wenn zwei sich lieben (Mosenthal); 6. Befreit (Dehmel)] voice+piano GRIEG Edvard 1843-1907 Sieben Kinderlieder Op. 61 (1. Das Meer; 2. Der Weihnachtsbaum; 3. Lockweise; 4. Fischerweise; 5. Abendlied für den Falben; 6. Die norwegische Berge; 7. Psalm für das Vaterland) voice or unison female or children’s choir+piano GROSSO DA VIADANA Ludovico 1560-1627 O bone Jesu (Ruhland) ` male voice+2 trombones/viols+continuo score and parts

22,90 3,20

38,55

89,95 13,90 16,30

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12,55 5,55

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10,00 11,55

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HAKIM Naji *1955 Magnificat soprano+violin+organ HÄNDEL Georg Friedrich 1685-1759 Neun deutsche Arien HWV 202-210 (1. Künft’ger Zeiten eitler Kummer; 2. Das zitternde Glänzen der spielenden Wellen; 3. Süßer Blumen Ambraflocken; 4. Süße Stille, sanfte Quelle; 5. Singe, Seele, Gott zum preise; 6. Meine Seele hört im Sehen; 7. Die ihr aus dunkeln Grüften; 8. In den angenehmen Büschen; 9. Flammende Rose, Zierde der Erden)) (Burrows) soprano+violin/flute/oboe+continuo HOLLIGER Heinz *1939 Chinderliecht. Schtückli für chliini u grossi Ching ou zum Erzeue und zum Mitsinge / Kinderleicht. Stücke für kleine und große Kinder auch zum Erzählen und Mitsingen (19931999) (Contents: 1. Em Tigi sis underbrochene Mittagsschlöfli / Tigis unterbrochenes Mittagsschläfchen; 2. Böckligumpe / Bockspringen; 3. Di kabutti Wauzerplatte of em Schpinngramefon in C-Dur/F-Dur / Die kaputte Walzerplatte auf einem Grammophon, das spinnt in C-Dur/F-Dur; 4. d Chatz u dr Schpatz / Die Katze und der Spatz; 5. liecht – S Jodlerduo Schwarz-Wyss, schwärer – “Hesch scho ghört vo de ChineSenne?”, vierhändig – dr zwänzgfingerig ChineSenn / leicht – Das Jodlerduo Schwarz-Weiß, schwerer – “Hast ddu schon von den ChineSennen gehört?”, vierhändig – Der zwanzigfingerige ChineSenn; 6. Mileva I; 7. Mileva II; 8. Dr Schutzängu (zäh- oder zwänzigfingerig) / Der Schutzengel (zwei- oder vierhändig); 9. Burdiefer Boogie-Woogie / Burgdorfer Boogie-Woogie; 10. Dr Igu und dr Hass / Der Igel und der Hase) voice+piano HOMER Sidney 1864-1953 Songs from Mother Goose (Baa, Baa, Black Sheep; Barber, Barber, Shave A Pig; Dance To Your Daddy; Ding, Dong, Bell; Hey, Diddle Diddle; Hickory, Dickory, Dock; The House That Jack Built; Humpty Dumpty Sat On A Wall; I Had A Little Husband; I Love Six-pence, Pretty Little Six-pence; I Went Up One Pair Of Stairs; If All The World Were Apple-pie; Little Boy Blue; Little Jack Horner; Littel Miss Muffet; Little Polly Flinders; Little Willie Winkle; Marg’ret Wrote A Letter; Mistress Mary, Quite Contrary; The North Wind Doth Blow; Old King Cole; One Misty, Moisty Morning; Peas-pudding Hot, Pease-pudding Cold; The Queen Of Hearts; Rock-a-bye, Baby; See-saw Sacradown; Simple Simon; Solomon Grundy; There Was A Crooked Man; There Was A Little Man; To Market, To Market; Tommy Snooks and Bessie Brooks) voice+piano JOLAS Betsy *1926 Concerto-Fantaisie “O Night, Oh . . .” (Citations de William Shakespeare, Victor Hugo et anonymes) (2001) choir+piano KILLMAYER Wilhelm *1927 Rêveries (1953) (I. Resveries. 13. Jahrhundert; II. Chanson de la mal mariée. 15. Jahrhundert; III. Du legier pleur’a la lippe pent. Charles d’Orléans; IV. Lamento. Clément Marot; V. Petit mercier, petit pannier. Charles d’Orléans) soprano+piano+percussion score LACHNER Franz 1803-1890 Stabat Mater Op. 168 für zwei Soprane, 2 Violen, 2 Celli und Kontrabass (Günther) 2 sopranos+organ LAJHTA László 1892-1963 Hungarian Folksongs (19) voice+piano Hungarian text LEWY Joseph Rudolf 1802-1881 Freundschaft oder Liebe & Das Körbchen Op. 7 (Ostermeyer) voice+horn+piano MacFARREN George Alexander 1813-1887 Two Songs (1. A Window Bird; 2. Pack Clouds Away) (Davies) voice+Bb-clarinet+piano MARKEAS Alexandros Dimotika. 8 Mélodies populaires grecques pour mezzo soprano, choeur d’enfants et septuor instrumental mezzo soprano+children;s choir+piano(-reduction)

54,50

16,05

19,20

12,55

38,30

35,90 7,05 24,05 12,85 14,20

17,55

65

710580 162952 161671 160839

150267 710502 711042

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MASSENET Jules 1842-1912 Poème d’Avril Op. 14 voice+piano MAXWELL DAVIES Peter *1934 Mass mixed choir+organ MEDER Johann Valentin 1649-1719 Jubilate Deo (Ruhland) bass voice+trumpet+2 violins+continuo MOZART Wolfgang Amadeus 1756-1791 Great Mozart Arias for Soprano (Idomeneo, Ré di Creta: 1. Ilia’s recitative > Quando avran fine omai – Padre, germani, addio!, 2. Elettra’s aria > Tutte nel cor vi sento, 3. Ilia’s aria > Se il padre perdei, 4. Elettra’s aria and marcia > Idol mio, se ritroso altro amante – Odo da lunga armonioso suono, 5. Ilia’s aria > Zeffretti lusinghieri, 6. Elettra’s aria > D’Oreste, d’Ajace; The Entführung aus dem Serail: 7. Konstanze’s aria > Ach ich liebte, 9. Blonde’s aria > Durch Zärtlichkeit und Schmeicheln, 10. Konstanze’s recitative and aria > Welcher Wechsel herrscht in meiner Seele – Traurigkeit, 11. Blonde’s rondo > Welche Wonne, welche Lust; Le Nozze di Figaro: 12. Cherubino’s aria > Non só più cosa son, cosa faccio, 13. Countess Almaviva’s aria > Forgi, amor, 14. Cherubino’s arietta > Voi che sapete, 15. Susanna’s aria > Venite, inginocchiatevi!, 16. Countess Almaviva’s recitavie abd aria > E Susanna non vien? – Dove sono – Ah! se almen la mia costanza, 17. Barbarina’s cavatina > L’ho perduta! me meschina!, 18. Susanna’s recitave and aria > Giunse al fin il momento – Deh vieni, non tardar; Don Giovanni: 19. Donna Elvira’s aria > Ah! fuggi il traditor!, 20. Donna Anna’s aria > Or sai chi l’onore, 21. Zerlina’s aria > Batti, batti, 22. Zerlina’s aria > Vedrai, carino, 23. Donna Elvira’s recitative and aria > In quali eccessi – Mi tradi, 24. Donna Anna’s recitative and aria > Crudele? – Troppo mi spiace – Non mi dir; Così fan tutte: 25. Dorabella’s recitative and aria > Ah scostatti – Smanie implacabili, 26. Despina’s aria > In uomini, in soldati, 27. Fiordigili’s recitative and aria > Temerari, sortite – Come scoglio – Rispettate, anime ingrate, 28. Despina’s aria > Una donna a quindici anni – Dee in un momento, 29. Fiordigili’s rondo > Per pietà, ben mio, perdona – A chi mai mancò, 30. Dorabella’s aria > È amore un ladroncello; Die Zauberflöte: 31. The Queen of the Night’s recitative and aria > O zitt’re nicht, mein lieber Sohn! – Zum Leiden bin ich auserkoren, 32. The Queen of Night’s aria > Der Hölle Rache, 33. Pamina’s aria > Acg, ich fühl’s; La Clemenza di Tito: 34. Vitellia’s aria > Deh se piacer mi vuoi – Che ciecamente crede, 35. Servilia’s aria-minuet > S’altro che lagrime, 36. Vitellia’s recitative obbligato and rondò > Ecco il punto, O Vitellia – Non più di fiori vaghe catene) soprano+piano MUNDRY Isabel Anagram (2000) voice+piano NAÓN Luis Deux tangos du cycle Amor e Roma pour mezzo soprano et quintette instrumental (David) mezzo soprano+piano(-reduction) OHANA Maurice 1914-1992 Chansons populaires espagnoles (poèmes d’auteurs anonymes et de Federico Garcia Lorca) (1. Canatares del querer lejos; 2. La mis penas son de amores; 3. Cuando paso por el puente; 4. Nana; 5. Martyinete; 6. Neige sur les orangers; 7. Tango el Mariquita; 8. Alborada) voice+piano REGER Max 1873-1916 15 Songs from Schlichte Weisen Op. 76 (1. Du meines herzens Krönelein; 2. Waldeinsamkeit; 3. Wenn die Linde blüht; 4. Am Brünnele; 5. Warte nur!; 6. Der verliebte Jäger; 7. Mein Schätzelein; 8. Maiennacht; 9. Hans und Grete; 10. Es blüht ein Blümlein rosenrot; 11. Friede; 12. Kindeslächeln; 13. Die Mutter spricht; 14. Vorbeimarsch; 15. Maria Wiegenlied) (Miller) medium high voice+piano RICH Frank Op naar de top! Hits leren spelen met boek en CD Deel 2 (1. A Whiter Shade Of Pale; 2. The House Of The Rising Sun; 3. 32 Jaar; 4. Staying Alive; 5. Isabelle; 6. Something Stupid; 7. (Stuur me een) S.M.S.; 8. Living Next Door To Alice; 9. Coimbra; 10. She; 11. Kom Van Dat Dak Af; 12. Annie’s Song; 13. Carrickfergus; 14. Tears In The Morning) keyboard+guitar+accordion+voice CD included

