Suzuki Association of the Americas Membership

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Sep 12, 2013 ... would like for all of us to remember Dr. Suzuki main guiding principle: .... Berkman, 3:00 and 5:00 PM, for Suzuki piano students in books 3.
        Dear  Parents  and  Students,  

 

      We  are  all  excited  to  be  back  and  are  ready  to  dive  into  another  year  of  learning,  practicing  and  sharing  our  love   for  music  and  children  with  all  of  you.    We  hope  that  this  year  will  be  enriching,  exciting,  full  of  learning  and  will  go   smoothly  for  all  of  us.    As  you  and  you  and  your  children  settle  gracefully  into  homework  and  practicing  routine  I   would  like  for  all  of  us  to  remember  Dr.  Suzuki  main  guiding  principle:  "character  first,  ability  second";  to  develop   children  with  noble  hearts  and  fine  character.    The  study  of  music,  the  cooperation,  the  triangle,  between  parent,   student  and  a  teacher,  is  a  crucial  component  of  developing  that  fine  character.     I want to make good citizens. If a child hears fine music from the day of his birth and   learns to play it himself, he develops sensitivity, discipline and endurance. He gets a beautiful heart.   —Shin'ichi Suzuki     We  are  happy  to  present  this  calendar  to  you.    It  not  only  shows  you  our  regular  teaching  days  but  also  days  off,   make  up  days,  and  more.    Please  put  those  in  your  calendars  now.    You  will  also  find  a  list  of  group  classes,  all   taking  place  on  Saturdays.       Please,  not  the  “Useful  links”  part  of  our  newsletter.    By  clicking  on  them  you  will  find    wealth  of  concerts,  musical   and  theater  performances  and  more,  offered  by  such  illustrious  organizations  like  Hartford  Symphony,  Hartt   School,    Jorgensen  Auditorium  at  UConn,  and  of  course,  Yale  School  of  Music.    Listening  to  music  regularly   produces  a  well-­‐round  child,  a  truly  remarkable  human  being.  We  hope  you  and  your  children  will  take  advantage   of  the  many  opportunities.   Have  a  GREAT  year!    And  happy  practicing!     Fondly,     Your  Suzuki  Piano  Team  

Suzuki  Association  of  the  Americas  Membership   The  Suzuki  Association  of  the  Americas  is  the  official  organization  that  provides  vision  and  leadership  as   well  as  organizational  and  financial  support  for  all  of  its  members  throughout  North,  Central  and  South   America.    It  is  gratifying  to  take  part  in  the  work  of  this  40-­‐year-­‐old  non-­‐profit  association.   The  Hartt  Suzuki  Program  is  recommending  that  you  consider  joining  the  Suzuki  Association  of  the   Americas  as  Associate  Members.  This  relatively  inexpensive  membership  ($35  per  year)  comes  with   American  Suzuki  Journal  which  offers  many  articles  and  resources  that  will  significantly  enhance  your   experience  as  Suzuki  parents.  SAA  website  has  a  Parent  Forum  where  you  can  chat  with  other  parents.   The  Association  offers  many  outstanding  publications  which  will  help  parents  in  the  musical  journey  with   their  child.  

www.suzukiassociation.org    

  ABOUT SUZUKI PIANO PROGRAM     Music  and  equipment   Music  books,  CDs,  and  piano  boosters  (or  cushions)  and  footrests  can  be  purchased  on  campus  at  the  University   bookstore  or  in  various  online  stores.  You  can  make  a  piano  footrest  yourself—we  have  plans—just  ask  your   teacher.  If  your  child  outgrew  the  cushions  and  the  footrest,  please  consider  donating  it  to  another  family  with  the   younger  child.    Please,  talk  to  your  teacher  about  it.     “You only need to practice on the     days you eat.”   -Shinichi Suzuki

