Sonata - Sins Of Youth Guitar - Roland Chadwick

Sonata

Guitar

Violin and Guitar

'Sins of Youth' I. Allegretto

Roland Chadwick

                      mf 

                            mp

Allegretto q = 105

 



4 3

1

4 2

2

CII

4

2 4

4

1

1

2

3

2

f

                        

9

1

2

4

1

1

2 3

4

2

2

3

3                     

mf

                                                    f mf

15

4

4

3

4

2

2

2

2

1

 21           f

f

                         2 1

1

2

mf

cresc.

p

         mf

 26                            3

1

f

mp

2

f

                          1

3

2

mf

sf

mf

3                        4

2

1

p

3       3     3                                                     

29

3         3                                                   mf  Copyright 1979 Roland Chadwick. All Rights Reserved.

32

3

2

Guitar

                                                            

35

1

p

mf

mp

mf

mp

      

38

                           

   

                 

f

                                                        3

3

41

1

4

3

1

2

1

3

mf

3

2

3

                                   

45

     

50

3 1 4 2

3

            3

                      3

52

3

1

2

4

3

          

55

 

               

  

mf

              

63

                      

 

            3

2



      

f

 

                   mf

      



4 1

3

mp

3

3

f

4 3

  

CII

2

mf

2

   

f

4 2

1

3

   4

 

       2

2

2

4

1

                                            3

      4

4

3

f

1

                

3

                      

59

3

     

3

Guitar

         3                                         

67

1

2

4

2

1

1

2 3

4

74

               4

4

3

2

2

f

mf

                               4

2

2

1

mf

   80                                       CI

CV

3

2

2

f

mf

mf

mf

                                                                   mf

sf

mf

   3   3                                                     

85

f

mp

f

mp

3     3                                                        mf

89

                  mf

92

                                     cresc.

                               

95

         

98

      f

   

           

                                                 f

4

Guitar

q = 60 1

 

II. Aria 1 

            CII

4 3 1

2

3

2

4

2

3                        

4 3 1

4

2

4

1

1

3

2

4 3

4

1

3

3

2

2

mp espress.

                                         2

1 3

3

4

3 1

1

3

mp

CI

1 4

4

2

2

2

3

4

2

3

          

4

2

4

CIII

1/2CII

1/2CII

9

     3 p

CIV

3                                                    1/2CII

13

1

4

4

4

2

3

3

4

4

2

3

3

3

3

2

3

3

3

2

3

2

2



                                         1/2CI

3

16

2

4

4

1/2CI

4

2

2

4

4

3

1

2

3

2

2

1

2

1

3

1

3

1

2

4

1

1

    1

1

5

Guitar

III. Aria 2 Adagio q = 66

   

harm. VII

 

1

p

3 4

A tempo rit.                    p

5

4

3

1

3

1

1

    

11

pp

        1/2CI

4

3

mp

         

17

mf

mp

p









 

 

4 2

3 4

1

 

1

           



mf

2

4

1 4

2

3

3

mp

2

            

CIV

3

2



               p  4

   



             

p

                                    mf f

                     mf

22

 

CIV

4

      mp

  

 

          



f

                                   

27

mf

p

pp

6

Guitar

IV. Scherzo

q = 90

                                                     simile

1

f

mp



                                              

4

mp











                                                mp

7

f

                                                 

10

f

                                                  mp

13

f



                                                       

16

19



   





 





                                            

7

Guitar

                                               

22

1

2

mp

                                                  

25

                                                  

28

31







mp





                                             f



                                                      

34

mp

                                              f

37

                                                      f 

41

                

44

2

  

  

  

  

    

  