8,95 26,50 17,35

20,85 20,55 46,05

23,15

26,10

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66

710657 710659 710915

159629 710489 161454 710690

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RIHM Wolfgang *1952 Lavant-Gesänge. Fünf Gedichte von Christine Lavant aus Die Bettlerschule 2000-2001 alto+piano Neue Alexanderlieder: Fünf Gedichte von Ernst Herbeck 1979 baritone+piano RIMSKY-KORSAKOV Nikolai 1844-1908 Four Songs Op. 41 (Veillante étoile, fixe et doux flambeau; Ma peine; O lune argentée; Viens, regarde ton jardin) mezzo soprano+piano RIZZETTO Jay Five Poems of Emily Dickinson trumpet+narrator ROSAS T. Paul Job Suite Bb-trumpet+organ+optional narrator ROSSINI Gioacchino 1792-1868 La pietra del Paragone. Melodramma giocoso in 2 atti voice+piano vocal score RUTTER John *1947 Anthems: 11 Anthems (I. Two unaccompanied prayers: 1. God be in my head, 2. A Prayer of Saint Patrick; II. Four accompanied anthems: 1. All things bright and beautiful, 2. For the beauty of the earth, 3. I will sing with the spirit, 4. Look at the world; III. Four blessings: 1. Go forth into the world in peace, 2. A Clare Benediction, 3. The Lord bless you and keep you, 4. The peace of God; IV. A Choral Amen) SATB-choir+piano/organ (II. 1-4) SATB-choir+organ (III. 1-4) choral score SCHLEIERMACHER Steffen *1960 Die Menschheit (2000) narrator+prepared piano SCHUMANN Robert 1810-1856 Frauenliebe und Leben Op. 42 (Ozawa) voice+piano SOR Ferdinando 1778-1839 Mon dernier mot. Romanza (Marinangeli, Rossini) voice+guitar SORG Andreas *1959 Angehaltene Gesänge nach Gedichten von Salvatore A. Sanna soprano+A-clarinet+cello score and parts SPONTINI Gaspare 1774-1851 Arie per soprano. Tratte delle opere teatrali (Aria di Carlotta “Sans le secours” from Milton, Romanza di Julie “Envain je cherche” from Julie ou le pot de fleurs; Aria di Giulia “Toi que j’implore”, Aria di Giulia “Impitoyables dieux”, Peghiera di Giulia “O des infortunés” & Aria di Giulia “Toi que je laisse” from La Vestale; Aria di Amazily “Dieu terrible”, Aria di Amazly “Hélas! Elle n’est plus” & “Aria di Amazily “Arbitre de ma destinée” from Fernando Cortez; Aria di Olimpia “Auprès d’un amant” & Aria di Olimpia “O saintes lois” from Olimpia; Aria di Nurmahal “Verzweifelnd verzagend” from Nurmahal; Recitativo e aria di Selaide “Amour! Qu’ai-je entendu!” & Aria de Selaide “Hélas! Prenez pitié” from Alcidor; Aria di Agnese “Nein, König droben” from Agnese di Hohenstaufen) soprano+piano TELEMANN Georg Philipp 1681-1767 Der Melancholicus “Bin ich denn so gar verlassen”, Kantate TWV 20:44 (Hobohm, Bernstein) soprano/tenor+violin+continuo WOLF Hugo 1860-1903 Lieder für Singstimmem und Orgel (Spanisches Liederbuch: 1. Nun bin ich dein, du aller Blumen Blume; 2. Die du Gott gebarst, du Reine; 3. Nun wander, Maria, nun wandre nur fort; 4. Die ihr schwebet um diese Palmen; 5. Führ’mich, Kind, nach Bethlehem; 6. Ach, des Knaben Augen; 7. Mühvoll komm’ich und beladen; 8. Ach, wie lang die Seele schlummert!; 9. Herr, was trägst der Boden hier; 10. Wunden trägst du, mein Geliebter; Gedichte von Eduard Mörike: 1. Schlafendes Jesuskind, 2. Charwoche, 3. Zum neuen Jahr, 4. Gebet) (Reger, Kaufmann, Becker) voice+organ

31,50 20,50

5,55 11,60 23,20 57,85

14,20 7,70 19,30 6,95 21,20

37,29

15,40

32,00

67 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT: 148771 161835 159696 710554 900835 710617 710951 160113

711034 161843 159985 138277 161922 161923 161152

BEETHOVEN Ludwig van 1770-1827 Fantasie für Klavier, Chor und Orchester Op. 80 (Raab, Schulze, Schilde) vocal score BRIXI Franz Xaver 1732-1771 Missa brevis C-Dur / Missa aulica (Ostermann) SATB-soloists+SATB-choir+2 trumpets+timpani+2 violins+continuo 1st edition, score CAMPRA André 1660-1744 Messe de Requiem (Baker) ST/ATBarB-soloists+ST/ATBarB-choir+orchestra vocal score Messe de Mort (Montagnier) SATB-soloists+SATB-choir+orchestra study score FAURÉ Gabriel Urbain 1845-1924 / MESSAGER André 1853-1929 Messe des pêcheurs de Villerville (Nectoux) female choir+chamber orchestra vocal score GEESE Heinz Südamerikanische Suite wind band with optional singers condensed score HAYDN Franz Joseph 1732-1809 Missa solemnis C-Dur (Hägele, Schwarz) 4-part soloists+choir+orchestra+continuo 1st edition, score MAHLER Gustav 1860-1911 The Rückert Lieder and Other Orchestral Songs (Rückert Lieder – Five Songs to Poems by friedrich Rückert: 1. Blicke mir nicht in die Lieder; 2. Ich atmet’ einen linden Duft; 3. Ich bin der Welt abhanden gekommen; 4. Liebst du um Schönheit; 5. Um Mitternacht; Des Knaben Wunderhorn – Two Songs to texts from The Boy’s Miraculous Horn: 1. Der Tamboursg’sell; 2. Revelge) full orchestral score MARTIN Frank 1890-1974 Cantate pour le temps de Noël sur les textes de la bible (1929-1930) boy’s voice+SSAATBar-soloists+mixed voices+female choir+boy’s choir+orchestra score MOZART Wolfgang Amadeus 1756-1791 Scande coeli limina KV. 34. Offertorium in festo Sti.Benedicti (Münster) soprano solo+SATB-choir+2 violins+continuo score NAUMANN Johann Gottlieb 1741-1801 Missa d-Moll (1794) (Bemmann, Horn) SATB-soloists+SATB-choir+orchestra vocal score SCHUBERT Franz 1797-1828 Messe F-Dur D.105 (Kroupová) SATB-soloists+STAB-choir+orchestra vocal score WEBER Carl Maria von 1786-1826 Missa sancta Nr. 1 Es-Dur (Kreher) SATB-soloists+SATB-choir+orchestra score Missa sancta Nr. 2 G-Dur (Kreher) SATB-soloists+SATB-choir+orchestra score ZEMLINSKY Alexander von 1872-1942 Lyrische Symphonie in sieben Gesängen nach Gedichten von Rabindranath Tagore Op. 18 soprano+baritone+orchestra score

19,30 32,90 18,75 35,35 8,25 17,35 42,05

20,95 63,60 13,50 17,35 16,70 83,55 83,55 63,60

UNACCOMPANIED CHOIR: 159813

ALBUM Twenty New Anthems (June NIXON: 1. Ave Maria & 19. Tantum ergo; Malcolm ARCHER: 2. Bread of the world; Andrew WRIGHT: 3. Can it be, that bread and wine; Richard LLOYD: 4. Come, gracious Spirit; Michael HIGGINS: 5. Come, my Way, my Truth, my Life; Elizabeth HILL: 6. Come to me; Andrew MOORE: 7. “Come to me”, says the Lord; Robert JONES: 8. God of our salvation; Betty ROE: 9. In the beginning was the Word of life; Norman WARREN: 10. In the silence of the stars; Simon LESLEY: 11. I will call to you; John JORDAN: 12. Let hymns of joyful praise abound; Brian BONSOR: 13. Lord, dismiss us with thy blessing; Rosalie BONINGTON: 14. Lord Jesus, plant a seed of faith; John MARSH: 15. May God, the Lord, bless us; Martin SETCHELL: 16. May the grace of Christ uphold us; Andrew FLETCHER: 17. O great, all-seeing God; Colin MAWBY: 18. Praise the Lord!; Alan REES: 20. This is the message) SATB-choir choral score