  Parent  participation  

The  parent  attends  all  lessons  and  group  classes,  takes  notes,  and  supervises  daily  practice.  Don’t  worry  if  you   can’t  read  music.  You  can  learn  along  with  your  child  but  your  participation  is  essential.  Your  child  cannot  succeed   without  your  help  in  the  first  few  years.    It  helps  to  stay  organized.    For  example,  have  one  bag  designed  just  for   piano,  perhaps  with  your  child's  name  on  it.    Pack  the  piano  bag  together  to  assure  that  nothing  is  forgotten.     Parent  participation  also  means  that  the  time  at  your  lesson  is  all  about  your  child.    Please,  leave  all  distractions  in   the  hallway.    That  means  NO  TEXTING,  NO  PHONE  CALLS,  NO  BOOKS  (or  Kindle  or  iPads  unless  it  is  used  for   recording  parts  of  the  lesson).  

  Pre-­‐Twinkle  Parent  Lectures  for  all  new  Parents     Pre-­‐Twinkle  Parent  Classes  Begin:     Thursday,  September  12th    5:00  –  5:45  pm  (UUC,  Choir  Room)  OR     Saturday,  September  14th  9:00  –  9:45  am  (Hartt,  Room  342)   The  classes  run  for  4  weeks.  You,  the  Parent,  need  to  come  just  once  a  week,  choose  the  days  that  fits  your   schedule!         SCHOOL INFORMATION:      

  Regular  School  Year  Office  Hours  –  September-­‐May   Monday-­‐Friday  10:00  am-­‐6:00  pm   Saturday  8:30  am-­‐2:30  pm   Sunday  Closed   Extended  Hours  –  September-­‐October   Monday-­‐Friday  10:00  am-­‐7:00  pm   Saturday  8:30  am-­‐2:30  pm   Sunday  Closed       General  Information:  (860)  768-­‐4451  Office  Email:  [email protected]   Web  Address:  www.hcd.hartford.edu  

 

School year at the glance       PLEASE  NOTE  the  following:   Ø Recitals  in  BOLD  are  for  Suzuki  Pianists  ONLY.    All  Suzuki  Pianists  are  participating.   Ø Recitals  in  ITALICS  are  for  wider  range  of  students,  either  all  Suzuki  instruments  or  all  students  at  our   school,  therefore  participation  in  those  is  by  teacher’s  recommendation  only.   Ø HCD  recitals  are  for  all  students  and  all  instruments  and  voice.    Those  take  place  at  3:30  and  5PM  on   Saturdays  noted  below  in  your  Calendar.   Ø Suzuki  Recitals  are  for  all  Suzuki  instruments.    Those  take  place  on  Saturdays  at  3:30  and  5PM,  and  on   Sundays  at  1:00  and  2:30  PM  on  the  dates  listed  below  in  your  Calendar.   Ø Only  teacher  can  sign  the  students  up  for  any  of  the  listed  recitals.     SEPTEMBER  2013     • September  3rd,  first  day  of  classes   • All  activities  as  normal  on  September  5th  (Rosh  Hashanah)   • All  GROUP  LESSONS  AS  SCHEDULED   OCTOBER  2013   • All  activities  as  normal  on  October  14th  Columbus  Day     • October    19  and  20,  All-­‐Suzuki  Recitals   • October  5,    All-­‐School  Recitals   • October    26th,  Halloween  Play  –In,  3:30  PM,  Room  410/412.    An  event  for  our  newest  and  youngest,  those   who  just  started  with  us  this  fall!    Come  dressed  in  costume,  see  your  teachers  dressed  in  funny,  silly,   sometimes  scary  costumes!!!    Listen  to  scary  musical  story  and  play  for  your  parents  and  friends.    A  very   informal  event  to  let  our  youngest  students  have  the  first  taste  of  a  recital  experience.   • ALL  GROUP  LESSONS  AS  SCHEDULED   NOVEMBER  2013   • November  2nd,    All-­‐School  Recitals.     • November  5th,  Election  Day,  classes  as  normal   • November  16th  and  30th,  Suzuki  Recitals.     • November  16th  ENSEMBLE  RECITALS!    Berkman,  3:00  and  5:00  PM,    for  Suzuki  piano  students  in  books  3   and  up.  The  recital  time  assignment  will  be  available  from  your  teacher  in  the  1st  week  of  November.   • November  26,  27,  MAKE  UP  days.    No  regular  lessons  unless  a  make  up  is  scheduled  by  a  teacher.   • November  28  to  December  1st-­‐School  closed,  Thanksgiving  break.   • All  GROUP  LESSONS  AS  SCHEDULED.   DECEMBER  2013   • December  1st,  All  School  Recitals   • December  7th,  no  lessons,  school  closed  due  to  college  auditions.   • December  14th  SUZUKI  PIANO  RECITALS!    Berkman  and  Bliss.    Times  TBA.    Your  teacher  will  have  recital   assignments  in  after  Thanksgiving  break.   • December  16  to  21,  MAKE  UP  days.  No  regular  lessons  taking  place  unless  a  make  up  is  scheduled  by  a   teacher   • December  22    to  January  1,  Holiday  break   • GROUP  LESSONS  as  SCHEDULED    

