as it came to full flower as literary studies in twentieth-century political lwtworks and exported ..... over 150 in the German text, against almost 170 for the French.
'.~_';'-''''_''''";''''~''''"''''"''''"~'';''"",,,,~''',1>,'0.';"N4'.x'''''',>_,''''' .....,""-i""',,,'.,''',~'''
... ,,'.W"'......>'''''''''''.N,''.''''......~~,.,..,,......,'',"..,,'•...,...."'.....""',;"..d
....... '~_~~'"""','~.~"'~4"':~."""',",""'_
..,, _ _ " """"""'.,.... ~.;...~,_~~~;._'''''~,'',~~ ..,,~,'''' ......'''''' __~.:.......~.......,,;;.;:'''.t.Oo,W' Enlightenment and German Literary History," Journal ofEnglish and Germanic Philology 102, no. 3 (2003): 336·"36£. Canonicity debates in U.S. literary studies thus need ro factor in the particularly odd situation of U.S. Germanistik when the world canon is apptoached. especially in uncovering how alrernate germanophone canons might contest hegemonic cultural spaces.
...
"~"'~~""; _a~~~;;"'AAo.oi..,~~;..vw~'_~""""'~,~""",~
PARADOX OF PRIMACV IN THE KULTURVllSSl:NSClJAF11::N
49
and stayed in the United Slates, and a noticeable number were only marginally bicultural or These political and their U.S.-educated German students taught varieties ofcanonical literature and emphasized German contributions 1O world culture, helping in the common cause of cultural preservation. Many of them made or up connections with the libraries and archives oftheir homelands, worked on the many edition of postwar Germany's academic life, and founded, cofounded, or refounded author societies, journals, and conferences 11 of note. 'lhe anxiety of influence about the position of U.S. Germanistik was not so much an issue in the first postwar generations, where many scholars moved freely between Germany and the United States. 1hey helped Germany's Stunde Null fiction take root in a new German culture during and after Allied occupation, acting by proxy to uphold projects based in traditional philology and German literary history and Geistesgeschichte. 'Ihey taught and researched "great German books" bilingually, establishing a new canon including 11lOmas Franz Kafka, and Rainer Maria Rilke, as well as current authors active in G'ruppe 47. it was no wonder, then, that Gruppe 47 thought it viable to meet at Princeton University.11 lhese two German-born groups worked in partial blindness in regard to their impact on U.S.-born Germanists and on world germanophOlle including German-American culture, and European communities with germanophone roots outside the Federal Republic. When U.S.-based emigre Germanists after the Second World War "rescued" German culture from its recent past, they also began to help U.S. Germanistik disassociate from its own past, from a distinctive U.S.-based tradition of Germanistik, and from the mainstream of literary and cultural studies in the United States, even as the most eminent of them, like Rene Wellek, were instrumental in founding the modern U.S. field of Comparative Literature. In light of the fiction of German culture that they it is particularly ironic that many members of this exile scholarly generation
II
9
"'~~~iot...
lhe International Herder Society, for example. was founded at a California conference; the journal Modern AtI.rtl'ian Literature arose in the promise around Arthur Schnitzlers papers in California.
t2 One good indicator of this interdependence is the number of U.S.-based scholars, who participated in major historical critical editions, including usually born in those of Goethe, Herder, Friedrich and August Wilhelm Schle~el. Wilhelm von Humboldt, Benjamin, and the majority of women authors.
"~_
"'.~
~
__
so
"""~_'!:'
".r..................
~,i,t;,,~~.u.~".Ili1~',
7
Preface Martin Kagel IlHroduction
11
Chapter I Cultural Literacies
ofCulrure;
Some Remarks on the State of American Gatntlnistik
33
Katherine Arens 'Ihe Culture of "Culture": 'Ihe Paradox of Primacy in the Kulturwissmsch{/fien
42
Matt Erlin Affirmative ClIlture from Marcuse
63
to
Moritz
Chapter II Cultural History by lhe Deut,che Nationalbibliothek Nallona!b,blloll1eK lists this publication ill rhe Deutsche Nationalbi in the Internet at I. Aufl.lge 2009 Wehrhahn Verlag ww,,,.wehrhahn··verl,,g.de Salz und Gescalcung: Wehthahn Verlag, Molle Wegner
Celia v How to Get into Valhalla: llJe Cultural Meaning of Musical Greatness in Nineteenth-Century Germany
93
Jonathan M. Hess Reflections on Marginaliry, German-Jewish Literature, and the Study of Popular Culture
107
Druck und Bindung: Aalexx Bucbptodukcio(l, Gtollburgwedel
Aile Red"e v,,!'!lehalcen
Chapter III Film Studies Simon Richter
ISBN 978.. J-86S2S-I22-0
Behind Closed Doors:
'-~Ulll!l'HI
Cultures of Erotic
............. 127