20,40

68

710612

160709

160899

ALBUM Liederfest. Liederbuch Nr, 15 (Internationale Hits: 1. Whitney HOUSTON > When you believe; 2. WONDERWALL > Just more; 3. DJ ÖTZI > Hey Baby; 4. Lara FABIAN > I will love again; 5. ATC > My heart beats like a drum; 6. BRO’SIS > I believe; 7. BON JOVI > It’s my life; 8. Tom JONES > Sex bomb; 9. What a wonderful world; Deutsche Hits und Lieder: 10. HÖHNER > Echte Fründe; 11. Herbert GRÖNEMEYER > Mensch; 12. PUR > Herzbeben; 13. Kai NIEMANN > Im Osten; 14. Klaus HOFFMANN > Jedes Kind braucht einen Engel; 15. CLAUSEN/NETZ > Herr Präsident; 16. Dieter SÜVERKRÜP > Miteinander geht es; 17. Wolf BIERMANN > Wann ist denn endlich Frieden?; 18. Reinhard MEY > Zeugnistag; 19. Die Gerd-Show – Steuersong; Märchen und Geschichten: 20. Hänsel und Gretel; 21. Das tapfere Schneiderchen; 22. Froschkönig; 23. Die verwandelte Blume; 24. Lied von den sieben Geißlein; 25. Käferhochzeit; 26. Es war einmal ein Mädchen; 27. Der Drache Willibald; 28. Es war ein reicher Kaufmannssohn; 29. Die Mutter spircht; 30. Das Leben eines Schlendrians; 31. Der Erlkönig; Deutsche Volkslieder: 32. Ich bin das ganze Jahr vergnügt; 33. Die heil’gen drei König’. Spottlied; 34. Dijupdiwupp; 35. Schnützelputzhäusel; 36. So sei gegrüßt viel tausend Mal; 37. Rosenrot; 38. Der Mai, der Mai, der lusitge Mai; 39. Jetzt kommt die fröhliche Sommerszeit; 40. Jetzt kommt die fröhliche Nacht; 41. Traria, der Sommer, der ist da; 42. Das Laub fällt von den Bäumen; 43. Der bayerische Himmel; 44. Sankt Rafael; 45. Der heilige Sankt Martine; 46. Es war mal im Dezember; So feiert die Welt: 47. Kälanda protochronjás. Griechenland; 48. Meng Jian Nü. China; 49. Chag Purim. Israel; 50. Sveti Juraj. Kroatien; 51. Ekmek buldum, Türkei; 52. Entra Mayo. Spanien; 53. Jänits naca. Lettland; 54. Vi ska’ ställa te’ en roliger dans. Schweden; 55. Tanabata Song, Japan; 56. Sambalelé. Brazilien; 57. Vamos al baile. Mexiko; 58. Paddy works on the railroad. Irland 1; 59. Paddy works on the railway. Irland 2; 60. Over the river. USA; 61. Gatatumba. Spanien; Kinderwünsche – für das ganze Jahr: 62. Kinderwünsche für das Jahr; 63. Hallo neues Jahr!; 64. Instrumentenküche; 65. Jimba, jimba; 66. Dieser Kuckuck, der mich neckt; 67. Schneeglöckchen; 68. Der Osterhase; 69. Es klapperten die Klapperschlangen; 70. Mein tolles, neues Fahrrad; 71. Wir sind vier Instrumente; 72. Ward ein Blümchen mir geschenket; 73. Seht die große Riesenschlange; 74. Des Sultans Schlaflied; 75. Alle Kinder lernen lesen; 76. Aram sam sam; 77. Im Herbst, da weht der Wind; 78. 1. 2. 3. 4. Dracula; 79. Schnee und Eis; 80. Palmen laula; 81. Schneeflöckchen; 82. Tanz, Kindlein, tanz; 83. Tanzen und Springen; Ein schöner Tag – Fröhliche Töne für jede Gelegenheit: 84. Ein Lied in Ehren; 85. Tante Trin und Tante Lies; 86. Wo man singet; 87. Heut kommt der Hans zu mir; 88. Singe, wem Gesang gegeben; 89. Das neue Lied; 90. Mein Lebenslauf; 91. Ein Paar Schnaderhüpferl; 92. Des Sängers Höflichkeit; 93. Die Musik; 94. Ein schöner Tag; 95. Die Donau ist ins Wasser gegangen; 96. Frisch, lustig uind fröhlich; 97. Ach. du klarblauer Himmel; 98. Schön ist die Jugend; 99. Wenn die Bettelleute tanzen; 100. Ich tanz mit Marie; 101. Der Sonne entgegen) (Dapper) ALBUM Russian Choral Masterpieces [1. Pavel CHESNOKOV: Let my prayer arise; 2. Alexander GRECHANINOV: The Cherubic Hymn from the Liturgy of St. John Chrysostom Op. 29; 3. A.J. LABINSKI: We sing to Thee; 4. Arvo PÄRT: Mother of God and Virgin; 5. Sergey RAKHMANINOV: Blessed is the man from the All-night vigil Op. 37; 6. Sergey RAKHMANINOV: The Chrubic Hymn from the Liturgy of St. John Chrysostom Op. 31; 7. Come, let us worship from the All-night vigil Op. 37; 8. Alfred SCHNITTKE: Concerto for mixed chorus, Movement IV; 9. Igor STRAVINSKY: Pater Noster; 10a. John TAVENER: The Lord’s Prayer (English text); 10b. John TAVENER: The Lord’s Prayer (Slavonic text); 11. Pyotr TCHAIKOVSKY: How blessed are they that are chosen by Thee; 13. The Lord’s Prayer from the Liturgy of St. John Chrysostom Op. 41; 14. Pyotr TCHAIKOVSKY: O Praise Him from the Lirugy of St. John Chrysostom Op. 41; 15. Pyotr TCHAIKOVSKY: We sing to Thee from the Liturgy of St. John Chrysostom Op. 41; 16. Pyotr TCHAIKOVSKY: When Jesus Christ was yet a child from Chansons pour la Jeunesse Op. 54, No. 5, “Legend”; 17. TRADITIONAL: Kontakion and ikons for the funeral service] (Allwood) SATB-voices choral score ALBUM Mieke zingt voor de allerkleinsten Deel 1 (1. In de kelder; 2. Jan Huigen in de ton; 3. Wij maken een kringetje; 4. Er zit een klein zigeunermeisje; 5. Ik stond laatst voor een poppenkraam; 6. Een treintje ging uit rijden; 7. Visje, visje in het water; 8. Ha, daar si de ijscoman; 9. Zagen, zagen, wiede wiede wagen; 10. Keteltje dik van buik; 11. Een koetje en een kalfje; 12. Lammetje, lammetje; 13. In de maneschijn; 14. Zo gaat de molen; 15. Mieke hou je vast; 16. Muzikantje; 17. Rije, rije rije in een wagentje) (Polling) children’s voices illustrated, CD included

8,95

26,40

9,95

69

160900

160821 710669 710462 160734

161676 159270 159271 161838 161498

710499 161839

710690

159978

161840

ALBUM Mieke zingt voor de allerkleinsten Deel 2 (1. Arend stokje; 2. Piet de smeerpoets; 3. Un dun dip; 4. Schuitje varen, theetje drinken; 5. Op een grote paddestoel; 6. Poesje mauw; 7. Klap eens in je handjes blij, blij, blij; 8. Slaap kindje slaap; 9. Ozewiezewoze; 10. Het regent; 11. Drei kleine kleutertjes; 12. Moriaantje; 13. Berend Botje; 14. Papegaaitje; 15. Twee handjes op de tafel; 16. ‘k Zag twee beren broodje smeren) (Polling) children’s voices illustrated, CD included BARDÓS Lajos *1899 Musica Sacra III: Canons, choral pieces for treble, male or mixed voices (Malina) 2-4 part melodies Czech text, score BERIO Luciano *1925 E si fussi pisci – Sicilian Love Song (2002) mixed choir choral score DULICHIUS Philipp 1562-1631 Sechs Motetten (Brusniak) 5-8 voices score GUERRERO Francisco 1528-1599 Four Sacred Villanescas (1. Niño Dios d’amor herido; 2. Todo quanto pudo dar; 3. Mi ofensa’s grande; 4. Quiere Dios que le ofrercamos) (Sjögren) SATB-choir text Spanish / English, score HOMILIUS Gottfried August 1714-1785 Magnificat (Klose) SATB-choir score JOLAS Betsy *1926 Enfantillages (paroles et musique de Betsy Jolas) female choir+optional flute or unaccompanied SmSA-female choir choral score flute part KALLIWODA Wenzeslas 1801-1866 Missa a 3 WoO VI/5 (Strang-Németh) SAT-choir or SAB-choir choral score KLEIN Gideon 1919-1945 Male choruses: Arrangements of Folk Tunes & The First Sin to texts in folk poetry (1. Aby nás Pán Búh miloval; 2.Už mně vyvádějí 1. verze; 3. Už mně vyvádějí 2. verze; 4. Chodime, chodime; 5. Na tých naších lukách; 6. Chodzila liška; 7. Poljuško, pole; 7. První hřích pró mužský sbor na slova lidové poezie) male choir score LEROUX Philippe *1959 “L” SATB-choir score RHEINBERGER Joseph Gabriel 1839-1901 Waldblumen Op. 124: Acht Lieder (1. Abend am Meer; 2. Das Mühlrad geht im Lindengrund; 3. Erstes Wanderlied; 4. Scheiden; 5. Zweites Wanderlied; 6. Sommernacht; 7. Aus den Alpen; 8. Alpenandacht) (Text: Franz Alfred Muth) (Mohn) SATB-choir choral score RUTTER John *1947 Anthems: 11 Anthems (I. Two unaccompanied prayers: 1. God be in my head, 2. A Prayer of Saint Patrick; II. Four accompanied anthems: 1. All things bright and beautiful, 2. For the beauty of the earth, 3. I will sing with the spirit, 4. Look at the world; III. Four blessings: 1. Go forth into the world in peace, 2. A Clare Benediction, 3. The Lord bless you and keep you, 4. The peace of God; IV. A Choral Amen) SATB-choir (I. 1-2) SSAATTBB-choir (IV.) choral score TORMIS Veljo *1930 Kolmteist eesti lüilist rahvalanlu. 13 estnische lyrische Volkslieder (1. Laulu völm; 2. Lauljaid otsitakse; 3. Laulud pulmades öpitud; 4. Halb reheline; 5. Ärge lööge vaeslast; 6. Härjad ootavad pühi; 7. Sakste sõlm; 8. Orja palk; 9. Mure murrab meele; 10. Pihlapuu; 11. Vaeslapsed laanes; 12. Hellakese kutse; 13. Õhtu ilu) SATB-choir text in three languages: Estonian, German, English; choral score Kolm Setu töölaulu (1976) (Drei Arbeitslieder aus Setu: 1. Pesupesemine / Das Wäschewaschen; 2. Ketramine / Das Spinne; 3. Sõnnikkulaotamine / Die Düngerstreuung) SSAATTBB-choir choral score

9,95 15,90 3,80 16,70

8,05 11,80 6,70 12,20 3,75

10,20 9,20

5,65

14,20

6,70 2,85

70

161841

TORMIS Veljo *1930 Neli Saugaste mängulaulu (1981) (Vier Spielleider aus Saugaste: 1. Hobusemäng / Das Pferdespiel; 2. Kosjamäng / Das Freierspiel; 3. Sokumäng / Das Ziegenbockspiel; 4. Linnamäng / Das Stadtspiel) SATB-choir choral score