  JANUARY  2014   • January  2nd,  lessons  resume   • January  11th,  All  School  Recitals   • January  18,  Suzuki  Recitals   • January  20th,  Martin  Luther  King  Day,  all  classes  as  normal   • January  19th  to  24th,  opt-­‐out  week.    See  your  registration  form  for  more  information   • January  25th  and  26th,  no  classes  for  HCD  students  due  to  college  auditions   • All  GROUP  LESSONS  AS  SCHEDULED   FEBRUARY  2014   • February  1st,  All-­‐School  Recitals   • February  8th,  Suzuki  Recitals   • NO  classes  February  14th  and  15th  due  to  college  auditions.   • February  16th  to  21st,  MAKE  UP/February  vacation  days.     • All  GROUP  LESSONS  AS  SCHEDULED   MARCH  2014   • March  TBA,  HCD  Piano  Honors  Auditions,  for  all  piano  students  grades  6  to  12.   • March  TBA,  Piano  Honors  Concerts   • March  1st,  All-­‐School  Recitals   • March  8th,  Suzuki  Recitals   • All  GROUP  LESSONS  AS  SCHEDULED   APRIL  2014   • April  5th  and  6th,  All-­‐School  Recitals   • April  12th  and  19th,  Suzuki  Recitals   • April  14th  to  20th,  MAKE  UP/  April  vacation  days.  No  regular  lessons  taking  place  unless  a  make  up  is   scheduled   • All  GROUP  LESSONS  AS  SCHEDULED.   MAY  2014   • May  10th,  Suzuki  Recitals   • May  24th,  All-­‐School  Recitals   • May  31st,  PIANO  RECITALS,  for  ALL  Suzuki  piano  students;  Berkman  and  Bliss;  times  TBA.  The  recital   time  assignment  will  be  available  from  your  teacher  in  the  3rd  week  of  May.   • May  26th,  Memorial  Day,  NO  lessons   JUNE  2014   • June  8th,  Suzuki  Recitals   • JUNE  14th  and  15th,  AUDITION  DAY  for  orchestras,  choirs,  bands  and  chamber  music  ensembles.    ALL   middle  school  and  high  school  pianists  are  encouraged  to  audition.   • JUNE  10,  11,  13,  14  and  16:  MAKE  UP  DAYS  



June  17,  summer  semester  begins.  

    AUGUST  3-­‐8,  2014:    HARTT  SUZUKI  INSTITUTE!!!!!  