3,75

OPERA, OPERETTA, MUSICAL, ORATORIO, MASSES: 710610 > > > > > > 157942 159395 > > > 159882

> 159394 161204 162567

BIZET Georges Carmen. Opéra comique in four acts. Libretto by Henri Meilhac and Ludovic Hálevy after the novella by Porsper Mérimé (Didion, Heinzelmann) French/German text, study score CHARPENTIER Marc-Antoine 1636-1704 Messes Volume 4: Messe pour les Trépassés (H.2), Messe à 8 voix et 8 instruments (H.3) & Messe à quatre choeurs (H.4) (Cessac) score DUPUY Bernard-Aymable 1707-1789 Nisi quia Dominus, motet pour petite orchestre, 5 solistes et choeur à 4 parties (Talvard) score orchestral parts GOSSEC François-Joseph 1734-1829 Dixit Dominus, grand motet avec orchestre (Hénin) score choral score complete orchestral parts HÄNDEL Georg Friedrich 1685-1759 Rodelinda, Regina de’Longobardi. Dramma per musica in tre atti. Libretto Nicola Haym. HWV 19 (Strohm, Rot) vocal score Imeneo. Dramma per musica in tre atti. Libretto after Silvio Stampiglia. HWV 41 (Pacholke) vocal score LALANDE Michel-Richard de 1657-1726 Deitatis Majestatum, grand motet avec orchestre score choral score complete orchestral parts OFFENBACH Jacques 1819-1880 La vie parisienne. Opéra-bouffe en 5 actes ou 4 actes. Édition intégrale (versions de 1866, 1867, 1873). Livret de Henri Meilhac et Ludovic Halévy (Keck) text German-French, vocal score TABART Pierre 1650-1711 Oeuvres complètes: messe de Requiem, Messe à double choeur, Te Deum & Magnificat (Montagnier, Duron, Hameline) score TELEMANN Georg Philipp 1681-1767 Johannespassion (1745) “Ein Lämmlein geht und trägt die Schuld” TWV 5:30 (Kroupová) SSATTTBBB-soloists+SATB-choir+orchestra+continuo vocal score WAGNER Richard 1813-1883 Götterdämmerung WWV 86D (Fladt) study score WEBER Carl Maria von 1786-1826 Missa sancta No. 2 in G major for mixed chorus, soloists and orchestra WeV A.5 & Offertorium: In die solemnitas WeV A.4 (Kreher, Allroggen) vocal score

46,25 105,35 25,45 58,70 73,25 14,30 172,20 38,40 28,15 46,25 14,30 148,30

77,05 97,65 24,30 63,60 25,05

ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS: 160826

ALBUM European Children’s Songs 1 [1. Die Tiroler sind lustig (Oostenrijk); 2. Ah, vous dirai-je (Frankrijk), Maman; 3. Frère Jacques (Frankrijk); 4. Kukulecka kuka (Polen); 5. Joulo puu on rakennettu (Finland); 6. La violetta che in sull’erbetta (Italië); 7. Cockadoodle-doo! (Engeland); 8. In Derry vale, beside the singing river (Ierland); 9. Ade, zur guten Nacht (Duitsland); 10. Szélröl legeljetek (Hongarije); 11. Dyž naši mlátili, já sem sí ležel (Moravië); 12. Auld lang syne (Schotland)] (Soós) children’s string orchestra score and 11 parts (3xviolin I, 3xviolin II, 3xviolin III, 2xcello), 1st position

32,05

71

160825

160112

710952 711002 710617 711313 161273 710726

> > 161272 710651 161234 159710 161568 161569 161570 161571

ALBUM European Children’s Songs 2 [1. Bonjour Pierrot, bonjour Jacquot (Frankrijk); 2. Age og Asta de gik sig en tur (Denemarken); 3. Die winter is verganghen (Vlaanderen); 4. Ábécédé (Hongarije); 5. La lara lal la (Baskenland); 6. While the moon her watch is keeping (Wales); 7. Во полебе рёза стояла (Rusland); 8. Sulla meg litt, du mamma mi (Noorwegen); 9. Kuckuck, Kuckuck ruft aus dem Wald! (Duitsland); 10. Лутко моја лучице ајде да играмо (Servië); 11. Cómo quieres que tenga la cara blanca (Spanje); 12. Stará babá ziá (Slowakije)] (Soós) children’s string orchestra score and 11 parts (3xviolin I, 3xviolin II, 3xviolin III, 2xcello), 1st position ALBUM Alexander SCRIABIN 1872-1915: Piano Concerto in F# minor Op. 20 (1896) & Anton RUBINSTEIN 1829-1894: Piano Concerto No. 4 in D minor Op. 70 (1864) (Banowetz) piano solo+orchestra full orchestral score ALBINONI Tommaso 1664-1746 Concerto III Op. 2/6 B-Dur (Bergmann) violin solo+string orchestra score FOLGNAND Günter *1930 Schritte (Oberstufe) amateur string orchestra score GEESE Heinz Südamerikanische Suite wind band with optional singers condensed score GUGLIELMI Alessandro Pietro 1728-1804 6 Concerti da camera Op. 1 (Pierami) harpsichord+strings (2 violins+cello) score HÄNDEL Georg Friedrich 1685-1759 Konzert für Orgel und Orchester F-Dur Op. 4/4 HWV 292 (Koopman) organ solo+orchestra full score HAYDN Franz Joseph 1732-1809 Fourteen Easy Pieces (1. Divertimento Hob.II:14/IV; 2. String Quartet Op. 1, No. 1/IV; 3. Divertimento Hob.II:7/III; 4. Divertimento Hob.II:7/IV; 5. String Quartet Op. 76, No. 3/II; 6. Divertimento Hob.II:15/II; 7. Divertimento Hob.II:15/IV; 8. Divertimento Hob.II:23/II; 9. 12 Minuets Hob.IX:1/I; 10. String Quartet Op. 2, No. 6/I; 11. Divertimento Hob.II:3/I; 12. Divertimento Hob.II:3/II; 13. Divertimento Hob.II:3/IV; 14. Divertimento Hob.II:14/III) (Soós) children’s string orchestra score and 16 parts (4xviolin I, 4xviolin II, 4xviolin III, 4xcello), 1st position MONDONVILLE Jean-Joseph Cassanéa de 1711-1772 Sonata sesta small orchestra (oboe+2violins+bassoons+cello/double bass+harpsichord) score orchestral parts MOZART Wolfgang Amadeus 1756-1791 Konzert für Violine und Orchester G-Dur KV.216 (Eisen) violin solo+orchestra full orchestral score PÄRT Arvo *1935 Orient & Occident (2000) string orchestra study score Fratres (1977, rev. 2002) (Barrueco, Pärt) guitar solo+string orchestra+percussion study score RACHMANINOFF Sergei 1873-1943 Rhapsody on a Theme of Paganini piano solo+orchestra full orchestral score RICHTER Franz Xaver 1709-1789 Sinfonie B-Dur für Streicher (Hofmann) string orchestra+continuo score Sinfonie B-Dur für Streicher (Hofmann) string orchestra+continuo 4 string parts: violin I, violin II, viola, cello/double bass each 2,70, harpsichord Sinfonie c-Moll für Streicher (Hofmann) string orchestra+continuo score Sinfonie c-Moll für Streicher (Hofmann) string orchestra+continuo 4 string parts: violin I, violin II, viola, cello/double bass, each 2,85, harpsichord

32,05

27,95 14,90 15,35 17,35 33,40 18,65

32,05 14,30 45,45 31,50 21,20 23,75 30,60 18,00 5,15 18,00 5,15

72

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SCHUBERT Franz 1797-1828 Dances (1. Walzer D.146 Nr. 16; 2. Walzer D.146 Nr. 20; 3. Ländler D.366 Nr. 5; 4. Ländler D.366 Nr. 6; 5. Ländler D.366 Nr. 4; 6. Deutscher Tanz D.420 Nr. 1; 7. Ecossaise D.421 Nr. 6; 8. Ecossaise D.529 Nr. 8; 9. Ecossaise D.618b Nr. 1; 10. Wiener Damen-Ländler D.734 Nr. 7; 11. Wiener Damen-Ländler D.734 Nr. 15; 12. Wiener Damen-Ländler D.734 Nr. 16; 13. Ecossaise D.734 Nr. 1; 14. Ecossaise D.782; 15. Deutscher Tanz D.783 Nr. 12; 16. Ecoissaise D.783 Nr. 2; 17. Valse noble D,969 Nr. 11; 18. Valse noble D.969 Nr. 9) (Zemplenyi) children’s string orchestra score and 11 parts (3xviolin I, 3xviolin II, 3xviolin III, 2xcello), 1st position Overtures “In the Italian Style” and Other Works (1. Overture to the Comedy with Songs “The Devil in Hydraulicus” D4 1811; 2. Overture in D major D26 2nd version completde some time after June 1812; 3. Overture in Bb major D470 1816; 4. Overture in D major D556 1817; 5. Overture in the Italian Style in C major D592 Op. posth. 170 1817; 6. Overture in the Italian Style in D major D592 1817; Overture in E minor D648 1819) orchestra full orchestral score SCHUMANN Robert 1810-1856 Symphonie Nr. 3 “Rheinische Symphonie” Es-Dur Op. 97 orchestra study score STRAWINSKY Igor 1882-1971 Circus Polka wind band score THOMAS-MIFUNE Werner *1941 Zwei Groschenlied an den Abendstern (Wenn Kurt Weill den Tannhäuser geschrieben hätte) string orchestra score and parts VIVALDI Antonio 1678-1741 Concerti per fagotte RV 468 e RV 482 (Sardelli) bassoon solo+string orchestra study score

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23,75 13,50 32,05

12,80 20,55

BOOKS OF MUSICAL INTEREST: >

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Studi Vivaldiana 2-2002 (Livia Pancino: Le opere di Vivaldi nel raffronto fra libretti e partiture, VII: "Bajazet"; "La Griselda"; Summary: Vivaldi’s Operas: Their Librettosd and Scores Compared, VII: “Bajazet”; “La Griselda”; Frédéric Delaméa: Actualités de l’opéra vivaldien (1997-2002); Enrico Careri: Sulla ripresa moderna del melodramma italiano del primo ‘700. Il caso de “La verità in cimento” di Antonio Vivaldi; Summary: On the Modern Revival of Italian Opera of the Early Eighteenth Century. The Case of Antonio Vivaldi’s “La verità in cimento”; Federico Maria Sardelli: Vivaldi a Ulm negli acquisti di Johann Kleinknecht; Summary: Vivaldi in Ulm as Witnessed in the Pourchases of Johann Kleinknecht; Federico Maria Sardelli: Un nuovo ritratto di Antonio Vivaldi; Summary: A new portrait of Antonio Vivaldi; M. Talbot: Miscallany; M. Talbot: Miscellany; R.-C. Travers: Discographie Vivaldi 2001) paperback, 149 pages

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Essays on Czech Music [Introduction; Editorial Remarks; Music in the Life of Czechs; A Spanish Maestro with Bohemian Roots; Václav Jan Křtítel Tomášek’s Poetic Piano Pieces; The First Czech Opera: František Škroup’s Dráteník (The Tinker); Smetana and Pivoda; Gustav Mahler and Bohemia; Masaryk and Music; Vítězslava Kapráková (1915-1940); With Extinguished Strength and Heart in the Dust as a Tree That Has Been Uprooted . . . A Study of Janáček’s Creativity; The Vixen Bystrouška and her Champion; Tha Max Brod Centennial; Music in Terezín 1941-1945; Jewish Musicians with Roots in Czechoslovakia; Some Jewish Musicians from Czechoslovakia; Oscar Morawetz – Humanitarian Composer; Rafael Kubelik; Czech Music in Texas) (Fischmann) bound, 187 pages

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The Cambridge Companion to the Orchestra (Tim Carter and Erik Levi: 1. The history of the orchestra; Robert Barcaly: 2. The development of musical instruments: national trends and musical implications; Peter Laki: 3. The orchestral repertoire; Richard Rastall: 4. From notation to sound; Julian Rushton: 5. The art of orchestration; Jeremy Siepmann: 6. The history of direction and conducting; Jon Tolanski: 7. International case studies; Colin Lawson: 8. The revival of historical instruments; John Rushby-Smith: 9. Recording the orchestra; Simon Channing: 10. Training the orchestral musician; Clive Gillinson and Jonathan Vaughan: 11. The life of an orchestral musician; Robert Philip: 12. Historical

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recordings of orchestras; Robert Saxton: 13. The orchestral composer; Sue Knussen: 14. Educational programmes; Stephen Cottrell: 15. The future of the orchestra; Appendices compiled by Tim Carter and Erik Levi: 1. The constitution of selected ortchestras, 2. Orchestras founded in the nineteenth century, 3. Orchestras founded in the twentieth century) (Lawson) paperback, 297 pages

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The Music of Louis Andriessen (Joseph Auner: General Introduction to Studies in Contemporary Music and Culture; Maja Trochimczyk: Preface; I. Learning: 1. . Louis Andriessen and Maja Trochimczyk: Dialog 1. Learning; 2. Frits van der Waa: Louis Andriessen and His Habitat, II. Composing: 3. Maja Trochuimczyk: The Man and His Music: A Portrait; 4. Louis Andriessen and Maja Trochmiczyk: Dialog 2. Fragments on Composing; 5. Maja Trochimczyk: Unisons and the Republic: Andriessen’s Minimalism; 6. Louis Andriessen and Elmer Schönberger: On Conceiving Time: Conversations with Elmer Schönberger; 7. Louis Andriessen: Lectures for Young Composers; III. Ideas: 8. Lopuis Andriessen and Maja Trochimczyk: Dialog 3. Interests and Ideas; 9. Maja Trochimczyk: Hadwijch: A Mystic in the Cathedral; 10. Reinbert de Leeuw and Maja Trochimczyk: Working with Louis: A Conversation with Reinbert de Leeuw; IV. Art: 11. Louis Andriessen and Maja Trochimczyk: Dialog 4. Vermeer and Painting; 12. Maja Trochimczyk: Writing to Vermeer: A View of a “Filmic” Opera; 13. Maja Trochimczyk: Andriessen and the Art of Composing; Chronological List of Works by Louis Andriessen; select Bibliography; Discography) (Trochimczyk) bound, 327 pages

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Symphonik 1930-1950. Gattungsgeschichtliche und analytische Beiträge (Wolfgang Osthoff: Die Symphonie in den 30er und 40er Jahren des 20. Jahrhunderts. Einführende Bemerkungen; Giselher Schubert: Symphonische Ausdrucksformen um 1930. Das Beispiel der zum 50jährigen Jubiläum des Boston Symphony Orchestra geschriebenen Werke; Hartmut Krones: Die österreichische Symphonie in den 1930er und 1940er Jahren; Bernhard Janz: Die italienische Symphonie in den 30er und 40er Jahren des 20. Jahhunderts: Gian Francesco Malipiero; Sandra Müller-Berg: Ultramodern versus neoklassizistisch. Ruth Crawfords Three Songs und Aaron Coplands Short Symphony; Guido Heldt: Erste Symphonien – Britten, Walton und Tippett; Wolfgang Rathert: Strawinsky – der Symphoniker? Zur Physiognomie der Symphonie en Ut und der Symphony in Three Movements; Winfried Kirsch: Brechungen symphonischer Tradition. Paul Hindemiths Symphonie in Es 1940; Yoko Rieger-Yokota: Die Kleine Sinfonie 1939 und die “große(?)" Sinfonie in C-Dur 1940 von Hans Pfitzner; Egbert Kahlke: Gerhard Frommel: 1. Symphonie E-Dur Op. 13, 1. Satz. Einheit durch harmonische Strukture; Peter Cahn: Kurt Hessenbergs 2. Symphonie; Andrew D. McCredie: Die Dichtung Walt Whitmans als Quelle zur deutschen Bekenntnissymphonik; Heinz-Jürgen Winkler: La mélodie essentielle: Zur Konzeption von Darius Milhauds frühen Symphonien für großes Orchester; Aleš Brežina: . . . the essential nobility of thoughts and things which are quiet simple . . .. Martinůs Versuch einer Erneuerung der Symphonie; Wolfgang Osthoff: Leeres Tönespiel oder gefährdeter Frieden mit liturgischem Bittruf? Zum Finale der 8. Symphonie von Dmitri Schostakovitsch. Krzysztof Meier: Einige Bemerkungen über das Schaffen Prokofjews am Beispiel seiner 6. Symphonie; Johann Peter Vogel: Wolfgang Fortners Symphonie von 1947 – Beispiel des Aufbruchs in der deutschen Musik nach dem Zusammenbruch; Beate Carl: Die Tonalität des Thème d’amour im sechsten Satz Jardin du sommeil d’amour von Olivier Messiaens Turangalila-Symphnie) (Frankfurter Studien . Veröffentlichungen des Hindemith-Institutes Frakkfurt/Main Band IX) (Osthoff, Schubert) bound, 310 pages

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Musiktheater heute. Internationales Symposium der Paul Sacher–Stiftung Basel 2001 (Hermann Danuser: Einleitung; Zeitdiagnosen > Rudolf Kelterborn: Musiktheater in uinserer Zeit; Wukf Konold: Oper – Anti-Oper – Anti-Anti-Oper; Text-Dramaturgie: Albert Gier: Sprachskepsis und Sprachverlust im zeitgenössischen Musiktheater; Siegfried Mauser: Von großen Erzählungen und aphoristischen Tendenzen. Textdramaturgische Strategien im aktuellen Musiktheater; Jürgen Maehder: Zitat, Collage, Palimpsest. Zur Textbasis des Musiktheaters bei Luciano Berio und Sylvano Busotti’ Andrew Porter: “CNN Opera”: Contemporary History as the Matter of Music Drama; Musik-Dramaturgie: Anne C.Shreffler: Instrumental Dramaturgy as Humane Comedy: What Next? by Elliott Carter and Paul Griffiths; Michael Taylor: Narrative and Musical Structures in Harrison Birtwistle’s The Mask of Orpheus and Yan Tan Tethera; Dörte Schmidt: Theater der Wahrnehmbarkeit. Musikalische Dramaturgie, Szene und Text in Helmut Lachenmanns Das Mädchen mit den Schwefelhölzern; Ulrich Mosch: Autonome Musikdramaturgie. Über

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Wolfgang Rihms Séraphin-Projekt; Martin Zenck: Antonin Artaud – Pierre Boulez – Wolfgang Rihm. Zu Re- und Transritualität im europäischen Musiktheater; BildDramaturgie: Barbara Beyer: “Der Gesang ist nicht zu Ende, aber er ist ein anderer geworden”. Was wollen wir von der Oper? Was macht sie mit uns?; Erika Fischer-Lichte: Die Oper als “Prototyp des Theatralischen”. Zur Reflexion des Aufführungsbegriffs in John Cages Europeras 1 & 2; Gabriele Brandstetter: Figur und Placement. Körperdramaturgie im zeitgenössischen Tanztheater - am Beispiel von Merce Cunningham; Fred van der Kooij: Akustische Epiphanien im Kino. Die Aufgabe des Tons im Reich des Sichtbaren, gezeigt am Film Suna no onna; Musiktheater im Dialog: Werkgespräch > Klaus Hubers Oper Schwarzerde. der Komponist im gespräch mit Anton Haefelt; Podiumsdiskussion > Musiktheater – eine Institution in der Krise?: Peter Ruzicka – Sylvain Cambreling – John Dew – Mauricio Kagel – Wolfgang Rihm – Michael Schindhelm – Jürg Stenzl – Jürg Wyttenbach; Anhang: Autoren und Gesprächsteilnehmer) bound, 445 pages

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Stimme: Stimmen-(Kon)Texte, Stimme - Sprache – Klang, Stimmen der Kulturen, Stimme und Medien, Stimme in (Inter)Aktion (I. Foren: Forum Ästhetik. Renaissance der Stimme?: Marion Saxer: Einführung; Eckhard Tramsen: Die Sphinx als Sängerin – Zur Faszinationsgeschichte Neuer Musik; Petra Leutner: Stimmen der Dichtung – Stéphanie Mallarmé, James Joyce und Ingeborg Bachmann; Jan Reichow: Stimmen höten . . . der eigene Ton und die fremde Welt; Hans Zitko: Circulus vocis – Über die Stimme in der neueren Bildenden Kunst; Forum Analyse. Werkbeispiele: Stimmen und Stimmäußerungen – Hören und Analyseren: Rudolf Frisius: Enführung; Michael Lentz: Soundbox. Die Stimme der Lautpoesie; Ute Büchter-Römer: “Geflüster, Geschrei, Gesang” – Die Stimme in der improvisierten und experimentellen Musik; Rudolf Frisius: Stimmen der Medien; Wilfried Jentzsch: Paysages granulaires 2000 für 8-Kanal Tonband ADAT; Aleander Schwan: Die Behandlung der Stimme in der Popularmusik; Forum Musikwissenschaftliche Praxis: Moritz Malsch: Darf man das? Belcanto in der Neuen Musik: Nonos La fabbrica illuminate 1964; Nicola Heine: Die weibliche Stimme im Horrorfilm – Wie einem Hören und Sehen vergeht; Forum Musikpädagogik: A. Forum musikpädagogische Theorie: Zwischen realer Gegenwart und vermittelter Realität – Stimme im musikpädagogischen Kontext: Peter W. Schatt: Stimm-Bildung als Enkulturation. Zur Didaktik in einer pluralen Kultur; Stefan Orgass: Stimme als Kommunikationsmedium – Semantische Dekonstruktion als musikpädagogisches Problem; Josef Kloppenburg: Stimme entgrenzt. Zur musikalischen Relevanz von Vokalperformance; B. Forum musikpädagogische Praxis. Neue Vokalmusik in der Schule: François Förstel: Musikalische Augenblicke als Annäherungen an Spahlinger: Ein schulisches Response-Projekt mit dem Ensemble “Phorminx”; II. Begegnungen mit Komponisten: A. Michael Reudenbach in Darmstadt. Marion Saxer und Michael Reudenbach im Gespräch: Anmerkungen zum vokalen Komponieren; B. Dieter Schnebel in Darmstadt. Karlheinz Zarius: Rückblick – Maßstab – Vermächtnis; Dieter Schnebel: Stimme – Geschichte und Wesen; C. François Bayle in Darmstadt. Rudolf Frisius: Einleitung: L’expérience acoustique de François Bayle; François Bayle: 1. Stimem – Unsichtbare Klänge – Klangbilder, 2 Werkkomentare zum Themenkomplex “Stimme”, 3. La voix acousmatique; Ludger Brümmer: Gestalt – Hommage à François Bayle. Physikalische Modelle als kompositorische Instrumente – Eine Analyse; Rudolf Frisius: François Bayle, L’Oiseau chanteur – Der Singvogel; François Förstel: Musique acousmatique in der Unterstufe. Von Minihörspielen zu François Bayles Balançoire aus Fabulae) (Institut für Neue Musik und Musikerziehung Darmstadt) paperback, 360 pages