   

Useful Links   www.hartfordsymphony.org   Hartford  Symphony     www.imslp.org       Sheet  music,  free        

       

www.jorgensen.uconn.edu   Jorgensen  Auditorium     www.sheetmusicplus.com     Music  Store      

www.harttweb.hartford.edu   The  Hartt  School   www.musicmotion.com     Music  books,  gifts,  gadgets  

Just for fun…

What is a 64th note is called in British English? A hemidemisemi quaver. There are as many constellations in the sky as there are keys on the piano! The average medium sized piano has about 230 strings, each string having about 165 pounds of tension, with the combined pull of all strings equaling approximately eighteen tons. The oldest piano still in existence was built in 1720. No one knows where Mozart is buried. Each American president has had a personal piano -- with the exception of Gerald Ford and George Bush. Mozart once composed a piano piece that required a player to use two hands and a nose in order to hit all the correct notes.    

  GROUP CLASSES 2013/2014   The  Importance  of  Group  Classes By  Susan  Cheng   The  wonderful  opportunity  for  your  child  to  participate  in  group  classes  is  one  of  the  advantages  of  taking  Suzuki   piano  lessons.  As  pianists,  we  often  spend  most  of  our  time  at  the  piano  alone.  The  group  classes  are  an  excellent   way  for  young  pianists  to  learn  from  each  other,  play  music  for  and  with  one  another,  foster  new  friendships,  and   also  be  exposed  to  new  ideas  about  music  and  piano  playing.  We  are  very  lucky  at  Hartt  to  have  a  facility  that  is   perfect  for  these  piano  group  classes  –  a  room  with  eight  pianos  for  ensemble  playing.       The  Suzuki  piano  teachers  have  carefully  set  up  these  group  classes  according  to  levels.  The  classes  are  geared  

toward  reviewing  Suzuki  repertoire,  ensemble  playing,  performance  opportunities,  and  exposing  the   students  to  music  theory  and  history  to  gain  a  better  understanding  of  music.  It  is  important  for  these  classes  to   have  full  participation  so  that  there  is  maximum  interaction  between  the  students  and  teachers.  We  ask  that   parents  take  notes  during  class  and  help  supervise  the  completion  of  assignments  before  the  next  class. If  your   child  is  unable  to  attend  a  class,  please  contact  the  group  class  teacher  as  far  in  advance  as  possible  so  they  

can  plan  accordingly.   Here  is  the  contact  information  for  all  group  class  teachers: Susan  Cheng,  [email protected];  Tamila  Humphrey,  [email protected];   Jane  Bradley,  [email protected];  Barbara  Johnson,  [email protected]  ;     Windsor  Johnson,  [email protected];  Malgosia  Lis,  [email protected];  

ALL  CLASSES  IN  ROOM  103     Jane  Bradley’s  Group  Classes    

September  28   October  26   November  23   January  18   March  1   April  5   May  3   May  31   10  am   G  

11  am  

A  

 

_________________________________________________________________    

Barbara  Johnson’s  Group  Classes   October  12   November  9   January  11   February  8   March  8   April  12   May  10   June  7   9  am   B  

10  am   11  am   12:30     H   J   E  

1:30   M  

 

_________________________________________________________________     Windsor  Johnson’s  Group  Classes  

September  21   October  12   November  23   January  11   February  8   March  8   April  12   May  10   2:30   D   3:30   I    

_________________________________________________________________     Tamila  Humphrey’s  Group  Classes  

September  28   October  19     November  9   January  4   February    1      March     1   April  5   June  7   2:30   L  

3:30   F  

4:30   N  

 

_________________________________________________________________     Susan  Cheng’s  Group  Classes   BOTH  CLASSES  START  AT  9:00  AM  

Group  K   September  14  

October  5  

November  2  

December  14   March  1  

Group  O   September  21   October  19   November  16  

January  18  

March  29   May  3   May  31  

February  1   March  15   April  5   May  17  

 

 

_________________________________________________________________   Malgosia  Lis’  Group  Class   Class  starts  at  12:00  PM   Group    C      September           21   October  19     November  23   January  18   February    1      March     1   April  5   May  17  

 