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ADORNO Theodor W. Essays on Music (1. Locating Music: Society, Modernity, and the New > Commentary by Richard Leppert; Music, Language, and Compositon 1956; Why Is the New Art So Hard to Understand? 1931; On the Contemporary Relationship of Philosophy and Music 1953; On the Problem of Musical Analysis 1969; The Aging of the New Music 1955; The Dialectical Composer 1934; 2. Culture, Technology, and Listening > Commwentary by Richard Leppert; The Radio Symphony 1941; The Curves of the Needle 1927/1965; The Form of the Phonograph Record 1934; Opera and the Long-Playing Record 1969; On the Fetish-Cvharacter in Music and the Regression of Listening 1938; Little Heresy 1965; 3. Music and Mass Culture > Commentary by Richard Leppert; What Natioanl Socialism Has Done to the Arts 1945; On the Social Situation of Music 1932; On Popular Music [With the assistance of George Simpson] 1941; On Jazz 1936; Farewell to Jazz 1933; Kitsch 1932; Music in the Background 1934; 4. Composition, Composers, and Works > Commentary by Richard Leppert; Late Style in Beethoven 1937; Alienated Masterpiece:

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The Missa Solemnis 1959; Wagner’s Relevance for Today 1963; Mahler Today 1930; Marginalia on Mahler 1936; The Opera Wozzeck 1929; Toward an Understanding of Schoenberg 1955/1967; Difficulties 1964/1966) paperback, 743 pages

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ALBRECHT Gerd Musikinstrumente und wie man sie spielt. Ein Führer durch das Orchester für kleine und große Leute (Vorwort; 1. Pauke und Schlagzeug; 2. Blechblasinstrumente: Horn, trompete, Posaune, Tuba; 3. Holzblasinstrumente: Querflöte, Oboe, Klarinette, Saxophon, Fagott; 4. Saiteninstrumente: Geige, Bratsche, Violoncello, Kontrabass, Harfe; 5. Das Orchester: Anstelle eines Nachwortes, Über den Autor; Berüren erlaubt!; Literaturtipps; Sach- und Personenregister; CD-Tracks) CD included

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AUDSLEY G.A. Organ-Stops and Artistic Registration

paperback, 294 pages

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BALLSTAEDT Andreas Wege zur Neuen Musik. Über einige Grundlagen der Musikgeschichtsschreibung des 20. Jahrhunderts (I. Terminologie – “neu”, “modern”, avantgardistisch”: 1. Begriffsgeschichtliche Tendenzen bis ins 19. Jahrhundert; 2. Temporale, epochale und imperative Verwendungsweise; 3. Leitbegriffe uind begriffliche Hierarchie; 4. Terminologische Unschärfe als Chance; II. Historiographie – Das musikalische Neue im 20. Jahrhundert und die Bilder seiner Genealogie: 1. Signaturen des Neuen; 2. Setzungen des Anfangs; 3. Geschichtsmodelle; 4. Chronologisches Nacheinander als historisches Nebeneinander; III. Ein Konstruktion des Anfangs – Charles Ives und Anton Webern: 1. Ihre Stellung in der Musikgeschichte; 2. Zur Geschichtsauffassung; 3. Zur Poetik; 4. Zum Werkbegriff; 5. Von der Vergleichbarkeit des Unvergleichbaren; Ausblick: Neue Musik als plurale Kategorie) bound, 226 pages

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BARENBOIM Daniel & SAID Edward W. Parallels and Paradoxes. Exploriations in Music and Society (Chapter One: A Question of Peace; Rehearsal Styles; The Weimar Workshop; National Identity and Interpretation; Globalism and Partition; An Audition with Wilhelm Furtwängler; Chapter Two: The Singularity of Performance; Ephemerality of Sound; The Score and Literary Text as Absolute; The Psychology of Tonality; Composers, Writers, and Society; Art and Censorship; Dertail Is All; Timing and the Oslo Accord; Chapter Three: Art, Politics, and Institutions; On Mentors; A Style of Conducting; The Importance of Extremes; The Art of Transition; Space and Tone; Chapter Four: Flexibility of Tempo; The Colour and Weight of Sound; The Open Pit and Bayreuth; Adorno and Wagner; National Socialism and Wagner; Manipulation and Yielding; The Question of a German Art; Chapter Five: What Is Authenticity Now; Interpretation in Text and Music; Past and Contemporary Masters; A Musically Literate Listener; Modernism and Inaccessibility; Chapter Six: Organic Beethoven; Symphonies and Concertos; Music of the Social Realm; Long Crescendo versus Subito Piano; Piano Music and the Line of Most Resistance; German Jews, and Music by Daniel Barenboim; Barenboim and the Wagner Taboo by Edward W. Said) bound, 186 pages

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BECKERMAN Michael B. New Worlds of Dvořák. Searching in America for the Composer’s Inner Life (I. Introduction: 1. A Composer Goes to America; II. Dvořák and Hiawatha: 2. Hiawatha and the Largo, 3. The “Local Color of Indian Character” and the Scherzo, 4. A Nose for Hiawatha, 5. Dvořák’s Hiawatha Opera; III. Dvořák Among the Journal;ists: 6. Two Who Made the “New World”, 7. The Real Value of Yellow Journalism, 8. Dvořák, Krehbiel, and the “New World”; IV. American Influences, American Landscapes: 9. Burleigh and Dvořák: From the Plantation to the Symphony, 10. A Spillville Pastoral, 11. Inner and Outer Visions of America: Dvořák’s Suite and Biblical Songs, 12. Some American Snapshots; V. The Hidden Dvořák: 13. The Master Is Not Well, 14. A Cello Concerto, a Death – and Secrets, 15. Between a Ring and a Hard Place: Dvořák’s Homeric Wagner; Postscript; Appendix: “Negro Music” by Johann Tonsor) bound, 272 pages

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BOKUM Jan ten Jan Brandts Buys 1868-1933. Componist. Een Nederlander in Oostenrijk (Levensloop; I. Studiejaren: 1. Jeugd in Zutphen, 2. Frankfurt am Main; II. Weense jaren 1892-1910: 1, Jan als muziekcorrespondent, 2. Op zoek naar een bestaan als componist, 3. De eerste successen, 4. Doorbraak als componist en uitvoerend kunstenaar; III. Zuidtiroler intermezzo 1910-1914. IV. Wenen-Unter St. Veit. Succes en teleurstelling 1914-1920: 1. Succes in Dresden met Die Schneider von Schönau, 2. Wenen 1917, succes en teleurstelling, 3. Nieuwe opera’s; V. Loznica aan de Adriatische zee 1920-1927. VI. Salzburg 1928-1933. De werkeb van Jan Brandts Buys: I. Stijlkenmerken en stijlontwikkeling: 1. Harmonische kenmerken, 2. Tonaliteit, 3. Ritmische en melodische aspecten, 4. Vormen, 5. Genres; II. Orgel- en pianomuziek: 1. Orgelmuziek, 2. Pianomuziek; III. Kamermuziek: 1. Jeugdwerken, 2. De eerste strijkkwartetten en het Weinachtskwintet, 3. Strijkkwartetten op. 19 en 23, 4. De strijkkwartetten op. 25 en 28: de Romantische en Sizilianische Serenade, 5. Kamermuziek met piano: de vioolsonate op. 16 en het kwintet op. 32, 4. Overige kamermuziek; IV. Orkestwerken en soloconcerten: 1. Orkestratie, 2. Concerten en orkestwerken tot 1905, 3. Orkesywerken tussen Das Veilchenfest en Glockenspiel 1905-1913, 4. Orkestwerken vanaf 1922; V. Liederen en koorwerken: 1. Inleiding, 2. Liederen op Nederlandse tekst, 3. Liederen op Franse tekst, 4. Liederen op Duitse tekst, 5. Koorwerken en cantates; VI. Opera’s: 1. Kenmerken van de opera’s, 2. Vroege werken, 3. Ontwikkeling naar een persoonlijke stijl, 4. Die Schneider von Schönau, 5. Die Schneider von Schönau in Nederland, 6. Speeloperatechniek in de ernstige opera, 7. De opera is alleen muziek, terug naar de komische opera, naar het irrationele, 8. Mythologische thematiek, muzikale verstarring, 9. Epiloog. Stemtypen en karakterrollen) paperback, 304 pages

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BOSSUYT Ignace Luigi Boccherini 1743-1805 [In memorian Luigi Boccherini. De biografie: 1. Lucca, Wenen en Parijs (1743-1768): 1743-1757: Lucca en de familie Boccherini; 1757-1764: Drie Weense verblijven; 1760-1761: De eerste composities: kamermuziek voor strijkers, de speicaliteit van Boccherini; 1764-1766: Cellist aan de Capella Palatina in Lucca; 17671768: Verblijf in Parijs met de violist Filippo Manfredi; 2. Madrid (1768-1805): 1768-1770: Cellist in de “Compagnia dell’Opera Italiana dei Sitios Reales”; 1770-1776: In dienst van prins Don Luis de Borbon in Boadillo del Monte en Aranjuez; 1776-1785: In ballingschap met Don Luis in Las Arenas de San Pedro; 1786-1787: “Director de la Orquestra y compositor” van gravin Maria Josefa Alfonso Pimentel; 1786-1797: Hofcomponist – vanuit Madrid – van Frederik Willem van Pruissen; 1796-1799: Boccherini en de Parijse uitgever Ignace Pleyel: een haat-liefde verhouding; Een hypothese: wie is de mysterieuze “Monsieur Boulogne” uit de brieven aan Pleyel?; 1798-1799: Boccherini’s reputatie en zijn “opdracht aan de Franse natie”; 1797-1802: De laatste vrienden, de laatste beschermheren; 1802-1805: Het levenseinde; Het werk: algemene kenmerken; Literatuur; Index van namen] paperback, 70 pages

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BURNEY Charles 1726-1814 Tagebuch einer musikalischen Reise. Vollständige Ausgabe. Hamburg 1772/1773 [I. Musikalische Reise durch Frankreich und Italien (1770). Vorrede des Übersetzers. Einleitung. Lille. Paris. Lyon. Genf. Turin. Mailand. Brescia. Verona. Vicenza. Padua. Venedig. Bologna. Florenz. Siena. Monetfiascone. Rom. Neapel. Rom. Weitere italienische Städte. Lyon und Paris. Nachbemerlungen. Biographische Notizen: Palestrina, Allegro, Bai. Register. II. Musikalische Reise durch Flandern, die Niederlande und am Rhein bis Wien (1772). Einleitung. St. Omer. Lille. Kortrijk. Gent. Aalst. Brüssel. Löwen. Maastricht. Aachen. Jülich. Köln. Bonn. Koblenz. Frankfurt am Main. Darmstadt. Mannheim. Schwetzingen. Ludwigsburg. Ulm. Augsburg. München. Nymphenburg. München. Von München nach Passau. Passau. Linz. Wien. III. Musikalische Reise durch Böhmen, Sachsen. Brandenburg, Hamburg und Holland (1772): Vorrede des Übersetzers. Böhmen. Prag. Von Prag nach Dresden. Dresden. Leipzig. berlin. Potsdam. Berlin. Hamburg. Bremen. Holland. Groningen. Amsterdam. Haarlem. Leiden. Delft. Rotterdam. Ergänzungen. Zusätze. Anmerkungen zur zweiten Band. Anmerkungen zum dritten Band. Erstes Register zum dritten Band (Personen). Zweites Register zum dritten Band (Orgelund Clavierbauer). Register zum zweiten Band. Autoren der Anmerkungen] (Hurst) bound, 314 pages

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BROWN Rachel The Early Flute. A Practical Guide (1. Historical sources; 2. The development of the flute 1700-1900; 3. Technique; 4. Style; 5. Case studies; Appendix A: Flute treatises and tutors in chronological order; Appendix B: Fingering charts; Notes; Select bibliography) paperback, 184 pages

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CARPENTER Alejo 1904-1980 Music in Cuba (Preface; 1. The Sixteenth Century; 2. The Seventeenth Century; 3. Esteban Salas; 4. Salon and Theater at the End of the Eighteenth Century; 5. A Plot in the Cathedral of Havana; 6. Introduction to the Contradanza; 7. Blacks in Cuba; 8. The Beginning of the Nineteenth century; 9. Antonio Raffelin - Juan Paris; 10. Saumell and Nationalism; 11. Espadero, the Romantic; 12. Ignacio Cervantes; 13. Cuban Bufos; 14. Laureano Fuentes – Gaspar Villate; 15. A Transition Period; 16. Afro-Cubanism; 17. Amadeo Roldán – Alejandro Garcias Caturla) (Brennan, West-Durán) paperback, 302 pages

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CARSE Adam Musical Wind Instruments (I. Classification of Wind Instruments; II. Sound Generators and Resonators; III. Practical Acoustics; IV. The Shortening-Hole System of the Wood-wind Instruments; V. The Lengthening Slide and Valve Systems of the Brass Instruments; VI. Summary of Wind Instruments; VII. The Mechanics of Wood-wind Instruments; VIII. The Mechanics of Brass Instruments; IX. The Transverse Flute; X. Whistle-Fluteas; XI. The Oboe; XII. The Clarinet;; XIII. The Saxophone; XIV. The Bassoon; XV. The Horn; XVI. The Trumpet; XVII. The Cornet; XVIII. The Trombone; XIX. The Cornett; XX. Bugle-horns) paperback, 381 pages

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CRAFT Robert An Improbable Life. Memoirs by Robert Craft (I. Growing Up: 1. A Sense of Self; 2. Prep School; 3. Juillard, The War, Tanglewood; II. The Stravinsky Years: 4. “Dear Bobsky”; 5. Wetherly Drive Regulars; 6. The 1950s; 7. Isaiah Berlin and Stravinksy’s Abraham and Isaac; 8. The Final Years; III. Surviving The Legacy: 9. Confrontations; 10. Three Deaths and a New Life; 11. My Return to Music; 12. Not Going Gently) bound, 448 pages

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FINSCHER Ludwig Geschichte und Geschichten. Ausgewählte Aufsätze zur Musiktheorie (I. Methodologie, Historiographie und Soziologie der Musik: Die >Entstehung des KomponistenSturm und Drang< in der Musikgeschichte; Natur als Inspirationsquelle. Otto Jägermeisters Bergtouren und seine sinfonische Dichtungen; Hausmusik und Kammermusik; Musikalische Denkmäler und Gesamtausgaben; Intertextualität in der Musikgeschichte; II. Alte Musik: Zum Verhältnis von Imitationstechnik und Textbehandlung im Zeitalter Josquins; Zur Cantus-firmus-Behandlung in der Psalm-Motette der JosquinZeit; Zur Problematik des Manierismus-Begriffs in der Musikgeschichtsschreibung; Gesualdos Atonal;ität und das Problem des musikalischen Manierismus; Zum Parodieproblem bei Bach; Corelli und die >corellisierenden< Sonaten Telemanns; III. Klassik: Che faro senza Euridice? Ein Beitrag zur Gluck-Interpretation; Zum Begriff der Klassik in der Musik; Was ist eine lyrische Operette? Anmerkungen zu Schillers >SemeleZwischen absoluter und Programmmusik The Early Years 1770-1792: 1. Beginnings, 2. Music of the Bonn Years, Part II > The First Maturity 1792-1802: 3. The First Years in Vienna, 4. Music of the First Vienna Years, 5. Years of Crisis, 6. Music for ad with Piano, 7. Music for Orchestra and the First Quartets, 8. The First Maturity: An Overview; Part III > The Second Maturity 1802-1812: 9. Beethoven in the New Age, 10. New Symphonic Ideals, 11. The Mature Concertos, 12. Music fior the Stage, 13. Vocal Music, 14. Beethoven at the Keyboard, 15. String Quartets; Part IV > The Final Maturity 1813-1827: 16. The “Fallow” Years, 17. Beethoven’s Inner and Outer Worlds, 18. Bringing the Past into the Present, 19. Late Piano Music, 20. The Celestial and the Human, 21. Timeless Music: The Last Quartets; Notes; Chronology; Bibliography; Classified Index of Beethoven’s Works; Index of Beethoven’s Works by Opus Number) bound, 604 pages

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LOFT Abram How to succeed in an ensemble. Reflections on a life in chamber music (1. My Winding Road to an Ensemble Career; 2. Columbia: My Years at the Other End of the Classroom; 3. How I Joined the Fine Arts Quartet; 4. Instruments: Seeking the Ideal; 5. The Freelance Years; 6. Recordings: Pioneering in the 1950s and Beyond; 7. Concerts, Travel: Our Tours in the 1950s; 8. A Ldnmark Concert Series; 9. Reviews: Read “Em and Weep?; 10. The Fine Arts Quartet in a University Residency; 11. The 1960s: Playing Far and Wide; 12. Illness, Injury, and Other Problems; 13. The 1970s: My Last Years on the Road with the

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Fine Arts Quartet; 14. How I Left the Fine Arts Quartet – and Lived On; 15. Forming or Joining and Ensemble: Some Words to the Wise; 16. Rehearsal in the Real and Ideal Worlds; 17. Repertoire, Program Building, Guest Artists; 18. Survival: Gigs, Recording, Reaching Your Public; 19. Teaching Chamber Music; 20. The Business Side of Ensemble Life; 21. The Chamber Ensemble in Residence; 22. Recapitulation and Coda; Repertoire List, Guest Artists; Discography; Suggested Readings; List of Musical Examples) bound, 300 pages

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MacDONALD Malcolm Varèse. Astronomer in Sound (Part One. The Past: 1. The lost memory: the enigma of early mnusic; 2. Further and “beyond”: aspects of Varèse’s developing aesthitic; 3. “All’illustre futuro”: Wronski to Busoni; Part Two. New worlds: 4. From the Seine to Brooklyn Bridge; 5. Flowering Crystals; 6. A new star and a new heaven; Part Three. Microcosm and macrocosm: 7. Nova and Ion; 8. Path of the lightning; 9. Lost in space; Part Four. All alone in the night: 10. Deserts of the mind; 11. Inquisition; 12. Beyond the night) paperback, 423 pages

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McCORKLE M.L. Schumann Thematisch-Bibliographisches Werkverzeichnis cloth bound in cover, 2204 pages

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MESSIAEN Olivier Traité de rythme, de couleur et d’ornithologie 1949-1992 en sept volumes: Volume VII (Genèse des Modes; Son Couleur; Analyse des couleurs d’accords; Tableaux des Modes et des divers accords employés par Olivier Messiaen; Analyse succincte des “Trois petites liturgies”)

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MEYER Gabriele E. Günter Bialas Werkverzeichnis (Musiktheater: Oper, Opernbearbeitung, Ballett; Hörspielmusik; Filmmusik, Schauspielmusik; Vokalmusik: Oratorium, Kantaten, Melodramen, Sologesang mit Orchester, Sologesang mit Chor und Orchester, Sologesang mit Instrumenten, Chormusik a cappella, Motetten, Chormusik mit Instrumenten, Bearbeitungen von Volksweisen für Chor a cappella und Chor mit Instrumenten, Bearbeitungen von Volksweisen und anderen Vokalkompositionen für Singstimme und Instrumente, Bearbeitungen von Volksweisen für verschiedene Instrumente; Instrumentalmusik: Orchesterwerke, Konzerte, Kammermusik, Tasteninstrumente; Textrekonstruktionen von unveröffentlichten Vokalkompositionen – Manuskripte; Kurzbiographie; Schriftenverzeichnis; Literaturverzeichnis; Diskographie; Werkregister nach Gattungen bzw. Besetzungen; Verzeichnis der Texttitel und Textanfänge; Verzeichnis der vertonten Dichtungen) bound, 178 pages