A food for thought…

Make-up Lessons From An Economist's Point of View I'm a parent of children enrolled in Suzuki music lessons. I'd like to explain to other parents why I feel - quite strongly, actually - that it is unreasonable of us parents to expect our teachers to make up lessons we miss, even if I know as well as they do just how expensive lessons are, and, equally importantly, how important that weekly contact is with the teacher to keeping practicing ticking along smoothly. I think that it is natural for us parents to share the point of view that students should have their missed lessons rescheduled, but if we were to 'walk a mile' in our teachers' shoes, we might change our minds about what it is reasonable for us to expect of our teachers. Like many parents, I pay in advance for lessons each term. In my mind, what this means is that I have reserved a regular spot in the busy schedules of my sons' teachers. I understand - fully - that if I can't make it to the lesson one week (perhaps my son is sick, or we are away on holiday, or there is some other major event at school) then we will pay for the lesson, but that my teacher is under no obligation to find another spot for me that week, or to refund me for the untaught lesson. And this is the way it should be. In my 'other life' I am an economist and teach at our local university. Students pay good money to attend classes at the university; but if they don't come to my lecture on a Monday morning, then I am not going to turn around and deliver them a private tutorial on Tuesday afternoon. When I go to the store and buy groceries, I may purchase something that doesn't get used. Days or months later, I end up throwing it out. I don't get a refund from the grocery store for the unused merchandise. If I sign my child up for swimming lessons at the local pool, and s/he refuses to return after the first lesson, I can't get my money back. (…) On the other hand, if I purchase an item of clothing, and get home and change my mind, I can take it back and expect either a refund or a store credit. So why do I believe that music lessons fall into the first category of 'non-returnable merchandise', rather than into the second case of 'exchange privileges unlimited' (…)? Speaking now as an economist, I would claim that the reason is that items like clothing are "durable goods' - meaning, they can be returned and then resold at the original price - whereas music lessons are non-durable goods - meaning, once my Monday slot at 3:30 is gone, my son's teacher can't turn around and sell it again. The only way she would be able to give him a lesson later in the week would be if she were to give up time that she had scheduled for her own private life; and that seems pretty unreasonable - I can't think of many employees who would be thrilled if their bosses were to announce that they couldn't work from 3:30 to 4:30 this afternoon, but would they please stay until 6:30 on Thursday, because there will be work for them then! Many teachers hesitate to refuse our request to shift lesson times, because unless they keep us parents happy, we will decide to take our child somewhere else for lessons (or to drop musical study), and they will lose part of their income. (…). So rather than telling us that 'well, actually, the only time when I'm not teaching and that you can bring your son for lesson is during the time I set aside each week to go for a long soul-cleansing walk, and I can't do that on Monday at 3:30 when you should have turned up', they agree to teach us at a time that really doesn't suit their schedule. Teachers who are 'nice' in this way often, in the long run, end up exhausted, and feeling exploited; they try to draw a line in the sand. However, too few parents ask to switch only when absolutely necessary, and too many parents want lesson times when it suits them this week, which is not the same time that suited last week. If the conflict arises because my child is in the School play, and they have their dress-rehearsal during his lesson time, then I feel that I must choose between the two activities, and if he attends the dress rehearsal my private lesson teacher doesn't owe me anything. During May, my eldest son will be missing three lessons because he is going to accompany me on a trip to New Zealand to visit his great-grandparents. I do not expect my son's teacher to refund me for those missed lessons, or to reschedule them by 'doubling up' lessons in the weeks before or after our departure. Since there will be lots of advanced notice, I might ask her to consider preparing a special 'practice tape' for that period, or to answer my questions via e-mail, but if she doesn't have the time (…) and so has to refuse, then that's fine. I certainly don't expect her to credit me with three make-up lessons; there is no way for her to find a student to fill a three-week hole in her schedule during our absence. Instead, I hope that she will enjoy the extra hour of rest during those three weeks, and that we will all feel renewed enthusiasm when we return to lessons at the end of the trip. Article Copyright © 2001Vicky Barham, Ottawa Suzuki Strings Parent.