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NISSMAN Barbara Bartók and the Piano. A Performer’s View (Introduction; 1. The Traditionalist: a. Sonata 1898 unpublished; b. Four Early Pieces 1903; c. Rhapsody Op. 1 for Solo Piano 1904, for Piano and Orchestra 1905; d. Piano Quintet 1904; e. Scherzo Op. 2 for Piano and Orchestra 1904-1905; f. Two Elegies Op. 8b 1908-1909; g. Additional Repertoire to Explore; 2. A New Piano Style: a. Fourteen bagatelles Op. 6 1908; b. Ten Easy Pieces 1908; c. Three Hungarian Folksongs from the Csik District 1907; d. Seven Sketches Op. 9b 1908-1010; e. Additional Repertoire to Explore; 3. Bravura, Virtuosity, and Pianism: a. Études Op. 18 1918; b. Two Rumanian Dances Op. 8a 1910; c. Allegro Barbaro 1911; 4. Folk Music: The Perfect Union: a. Improvisations on Hungarian Peasant Songs Op. 20 1920; b. Other Solo Compositions Using Folk Material; 5. Form and the Sonata: a. Sonata 1926; b. Sonata for Two Pianos and Percussion 1937; c. Concerto for Two Pianos, Percussion, and Orchestras 1940; 6. The Evolutionary: Out of Doors 1926: a. With Drums and Pipes; b. Barcarolle; c. Musettes; d. Musiques Nocturnes; e. The Chase; 7. Back to the Suite: a. Suite Op. 14 1916; b. Dance Suite 1925; c. Petite Suite 1936/1943; d. Suite for Two Pianos Op. 4b 1940; 8. Ten Plus Nine Plus Two Plus . . .: a. Three Burlesques Op. 8c 1908-1911; b. Four Dirges Op. 9a 1909-1910; c. Three Rondos on Folk Tunes 1916-1927; d. Nine Little Piano Pieces 1926; e. Two Pictures – Deux Images Op. 10 1910-1911; Other Transcriptions for Solo Piano; 9. The Composer as Teacher: a. Mikrokosmos; b. For Children 1908-1909/1944-1945; c. First Term at the Piano 1913/1929; 10. The Three Piano Concertos and the Piano Chamber Repertory: a. Piano Concerto No. 1 1926; b. Piano Concerto No. 2 1931; Piano Concerto No. 3 1945; The Piano/Chamber Repertoire; 11.

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Clarity and Rubato: Bartók as Pianist: a. Discography of Bartók Piano Recordings; b. Completed Piano Works; c. Other Major Works in Chronological Relation to Piano Repertory; Afterword; CD Track List; General Index; Index of Bartók’s Works; About the Author) bound, 319 pages, CD included

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PFLICHT Stephan “ . . . fast ein Meisterwerk”. Die Welt der Musik in Anekdoten. Eine heitere MusikSoziologie (Einführung; Musik und Gesellschaft: So unvollendet habe ich die “Unvollendete” noch nie gehört . . . , Bürgerliche Hausmusik und gesellschaftliche Repräsentation; Jetzt noch die Toselli-Serenade . . . , Gesellschaftlicher Wandel und musikalischer Geschmack; Der Musiker in der Gesellschaft: Was nützt uns der Lorbeer, wir haben keinen Karpfen . . . , Die gesellschaftliche Emanzipation der Musiker; Spiel schneller, die Bank macht zu . . . , Musikmarkt und Musikgesellschaft; Was ist eine sozialistische Flötensonate . . . , Klischee und Wirklichkeit; Ich bin die Großherzogin von Gerolstein . . . , Individuelle Eigenheiten und Schwächen; Die Ente ist ein dummer Vogel – für einen zuviel, für zwei zuwenig . . . , Tafelfreuden und Lebengenuß; Heut hab’ich bei der schönen Helena geschlafen . . . , Liebe, Ehe und Amouren; Wenn sie nicht singt, dann ist sie wie die Callas . . . , Musiker unter sich; Der Musiker und seine Arbeitswelt: Stunden wollen Sie nehmen – Sie müssen Jahre nehmen . . . , Die musikalische Ausbildung; Jaja, an Mozart erinnert man sich immer gern . . . , Originalität und Plagiat; Je falscher er klngt, um so richtiger ist es . . . , Die Neue Musik; Wenn Sie uns schikanieren, spielen wir so, wie Sie dirgieren . . . , Orchesterpodium und Konzertsaal; An Ihrer Stelle würde ich nicht so halbnackt auftreten . . . . , Musiktheater und Show; Frau Opernsängerin Brandt-Söderham, bitte in Hagenow umsteigen . . . . , Gastspiele und Tourneen; Ich esse doch so gerne Spargel . . . , Festspiele und Musiktourismus; . . . fast ein Meisterwerk, Die Wirkung der Musikkritik; . . . das war ja bloß Musik, Stimmen aus dem Publikum) paperback, 206 pages

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SAMSON Jim Virtuosity and the Musical Work. The Transcedental Studies of Liszt (Introduction; 1. Ecology by numbers; 2. Of maps and materials; 3. Composing the performance; 4. Making and remaking; 5. Forms and reforms; 6. Suggestion and symbol; 7. Mazeppa times) bound, 240 pages

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SCHICKLING Dieter Giacomo Puccini. Catalogue of the Works

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SCHLEUNING Peter Johann Sebastian Bach. Die Brandenburgischen Konzerte

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bound, 466 pages

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paperback, 196 pages

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SCHWEITZER Albert Deutsche und Französische Orgelbaukunst und Orgelkunst. Reprint der Erstausgabe Leipzig 1906 mit dem Nachwort Leipzig 1927 mit einer Einführung von Frank Reinisch paperback, 73 pages

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STRELLER Friedbert Sergej Prokofjew und seine Zeit (Aspekte: 1. Geordnete Kindheit und provokative Jugend im Rußland um 1900; 2. Unter dem Einfluß der russischen Avantgarde; 3. Der Ausbruch in die freie Welt; 4. Entscheidende Reise nach Bolschewesien; 5. Einordnung, aber nicht Unterordnung; 6. Die Kriegsjahre; 7. Unter dem Druck stalinistischer Restriktionen; Anhang: Bildteil; Werkverzeichnis; Bibliographie; Personenregister; Bildnachweise) bound, 365 pages

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THOMAS Downing A. Aesthetics of Opera in the Ancien Régime 1647-1785 (Part I: French opera in the shadow of tragedy: 1. Song as performance and the emergence of French opera; 2. The Opera King; 3. The ascendance of music and the disintegration of the hero in Armide; 4. The disruption of poetics I: Médée’s excessive voice; 5. The disruption of poetics II: Hippolyte et Aricie and the reinvention of tragedy; Part II: Opera and Enlightenment: from private sensation to public feeling: 6. Heart strings; 7. Music, sympathy, and identification at the Opéra Comique; 8. Architectural visions of lyric theatre and spectatorship; 9. Opera and common sense: Lapécéde’s Poétique de la musique) bound, 411 pages

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TRENNER Franz Richard Strauss Chronik (Geleitwort von Richard Strauss; Vorwort; Chronik; Allgemeine Abkürzungen und abgekürzt zitierte Literatur; Personenregister; Werke von Richard Strauss; Werke anderen Autoren) cloth bound, 826 pages

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WARREN Richard S. Begins with the Oboe. A History of the Toronto Symphony Orchestra (Foreword: Sir Andrew Davis; I. Prelude; II. 1922-1931: Luigi von Kunits; III. 1931-1945: Sir Ernest MacMillan; IV. 1945-1956: Sir Ernest MacMillan; V. 1956-1965: Walter Susskind; VI. 19651973: Seiji Ozawa and Karel Ančerl; VII. 1973-1975: Victor Feldbrill, Resident Conductor; VIII. 1975-1982: Andrew Davis at Massey Hall; IX. 1982-1987: Andrew Davis at Roy Thomson Hall; X. 1988-1994: Cünther Herbig; XI. 1994-2000: Jukka-Pekka Saraste; Toward the Unkonown: 2001-2002; Afterword: The Honourable Bob Rae; Appendices: A. Musicians of the Toronto Symphony Orchestra; B. Music Directors, Conductors, and Composers; C. Presidents/Chairmen of the Board of Directors; D. Canadian Works Commissioned by the Toronto Symphony Orchestra; E. Discography) bound, 287 pages

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WHITTALL Arnold Exploring Twentieth-Century Music. Tradition and Innovation (1. The work in the world: Western orientations; Progressiveness and place; City life; Place, personality and Sibelius; 2. Reflections, reactions: Debussy in the mirror; Webern’s tribute to perfection; Form and content: Webern’s Op. 27/III; Canonic resonances; 3. Rites of renewal and remembrance: Janáček’s conventions; Janáček in context; Bartók and tradition; Bartók in 1939; 4. Transcending the secular: From classical to neoclassical; Dithyramb; Here and now, there and then; 5. Overlapping opposites: Schoenberg observed: Character; Models; Meanings; Music, rel;igion, politics; 6. The subject of Britten: Fulfilment, frustrations; Masking Dionysus; The constraints of genre; 7. Engagement or alienation?: Between politics and art; Marxism and after: Kagel; Beethoven and after: Tippett and Shostakovich; Judging Schnittke; Affirmation, irony; 8. Rites of transformation: Words about harmony; Aspects of the Requiem: Mozart, Wagner, Henze; Wagner, Britten, Henze; The German labyrinth; 9. Modernism, lyricism: Shadow and symmetry; Perspectives on Carter; Angles on Birtwistle; 10. Experiment and orthodoxy: Minimalism, modernism, classicism; The Dionysian clockwork; , Ways, means, materials; Mechanical and spiritual; 11. Modernism in retreat?: What kind of century?; Theory, science, semiotics; Resonance in space; Echoes of voice; Songs of ambivalence and experience; A final focus) paperback, 238 pages

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WILLIAMS John-Paul De Piano. Een uitgebreide handleiding over de piano en zijn geschiedenis (Geschiedenis; Ontwikkeling: inleiding, ontwikkeling van de piano, piano’s van grote componisten; Overzicht van pianobouwers; Onderhoud: een piano kiezen, de kunst van het redstuareren, de zorg voor en piano; Verklarende woordenlijst; Register; Aanbevolen literatuur; Fotoverantwoording) gebonden, 160 pages

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